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Displaying results 1 to 17 of 17.

  1. Une fois ne compte pas (Vol. 56):Nihilisme et sens dans L’insoutenable légèreté de l’être
    Published: 2006
    Publisher:  Museum Tusculanum Press

    Nihilism as it was defined by Nietzsche has not ceased to be a challenge for the literature of the 20th century. With significance and originality quite out of the ordinary Milan Kundera has inquired into the existential condition that has arisen... more

     

    Nihilism as it was defined by Nietzsche has not ceased to be a challenge for the literature of the 20th century. With significance and originality quite out of the ordinary Milan Kundera has inquired into the existential condition that has arisen from the following fundamental problem: what opportunities are afforded man, when he is engrossed by the feeling that everything is of worth, yet nothing is of any use? Through an analysis of – both in its aesthetic design and in its thematic development – this book offers an attempt at interpreting the meaning of Kundera’s question.

     

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    Source: OAPEN
    Language: French
    Media type: Ebook
    Format: Online
    ISBN: 9788772899770
    Other identifier:
    Subjects: Literature: history & criticism; Literary theory
    Other subjects: 20th century; france; kundera, milan; roman; æstetik; 20. årh.; comparative literature; literary analysis; litterær analyse; literary theory; kitsch; french; litteraturteori; fransk; frankrig; novel; aesthetics; litteraturvidenskab
    Scope: 1 electronic resource (186 p.)
  2. Die dramatische Wirkungspoetik im Frühwerk Schillers
    eine analytische Annäherung an das Konzept des Ideendichters
    Published: [2017]; © 2017
    Publisher:  De Gruyter, Berlin ;Boston

    Christoph Gschwind zeigt, wie Schillers frühe Dramen "Die Räuber", "Fiesko", "Kabale und Liebe" und "Don Karlos" wirkungspoetisch funktionieren. Anhand der Analyse von Schillers Frühwerk gibt er, basierend auf der Terminologie der analytischen... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Christoph Gschwind zeigt, wie Schillers frühe Dramen "Die Räuber", "Fiesko", "Kabale und Liebe" und "Don Karlos" wirkungspoetisch funktionieren. Anhand der Analyse von Schillers Frühwerk gibt er, basierend auf der Terminologie der analytischen Literaturwissenschaft, Antworten auf die allgemeine Frage nach dem Verhältnis zwischen Poesie und Philosophie – und auf die spezielle Frage nach der kognitiven Signifikanz literarisch-fiktionaler Texte. Die vorliegende Arbeit unterscheidet sich methodisch von einem klassisch-hermeneutischen Interpretationsverfahren, indem sie auf eine Rekonstruktion von emotiven und kognitiven Funktionen aus Schillers frühen Dramentexten zielt. Das Begriffsinstrumentarium der in der Schiller-Forschung vorherrschenden hermeneutischen Werkinterpretationen gründet häufig auf suggestiven Metaphernkomplexen. Im Kontext des analytischen Zugriffs auf die Texte Schillers wird dieser Tradition ein auf begriffliche Explikation abzielendes Analyse-Modell entgegengestellt, mit dem die z.T. unklaren Begriffe Schillers fassbarer werden. Durch die Rekonstruktion des ideengeschichtlichen Referenzrahmens zeigt sich Schillers Frühwerk schließlich auch als Projekt einer literarischen Aufklärung

     

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    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783110541991
    Other identifier:
    RVK Categories: GK 8870 ; GK 9032
    Series: Deutsche Literatur. Studien und Quellen ; Band 26
    Subjects: Friedrich von Schiller; literary analysis; literary reception; Literaturanalyse; poetics; Poetik; Rezeption (Literatur); Schiller, Friedrich von; Dramentheorie; Rezeption
    Other subjects: Schiller, Friedrich (1759-1805): Don Carlos; Schiller, Friedrich (1759-1805): Die Räuber; Schiller, Friedrich (1759-1805): Kabale und Liebe; Schiller, Friedrich (1759-1805): Die Verschwörung des Fiesco zu Genua
    Scope: 1 online resource (253pages)
  3. Die dramatische Wirkungspoetik im Frühwerk Schillers
    eine analytische Annäherung an das Konzept des Ideendichters
    Published: [2017]; © 2017
    Publisher:  De Gruyter, Berlin ;Boston

    Christoph Gschwind zeigt, wie Schillers frühe Dramen "Die Räuber", "Fiesko", "Kabale und Liebe" und "Don Karlos" wirkungspoetisch funktionieren. Anhand der Analyse von Schillers Frühwerk gibt er, basierend auf der Terminologie der analytischen... more

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    Christoph Gschwind zeigt, wie Schillers frühe Dramen "Die Räuber", "Fiesko", "Kabale und Liebe" und "Don Karlos" wirkungspoetisch funktionieren. Anhand der Analyse von Schillers Frühwerk gibt er, basierend auf der Terminologie der analytischen Literaturwissenschaft, Antworten auf die allgemeine Frage nach dem Verhältnis zwischen Poesie und Philosophie – und auf die spezielle Frage nach der kognitiven Signifikanz literarisch-fiktionaler Texte. Die vorliegende Arbeit unterscheidet sich methodisch von einem klassisch-hermeneutischen Interpretationsverfahren, indem sie auf eine Rekonstruktion von emotiven und kognitiven Funktionen aus Schillers frühen Dramentexten zielt. Das Begriffsinstrumentarium der in der Schiller-Forschung vorherrschenden hermeneutischen Werkinterpretationen gründet häufig auf suggestiven Metaphernkomplexen. Im Kontext des analytischen Zugriffs auf die Texte Schillers wird dieser Tradition ein auf begriffliche Explikation abzielendes Analyse-Modell entgegengestellt, mit dem die z.T. unklaren Begriffe Schillers fassbarer werden. Durch die Rekonstruktion des ideengeschichtlichen Referenzrahmens zeigt sich Schillers Frühwerk schließlich auch als Projekt einer literarischen Aufklärung

     

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  4. Die dramatische Wirkungspoetik im Frühwerk Schillers
    Eine analytische Annäherung an das Konzept des Ideendichters
    Published: [2017]; ©2017
    Publisher:  De Gruyter, Berlin ; Boston

    Christoph Gschwind zeigt, wie Schillers frühe Dramen "Die Räuber", "Fiesko", "Kabale und Liebe" und "Don Karlos" wirkungspoetisch funktionieren. Anhand der Analyse von Schillers Frühwerk gibt er, basierend auf der Terminologie der analytischen... more

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    Christoph Gschwind zeigt, wie Schillers frühe Dramen "Die Räuber", "Fiesko", "Kabale und Liebe" und "Don Karlos" wirkungspoetisch funktionieren. Anhand der Analyse von Schillers Frühwerk gibt er, basierend auf der Terminologie der analytischen Literaturwissenschaft, Antworten auf die allgemeine Frage nach dem Verhältnis zwischen Poesie und Philosophie - und auf die spezielle Frage nach der kognitiven Signifikanz literarisch-fiktionaler Texte. Die vorliegende Arbeit unterscheidet sich methodisch von einem klassisch-hermeneutischen Interpretationsverfahren, indem sie auf eine Rekonstruktion von emotiven und kognitiven Funktionen aus Schillers frühen Dramentexten zielt. Das Begriffsinstrumentarium der in der Schiller-Forschung vorherrschenden hermeneutischen Werkinterpretationen gründet häufig auf suggestiven Metaphernkomplexen. Im Kontext des analytischen Zugriffs auf die Texte Schillers wird dieser Tradition ein auf begriffliche Explikation abzielendes Analyse-Modell entgegengestellt, mit dem die z.T. unklaren Begriffe Schillers fassbarer werden. Durch die Rekonstruktion des ideengeschichtlichen Referenzrahmens zeigt sich Schillers Frühwerk schließlich auch als Projekt einer literarischen Aufklärung

     

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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783110541991
    Other identifier:
    RVK Categories: GK 9032
    Series: Deutsche Literatur. Studien und Quellen ; 26
    Subjects: Friedrich von Schiller; Literaturanalyse; Poetik; Rezeption (Literatur); Schiller, Friedrich von; literary analysis; literary reception; poetics; Rezeption; Dramentheorie; LITERARY CRITICISM / European / German
    Scope: 1 online resource (253 p.)
  5. Sing with the Heart of a Bear
    Fusions of Native and American Poetry, 1890-1999
    Published: [2000]; ©1999
    Publisher:  University of California Press, Berkeley, CA

    Examining contemporary poetry by way of ethnicity and gender, Kenneth Lincoln tracks the Renaissance invention of the Wild Man and the recurrent Adamic myth of the lost Garden. He discusses the first anthology of American Indian verse, The Path on... more

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    Examining contemporary poetry by way of ethnicity and gender, Kenneth Lincoln tracks the Renaissance invention of the Wild Man and the recurrent Adamic myth of the lost Garden. He discusses the first anthology of American Indian verse, The Path on the Rainbow (1918), which opened Jorge Luis Borges' university surveys of American literature, to thirty-five contemporary Indian poets who speak to, with, and against American mainstream bards. From Whitman's free verse, through the Greenwich Village Renaissance (sandwiched between the world wars) and the post-apocalyptic Beat incantations, to transglobal questions of tribe and verse at the century's close, Lincoln shows where we mine the mother lode of New World voices, what distinguishes American verse, which tales our poets sing and what inflections we hear in the rhythms, pitches, and parsings of native lines.Lincoln presents the Lakota concept of "singing with the heart of a bear" as poetry which moves through an artist. He argues for a fusion of estranged cultures, tribal and émigré, margin and mainstream, in detailing the ethnopoetics of Native American translation and the growing modernist concern for a "native" sense of the "makings" of American verse. This fascinating work represents a major new effort in understanding American and Native American literature, spirituality, and culture

     

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  6. Gone
    Poems
    Author: Howe, Fanny
    Published: [2003]; ©2003
    Publisher:  University of California Press, Berkeley, CA

    This collection of new poems by one of the most respected poets in the United States uses motifs of advance and recovery, doubt and conviction—in an emotional relation to the known world. Heralded as "one of our most vital, unclassifiable writers" by... more

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    This collection of new poems by one of the most respected poets in the United States uses motifs of advance and recovery, doubt and conviction—in an emotional relation to the known world. Heralded as "one of our most vital, unclassifiable writers" by the Voice Literary Supplement, Fanny Howe has published more than twenty books and is the recipient of the Gold Medal for Poetry from the Commonwealth Club of California. In addition, her Selected Poems received the 2001 Lenore Marshall Poetry Prize for the Most Outstanding Book of Poetry Published in 2000 from the Academy of American Poets.The poems in Gone describe the transit of a psyche, driven by uncertainty and by love, through various stations and experiences. This volume of short poems and one lyrical essay, all written in the last five years, is broken into five parts; and the longest of these, "The Passion," consecrates the contradictions between these two emotions. The New York Times Book Review said, "Howe has made a long-term project of trying to determine how we fit into God's world, and her aim is both true and marvelously free of sentimental piety." With Gone, readers will have the opportunity to experience firsthand Howe’s continuation of that elusive and fascinating endeavor

     

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  7. Sleeping with the Dictionary
    Published: [2002]; ©2002
    Publisher:  University of California Press, Berkeley, CA

    Harryette Mullen's fifth poetry collection, Sleeping with the Dictionary, is the abecedarian offspring of her collaboration with two of the poet's most seductive writing partners, Roget's Thesaurus and The American Heritage Dictionary. In her ménage... more

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    Harryette Mullen's fifth poetry collection, Sleeping with the Dictionary, is the abecedarian offspring of her collaboration with two of the poet's most seductive writing partners, Roget's Thesaurus and The American Heritage Dictionary. In her ménage à trois with these faithful companions, the poet is aware that while Roget seems obsessed with categories and hierarchies, the American Heritage, whatever its faults, was compiled with the assistance of a democratic usage panel that included black poets Langston Hughes and Arna Bontemps, as well as feminist author and editor Gloria Steinem. With its arbitrary yet determinant alphabetical arrangement, its gleeful pursuit of the ludic pleasure of word games (acrostic, anagram, homophone, parody, pun), as well as its reflections on the politics of language and dialect, Mullen's work is serious play. A number of the poems are inspired or influenced by a technique of the international literary avant-garde group Oulipo, a dictionary game called S+7 or N+7. This method of textual transformation--which is used to compose nonsensical travesties reminiscent of Lewis Carroll's "Jabberwocky"--also creates a kind of automatic poetic discourse.Mullen's parodies reconceive the African American's relation to the English language and Anglophone writing, through textual reproduction, recombining the genetic structure of texts from the Shakespearean sonnet and the fairy tale to airline safety instructions and unsolicited mail. The poet admits to being "licked all over by the English tongue," and the title of this book may remind readers that an intimate partner who also gives language lessons is called, euphemistically, a "pillow dictionary."

     

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  8. Lectura Dantis, Inferno
    A Canto-by-Canto Commentary
    Contributor: Ahern, John (MitwirkendeR); Barolini, Teodolinda (MitwirkendeR); Berk, Philip R. (MitwirkendeR); Carugati, Giuliana (MitwirkendeR); Cassata, Letterio (MitwirkendeR); Ceserani, Remo (MitwirkendeR); Cherchi, Paolo (MitwirkendeR); Cioffi, Caron Ann (MitwirkendeR); Davis, Charles T. (MitwirkendeR); Durling, Robert M. (MitwirkendeR); Ellis, Steve (MitwirkendeR); Ferrante, Joan M. (MitwirkendeR); Frongia, Eugenio N. (MitwirkendeR); Hollander, Robert (MitwirkendeR); Iannucci, Amilcare A. (MitwirkendeR); Mandelbaum, Allen (MitwirkendeR); Mandelbaum, Allen (HerausgeberIn); Mazzotta, Giuseppe (MitwirkendeR); Noakes, Susan (MitwirkendeR); Nohrnberg, James (MitwirkendeR); Oldcorn, Anthony (MitwirkendeR); Oldcorn, Anthony (HerausgeberIn); Pertile, Lino (MitwirkendeR); Pesaresi, Massimo Mandolini (MitwirkendeR); Peterson, Thomas (MitwirkendeR); Petrie, Jennifer (MitwirkendeR); Petrocchi, Giorgio (MitwirkendeR); Ross, Charles (HerausgeberIn); Russo, Vittorio (MitwirkendeR); Sanguineti, Edoardo (MitwirkendeR); Scott, John A. (MitwirkendeR); Simonelli, Maria Picchio (MitwirkendeR); Stocchi, Manlio Pastore (MitwirkendeR); Terza, Dante Della (MitwirkendeR); Triolo, Alfred A. (MitwirkendeR); Valesio, Paolo (MitwirkendeR); Wlassics, Tibor (MitwirkendeR)
    Published: [1999]; ©1999
    Publisher:  University of California Press, Berkeley, CA

    The California Lectura Dantis is the long-awaited companion to the three-volume verse translation by Allen Mandelbaum of Dante's Divine Comedy. Mandelbaum's translation, with facing original text and with illustrations by Barry Moser, has been... more

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    The California Lectura Dantis is the long-awaited companion to the three-volume verse translation by Allen Mandelbaum of Dante's Divine Comedy. Mandelbaum's translation, with facing original text and with illustrations by Barry Moser, has been praised by Robert Fagles as "exactly what we have waited for these years, a Dante with clarity, eloquence, terror, and profoundly moving depths," and by the late James Merrill as "lucid and strong . . . with rich orchestration . . . overall sweep and felicity . . . and countless free, brilliant, utterly Dantesque strokes." Charles Simic called the work "a miracle. A lesson in the art of translation and a model (an encyclopedia) for poets. The full range and richness of American English is displayed as perhaps never before."This collection of commentaries on the first part of the Comedy consists of commissioned essays, one for each canto, by a distinguished group of international scholar-critics. Readers of Dante will find this Inferno volume an enlightening and indispensable guide, the kind of lucid commentary that is truly adapted to the general reader as well as the student and scholar

     

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    Source: Union catalogues
    Contributor: Ahern, John (MitwirkendeR); Barolini, Teodolinda (MitwirkendeR); Berk, Philip R. (MitwirkendeR); Carugati, Giuliana (MitwirkendeR); Cassata, Letterio (MitwirkendeR); Ceserani, Remo (MitwirkendeR); Cherchi, Paolo (MitwirkendeR); Cioffi, Caron Ann (MitwirkendeR); Davis, Charles T. (MitwirkendeR); Durling, Robert M. (MitwirkendeR); Ellis, Steve (MitwirkendeR); Ferrante, Joan M. (MitwirkendeR); Frongia, Eugenio N. (MitwirkendeR); Hollander, Robert (MitwirkendeR); Iannucci, Amilcare A. (MitwirkendeR); Mandelbaum, Allen (MitwirkendeR); Mandelbaum, Allen (HerausgeberIn); Mazzotta, Giuseppe (MitwirkendeR); Noakes, Susan (MitwirkendeR); Nohrnberg, James (MitwirkendeR); Oldcorn, Anthony (MitwirkendeR); Oldcorn, Anthony (HerausgeberIn); Pertile, Lino (MitwirkendeR); Pesaresi, Massimo Mandolini (MitwirkendeR); Peterson, Thomas (MitwirkendeR); Petrie, Jennifer (MitwirkendeR); Petrocchi, Giorgio (MitwirkendeR); Ross, Charles (HerausgeberIn); Russo, Vittorio (MitwirkendeR); Sanguineti, Edoardo (MitwirkendeR); Scott, John A. (MitwirkendeR); Simonelli, Maria Picchio (MitwirkendeR); Stocchi, Manlio Pastore (MitwirkendeR); Terza, Dante Della (MitwirkendeR); Triolo, Alfred A. (MitwirkendeR); Valesio, Paolo (MitwirkendeR); Wlassics, Tibor (MitwirkendeR)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780520920538
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    Subjects: LITERARY CRITICISM / European / General
    Other subjects: academic; cantos; circles of hell; classic literature; cultural context; divine comedy; essay collection; famous author; famous plays; famous story; famous theatre; heaven and hell; inferno; limbo; literary analysis; literary criticism; poetics; poetry; poets; religion; scholarly; seven deadly sins; sinner; sins; social commentary; translation; underworld; verse
    Scope: 1 Online-Ressource (490 p.)
  9. Shakespeare's Metrical Art
    Published: [1988]; ©1988
    Publisher:  University of California Press, Berkeley, CA

    This is a wide-ranging, poetic analysis of the great English poetic line, iambic pentameter, as used by Chaucer, Sidney, Milton, and particularly by Shakespeare. George T. Wright offers a detailed survey of Shakespeare's brilliantly varied metrical... more

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    This is a wide-ranging, poetic analysis of the great English poetic line, iambic pentameter, as used by Chaucer, Sidney, Milton, and particularly by Shakespeare. George T. Wright offers a detailed survey of Shakespeare's brilliantly varied metrical keyboard and shows how it augments the expressiveness of his characters' stage language

     

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  10. Mexican Ballads, Chicano Poems
    History and Influence in Mexican-American Social Poetry
    Published: [1992]; ©1992
    Publisher:  University of California Press, Berkeley, CA

    Mexican Ballads, Chicano Poems combines literary theory with the personal engagement of a prominent Chicano scholar. Recalling his experiences as a student in Texas, José Limón examines the politically motivated Chicano poetry of the 60s and 70s. He... more

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    Mexican Ballads, Chicano Poems combines literary theory with the personal engagement of a prominent Chicano scholar. Recalling his experiences as a student in Texas, José Limón examines the politically motivated Chicano poetry of the 60s and 70s. He bases his analyses on Harold Bloom's theories of literary influence but takes Bloom into the socio-political realm. Limón shows how Chicano poetry is nourished by the oral tradition of the Mexican corrido, or master ballad, which was a vital part of artistic and political life along the Mexican-U.S. border from 1890 to 1930.Limón's use of Bloom, as well as of Marxist critics Raymond Williams and Fredric Jameson, brings Chicano literature into the arena of contemporary literary theory. By focusing on an important but little-studied poetic tradition, his book challenges our ideas of the American canon and extends the reach of Hispanists and folklorists as well

     

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  11. Of Women, Outcastes, Peasants, and Rebels
    A Selection of Bengali Short Stories
    Contributor: Bandyopadhyay, Manik (MitwirkendeR); Bandyopadhyay, Tarashankar (MitwirkendeR); Bardhan, Kalpana (HerausgeberIn); Devi, Mahasweia (MitwirkendeR); Devi, Mahasweta (MitwirkendeR); Hug, Hasan Azizul (MitwirkendeR); Huq, Hasan Azizul (MitwirkendeR); Thakur, Rabindmnath (MitwirkendeR); Thakur, Rabindranath (MitwirkendeR)
    Published: [1990]; ©1990
    Publisher:  University of California Press, Berkeley, CA

    Until now the large body of socially focused Bengali literature has remained little known to Western readers. This collection includes some of the finest examples of Bengali short stories—stories that reflect the turmoil of a changing society... more

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    Until now the large body of socially focused Bengali literature has remained little known to Western readers. This collection includes some of the finest examples of Bengali short stories—stories that reflect the turmoil of a changing society traditionally characterized by rigid hierarchical structures of privilege and class differentiation.Written over a span of roughly ninety years from the early 1890s to the late 1970s, the twenty stories in this collection represent the work of five authors. Their characters, drawn from widely varying social groups, often find themselves caught up in tumultuous political and social upheaval.The reader encounters Rabindranath Thakur's extraordinarily spirited and bold heroines; Manik Bandyopadhyay's peasants, laborers, fisherfolk, and outcastes; and Tarashankar Bandyopadhyay's rural underclass of snake-charmers, corpse-handlers, stick-wielders, potters, witches, and Vaishnava minstrels. Mahasweta Devi gives voice to the semi-landless tribals and untouchables effectively denied the rights guaranteed them by the Constitution; Hasan Azizul Huq depicts the plight of the impoverished of Bangladesh

     

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    Source: Union catalogues
    Contributor: Bandyopadhyay, Manik (MitwirkendeR); Bandyopadhyay, Tarashankar (MitwirkendeR); Bardhan, Kalpana (HerausgeberIn); Devi, Mahasweia (MitwirkendeR); Devi, Mahasweta (MitwirkendeR); Hug, Hasan Azizul (MitwirkendeR); Huq, Hasan Azizul (MitwirkendeR); Thakur, Rabindmnath (MitwirkendeR); Thakur, Rabindranath (MitwirkendeR)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780520909458
    Other identifier:
    Series: Voices from Asia ; 1
    Subjects: Short stories, Bengali; Short stories, Bengali; LITERARY CRITICISM / General
    Other subjects: 19th century; 20th century; academic; asian literature; bengali literature; contemporary; domestic; eastern literature; family life; feminism; feminist history; feminist; folk stories; folk tales; folklore; international literature; literary analysis; literary; scholarly; short stories; short story anthology; short story collection; womens history; womens issues
    Scope: 1 Online-Ressource (340 p.)
  12. Moabite women, Transjordanian women, and incest and exogamy
    The gendered dimensions of boundaries in the Hebrew Bible
    Published: [2020]

    Building on the work of David Jobling (who suggests there is a structural coding of the Cisjordan as male and the Transjordan as female) and Rachel Havrelock (who suggests the Transjordan and Moab are places of gender deviancy), this article explores... more

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    Building on the work of David Jobling (who suggests there is a structural coding of the Cisjordan as male and the Transjordan as female) and Rachel Havrelock (who suggests the Transjordan and Moab are places of gender deviancy), this article explores issues of geographical, ethnic, and gender identity in stories of Moabite and Transjordanian women. Particular attention is given to the twin tropes of incest and exogamy and how this relates to the pattern of anxiety and lost identity in the Transjordan. Analysis begins with the story of Lot’s daughters, who serve as archetypal and paradigmatic Moabite women, and moves on to include the Moabite women in Numbers 25, Zelophehad’s daughters, Jephthah’s daughter, and Ruth.

     

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    Language: English
    Media type: Article (journal)
    Format: Online
    Other identifier:
    Parent title: Enthalten in: Journal for the study of the Old Testament; London [u.a.] : Sage, 1976; 45(2020), 1, Seite 93-110; Online-Ressource

    Subjects: Gender; Jephthah’s daughter; Lot’s daughters; Moab; Ruth; Transjordan; Zelophehad’s daughters; literary analysis
  13. The Art of Persuasion
    A Sociocultural and Literary Comparison of Two Speeches of Reuben and Judah in Genesis, with Suggestions for Translating for Africans
    Published: 2023

    Two speeches in the book of Genesis, one by Reuben and the other by Judah, are made to secure the release of Benjamin from their father Jacob in Canaan. The first speech fails while the second succeeds. The aim of this article is to identify the... more

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    Two speeches in the book of Genesis, one by Reuben and the other by Judah, are made to secure the release of Benjamin from their father Jacob in Canaan. The first speech fails while the second succeeds. The aim of this article is to identify the sociocultural and literary reasons behind these outcomes. It also aims to suggest ways of translating these texts into African languages and for African audiences that do justice to the realities in the texts. Careful analysis of the words and rhetorical features of the speeches is conducted in the light of other narratives of Jacob, his wives, concubines, and offspring in the Hebrew Bible. This analysis informs the conclusions of the paper: Judah succeeded where Reuben had failed because of his personal standing in the clan and because of his precise use of facts and the persuasive power of his speeches.

     

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    Language: English
    Media type: Article (journal)
    Format: Online
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    Parent title: Enthalten in: The Bible translator; London : Sage, 1950; 74(2023), 2, Seite 242-255

    Subjects: Africa; literary analysis; Genesis 43; Genesis 42; sociocultural analysis
  14. Die dramatische Wirkungspoetik im Frühwerk Schillers
    Eine analytische Annäherung an das Konzept des Ideendichters
    Published: [2017]; ©2017
    Publisher:  De Gruyter, Berlin ; Boston

    Christoph Gschwind zeigt, wie Schillers frühe Dramen "Die Räuber", "Fiesko", "Kabale und Liebe" und "Don Karlos" wirkungspoetisch funktionieren. Anhand der Analyse von Schillers Frühwerk gibt er, basierend auf der Terminologie der analytischen... more

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    Christoph Gschwind zeigt, wie Schillers frühe Dramen "Die Räuber", "Fiesko", "Kabale und Liebe" und "Don Karlos" wirkungspoetisch funktionieren. Anhand der Analyse von Schillers Frühwerk gibt er, basierend auf der Terminologie der analytischen Literaturwissenschaft, Antworten auf die allgemeine Frage nach dem Verhältnis zwischen Poesie und Philosophie - und auf die spezielle Frage nach der kognitiven Signifikanz literarisch-fiktionaler Texte. Die vorliegende Arbeit unterscheidet sich methodisch von einem klassisch-hermeneutischen Interpretationsverfahren, indem sie auf eine Rekonstruktion von emotiven und kognitiven Funktionen aus Schillers frühen Dramentexten zielt. Das Begriffsinstrumentarium der in der Schiller-Forschung vorherrschenden hermeneutischen Werkinterpretationen gründet häufig auf suggestiven Metaphernkomplexen. Im Kontext des analytischen Zugriffs auf die Texte Schillers wird dieser Tradition ein auf begriffliche Explikation abzielendes Analyse-Modell entgegengestellt, mit dem die z.T. unklaren Begriffe Schillers fassbarer werden. Durch die Rekonstruktion des ideengeschichtlichen Referenzrahmens zeigt sich Schillers Frühwerk schließlich auch als Projekt einer literarischen Aufklärung

     

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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783110541991
    Other identifier:
    RVK Categories: GK 9032
    Series: Deutsche Literatur. Studien und Quellen ; 26
    Other subjects: Friedrich von Schiller; Literaturanalyse; Poetik; Rezeption (Literatur); Schiller, Friedrich von; literary analysis; literary reception; poetics; Rezeption; Dramentheorie; LITERARY CRITICISM / European / German
    Scope: 1 online resource (253 p.)
  15. Bridge over Troubled Waters
    Psalm 147
    Published: [2018]

    This article discusses the meaning of Psalm 147 in light of its literary structure, which is created by the repetition of similar elements in an identical order in each of the three stanzas. While this structure contributes to the literary cohesion... more

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    This article discusses the meaning of Psalm 147 in light of its literary structure, which is created by the repetition of similar elements in an identical order in each of the three stanzas. While this structure contributes to the literary cohesion of the psalm, it also emphasizes the differences between the stanzas, highlighting the divergent nature of the second stanza, and the nuanced thematic differences between the first and third stanzas. The literary analysis of each of the stanzas and the relationship between them leads to the conclusion that Psalm 147 expresses a balance between the conditional and the unconditional perceptions of redemption, and between nationalism and universalism. These perceptions are generally viewed as contradictory, and the balance suggested in Psalm 147 reflects a unique voice in Second Temple literature, as a conceptual bridge over troubled waters.

     

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    Language: English
    Media type: Article (journal)
    Format: Online
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    Parent title: Enthalten in: Journal for the study of the Old Testament; London [u.a.] : Sage, 1976; 42(2018), 3, Seite 317-339; Online-Ressource

    Subjects: nationalism; literary analysis; literary structure; Psalm 147; redemption; Second Temple literature; universalism
  16. Keeping the Mystery Alive
    Jewish Mysticism in Latin American Cultural Production
    Published: [2022]; ©2022
    Publisher:  Academic Studies Press, Boston, MA

    This book delves into creative renditions of key aspects of Jewish Mysticism in Latin American literature, film, and art from the perspective of literary and cultural studies. It introduces the work of Latin American authors and artists who have been... more

     

    This book delves into creative renditions of key aspects of Jewish Mysticism in Latin American literature, film, and art from the perspective of literary and cultural studies. It introduces the work of Latin American authors and artists who have been inspired by Jewish Mysticism from the 1960s to the present focusing on representations of dybbuks (transmigratory souls), the presence of Eros as part of the experience of mystical prayer, reformulations of Zoharic fables, and the search for Tikkun Olam (cosmic repair), among other key topics of Jewish Mysticism. The purpose of this book is to open up these aspects of their work to a broad audience who may or may not be familiar with Jewish Mysticism

     

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  17. The Narrations of the Destruction of Saint-Domingue in the Late 18th Century and their Reinterpretations after the Bicentennial of the Haitian Revolution
    Les narrations de la destruction de Saint-Domingue au tournant du 19e siècle et leurs relectures après le bicentennaire de la Révolution haïtienne
    Author: Bandau, Anja
    Published: 2013
    Publisher:  Gottfried Wilhelm Leibniz Universität Hannover, Hannover ; Technische Informationsbibliothek (TIB)

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    Language: English
    Media type: Book
    Format: Online
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    Parent title: In: Bandau, A.: The Narrations of the Destruction of Saint-Domingue in the Late 18th Century and their Reinterpretations after the Bicentennial of the Haitian Revolution. In: L’Ordinaire des Amériques 215 (2013). DOI: https://doi.org/10.4000/orda.688
    Other subjects: Saint-Domingue/Haiti; revolution; representation; literary analysis; literary genre; postcolonial; colonial texts; interdisciplinary scholarship; género literario; estudios interdisciplinarios; Saint-Domingue /Haïti; révolution; représentation; analyse littéraire; genre littéraire; postcolonial; textes coloniaux; études interdisciplinaires; Santo Domingo/Haití; revolución; representación; análisis literario; postcolonial; textos coloniales; Santo Domingo / Haiti; revolução; representação; análise literária; género; pós-colonial; textos coloniais; estudos interdisciplinares
    Scope: Online-Ressource