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  1. Time regained
    world literature and cinema
    Author: Ungureanu, Delia
    Published: 2022
    Publisher:  Bloomsbury Academic, New York

    Introduction: The fabric of dreams -- From automaton to movie camera : Méliès, Selznick, Scorsese -- The vast structure of recollection : Tarkovsky, Proust, Yourcenar -- In that sleep of death what dreams may come : Van Gogh, Kurosawa, Yourcenar --... more

     

    Introduction: The fabric of dreams -- From automaton to movie camera : Méliès, Selznick, Scorsese -- The vast structure of recollection : Tarkovsky, Proust, Yourcenar -- In that sleep of death what dreams may come : Van Gogh, Kurosawa, Yourcenar -- The dark hollow at the back of the head : Woolf and Daldry -- In the paradise of trapdoors : Proust, André Breton, and Raúl Ruiz -- Dream of the Red Chamber 2046 : Cao Xueqin and Wong Kar-wai -- Let this novel begin : Sorrentino and Proust -- Conclusion: The art of time regained : to be continued. "Over the past 30 years, the fields of world literature and world cinema have developed on parallel but largely separate tracks, with little recognition of their underlying similarities and the ways that each can learn from the other. Time Regained does not move from literature to cinema, but exists simultaneously in both fields. The 7 filmmakers selected here, Andrei Tarkovsky, Akira Kurosawa, Martin Scorsese, Raúl Ruíz, Wong Kar Wai, Stephen Daldry, and Paolo Sorrentino, are themselves also writers or people with literary training, and they produce a new type of world cinema thanks to their understanding of the world simultaneously through literature and film. In the process, their films produce new readings of literary texts that world literature studies wouldn't have been able to achieve with its own instruments. Time Regained examines how filmmakers build on literature to reconfigure the world as a landscape of dreams and how they use film to reinvent the narrative techniques of the authors on whom they draw. The selected filmmakers draw inspiration from French surrealists, modernists Marcel Proust, Virginia Woolf, and Marguerite Yourcenar, and predecessors such as Dante and Cao Xueqin. In the process, these filmmakers cross the borders between film and literature, nation and world, dream and reality"--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781501355790
    RVK Categories: AP 47600 ; EC 2440 ; IH 22081 ; IH 74361 ; IH 90841
    Subjects: Motion pictures and literature; Film adaptations; Time in motion pictures; Time in literature
    Scope: xiv, 292 Seiten, Illustrationen
    Notes:

    Literaturverzeichnis: Seite [271]-283
  2. Modern Austrian literature through the lens of adaptation
    Author: Firth, Catriona
    Published: 2012
    Publisher:  Rodopi, Amsterdam

    Preliminary Material -- ACKNOWLEDGEMENTS -- AUTHOR’S NOTE -- INTRODUCTION -- PERVERTED NARRATIVES AND SECRET SUBVERSION: GERHARD FRITSCH AND GEORG LHOTZKY’S MOOS AUF DEN STEINEN -- FOCALISATION, IDENTIFICATION, AND POWER: FRANZ INNERHOFER AND FRITZ... more

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    Universitätsbibliothek Leipzig
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    Südwestdeutscher Bibliotheksverbund (SWB)

     

    Preliminary Material -- ACKNOWLEDGEMENTS -- AUTHOR’S NOTE -- INTRODUCTION -- PERVERTED NARRATIVES AND SECRET SUBVERSION: GERHARD FRITSCH AND GEORG LHOTZKY’S MOOS AUF DEN STEINEN -- FOCALISATION, IDENTIFICATION, AND POWER: FRANZ INNERHOFER AND FRITZ LEHNER’S SCHÖNE TAGE -- THE VIOLENCE OF VISUAL ANTHROPOLOGY: GERHARD ROTH AND XAVER SCHWARZENBERGER’S DER STILLE OZEAN -- COMEDY, COLLUSION, AND EXCLUSION: ELFRIEDE JELINEK AND FRANZ NOVOTNY’S DIE AUSGESPERRTEN -- POST-MODERN PLEASURES: ROBERT SCHINDEL AND LUKAS STEPANIK’S GEBÜRTIG -- CONCLUDING REMARKS -- BIBLIOGRAPHY -- INDEX. For decades postwar Austrian literature has been measured against and moulded into a series of generic categories and grand cultural narratives, from nostalgic ‘restoration’ literature of the 1950s through the socially critical ‘anti- Heimat ’ novel to recent literary reckonings with Austria’s Nazi past. Peering through the lens of film adaptation, this book rattles the generic shackles imposed by literary history and provides an entirely new critical perspective on Austrian literature. Its original methodological approach challenges the primacy of written sources in existing scholarship and uses the distortions generated by the shift in medium as a productive starting point for literary analysis. Five case studies approach canonical texts in post-war Austrian literature by Gerhard Fritsch, Franz Innerhofer, Gerhard Roth, Elfriede Jelinek, and Robert Schindel, through close readings of their cinematic adaptations, concentrating on key areas of narratological concern: plot, narrative perspective, authorship, and post-modern ontologies. Setting the texts within the historical, cultural and political discourses that define the ‘Alpine Republic’, this study investigates fundamental aspects of Austrian national identity, such as its Habsburg and National Socialist legacies

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789401208482
    Other identifier:
    Series: Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft ; 157
    Subjects: Austrian literature; Austrian literature; Austrian literature; Criticism, interpretation, etc; Film adaptations
    Scope: 1 Online-Ressource (241 pages)
    Notes:

    "Parts of some chapters were published previously in different versions"--Acknowledgements

    Includes bibliographical references (p. 221-238) and index
  3. Bigger than Ben-Hur
    the book, its adaptations, and their audiences
    Author: Shamir, Milette
    Published: 2016
    Publisher:  Syracuse University Press, Syracuse, New York

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    Source: Union catalogues
    Contributor: Ryan, Barbara (Publisher)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780815634171; 9780815634034; 9780815653318
    RVK Categories: AP 52600 ; FB 3770 ; HT 6835 ; NH 5200
    Edition: First edition
    Series: Television and popular culture
    Subjects: Christianity in literature; Ben-Hur (Motion picture : 1925); Ben-Hur (Motion picture : 1959); Christianity in motion pictures; Motion pictures and literature; Historical films / United States / History and criticism; Film adaptations
    Other subjects: Wallace, Lew / 1827-1905 / Ben-Hur; Wallace, Lew / 1827-1905 / Film adaptations
    Scope: xviii, 269 Seiten, Illustrationen, 24 cm
    Notes:

    Literaturverzeichnis: Seite249-253

    :
  4. Studije filma
    ogledi o filmskim tekstovima sećanja
    Author: Daković, Nevena
    Published: 2014
    Publisher:  Fakultet dramskih umetnosti, Institut za pozorište, film, radio i televiziju, Beograd

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    Source: Union catalogues
    Language: Serbian
    Media type: Book
    Format: Print
    ISBN: 9788682101512
    Series: Edicija Kultura * Umetnost * Mediji ; knjiga br. 23
    Subjects: Memory in motion pictures; Collective memory and motion pictures; Film adaptations; Fiction; Holocaust, Jewish (1939-1945), in motion pictures; Motion pictures
    Scope: 232 Seiten, 24 cm
    Notes:

    Literaturverzeichnis: Seite 201-217
  5. The Complete Index to Literary Sources in Film
    Published: 1999
    Publisher:  De Gruyter, Berlin

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783598114922; 9783110951943; 9783111816142
    Other identifier:
    Subjects: Film adaptations; Wörterbuch; Verfilmung; Literatur
    Other subjects: Electronic books
    Scope: 1 Online-Ressource (XI, 1028 S.)
  6. Dashiell Hammett and the Movies
    Author: Mooney, William H.
    Published: [2014]; © 2014
    Publisher:  Rutgers University Press, New Brunswick, NJ

    As the father of the hardboiled detective genre, Dashiell Hammett had a huge influence on Hollywood. Yet, it is easy to forget how adaptable Hammett’s work was, fitting into a variety of genres and inspiring generations of filmmakers. Dashiell... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    As the father of the hardboiled detective genre, Dashiell Hammett had a huge influence on Hollywood. Yet, it is easy to forget how adaptable Hammett’s work was, fitting into a variety of genres and inspiring generations of filmmakers. Dashiell Hammett and the Movies offers the first comprehensive look at Hammett’s broad oeuvre and how it was adapted into films from the 1930s all the way into the 1990s. Film scholar William H. Mooney reveals the wide range of films crafted from the same Hammett novels, as when The Maltese Falcon was filmed first as a pre-Code sexploitation movie, then as a Bette Davis screwball comedy, and finally as the Humphrey Bogart classic. He also considers how Hammett rose to Hollywood fame not through the genre most associated with him, but through a much fizzier concoction, the witty murder mystery The Thin Man. To demonstrate the hold Hammett still has over contemporary filmmakers, the book culminates in an examination of the Coen brothers’ pastiche Miller’s Crossing. Mooney not only provides us with an in-depth analysis of Hammett adaptations, he also chronicles how Hollywood enabled the author’s own rise to stardom, complete with a celebrity romance and a carefully crafted public persona. Giving us a behind-the-scenes look at the complex power relationships, cultural contexts, and production concerns involved in bringing Hammett’s work from the page to the screen, Dashiell Hammett and the Movies offers a fresh take on a literary titan

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780813562544
    Other identifier:
    Subjects: Verfilmung; Literatur; PERFORMING ARTS / General; Film adaptations; Film; Roman
    Other subjects: Hammett, Dashiell (1894-1961)
    Scope: 1 online resource, 39 photographs
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 04. Sep 2019)
  7. Shakespeare Remains
    Theater to Film, Early Modern to Postmodern
    Author: Lehmann, Courtney
    Published: [2018]; © 2002
    Publisher:  Cornell University Press, Ithaca, NY

    No literary figure has proved so elusive as Shakespeare. How, Courtney Lehmann asks, can the controversies surrounding the Bard's authorship be resolved when his works precede the historical birth of that modern concept? And how is it that... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    No literary figure has proved so elusive as Shakespeare. How, Courtney Lehmann asks, can the controversies surrounding the Bard's authorship be resolved when his works precede the historical birth of that modern concept? And how is it that Shakespeare remains such a powerful presence today, years after poststructuralists hailed the "death of the author"? In her cogent book, Lehmann reexamines these issues through a new lens: film theory.An alternative to literary models that either minimize or exalt the writer's creative role, film theory, in Lehmann's view, perceives authorship as a site of constitutive conflict, generating in the process the notion of the auteur. From this perspective, she offers close readings of Romeo and Juliet, A Midsummer Night's Dream, and Hamlet, of film adaptations by Kenneth Branagh, Baz Luhrmann, and Michael Almereyda, and of John Madden's Shakespeare in Love. In their respective historical contexts, these plays and films emerge as allegories of authorship, exploiting such strategies as appropriation, adaptation, projection, and montage. Lehmann explores the significance of this struggle for agency, both in Shakespeare's time and in the present day, in the cultures of early and late capitalism.By projecting film theory from the postmodern to the early modern and back again, Lehmann demonstrates the ways in which Shakespeare emerges as a special effect—indeed, as an auteur—in two cultures wherein authors fear to tread

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501727597
    Other identifier:
    Subjects: English drama; Film adaptations; Autorschaft; Filmtheorie; Dekonstruktion
    Other subjects: Shakespeare, William (1564-1616)
    Scope: 1 online resource, 10 halftones
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 19. Feb 2019)
  8. Milton on Film
    Author: Brown, Eric C.
    Published: [2022]; © 2015
    Publisher:  Penn State University Press, University Park, PA

    In January 2012, shooting was set to begin in Sydney, Australia, on the Hollywood-backed production of Milton's Paradise Lost, with Oscar nominee Bradley Cooper cast as Satan. Yet just two weeks before the start of production, Legendary Pictures... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    In January 2012, shooting was set to begin in Sydney, Australia, on the Hollywood-backed production of Milton's Paradise Lost, with Oscar nominee Bradley Cooper cast as Satan. Yet just two weeks before the start of production, Legendary Pictures delayed the project, reportedly due to budgetary concerns, and soon the company had suspended the film indefinitely. Milton scholar Eric C. Brown, who was then serving as a script consultant for the studio, sees his experience with that project as part of a long and perplexing story of Milton on film. Indeed, as Brown details in this comprehensive study, Milton's place in the popular imagination-and his extensive influence upon the cinema, in particular-has been both pervasive and persistent

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780271093512
    Other identifier:
    Series: Medieval & Renaissance Literary Studies
    Subjects: PERFORMING ARTS / Film & Video / History & Criticism; English literature; Film adaptations
    Scope: 1 online resource (431 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 31. Jan 2022)
  9. Adaptation studies and learning
    new frontiers
    Author: Raw, Laurence
    Published: 2013
    Publisher:  Scarecrow Press, Inc, Lanham

    In Adaptation Studies and Learning: New Frontiers, Laurence Raw and Tony Gurr seek to redefine the ways in which adaptation is taught and learned. Comprised of essays, reflections, and "learning conversations" about the ways in which this approach to... more

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    Hochschulbibliothek Friedensau
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    In Adaptation Studies and Learning: New Frontiers, Laurence Raw and Tony Gurr seek to redefine the ways in which adaptation is taught and learned. Comprised of essays, reflections, and "learning conversations" about the ways in which this approach to adaptation might be implemented, this book focuses on issues of curriculum construction, the role of technology, and the importance of collaboration. By looking beyond the classroom, the authors consider how adaptation assumes equal importance in the world of the cinema as in

     
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    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780810887947
    Subjects: Film adaptations; Literature; Literature - Adaptations - History and criticism; Electronic books
    Scope: Online-Ressource (vi, 187 p)
    Notes:

    Includes bibliographical references and index

    Contents; Acknowledgments; 1 Learning Adaptation; 2 Twenty-First Century Learning; 3 Curricula Past, Present, and Future; 4 Shakespeare in Education; 5 Reflective Practice; 6 Why Bruner Matters; 7 Actor, Image, Narrative: Anthony Drazan's Hurlyburly (1998); 8 Negotiating Adaptation and Translation; 9 Transdisciplinarity, History, and Assessment; 10 Understanding a Community of Purpose: Michael Winner's The Big Sleep (1978); 11 Star Wars: May the Force Be with You (All); 12 Journey's End-or Is It?; Works Cited; Index; About the Authors

    Electronic reproduction; Available via World Wide Web
  10. Transformation et réception du texte par le film
    pour une nouvelle problématique de l'adaptation
    Author: Lu, Shenghui
    Published: 1999
    Publisher:  Lang, Bern [u.a.]

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    1 A 395877

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    Universitätsbibliothek Kiel, Zentralbibliothek
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    Kj 7518
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    Universität Potsdam, Universitätsbibliothek
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    EC 2500 LU
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    Source: Staatsbibliothek zu Berlin
    Language: French
    Media type: Book
    Format: Print
    ISBN: 3906759881
    Series: Array ; 3
    Subjects: Film adaptations; Motion pictures
    Scope: IX, 384 S, graph. Darst
  11. Shakespeare and the visual arts
    Published: c 2000
    Publisher:  Edwin Mellen Press, Lewiston, [u.a.]

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    Zsn 87097-11
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    2003 A 18347
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    Location:
    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
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    Sh 735
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0773475869
    Series: A publication of the Shakespeare yearbook ; v. 11
    Subjects: English drama; Film adaptations; English drama; Art and literature
    Other subjects: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Scope: 524 S, Ill. (farb.), 24 cm
    Notes:

    Includes bibliographical references
  12. Conrad and cinema
    the art of adaptation
    Author: Phillips, Gene D.
    Published: 1995
    Publisher:  Lang, New York [u.a.]

    Location:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signature:
    96 A 13761
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    Universitätsbibliothek Kiel, Zentralbibliothek
    Signature:
    IV | 778 | PHI | Con
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0820426695
    Series: Ars interpretandi ; 4
    Subjects: English fiction; Film adaptations; Motion pictures and literature
    Other subjects: Conrad, Joseph
    Scope: XVII, 218 S, Ill, 23 cm
    Notes:

    Literaturverz. S. 173 - 183. - Filmogr. S. 185 - 191
  13. Milton on film
    Author: Brown, Eric C.
    Published: [2015]; © 2016
    Publisher:  Duquesne University Press, Pittsburgh, Pennsylvania

    "The history of Milton on film, and Paradise Lost in particular, has been full of ambitious visions and dazzling failures, and this book explores all, from the earliest proto-cinematic inventions to the contemporary age of sprawling digital... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 A 950584
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    2015 A 12134
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    Universitätsbibliothek Kiel, Zentralbibliothek
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    Bw 7855
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    ang 512.6 DD 9015
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    "The history of Milton on film, and Paradise Lost in particular, has been full of ambitious visions and dazzling failures, and this book explores all, from the earliest proto-cinematic inventions to the contemporary age of sprawling digital cinematography and Hollywood blockbusters"--

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780820704760
    RVK Categories: HK 2578
    Series: Medieval & Renaissance literary studies
    Subjects: Film adaptations; English literature
    Other subjects: Milton, John (1608-1674); Milton, John (1608-1674): Paradise lost
    Scope: xiiI, 419 Seiten, Illustrationen, 24 cm
    Notes:

    Filmografie: Seiten 399-404

    IntroductionMilton and the staging of spectacle -- Pre-cinematic entertainment -- Early cinema and the cinematic sublime -- The ambivalence of the Miltonic film -- Winged warriors and the war in heaven -- "All hell broke loose": the horror film -- Conclusion: blockbuster Paradise lost.
  14. The adaptation industry
    the cultural economy of contemporary literary adaptation
    Author: Murray, Simone
    Published: 2012
    Publisher:  Routledge, New York, NY [u.a.]

    "Adaptation constitutes the driving force of contemporary culture, with stories adapted across an array of media formats. However, adaptation studies has been concerned almost exclusively with textual analysis, in particular with compare-and-contrast... more

    Location:
    Universitätsbibliothek Braunschweig
    Signature:
    Xff-450
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    2011 A 16222
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    A 7.7.4.-86
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    Universitätsbibliothek Kiel, Zentralbibliothek
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    Bp 6338
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    Universitätsbibliothek Osnabrück
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    DSU 6148-396 7
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    "Adaptation constitutes the driving force of contemporary culture, with stories adapted across an array of media formats. However, adaptation studies has been concerned almost exclusively with textual analysis, in particular with compare-and-contrast studies of individual novel and film pairings. This has left almost completely unexamined crucial questions of how adaptations come to be made, what are the industries with the greatest stake in making them, and who the decision-makers are in the adaptation process. The Adaptation Industry re-imagines adaptation not as an abstract process, but as a material industry. It presents the adaptation industry as a cultural economy of six interlocking institutions, stakeholders and decision-makers all engaged in the actual business of adapting texts: authors; agents; publishers; book prize committees; scriptwriters; and screen producers and distributors. Through trading in intellectual property rights to cultural works, these six nodal points in the adaptation network are tightly interlinked, with success for one party potentially auguring for success in other spheres. But marked rivalries between these institutional forces also exist, with competition characterizing every aspect of the adaptation process. This book constructs an overdue sociology of contemporary literary adaptation, never losing sight of the material and institutional dimensions of this powerful process"--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780415999038
    RVK Categories: AP 47600
    Series: Routledge research in cultural and media studies ; 32
    Subjects: Literature; Film adaptations; Mass media and literature; Cultural fusion
    Scope: xvi, 253 S., Ill., 25 cm
    Notes:

    Includes bibliographical references (p. [216]-244) and index
  15. When stories travel
    cross-cultural encounters between fiction and film
    Author: Della Coletta, Cristina
    Published: 2012
    Publisher:  Johns Hopkins University Press, Baltimore, Md.

    Location:
    Universitätsbibliothek Kiel, Zentralbibliothek
    Signature:
    Br 4233
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 142140365X; 9781421403656
    RVK Categories: EC 2440 ; AP 53000
    Subjects: Film adaptations; Motion pictures and literature; Hermeneutics
    Scope: x, 273 S., Ill., 24 cm
    Notes:

    Includes bibliographical references (p. [245]-262) and index
  16. Shakespeare films
    a re-evaluation of 100 years of adaptations
    Author: Babiak, Peter E. S.
    Published: [2016]; © 2016
    Publisher:  McFarland & Company, Inc., Publishers, Jefferson, North Carolina

    "This study reexamines the recognized "canon" of films based on Shakespeare's plays. Emphasis is shifted from the director's contribution, to the film's social, cultural and historical contexts. The work of the auteurs is reevaluated within... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    10 A 1417
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    Location:
    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    Signature:
    HI 3330 B114
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    ang 488.9 DD 9084
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    "This study reexamines the recognized "canon" of films based on Shakespeare's plays. Emphasis is shifted from the director's contribution, to the film's social, cultural and historical contexts. The work of the auteurs is reevaluated within contemporary contexts, preserving the established canon while proposing new criteria for inclusion"-- Introduction -- Silent Shakespeare -- The classical Hollywood period to World War II -- Olivier and Welles -- Kurosawa -- Kozintsev -- Zeffirelli -- Kott, Brook, Richardson and Polanski -- The 1970s and 1980s -- Branagh -- Millennial Shakespeare -- Conclusion

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781476662541; 9781476623528
    RVK Categories: HI 3370 ; HI 3330
    Subjects: English drama; Film adaptations
    Other subjects: Shakespeare, William (1564-1616)
    Scope: V, 203 Seiten
    Notes:

    Literaturverzeichnis: Seiten 186-197
  17. Pockets of change
    adaptation and cultural transition
    Published: 2011
    Publisher:  Lexington Books, Lanham

    Location:
    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    Signature:
    HG 260 H799
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780739165331
    Subjects: Literature; Film adaptations
    Scope: xiii, 179 S.
    Notes:

    Includes bibliographical references and index
  18. Watchmen as literature
    a critical study of the graphic novel
    Author: Van Ness, Sara J.
    Published: [2010]; © 2010
    Publisher:  McFarland & Company, Inc., Publishers, Jefferson, North Carolina

    "Watchmen has been hailed as the quintessential graphic novel and has spawned a body of literary criticism since its 1986 release. This work explores the graphic novel's reception in both popular and scholarly arenas and how the conceptual... more

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    "Watchmen has been hailed as the quintessential graphic novel and has spawned a body of literary criticism since its 1986 release. This work explores the graphic novel's reception in both popular and scholarly arenas and how the conceptual relationship between images and words affect the reading experience"--Provided by publisher

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0786444754; 9780786444755
    RVK Categories: EC 7120
    Subjects: Graphic novels; Film adaptations
    Other subjects: Moore, Alan (1953-): Watchmen
    Scope: vii, 211 Seiten, Illustrationen, Diagramme, 23 cm
    Notes:

    Literaturverzeichnis: Seiten 197-207

    Invading the Ivory tower -- I^^ge$ & wo(r)d$ -- A language all its own -- The watchmen -- Parallel histories -- Hooded honor -- Not so black and white -- Faceless heroes -- Measuring up: Zack Snyder's Watchmen.
  19. Shakespeare and world cinema
    Author: Burnett, Mark Thornton
    Published: 2013
    Publisher:  Cambridge University Press, Cambridge

    "Shakespeare and World Cinema radically re-imagines the field of Shakespeare on film, drawing on a wealth of examples from Africa, the Arctic, Brazil, China, France, India, Malaysia, Mexico, Singapore, Tibet, Venezuela, Yemen and elsewhere. Mark... more

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    Staats- und Universitätsbibliothek Bremen
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    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    2013 A 17295
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    2015/3456
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    Universitätsbibliothek Kiel, Zentralbibliothek
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    "Shakespeare and World Cinema radically re-imagines the field of Shakespeare on film, drawing on a wealth of examples from Africa, the Arctic, Brazil, China, France, India, Malaysia, Mexico, Singapore, Tibet, Venezuela, Yemen and elsewhere. Mark Thornton Burnett explores the contemporary significance of Shakespeare cinema outside the Hollywood mainstream for the first time, arguing that these adaptations are an essential part of the story of Shakespearean performance and reception. The book reveals in unique detail the scope, inventiveness and vitality of over seventy films that have undeservedly slipped beneath the radar of critical attention and also discusses regional Shakespeare cinema in Latin America and Asia. Utilising original interviews with filmmakers throughout, it introduces new auteurs, analyses multiple adaptations of plays such as Macbeth and Romeo and Juliet and pioneers fresh methodologies for understanding the role that Shakespeare continues to play in the international marketplace"--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781107003316
    RVK Categories: HI 3330 ; HI 3341 ; HI 3370 ; HI 3550
    Subjects: English drama; Film adaptations
    Other subjects: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Scope: xv, 272 Seiten, Illustrationen
    Notes:

    Literaturverzeichnis: Seiten 245-267

    Machine generated contents note: Introduction; Part I. Auteurs: 1. Alexander Abela; 2. Vishal Bhardwaj and Jayaraaj Rajasekharan Nair; Part II. Regional Configurations: 3. Shakespeare, cinema, Latin America; 4. Shakespeare, cinema, Asia; Part III. Plays: 5. Macbeth; 6. Romeo and Juliet; Epilogue.
  20. Fitzgerald and Hemingway on film
    a critical study of the adaptations, 1924 - 2013
    Author: Grissom, Candace Ursula
    Published: c 2014
    Publisher:  McFarland, Jefferson, NC

    "A comprehensive guide to all major film adaptations based on the novels of F. Scott Fitzgerald and Ernest Hemingway, this is an essential volume for scholars of American modernism and of film studies. The text includes two dozen reviews as well as... more

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    1 A 921746
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    Universitätsbibliothek Greifswald
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    310/HU 3625 G869
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    "A comprehensive guide to all major film adaptations based on the novels of F. Scott Fitzgerald and Ernest Hemingway, this is an essential volume for scholars of American modernism and of film studies. The text includes two dozen reviews as well as critical commentary from leading scholars of both modernist literature and film studies"--

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780786478316
    RVK Categories: HU 3625 ; HU 3865
    Subjects: American fiction; Film adaptations
    Other subjects: Fitzgerald, F. Scott (1896-1940); Hemingway, Ernest (1899-1961)
    Scope: V, 243 S.
    Notes:

    Literaturverz. S. 235 - 240 und Index
  21. Words and images on the screen
    language, literature, moving pictures
    Published: 2008
    Publisher:  Cambridge Scholars, Newcastle

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    Staats- und Universitätsbibliothek Bremen
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    02.n.0291
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1847188435; 1847188427
    RVK Categories: AP 47600
    Subjects: Motion pictures and literature; Film adaptations; Motion pictures
    Scope: vii, 393 S., ill, 22cm
    Notes:

    Formerly CIP
  22. The history of British literature on film, 1895-2015
    Author: Semenza, Gregory M. Colón; Hasenfratz, Robert J.
    Published: 2015
    Publisher:  Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc, New York

    "A comprehensive history of British literature on film, analyzing the changing cinematic art and politics of adaptation between the years 1896 and 2010"-- "From The Death of Nancy Sykes (1897) to The Hobbit: The Battle of the Five Armies (2014) and... more

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    Universitätsbibliothek Greifswald
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    310/AP 53000 S471
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    2017 A 4939
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    "A comprehensive history of British literature on film, analyzing the changing cinematic art and politics of adaptation between the years 1896 and 2010"-- "From The Death of Nancy Sykes (1897) to The Hobbit: The Battle of the Five Armies (2014) and beyond, cinematic adaptations of British literature participate in a complex and fascinating history. The History of British Literature on Film, 1895-2015 is the only comprehensive narration of cinema's 100-year-old love affair with British literature. Unlike previous studies of literature and film, which tend to privilege particular authors such as Shakespeare and Jane Austen, or particular texts such as Frankenstein, or particular literary periods such as Medieval, this volume considers the multiple functions of filmed British literature as a cinematic subject in its own right-one reflecting the specific political and aesthetic priorities of different national and historical cinemas. In what ways has the British literary canon authorized and influenced the history and aesthetics of film, and in what ways has filmed British literature both affirmed and challenged the very idea of literary canonicity? Seeking to answer these and other key questions, this indispensable study shows how these adaptations emerged from and continue to shape the social, artistic, and commercial aspects of film history"--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781623560430
    RVK Categories: AP 53000 ; HG 130 ; AP 59730
    Series: The history of world literatures on film
    Subjects: Motion pictures and literature; British literature; Film adaptations; Motion pictures
    Scope: xiv, 474 Seiten, Illustrationen, 24 cm
    Notes:

    Literaturverzeichnis: Seite 419-436

    Machine generated contents note:Chapter 1: 'Weird, Mystical, Barbaric': Brit-lit on Film, 1896-1906 Chapter 2: 'Crude, Vicious, and Lascivious Entertainments': The Arrival of the Brit-lit Film, 1907-1920 Chapter 3: The High Silent Era (1920-1929)Chapter 4: The Talkies (1929-1938) Chapter 5: War and its Aftermath: (1939-1954)Chapter 6: The Legacy of Auteurism: 1954-1970s Chapter 7: The Brit-Lit Film as Genre: 1970s-1989 Chapter 8: Globalism, Independence, and Beyond: 1990-2010.
  23. Hollywood presents Jules Verne
    the father of science fiction on screen
    Author: Taves, Brian
    Published: 2015
    Publisher:  Univ. Press of Kentucky, Lexington, Kentucky

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    1 A 937288
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    Universitätsbibliothek Kiel, Zentralbibliothek
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780813161129
    RVK Categories: IG 7561
    Series: Screen classics
    Subjects: Film adaptations; Science fiction films
    Other subjects: Verne, Jules (1828-1905)
    Scope: 358 S.
    Notes:

    Includes bibliographical references and index

    Introduction: how a French author met HollywoodThe silents -- Searching for a popular approach, 1925-1945 -- Creating a style, 1946-1955 -- Establishing a mythos as the Verne cycle begins, 1956-1959 -- The height of the Verne cycle, 1960-1962 -- The cycle changes, 1963-1971 -- Toward a new aesthetic, 1972-1979 -- The wandering trail, 1981-1993 -- The revival, 1993-1996 -- Telefilms and miniseries reign, 1997-1999 -- Biography or pastiche, 2000-2003 -- Dismal reiterations, 2004-2008 -- A new formulation, 2008-present -- Epilogue.
  24. Spectral Shakespeares
    media adaptations in the twenty-first century
    Author: Calbi, Maurizio
    Published: [2013]; © 2013
    Publisher:  Palgrave Macmillan, Basingstoke, Hampshire

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    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780230338753; 0230338755; 9781137585127
    RVK Categories: HI 3370
    Series: Reproducing Shakespeare$dnew studies in adaptation and appropriation
    Subjects: Television adaptations; Influence (Literary, artistic, etc.); Film adaptations
    Other subjects: Shakespeare, William (1564-1616); Mass media and literature
    Scope: XII, 236 Seiten, Illustrationen
    Notes:

    Literaturverzeichnis: Seite 209-225

    Hier auch später erschienene, unveränderte Nachdrucke

    Introduction: Shakespeare, spectro-textuality, spectro-medialityThe state of the kitchen: incorporation and "animanomaly" in Scotland, PA and the BBC Shakespeare retold Macbeth -- Shakespearean retreats: spectrality, survival, and auto-immunity in Kristian Levring's The king is alive -- Reiterating Othello: spectral media and the rhetoric of silence in Alexander Abela's Souli -- "This is my home, too": migration, spectrality, and hospitality in Roberta Torre's Sud side stori -- "Shakespeare in the extreme": ghosts and remediation in Alexander Fodor's Hamlet -- "Restless ecstasy": addiction, reiteration, and mediality in Klaus Knoesel's Rave Macbeth -- "He speaks or rather he tweets": the specter of the "original," media, and "media-crossed" love in Such tweet sorrow.
  25. Screen adaptation
    impure cinema
    Author: Cartmell, Deborah
    Published: 2010
    Publisher:  Palgrave Macmillan, Basingstoke [u.a.]

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    Universitätsbibliothek Braunschweig
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    Xff-15
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1403985499; 1403985502; 9781403985491; 9781403985507
    RVK Categories: AP 53000 ; HG 130 ; AP 47600
    Subjects: Film adaptations
    Scope: VIII, 161 p, Ill.
    Notes:

    Includes bibliographical references and index