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  1. Genders, races, and religious cultures in modern American poetries, 1908-1934
    Published: 2009
    Publisher:  Cambridge University Press, Cambridge

    In Genders, Races and Religious Cultures in Modern American Poetries, Rachel Blau Duplessis shows how, through poetic language, modernist writers represented the debates and ideologies concerning New Woman, New Negro and New Jew in the early... more

    Universitätsbibliothek Bamberg
    Unlimited inter-library loan, copies and loan
    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan

     

    In Genders, Races and Religious Cultures in Modern American Poetries, Rachel Blau Duplessis shows how, through poetic language, modernist writers represented the debates and ideologies concerning New Woman, New Negro and New Jew in the early twentieth century. From the poetic text emerge such social issues of modernity as debates on suffrage, sexuality, manhood, and African-American and Jewish subjectivities. By a reading method she calls 'social philology' - a form of close reading inflected with the approaches of cultural studies - Duplessis engages with the work of such canonical poets as Wallace Stevens, Ezra Pound, T. S. Eliot, William Carlos Williams, Gertrude Stein, Marianne Moore and H. D., as well as Mina Loy, Countee Cullen, Alfred Kreymborg and Langston Hughes, writers, she claims, still marginalized by existing constructions of modernism. This book is an ambitious attempt to remap our understanding of modern poetries and poetics, and the relationship between early twentieth-century writing and society

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511549632
    Other identifier:
    Series: Cambridge studies in American literature and culture ; [125]
    Subjects: Geschichte; American poetry / 20th century / History and criticism; Sex in literature; Literature and society / United States / History / 20th century; Feminism and literature / United States / History / 20th century; Feminist poetry, American / History and criticism; Modernism (Literature) / United States; Religion in literature; Race in literature
    Scope: 1 online resource (xiv, 238 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Entitled new: a social philology of modern American poetry -- "Corpses of poesy": modern poets consider some gender ideologies of lyric -- "Seismic orgasm": sexual intercourse, its modern representations and politics -- "Hoo, hoo, hoo": some episodes in the construction of modern male whiteness -- "Darken your speech": racialized cultural work in black and white poets -- "Wondering Jews": melting-pots and mongrel thoughts

  2. Poetics of the feminine
    authority and literary tradition in William Carlos Williams, Mina Loy, Denise Levertov, and Kathleen Fraser
    Published: 1994
    Publisher:  Cambridge University Press, Cambridge

    This book examines the early work of William Carlos Williams in relationship to a woman's tradition of American poetry, as represented by Mina Loy, Denise Levertov and Kathleen Fraser - three generations of women poets working in or directly from a... more

    Universitätsbibliothek Bamberg
    Unlimited inter-library loan, copies and loan
    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan

     

    This book examines the early work of William Carlos Williams in relationship to a woman's tradition of American poetry, as represented by Mina Loy, Denise Levertov and Kathleen Fraser - three generations of women poets working in or directly from a modernist tradition. Linda Kinnahan traces notions of the feminine and the maternal that develop as Williams seeks to create a modern poetics. The impact of first-wave American feminism is examined through an extended analysis of Mina Loy's poetry as a source of a feminist modernism for Williams. Levertov and Fraser are discussed as poetic daughters of Williams who strive to define their voices as women and to reclaim an enabling poetic tradition. In the process, each woman's negotiations with poetic authority and tradition call into question the relationship of poetic father and daughter. Positioning Williams in relation to these three generations of Anglo-American writing within and descending from the modernist movement, the book pursues two questions: what can women poets, writing with an informed awareness of Williams teach us about his modernist poetics of contact, and just as importantly, what can they teach us about the process, for women, of constructing a writing self within a male-dominated tradition?

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511527180
    Other identifier:
    RVK Categories: HU 9505 ; HU 9555
    Series: Cambridge studies in American literature and culture ; 74
    Subjects: Geschichte; American poetry / Women authors / History and criticism; Feminism and literature / United States / History / 20th century; Women and literature / United States / History / 20th century; American poetry / 20th century / History and criticism; Feminist poetry, American / History and criticism; Influence (Literary, artistic, etc.) / History / 20th century; Authority in literature; Frauenlyrik
    Other subjects: Fraser, Kathleen / 1937- / Criticism and interpretation; Levertov, Denise / 1923-1997 / Criticism and interpretation; Williams, William Carlos / 1883-1963 / Influence; Loy, Mina / Criticism and interpretation; Levertov, Denise (1923-1997); Loy, Mina (1882-1966); Williams, William Carlos (1883-1963); Fraser, Kathleen (1935-)
    Scope: 1 online resource (xi, 285 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    1. "The Full of My Freed Voice": Williams and Loy, Feminism and the Feminine -- The New Freewoman, the Egoist, and the Feminine -- The Feminist Movement, Mina Loy, and Others -- The Feminine as Resistance to Authority -- 2. In The American Grain: Proclaiming a Feminine Ground -- A Maternal Model for Tradition -- History's Myth of Discovery: Mastery's "outward thrust" -- The Feminine Ground of Contact: "a moral source not reckoned with" -- Language and the Local: "a woman drawing to herself ... myriad points of sound" -- 3. Denise Levertov: The Daughter's Voice -- A Maternal Mode of Authority: "The voice / a wave rising" -- A Discourse in Compassion: "Revolution in the poem -- The Houses of Tradition: "rise up / with changed vision" -- 4. Kathleen Fraser: A Tradition of Marginality -- Language Innovation and a Feminist Poetics: "to re-write the flood" -- Language Dis-ease: "What structure gagged me?" -- Language, Gender, and Tradition: "inside / (jittery / burned language)" -- Spring and All: New and Hidden Tradition -- Conclusion: Paterson and the Question of Authority

  3. Genders, races, and religious cultures in modern American poetries, 1908-1934
    Published: 2009
    Publisher:  Cambridge University Press, Cambridge

    In Genders, Races and Religious Cultures in Modern American Poetries, Rachel Blau Duplessis shows how, through poetic language, modernist writers represented the debates and ideologies concerning New Woman, New Negro and New Jew in the early... more

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Unlimited inter-library loan, copies and loan

     

    In Genders, Races and Religious Cultures in Modern American Poetries, Rachel Blau Duplessis shows how, through poetic language, modernist writers represented the debates and ideologies concerning New Woman, New Negro and New Jew in the early twentieth century. From the poetic text emerge such social issues of modernity as debates on suffrage, sexuality, manhood, and African-American and Jewish subjectivities. By a reading method she calls 'social philology' - a form of close reading inflected with the approaches of cultural studies - Duplessis engages with the work of such canonical poets as Wallace Stevens, Ezra Pound, T. S. Eliot, William Carlos Williams, Gertrude Stein, Marianne Moore and H. D., as well as Mina Loy, Countee Cullen, Alfred Kreymborg and Langston Hughes, writers, she claims, still marginalized by existing constructions of modernism. This book is an ambitious attempt to remap our understanding of modern poetries and poetics, and the relationship between early twentieth-century writing and society

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511549632
    Other identifier:
    Series: Cambridge studies in American literature and culture ; [125]
    Subjects: Geschichte; American poetry / 20th century / History and criticism; Sex in literature; Literature and society / United States / History / 20th century; Feminism and literature / United States / History / 20th century; Feminist poetry, American / History and criticism; Modernism (Literature) / United States; Religion in literature; Race in literature
    Scope: 1 online resource (xiv, 238 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Entitled new: a social philology of modern American poetry -- "Corpses of poesy": modern poets consider some gender ideologies of lyric -- "Seismic orgasm": sexual intercourse, its modern representations and politics -- "Hoo, hoo, hoo": some episodes in the construction of modern male whiteness -- "Darken your speech": racialized cultural work in black and white poets -- "Wondering Jews": melting-pots and mongrel thoughts