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Displaying results 1 to 4 of 4.

  1. Transforming Shakespeare
    contemporary women's re-visions in literature and performance
    Published: 1999
    Publisher:  Macmillan, Basingstoke [u.a.]

    Location:
    Universitätsbibliothek Bayreuth
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    Location:
    Universitätsbibliothek Eichstätt-Ingolstadt
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    Location:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Location:
    Bayerische Staatsbibliothek
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    Location:
    Universitätsbibliothek der LMU München
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  2. Not Shakespeare
    bardolatry and burlesque in the nineteenth century
    Author: Schoch, Richard W.
    Published: 2002
    Publisher:  Cambridge Univ. Press, Cambridge

    "Burlesque has been a powerful and enduring weapon in the critique of 'legitimate' Shakespearean culture by a seemingly 'illegitimate' popular culture. This was true most of all in the fifteenth century. From Hamlet Travestie (1810) to Rosencrantz... more

    Location:
    Universitätsbibliothek Bamberg
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    Location:
    Bayerische Staatsbibliothek
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    Location:
    Universitätsbibliothek der LMU München
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    Location:
    Universitätsbibliothek Passau
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    "Burlesque has been a powerful and enduring weapon in the critique of 'legitimate' Shakespearean culture by a seemingly 'illegitimate' popular culture. This was true most of all in the fifteenth century. From Hamlet Travestie (1810) to Rosencrantz and Guildenstern (1891), Shakespeare burlesques were a vibrant, yet controversial form of popular performance: vibrant because of their exuberant humour; controversial because they imperilled Shakespeare's iconic status. Richard Schoch, in the first study of nineteenth-century Shakespeare burlesques, explores the paradox that plays which are manifestly 'not Shakespeare' purport to be the most genuinely Shakespearean of all. Bringing together archival research, rare photographs and illustrations, close readings of burlesque scripts, and an awareness of theatrical, literary and cultural contexts, Schoch changes the way we think about Shakespeare's theatrical legacy and nineteenth-century popular culture. His lively and wide-ranging book will appeal to scholars and students of Shakespeare in performance, theatre history and Victorian studies."--BOOK JACKET.

     
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  3. Shakespeare in perspective
    Publisher:  Ariel Books u.a., London

  4. Not Shakespeare
    bardolatry and burlesque in the nineteenth century
    Author: Schoch, Richard W.
    Published: 2002
    Publisher:  Cambridge Univ. Press, Cambridge

    "Burlesque has been a powerful and enduring weapon in the critique of 'legitimate' Shakespearean culture by a seemingly 'illegitimate' popular culture. This was true most of all in the fifteenth century. From Hamlet Travestie (1810) to Rosencrantz... more

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    "Burlesque has been a powerful and enduring weapon in the critique of 'legitimate' Shakespearean culture by a seemingly 'illegitimate' popular culture. This was true most of all in the fifteenth century. From Hamlet Travestie (1810) to Rosencrantz and Guildenstern (1891), Shakespeare burlesques were a vibrant, yet controversial form of popular performance: vibrant because of their exuberant humour; controversial because they imperilled Shakespeare's iconic status. Richard Schoch, in the first study of nineteenth-century Shakespeare burlesques, explores the paradox that plays which are manifestly 'not Shakespeare' purport to be the most genuinely Shakespearean of all. Bringing together archival research, rare photographs and illustrations, close readings of burlesque scripts, and an awareness of theatrical, literary and cultural contexts, Schoch changes the way we think about Shakespeare's theatrical legacy and nineteenth-century popular culture. His lively and wide-ranging book will appeal to scholars and students of Shakespeare in performance, theatre history and Victorian studies."--BOOK JACKET.

     
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    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    ISBN: 0521800153
    RVK Categories: HI 3331
    Edition: 1. publ.
    Subjects: Burlesque (Théâtre); Burlesque (théâtre); Comédie anglaise - Histoire et critique; Culture populaire - Grande-Bretagne - 19e siècle; Culture populaire - Grande-Bretagne - Histoire - 19e siècle; Engels; Kluchten; Parodieën; Théâtre - Grande-Bretagne - 19e siècle; Théâtre - Grande-Bretagne - Histoire - 19e siècle; Théâtre anglais - 19e siècle - Histoire et critique; Théâtre anglais - 19e siècle; Théâtre anglais - Histoire et critique; Volkstoneel; Englisch; Geschichte; Burlesques; English drama (Comedy); English drama; Popular culture; Theater; Boulevardtheater; Englisch; Burleske <Literatur>
    Other subjects: Shakespeare, William <1564-1616> - Adaptations - Histoire et critique; Shakespeare, William <1564-1616> - Adaptations - Histoire et critique; Shakespeare, William <1564-1616> - Appréciation - Grande-Bretagne; Shakespeare, William <1564-1616> - Appréciation - Grande-Bretagne; Shakespeare, William <1564-1616> - Parodies, imitations, etc - History and criticism; Shakespeare, William <1564-1616> - Parodies, pastiches, etc - Histoire et critique; Shakespeare, William <1564-1616> - Parodies, pastiches, etc - Histoire et critique; Shakespeare, William <1564-1616>; Shakespeare, William <1564-1616>; Shakespeare, William <1564-1616>; Shakespeare, William (1564-1616)
    Scope: XIII, 209 S., Ill.