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Displaying results 1 to 8 of 8.

  1. Dialoganalyse VI, Teil 1
    Referate der 6. Arbeitstagung, Prag 1996
    Contributor: Čmejrková, Světla (Publisher); Hoffmannová, Jana (Publisher); Müllerová, Olga (Publisher); Svetlá, Jindra (Publisher)
    Published: [2017]; © 1998
    Publisher:  Max Niemeyer Verlag, Tübingen

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Technische Hochschule Augsburg
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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek der LMU München
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Čmejrková, Světla (Publisher); Hoffmannová, Jana (Publisher); Müllerová, Olga (Publisher); Svetlá, Jindra (Publisher)
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783110965056
    Other identifier:
    RVK Categories: EC 7425 ; ER 990 ; ES 115
    Edition: Reprint 2017
    Series: Beiträge zur Dialogforschung ; 16
    Subjects: Dialoganalyse; Konferenz; Linguistik
    Scope: 1 online resource (570pages), Zahlr. Abb
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 21. Nov 2017)

  2. "Operationalizing": or, the function of measurement in modern literary theory
    Published: 2013
    Publisher:  Universitätsbibliothek Johann Christian Senckenberg, Frankfurt am Main

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    Series: Stanford Literary Lab: Pamphlets ; 6
    Subjects: Digital Humanities; Literaturtheorie; Tragödie; Dialoganalyse; Quantitative Literaturwissenschaft
    Scope: Online-Ressource
  3. Loudness in the novel
    Published: 2014
    Publisher:  Universitätsbibliothek Johann Christian Senckenberg, Frankfurt am Main

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
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    Series: Stanford Literary Lab: Pamphlets ; 7
    Subjects: Roman; Stimme; Romangestalt; Lautstärke; Digital Humanities; Dialoganalyse
    Scope: Online-Ressource
  4. "Sieh, ich hätte es nicht vermocht, dir ein Wort zu sagen."
    monologische Dialoge und Dialogstrukturen in Wedekinds 'Frühlings Erwachen'

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    Source: Union catalogues
    Language: German
    Media type: Article (journal)
    Format: Online
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    Parent title:
    Enthalten in: Studia Germanistica; Ostrava : Ostravská univerzita v Ostravě, [2009]-; 16.2015, S. 53-60; Online-Ressource
    Subjects: Frühjahr; Deutsch; Sekundarstufe; Prosa; Drama; Deutschunterricht; Wedekind, Frank; Frühlings Erwachen; Dialoganalyse
    Other subjects: Wedekind, Frank (1864-1918): Frühlings Erwachen
    Scope: Online-Ressource
  5. Dialogizität
    Contributor: Lachmann, Renate (Herausgeber)
    Published: © 1982
    Publisher:  Fink, München

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    Source: Union catalogues
    Contributor: Lachmann, Renate (Herausgeber)
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783770520893; 3770520890
    DDC Categories: 400; 800
    Series: Theorie und Geschichte der Literatur und der Schönen Künste : Reihe A, Hermeneutik, Semiotik, Rhetorik ; N.F., Bd. 1
    Subjects: Dialog; Dialoganalyse; Gespräch; Gespräch; Dialog; Gespräch
    Scope: 264 S., 22 cm
  6. "Sieh, ich hätte es nicht vermocht, dir ein Wort zu sagen." : monologische Dialoge und Dialogstrukturen in Wedekinds 'Frühlings Erwachen' ; "Sieh, ich hätte es nicht vermocht, dir ein Wort zu sagen." : monologic dialogues and dialogue structures in Wedekind's 'Frühlings Erwachen'
    Published: 2018

    Monologic dialogues and dialogue structures in Wedekind's 'Frühlings Erwachen' A drama presents a plot which is constituted through dialogues between the characters. This article therefore attempts to explore several instances of dialogue from... more

     

    Monologic dialogues and dialogue structures in Wedekind's 'Frühlings Erwachen' A drama presents a plot which is constituted through dialogues between the characters. This article therefore attempts to explore several instances of dialogue from Wedekind's 'Frühlings Erwachen' by conversationalanalytical means; such an approach facilitates a clear description of the characters' failures in their interactions. This in turn reveals the specific features of literary dialogues from this period, which are constituted in writing and thus precisely planned; an author not only imitates acts and actors via a play's dialogues, but fundamentally creates and moulds the characters through dialogue.

     

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    Source: BASE Selection for Comparative Literature
    Language: German
    Media type: Article (journal)
    Format: Online
    DDC Categories: 800; 830
    Subjects: Wedekind; Frank; Frühlings Erwachen; Dialoganalyse
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    publikationen.ub.uni-frankfurt.de/home/index/help ; info:eu-repo/semantics/openAccess

  7. "Operationalizing": or, the function of measurement in modern literary theory
    Published: 2013

    The concept of length, the concept is synonymous, the concept is nothing more than, the proper definition of a concept . Forget programs and visions; the operational approach refers specifically to concepts, and in a very specific way: it describes... more

     

    The concept of length, the concept is synonymous, the concept is nothing more than, the proper definition of a concept . Forget programs and visions; the operational approach refers specifically to concepts, and in a very specific way: it describes the process whereby concepts are transformed into a series of operations—which, in their turn, allow to measure all sorts of objects. Operationalizing means building a bridge from concepts to measurement, and then to the world. In our case: from the concepts of literary theory, through some form of quantification, to literary texts.

     

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    Source: BASE Selection for Comparative Literature
    Language: English
    Media type: Report
    Format: Online
    DDC Categories: 800
    Subjects: Digital Humanities; Literaturtheorie; Tragödie; Dialoganalyse; Quantitative Literaturwissenschaft
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    publikationen.ub.uni-frankfurt.de/home/index/help ; info:eu-repo/semantics/openAccess

  8. Loudness in the novel
    Published: 2014

    The novel is composed entirely of voices: the most prominent among them is typically that of the narrator, which is regularly intermixed with those of the various characters. In reading through a novel, the reader "hears" these heterogeneous voices... more

     

    The novel is composed entirely of voices: the most prominent among them is typically that of the narrator, which is regularly intermixed with those of the various characters. In reading through a novel, the reader "hears" these heterogeneous voices as they occur in the text. When the novel is read out loud, the voices are audibly heard. They are also heard, however, when the novel is read silently: in this la!er case, the voices are not verbalized for others to hear, but acoustically created and perceived in the mind of the reader. Simply put: sound, in the context of the novel, is fundamentally a product of the novel’s voices. This conception of sound mechanics may at first seem unintuitive—sound seems to be the product of oral reading—but it is only by starting with the voice that one can fully appreciate sound’s function in the novel. Moreover, such a conception of sound mechanics finds affirmation in the works of both Mikhail Bakhtin and Elaine Scarry: "In the novel," writes Bakhtin, "we can always hear voices (even while reading silently to ourselves)."

     

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    Source: BASE Selection for Comparative Literature
    Language: English
    Media type: Report
    Format: Online
    DDC Categories: 800
    Subjects: Roman; Stimme; Romangestalt; Lautstärke; Digital Humanities; Dialoganalyse
    Rights:

    publikationen.ub.uni-frankfurt.de/home/index/help ; info:eu-repo/semantics/openAccess