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  1. Partial visions
    feminism and utopianism in the 1970s
    Published: 2015; © 2015
    Publisher:  Peter Lang, Oxford, [England]

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783034308977; 9783035307481
    Edition: Ralahine classics
    Series: Ralahine Utopian Studies ; Volume 16
    Subjects: Geschichte; Feminism and literature; Utopias in literature; European fiction; European fiction; American fiction; Women and literature; Feminist fiction
    Scope: 1 online resource (422 pages), illustrations
    Notes:

    Description based on print version record

  2. Teasing narratives
    europäische Verführungsgeschichten nach ihrem Goldenen Zeitalter
    Published: 2003
    Publisher:  Schmidt, Berlin

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Universität Potsdam, Universitätsbibliothek
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    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 3503061819
    RVK Categories: EC 5410
    Series: Geschlechterdifferenz & Literatur ; 16
    Subjects: Seduction in literature; European fiction; European fiction
    Notes:

    Bibliogr. S. 297 - 309

    Zugl.: München, Univ., Diss., 2002

  3. Narrative Concepts in the Study of Eighteenth-Century Literature
    Contributor: Mäkikalli, Aino (Publisher); Steinby, Liisa (Publisher)
    Published: [2017]
    Publisher:  Amsterdam University Press, Amsterdam

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    Volltext (kostenfrei)
    Source: Union catalogues
    Contributor: Mäkikalli, Aino (Publisher); Steinby, Liisa (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789048527380
    Other identifier:
    Series: Crossing Boundaries
    Subjects: European fiction; European prose literature; Narration (Rhetoric)
    Scope: 1 Online-Ressource (314 Seiten)
    Notes:

    Enthält Literaturangaben

  4. Wagner and the novel
    Wagner's operas and the European realist novel: an exploration of genre
    Author: Ridley, Hugh
    Published: 2012
    Publisher:  Rodopi, Amsterdam

    Preliminary Material -- Introduction -- Establishing the Key-signature -- Wagner and the Novel: the existing view -- Forms of Collaboration across the Genres -- Wagner and the Realist Novel – mostly about Die Meistersinger with some Ring --... more

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    Preliminary Material -- Introduction -- Establishing the Key-signature -- Wagner and the Novel: the existing view -- Forms of Collaboration across the Genres -- Wagner and the Realist Novel – mostly about Die Meistersinger with some Ring -- Questions, Answers and Body Language in Wagner and the Realist Novel -- Wagner and Freudian Psychology -- Opera, Novel and the Nation -- Bibliography -- Index. This study bridges literature and music at an exciting and controversial point, offering the lover of music and literature and the specialist reader an insight into the relationship between Wagner’s operas and the nineteenth century novel, including comparisons with Rigoletto and Der Rosenkavalier in their evolution from other forms. It discusses matters of genre and national tradition, placing Wagner’s works in the heritage of the European Enlightenment. Comparisons of Wagner’s works with the novel have been fleeting, denoting only their length and complexity. Examining in principle and in detail the proximity of Wagner’s themes and techniques to the practices of the Realist novel, this study sheds original light on major issues of Wagner’s works and on opera as genre. The book trawls extensively in two research fields. It looks to the established Wagner literature for understandings of the musical procedures which map his works onto the prose fiction, while reading Wagner’s operas against the backdrop of the European novel, rather than against German Romantic fiction. It revisits Adorno’s music sociology and his seminal study of Wagner, but repositions many elements of his argument. Unusually, this book adopts a critical stance to Nietzsche’s view of Wagner. In marked contrast to Nietzsche, the study regards parallels between Wagner and Flaubert as an enrichment of our understanding of Wagner’s achievement. The book concludes with a major question of European cultural history: why it is that – in common with Italy, but in marked contrast to France or England – Germany’s most representative works in the nineteenth century are operas rather than novels

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789401207966
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    Series: Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft ; 156
    Subjects: European fiction; European fiction; Criticism, interpretation, etc
    Other subjects: Wagner, Richard (1813-1883): Operas
    Scope: 1 Online-Ressource (235 pages)
    Notes:

    Includes bibliographical references (p. 215-223) and index

  5. Formative Fictions
    Nationalism, Cosmopolitanism, and the "Bildungsroman"
    Author: Boes, Tobias
    Published: [2012]; © 2012
    Publisher:  Cornell University Press, Ithaca, N.Y.

    The Bildungsroman, or "novel of formation," has long led a paradoxical life within literary studies, having been construed both as a peculiarly German genre, a marker of that country's cultural difference from Western Europe, and as a universal... more

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    The Bildungsroman, or "novel of formation," has long led a paradoxical life within literary studies, having been construed both as a peculiarly German genre, a marker of that country's cultural difference from Western Europe, and as a universal expression of modernity. In Formative Fictions, Tobias Boes argues that the dual status of the Bildungsroman renders this novelistic form an elegant way to negotiate the diverging critical discourses surrounding national and world literature.Since the late eighteenth century, authors have employed the story of a protagonist's journey into maturity as a powerful tool with which to facilitate the creation of national communities among their readers. Such attempts always stumble over what Boes calls "cosmopolitan remainders," identity claims that resist nationalism's aim for closure in the normative regime of the nation-state. These cosmopolitan remainders are responsible for the curiously hesitant endings of so many novels of formation.In Formative Fictions, Boes presents readings of a number of novels-Goethe's Wilhelm Meister's Apprenticeship, Karl Leberecht Immermann's The Epigones, Gustav Freytag's Debit and Credit, Alfred Döblin's Berlin Alexanderplatz, and Thomas Mann's Doctor Faustus among them-that have always been felt to be particularly "German" and compares them with novels by such authors as George Eliot and James Joyce to show that what seem to be markers of national particularity can productively be read as topics of world literature

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780801465659
    Other identifier:
    Series: Signale: Modern German Letters, Cultures, and Thought
    Subjects: Bildungsromans; European fiction; German fiction; Nationalism and literature; Bildungsroman
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed Feb. 24, 2017)

  6. Zwischen Verstand und Gefühl
    Romanheldinnen des 18. und 19. Jahrhunderts
    Published: 2013
    Publisher:  De Gruyter, Berlin [u.a.]

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783110331288; 9783110331479
    Other identifier:
    RVK Categories: EC 5167 ; EC 5177 ; EC 6795
    Series: Communicatio ; 45
    Subjects: Emotions in literature; European fiction; Gender identity in literature; Heroines in literature; Verführung <Motiv>; Heldin; Französisch; Bildungsroman; Frauenroman; Deutsch; Englisch; Geschlechterrolle <Motiv>
    Other subjects: Electronic books
    Scope: 1 Online-Ressource (XI, 389 S.)
    Notes:

    Includes bibliographical references and index

    Main description: Die Arbeit fragt nach der Gültigkeit des Geschlechtscharakterdiskurses im 19. Jahrhundert. Anhand ausgewählter Romane der deutschen, englischen und französischen Literatur des 18. und 19. Jahrhunderts wird der These eines spezifisch weiblichen Konflikts zwischen Verstand und Gefühl nachgegangen. Im Vergleich mit zeitgenössischen Erziehungsratgebern wird der westeuropäische Roman in seinen diskursgeschichtlichen Kontexten exploriert

    Main description: This work examines the validity of 19th century gender discourses. Using a selection of novels from the German, English, and French literature of the 18th and 19th centuries, it explores the thesis that there is a specifically feminine conflict between understanding and emotion. Using contemporary instructional manuals for comparison, it undertakes a historical exploration of the contextual place of the Western European novel in gender discourse

    This work examines the validity of 19th century gender discourses. Using a selection of novels from the German, English, and French literature of the 18th and 19th centuries, it explores the thesis that there is a specifically feminine conflict between understanding and emotion. Using contemporary instructional manuals for comparison, it undertakes a historical exploration of the contextual place of the Western European novel in gender discourse

    Univ., Diss.--Siegen, 2011

  7. Human Forms
    The Novel in the Age of Evolution
    Author: Duncan, Ian
    Published: [2019]; © 2019
    Publisher:  Princeton University Press, Princeton, NJ

    A major rethinking of the European novel and its relationship to early evolutionary scienceThe 120 years between Henry Fielding's Tom Jones (1749) and George Eliot's Middlemarch (1871) marked both the rise of the novel and the shift from the... more

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    A major rethinking of the European novel and its relationship to early evolutionary scienceThe 120 years between Henry Fielding's Tom Jones (1749) and George Eliot's Middlemarch (1871) marked both the rise of the novel and the shift from the presumption of a stable, universal human nature to one that changes over time. In Human Forms, Ian Duncan reorients our understanding of the novel's formation during its cultural ascendancy, arguing that fiction produced new knowledge in a period characterized by the interplay between literary and scientific discourses—even as the two were separating into distinct domains.Duncan focuses on several crisis points: the contentious formation of a natural history of the human species in the late Enlightenment; the emergence of new genres such as the Romantic bildungsroman; historical novels by Walter Scott and Victor Hugo that confronted the dissolution of the idea of a fixed human nature; Charles Dickens's transformist aesthetic and its challenge to Victorian realism; and George Eliot's reckoning with the nineteenth-century revolutions in the human and natural sciences. Modeling the modern scientific conception of a developmental human nature, the novel became a major experimental instrument for managing the new set of divisions—between nature and history, individual and species, human and biological life—that replaced the ancient schism between animal body and immortal soul.The first book to explore the interaction of European fiction with "the natural history of man" from the late Enlightenment through the mid-Victorian era, Human Forms sets a new standard for work on natural history and the novel

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780691194189
    Other identifier:
    Subjects: LITERARY CRITICISM / European / General; European fiction; European fiction; Evolution (Biology) in literature; Humanity in literature; Englisch; Naturwissenschaften; Roman
    Scope: 1 online resource (208 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 22. Okt 2019)

  8. Narrative Concepts in the Study of Eighteenth-Century Literature
    Contributor: Mäkikalli, Aino (Publisher); Steinby, Liisa (Publisher)
    Published: [2017]; © 2017
    Publisher:  Amsterdam University Press, Amsterdam

    This collection of essays studies the encounter between allegedly ahistorical concepts of narrative and eighteenth-century literature from across Europe. At issue is the question of whether the theoretical concepts underpinning narratology are,... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    This collection of essays studies the encounter between allegedly ahistorical concepts of narrative and eighteenth-century literature from across Europe. At issue is the question of whether the theoretical concepts underpinning narratology are, despite their appearance of ahistorical generality, actually derived from the historical study of a particular period and type of literature. The essays take on aspects of eighteenth-century texts such as plot, genre, character, perspective, temporality, and more, coming at them from both a narratological and a historical perspective

     

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    Source: Staatsbibliothek zu Berlin
    Contributor: Mäkikalli, Aino (Publisher); Steinby, Liisa (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789048527380
    Other identifier:
    Series: Crossing Boundaries: Turku Medieval and Early Modern Studies ; 7
    Subjects: European fiction; European prose literature; Narration (Rhetoric); Erzähltheorie; Roman
    Scope: 1 online resource, 4 halftones
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Nov 2018)

  9. The Narrative Shape of Truth
    Veridiction in Modern European Literature
    Author: Kliger, Ilya
    Published: [2011]; © 2011
    Publisher:  Penn State University Press, University Park, PA

    Its champions-and its detractors-have often understood the novel as the genre par excellence of truthlessness. The Narrative Shape of Truth counters this widely accepted view. It argues instead that the novel has found new, historically specific... more

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Its champions-and its detractors-have often understood the novel as the genre par excellence of truthlessness. The Narrative Shape of Truth counters this widely accepted view. It argues instead that the novel has found new, historically specific configurations of truth and narrative. The nineteenth-century novel, in particular, can be understood as responding to the emerging tendency to view truth as inseparable from, rather than opposed to, time. Ilya Kliger offers a nonreductive way of reading the histories of philosophy and the novel side by side. He identifies the crucial moment in the epistemological history of narrative when, at the end of the eighteenth century, a new structural affiliation between truth and time emerged. This book examines novels by four authors-Balzac, Stendhal, Dostoevsky, and Tolstoy-as well as the writings of leading European intellectuals and philosophers. Kliger argues that the "realist" novel can be conceived as prompting us (and giving us the means) to think of truth differently, as immanent in a temporal shape rather than transcendent in a principle, a fact, or a higher order

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780271078168
    Other identifier:
    Series: Literature and Philosophy
    Subjects: PHILOSOPHY / Epistemology; European fiction; Fictions, Theory of; Literature; Narration (Rhetoric); Truth in literature
    Scope: 1 online resource (256 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Aug 2021)

  10. Teasing narratives
    europäische Verführungsgeschichten nach ihrem Goldenen Zeitalter
    Published: 2003
    Publisher:  Schmidt, Berlin

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    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 3503061819
    RVK Categories: EC 5410
    Series: Geschlechterdifferenz & Literatur ; 16
    Subjects: Seduction in literature; European fiction; European fiction
    Notes:

    Bibliogr. S. 297 - 309

    Zugl.: München, Univ., Diss., 2002

  11. Erzählte Selbstrepräsentation im modernen Roman
    Published: [2016]; © 2016
    Publisher:  De Gruyter, Berlin

    Der Band untersucht anhand dreier Romane (H. James: The Ambassadors, E. Weiß: Die Feuerprobe, A. Camus: L’Étranger) Formen der Selbstrepräsentation im Roman der Moderne. Konturiert wird zugleich ein ‚modernes‘ Gattungskonzept: Der... more

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    Der Band untersucht anhand dreier Romane (H. James: The Ambassadors, E. Weiß: Die Feuerprobe, A. Camus: L’Étranger) Formen der Selbstrepräsentation im Roman der Moderne. Konturiert wird zugleich ein ‚modernes‘ Gattungskonzept: Der existenzphilosophische Bildungsroman thematisiert Krisen der Selbstrepräsentation und lässt das Exemplarische eines Bildungsgangs zugunsten eines alternativen Konzepts literarischer Erkenntnis in den Hintergrund treten 3.1.2 Wer erzählt -- und wovon? 3.1.3 "Wer ist dieser Ich?" -- Selbstfindung in Die Feuerprobe ; 3.1.4 Zusammenfassung ; 3.2 Henry James: The Ambassadors ; 3.2.1 Hängen Wie und Was der Darstellung zusammen? ; 3.2.2 Unsere Perspektive auf Strethers Perspektive 3.2.3 "Will you give yourself up?" -- Selbstfindung in The Ambassadors 3.2.4 Zusammenfassung ; 3.3 Albert Camus: L'Étranger ; 3.3.1 Meursaults Selbstverhältnis I: Was er kann ; 3.3.2 Meursaults Selbstverhältnis II: Was er nicht kann ; 3.3.3 Erzählung und Emplotment in L'Étranger 3.3.4 Zusammenfassung 3.4 Selbstrepräsentation bei Weiß, James und Camus: Vergleich ; 4 Literarische Selbstrepräsentation und moderne 'Ich-Krise' ; 5 Der existenzphilosophische Bildungsroman ; 6 Epilog ; 7 Literatur ; 7.1 Literarische Texte ; 7.2 Sonstige Quellen Vorwort ; Inhalt ; 1 Einleitung ; 1.1 Probleme der Moderneforschung ; 1.2 Zum Aufbau des Buches ; 1.3 Überlegungen zu Voraussetzungen und Methode ; 2 Was ist erzählte Selbstrepräsentation? ; 3 Interpretationen ; 3.1 Ernst Weiß: Die Feuerprobe ; 3.1.1 Rätselhaftigkeiten

     

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    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783110348699
    Other identifier:
    Parent title: Title is part of eBook package: EBOOK PACKAGE Literary, Cultural and Area Studies 2015; De Gruyter
    Title is part of eBook package: EBOOK PACKAGE COMPLETE 2015; De Gruyter
    RVK Categories: EC 5410
    Series: Linguae & litterae ; volume 55
    Subjects: European fiction; Self in literature
    Scope: 1 Online-Ressource (VIII, 340 Seiten)
    Notes:

    Includes bibliographical references and index

    Habilitationsschrift, Georg-August-Universität Göttingen, 2013

    Frontmatter -- -- Vorwort -- -- Inhalt -- -- 1. Einleitung -- -- 2. Was ist erzählte Selbstrepräsentation? -- -- 3. Interpretationen -- -- 4. Literarische Selbstrepräsentation und moderne ‚Ich-Krise‘ -- -- 5. Der existenzphilosophische Bildungsroman -- -- 6. Epilog -- -- 7. Literatur -- -- Register

  12. The novel-essay, 1884 - 1947
    Published: 2014
    Publisher:  Palgrave Macmillan, New York, NY [u.a.]

    Beyond naturalist aesthetics -- The critique of modern rationality -- The emergence of the novel-essay -- A morphological changeover -- Mimicry -- Dialectical strains -- Philosophical mimesis -- Totality and the grand style -- The tear of history --... more

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    Beyond naturalist aesthetics -- The critique of modern rationality -- The emergence of the novel-essay -- A morphological changeover -- Mimicry -- Dialectical strains -- Philosophical mimesis -- Totality and the grand style -- The tear of history -- Form and ideology

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781137404107
    RVK Categories: EC 4630
    Edition: 1. ed.
    Series: Studies in European culture and history
    Subjects: European fiction; European fiction; Essay
    Scope: xix, 194 pages, 23 cm
    Notes:

    Includes bibliographical references (pages 167-182) and index

    Beyond naturalist aestheticsThe critique of modern rationality -- The emergence of the novel-essay -- A morphological changeover -- Mimicry -- Dialectical strains -- Philosophical mimesis -- Totality and the grand style -- The tear of history -- Form and ideology.

  13. Enlightenment Orientalism
    resisting the rise of the novel
    Published: 2012
    Publisher:  Univ. of Chicago Press, Chicago, Ill. [u.a.]

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0226024490; 0226024482; 9780226024493; 9780226024486
    RVK Categories: HK 1091 ; EC 6664
    Subjects: Orientalism; Orientalism in literature; European fiction; Enlightenment
    Scope: xiv, 342 S., Ill., graph. Darst.
    Notes:

    Literaturverz. S. 301 - 327

  14. Auto(r)fiktion
    literarische Verfahren der Selbstkonstruktion
    Contributor: Wagner-Egelhaaf, Martina (HerausgeberIn)
    Published: 2013
    Publisher:  Aisthesis Verlag, Bielefeld

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    Source: Staatsbibliothek zu Berlin
    Contributor: Wagner-Egelhaaf, Martina (HerausgeberIn)
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783895289705
    Other identifier:
    9783895289705
    RVK Categories: EC 7411 ; GN 1701
    Subjects: Autobiographical fiction; European fiction; Autobiographical fiction, German
    Other subjects: Doubrovsky, Serge
    Scope: 377 Seiten, 21 cm
    Notes:

    Martina Wagner-Egelhaaf: Einleitung : was ist Auto(r)fiktion?

    Eric Achermann: Von Fakten und Pakten : Referieren in fiktionalen und autobiographischen Texten

    Christian Moser: "My final deliverance" : zur Konstitution von Autorschaft im autobiographischen und historiographischen Werk Edward Gibbons

    Yahya Elsaghe: Auto- und Autorfiktion in Bertolt Brechts Hauspostille

    Christian Sieg: Die Überwindung der Lebenskurzschrift : Schwierigkeiten beim Schreiben des Selbst in Nicolas Borns die erdabgewandte Seite der Geschichte

    Inge Arteel: Selbstbildnis als multiples Alloporträt : Gerhard Roths autofiktionales Schreiben im Orkus-Zyklus

    Daniel Weidner: Bildnis machen : Autofiktionale Strategien bei Walter Kempowski, Uwe Johnson und W.G. Sebald

    Marta Famula: Erlebtes, Erkanntes und Fingiertes : Dürrenmatts ästhetisches Konzept einer Erkenntnistheorie in seinem autobiographischen Projekt Stoffe I-IX

    Stephan Berghaus: Grenzgänge des ich : Wanderungen zwischen Autobiographie und Autofiktion in W.G. Sebalds die Ringe des Saturn

    Jeanine Tuschling: "Ich, eine Figur, die zu nichts taugt?" : Autofiktionale Erzählstrategien in Elfriede Jelineks Internetroman Neid

    Albert Meier: Realitätseffekt 'Autor' : Poetologische Überlegungen zum Sexualrealismus um 2000

    Innokentij Kreknin: Kybernetischer Realismus und Autofiktion : ein Ordnungsversuch digitaler poetischer Phänomene am Beispiel von Alban Nikolai Herbst

    Annika Jensen, Jutta Müller-Tamm: Echte Wiener und falsche Inder : Strategien und Effekte autofiktionalen Schreibens in der Gegenwartsliteratur

    Yvonne Delhey: Ilija Trojanow und das 'self-fashioning'

    Beatrice Sandberg.: Unter Einschluss der Öffentlichkeit oder das Vorrecht des Privaten

  15. Narrative paths
    African travel in modern fiction and nonfiction
    Published: [2015]
    Publisher:  Ohio State Univ. Press, Columbus

    "In Narrative Paths: African Travel in Modern Fiction and Nonfiction, Kai Mikkonen argues that early twentieth-century European travel writing, journal keeping, and fiction converged and mutually influenced each other in ways that inform current... more

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    "In Narrative Paths: African Travel in Modern Fiction and Nonfiction, Kai Mikkonen argues that early twentieth-century European travel writing, journal keeping, and fiction converged and mutually influenced each other in ways that inform current debates about the fiction-nonfiction distinction. Turning to narratives set in sub-Saharan Africa, Mikkonen identifies five main dimensions of interplay between fiction and nonfiction: the experiential frame of the journey, the redefinition of the language and objective of description, the shared cultural givens and colonial notions concerning sub-Saharan Africa, the theme of narrativisation, and the issue of virtual genres. Narrative Paths reveals the important role that travel played as a frame in these modernist fictions as well as the crucial ways that nonfiction travel narratives appropriated fictional strategies. Narrative Paths contributes to debates in narratology and rhetorical narrative theory about the fiction-nonfiction distinction. With chapters on a wide range of modernist authors-from Pierre Loti, Andre; Gide, Michel Leiris, and Georges Simenon to Blaise Cendrars, Louis-Ferdinand Ce;line, Joseph Conrad, Graham Greene, Evelyn Waugh, and Isak Dinesen (Karen Blixen)-Mikkonen's study also contributes to postcolonial approaches to these authors, examining issues of representation, narrative voice, and authority in narratives about colonial Africa"--

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780814212745
    Series: Theory and interpretation of narrative
    Subjects: Travelers' writings, European; European fiction; Narration (Rhetoric); Postcolonialism in literature
    Scope: X, 324 S., Kt., 24 cm
    Notes:

    Includes bibliographical references (pages 305-316) and index

  16. Metamorphoses of the vampire in literature and film
    cultural transformations in Europe, 1732 - 1933
    Author: Butler, Erik
    Published: 2010
    Publisher:  Camden House, Rochester, NY [u.a.]

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    CD chv 2010
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1571134328; 9781571134325
    RVK Categories: EC 5410 ; EC 6805
    Series: Studies in German literature, linguistics, and culture
    Subjects: Vampires in literature; Vampires; Horror tales, European; European fiction; Vampire films; Social change in literature; Literature and society
    Scope: XI, 225 S.
    Notes:

    Literaturverz. S. [199] - 213. - Filmogr. S. [215] - 216

  17. Formative fictions
    nationalism, cosmopolitanism, and the Bildungsroman
    Author: Boes, Tobias
    Published: 2012
    Publisher:  Cornell Univ. Press and Library, Ithaca, N.Y.

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780801478031
    Series: Array
    Subjects: Bildungsromans; German fiction; European fiction; Nationalism and literature; City and town life in literature; Comparative literature; Comparative literature
    Scope: X, 201 S
    Notes:

    Includes bibliographical references and index

    The limits of national form : normativity and performativity in Bildungsroman criticism -- Apprenticeship of the novel : Goethe and the invention of history -- Epigonal consciousness : Stendhal, Immermann, and the "problem of generations" around 1830 -- Long-distance fantasies : Freytag, Eliot, and national literature in the age of empire -- Urban vernaculars : Joyce, Döblin, and the "individuating rhythm" of modernity -- Conclusion : apocalipsis cum figuris : Thomas Mann and the Bildungsroman at the ends of time.

  18. "In qualunque lingua sia scritta"
    miscellanea di studi sulla fortuna della novella nell'Europa del Rinascimento e del Barocco
    Contributor: Carrascón, Guillermo (HerausgeberIn)
    Published: 2015
    Publisher:  Accademia University Press, Torino

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    Source: Union catalogues
    Contributor: Carrascón, Guillermo (HerausgeberIn)
    Language: Italian
    Media type: Book
    Format: Print
    ISBN: 9788899200541
    Series: Novellieri italiani in Europa. Testi e studi
    Subjects: Italian fiction; Italian fiction; Italian fiction; Novelle; European fiction
    Scope: xvi, 211 pages, 21 cm
    Notes:

    Collected essays

    Includes bibliographical references and index

  19. I novellieri italiani e la loro presenza nella cultura europea
    rizomi e palinsesti rinascimentali
    Contributor: Carrascón, Guillermo (HerausgeberIn); Simbolotti, Chiara (HerausgeberIn)
    Published: dicembre 2015
    Publisher:  Accademia University Press, Torino

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    10 A 12760
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    F VII n 123b
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    By 1158
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    Source: Staatsbibliothek zu Berlin
    Contributor: Carrascón, Guillermo (HerausgeberIn); Simbolotti, Chiara (HerausgeberIn)
    Language: Italian; Spanish; English; French
    Media type: Conference proceedings
    Format: Print
    ISBN: 9788899200657
    Edition: Prima edizione
    Corporations / Congresses: Convegno internazionale di studi "I novellieri italiani e la loro presenza nella cultura europea del Rinascimento e del Barocco" (2015, Turin)
    Series: Array
    Subjects: Italian fiction; Italian fiction; Italian fiction; European fiction
    Scope: XV, 747 Seiten, Illustrationen, 21 cm
    Notes:

    "Questo volume riunisce in sé i risultati di buona parte delle comunicazioni presentate al Convegno Internazionale di Studi "I novellieri italiani e la loro presenza nella cultura europea del Rinascimento e del Barocco" (Torino, 13-15 maggio 2015)" - Klappentext

    Hier auch später erschienene, unveränderte Nachdrucke

  20. Die Kunst des Ehebruchs
    Emma, Anna, Effi und ihre Männer
    Published: [2015]
    Publisher:  Wallstein Verlag, Göttingen

    Landschaftsbibliothek Aurich
    x 64095
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    1 A 933839
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    2017/4641
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    17.93 = 51 A 2246
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    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783835314597
    RVK Categories: EC 6834 ; EC 5410
    Edition: 3. Auflage
    Subjects: Middle class in literature; Adultery in literature; European fiction
    Other subjects: Flaubert, Gustave (1821-1880): Madame Bovary; Tolstoy, Leo graf (1828-1910): Anna Karenina; Fontane, Theodor (1819-1898): Effi Briest
    Scope: 304 Seiten
    Notes:

    Literaturverzeichnis: Seite 290-294

    Reich mir die Hand, mein Leben! : Leben, Liebe, KunstDie halbe Wahrheit : Männer, Frauen, MännerSchlechte Karten : Männer 1 : EhemännerAuf eine Karte : Frauen : Ehefrauen, LiebhaberinnenWer gewinnt, verliert : Männer 2 : LiebhaberDie ganze Kunst : Flaubert, Tolstoi, FontaneUnter den menschlichen Worten das schönste : Gustave Flaubert und Madame BovaryBöse Zeichen, furchtbare Worte : Lew Tolstoi und Anna KareninaAlle Zeichen trügen : Theodor Fontane und Effi BriestDie letzten Mohikaner : Frauen, Männer, FrauenRosenkrieg, Papierkrieg : Endspiel mit schreibendem EhepaarSchöne neue Welt : Ausweitungen der KampfzoneDie Erfindung des Privatlebens : über Sally nicht weniger als AllesCodaDie Entdeckung Amerikas : Leben, Liebe, KunstAnhangNachwortBibliographieNachweiseRegister.

  21. Novel Translations
    The European Novel and the German Book, 1680–1730
    Published: [2011]; ©2011
    Publisher:  Cornell University Press, Ithaca, N.Y.

    Many early novels were cosmopolitan books, read from London to Leipzig and beyond, available in nearly simultaneous translations into French, English, German, and other European languages. In Novel Translations, Bethany Wiggins charts just one of the... more

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    Many early novels were cosmopolitan books, read from London to Leipzig and beyond, available in nearly simultaneous translations into French, English, German, and other European languages. In Novel Translations, Bethany Wiggins charts just one of the paths by which newness-in its avatars as fashion, novelties, and the novel-entered the European world in the decades around 1700. As readers across Europe snapped up novels, they domesticated the genre. Across borders, the novel lent readers everywhere a suggestion of sophistication, a familiarity with circumstances beyond their local ken. Into the eighteenth century, the modern German novel was not German at all; rather, it was French, as suggested by Germans' usage of the French word Roman to describe a wide variety of genres: pastoral romances, war and travel chronicles, heroic narratives, and courtly fictions. Carried in large part on the coattails of the Huguenot diaspora, these romans, nouvelles, amours secrets, histoires galantes, and histories scandaleuses shaped German literary culture to a previously unrecognized extent. Wiggin contends that this French chapter in the German novel's history began to draw to a close only in the 1720s, more than sixty years after the word first migrated into German. Only gradually did the Roman go native; it remained laden with the baggage from its "French" origins even into the nineteenth century.

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780801460074
    Other identifier:
    Series: Signale: Modern German Letters, Cultures, and Thought
    Subjects: German literature; German fiction; German fiction; German literature; German fiction; German fiction; French fiction; French fiction; European fiction; European fiction; French fiction.; German fiction.; German fiction.; German literature.; LITERARY CRITICISM / European / German
    Scope: 1 online resource
    Notes:

    Frontmatter -- -- Contents -- -- List of Illustrations -- -- Acknowledgments -- -- Introduction. “Little French books” and the European Novel -- -- 1. Fashion Restructures the Literary Field -- -- 2. Curing the French Disease -- -- 3. 1688: The Roman Becomes Both Poetical and Popular -- -- 4. 1696: Bringing the Roman to Market -- -- Conclusion. Robinson Crusoe Sails on the European Market -- -- Bibliography -- -- Index

  22. Formative Fictions
    Nationalism, Cosmopolitanism, and the "Bildungsroman
    Author: Boes, Tobias
    Published: [2012]; ©2012
    Publisher:  Cornell University Press, Ithaca, N.Y.

    The Bildungsroman, or "novel of formation," has long led a paradoxical life within literary studies, having been construed both as a peculiarly German genre, a marker of that country's cultural difference from Western Europe, and as a universal... more

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    The Bildungsroman, or "novel of formation," has long led a paradoxical life within literary studies, having been construed both as a peculiarly German genre, a marker of that country's cultural difference from Western Europe, and as a universal expression of modernity. In Formative Fictions, Tobias Boes argues that the dual status of the Bildungsroman renders this novelistic form an elegant way to negotiate the diverging critical discourses surrounding national and world literature.Since the late eighteenth century, authors have employed the story of a protagonist's journey into maturity as a powerful tool with which to facilitate the creation of national communities among their readers. Such attempts always stumble over what Boes calls "cosmopolitan remainders," identity claims that resist nationalism's aim for closure in the normative regime of the nation-state. These cosmopolitan remainders are responsible for the curiously hesitant endings of so many novels of formation.In Formative Fictions, Boes presents readings of a number of novels-Goethe's Wilhelm Meister's Apprenticeship, Karl Leberecht Immermann's The Epigones, Gustav Freytag's Debit and Credit, Alfred Döblin's Berlin Alexanderplatz, and Thomas Mann's Doctor Faustus among them-that have always been felt to be particularly "German" and compares them with novels by such authors as George Eliot and James Joyce to show that what seem to be markers of national particularity can productively be read as topics of world literature.

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780801465659
    Other identifier:
    Series: Signale: Modern German Letters, Cultures, and Thought
    Subjects: Nationalism and literature; Bildungsromans; European fiction; German fiction; Nationalism and literature; Bildungsromans; European fiction; German fiction; Comparative literature; Comparative literature; City and town life in literature; Bildungsromans.; European fiction.; German fiction.; Nationalism and literature.; LITERARY CRITICISM / European / German
    Scope: 1 online resource
    Notes:

    Frontmatter -- -- Contents -- -- A Note on Translations -- -- Acknowledgments -- -- Introduction -- -- Part I. Methodological Background -- -- 1. The Limits of National Form: Normativity and Performativity in Bildungsroman Criticism -- -- 2. Apprenticeship of the Novel: Goethe and the Invention of History -- -- Part II. Comparative Studies -- -- 3. Epigonal Consciousness: Stendhal, Immermann, and the “Problem of Generations” around 1830 -- -- 4. Long-Distance Fantasies: Freytag, Eliot, and National Literature in the Age of Empire -- -- 5. Urban Vernaculars: Joyce, Döblin, and the “Individuating Rhythm” of Modernity -- -- Conclusion: Apocalipsis cum figuris : Thomas Mann and the Bildungsroman at the Ends of Time -- -- Bibliography -- -- Index

  23. Poetics of a fictional historian
    Published: 1985
    Publisher:  Lang, New York [u.a.]

    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    ZA 60367:7
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    92 A 10771
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    4320-085 4
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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Print
    ISBN: 0820400882
    Series: Array ; 7
    Subjects: European fiction; Comparative literature; Comparative literature
    Other subjects: Kotzias, Alexandros
    Scope: 267 S.
    Notes:

    Zugl.: New York, Univ., Diss.

  24. Erzählte Selbstrepräsentation im modernen Roman
    Published: 2016; ©2016
    Publisher:  De Gruyter, Berlin ;Boston

    Der Band untersucht anhand dreier Romane (H. James: The Ambassadors, E. Weiß: Die Feuerprobe, A. Camus: L’Étranger) Formen der Selbstrepräsentation im Roman der Moderne. Konturiert wird zugleich ein ‚modernes‘ Gattungskonzept: Der... more

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    Der Band untersucht anhand dreier Romane (H. James: The Ambassadors, E. Weiß: Die Feuerprobe, A. Camus: L’Étranger) Formen der Selbstrepräsentation im Roman der Moderne. Konturiert wird zugleich ein ‚modernes‘ Gattungskonzept: Der existenzphilosophische Bildungsroman thematisiert Krisen der Selbstrepräsentation und lässt das Exemplarische eines Bildungsgangs zugunsten eines alternativen Konzepts literarischer Erkenntnis in den Hintergrund treten.

     

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    Content information
    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783110348699
    Other identifier:
    Series: linguae & litterae ; 55
    Subjects: Self in literature; European fiction; European fiction.; Self in literature.; Bildungsroman.; Gattungstheorie.; Literary Studies, general.; Literary Studies.; Romantheorie.; Selbstrepräsentation.
    Scope: 1 online resource (348p.)
  25. Eighteenth century fiction on screen
    Contributor: Mayer, Robert (Hrsg.)
    Published: 2002
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    Universitätsbibliothek Bielefeld
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    Content information
    Source: Union catalogues
    Contributor: Mayer, Robert (Hrsg.)
    Language: English
    Media type: Book
    ISBN: 0521793165
    Subjects: Film adaptations; Motion pictures and literature; European fiction; Literatur; Verfilmung
    Scope: XIV, 226 S., Ill.