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  1. Ästhetik im Widerstreit
    Interventionen zum Werk von Jean-François Lyotard
    Contributor: Welsch, Wolfgang (Publisher)
    Published: 1991
    Publisher:  VCH, Weinheim

    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Jüdische Gemeinde zu Berlin, Bibliothek
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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    TU Berlin, Universitätsbibliothek
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    Universität der Künste Berlin, Universitätsbibliothek
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    Verbund der Öffentlichen Bibliotheken Berlins - VÖBB
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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Fachhochschule Potsdam, Hochschulbibliothek
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  2. Ästhetik im Widerstreit
    Interventionen zum Werk von Jean-François Lyotard
    Published: [2015]; © 1995
    Publisher:  Akademie Verlag, Berlin

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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  3. Ornament, Fantasy, and Desire in Nineteenth-Century French Literature
    Published: [1992]
    Publisher:  Princeton University Press, Princeton, N.J.

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400862665
    Other identifier:
    Subjects: Französische Literatur; French literature / 19th century / History and criticism; French language / 19th century / Figures of speech; Psychoanalysis and literature / France; Fantasy in literature; Desire in literature; ART / History / General; French language / Figures of speech; French literature; Psychoanalysis and literature; Französisch; Geschichte; Französisch; Ornament; Kunst; Kunstpsychologie; Literatur
    Scope: 1 Online-Ressource (316p.)
    Notes:

    In this examination of the role of ornament in nineteenth-century French literature, Rae Beth Gordon shows that ornament, far from being a simple accessory, raises problems that are at the very heart of aesthetic experience: limits and their transgression, illusion and seduction, pleasure and tension, harmony and confusion, excess and marginality. After placing texts by Nerval, Gautier, Mallarm, Huysmans, and Rachilde within the context of the history and techniques of the decorative arts, she reveals in these works the powerful role played by decorative figurations of syntax, diction, and composition. Gordon's detailed textual analyses yield spatial parallels with specific ornamental configurations (interlace, arabesque, decorative frame, horror vacui, trompe l'oeil). These patterns are then studied in relation to a dynamics of desire. Ornament, taken as the site of desire and illuminated by the theories of Charcot, Clrambault, Freud, Winnicott, and Lacan, highlights important differences between romanticism, symbolism, and decadence. Not only does the author relate ornament to artistic representations of the sublime, the grotesque, and hysteria, but she also reveals that the function of ornament in literature anticipated psychiatric and aesthetic research on decorative form in the fin de sicle.Originally published in 1992.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905

  4. Kunst und Sehen
    Eine Psychologie des schöpferischen Auges
    Published: 1965
    Publisher:  De Gruyter, Berlin

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783111135311; 9783111501581; 9783112166192
    Subjects: Psychologie; Visuelle Wahrnehmung; Komposition; Sehen; Wahrnehmungspsychologie; Ästhetik; Kunstpsychologie; Ästhetische Wahrnehmung; Kunstbetrachtung; Kunst; Rezeptionsästhetik
    Scope: 1 Online-Ressource (XIX, 436 S.)
  5. Reflecting senses
    perception and appearance in literature, culture, and the arts
    Published: 1995
    Publisher:  W. de Gruyter, Berlin ;New York

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 3110145804; 9783110145809; 9783110889444
    Other identifier:
    Subjects: Aesthetics, Modern; Illusion (Philosophy); Illusion in literature; Information theory in aesthetics; Representation (Philosophy); Methode; Erscheinung; Illusion; Ästhetik; Kunstpsychologie; Geschichte; Literatur; Ästhetische Wahrnehmung; Illusion <Motiv>
    Scope: 1 Online-Ressource (vi, 369 p)
    Notes:

    Includes bibliographical references (p. [315]-341) and index

  6. Only Connect
    Art and the Spectator in the Italian Renaissance
    Published: [2019]; © 2019
    Publisher:  Princeton University Press, Princeton, NJ

    John Shearman makes the plea for a more engaged reading of art works of the Italian Renaissance, one that will recognize the presuppositions of Renaissance artists about their viewers. His book is the first attempt to construct a history of those... more

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    John Shearman makes the plea for a more engaged reading of art works of the Italian Renaissance, one that will recognize the presuppositions of Renaissance artists about their viewers. His book is the first attempt to construct a history of those Renaissance paintings and sculptures that are by design completed outside themselves in or by the spectator, that embrace the spectator into their narrative plot or aesthetic functioning, and that reposition the spectator imaginatively or in time and space. He takes the lead from texts and artists of the period, for these artists reveal themselves as spectators. Among modern historiographical techniques, Reception Theory is closest to the author's method, but Shearman's concern is mostly with anterior relationships with the viewer--that is, relationships conceived and constructed as part of the work's design, making, and positioning.Shearman proposes unconventional ways in which works of art may be distinguished one from another, and in which spectators may be distinguished, too, and enlarges the accepted field of artistic invention. Furthermore, His argument reflects on the Renaissance itself. What is created in this period tends to be regarded as conventional, or inherent in the nature of painting and sculpture: he maintains that this is a careless, disengaged view that has overlooked the process of discovery by immensely inventive and visually intelllectual artists.John Shearman is William Door Boardman Professor of Fine Arts at Harvard University. Among his works are Mannerism (Hardmondsworth/Penguin), Raphael's Cartoons in the Collection of Her Majesty the Queen and the Tapestries for the Sistine Chapel (Phaidon), The Early Italian Paintings in teh Collection of Her Majesty the Queen (Cambridge). and Funzione e Illusione (il Saggiatore).The A.W. Mellon Lectures in the Fine Arts, 1988Bollingen Series XXXV: 37Originally Publsihed in 1992The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780691200774
    Other identifier:
    Series: Princeton Legacy Library ; 5579
    Subjects: ART / History / General; Zuschauer; Bildbetrachtung; Kunstpsychologie; Renaissance; Malerei; Kunstbetrachtung; Kunst; Plastik; Rezeptionsästhetik
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Sep 2019)

  7. Bildwechsel und Einbildung
    eine Psychologie der Kunst
    Published: 1992
    Publisher:  Ed. q, Berlin

    Freie Universität Berlin, Universitätsbibliothek
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    Universität der Künste Berlin, Universitätsbibliothek
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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Fachhochschule Potsdam, Hochschulbibliothek
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    Source: Philologische Bibliothek, FU Berlin
    Language: German
    Media type: Book
    ISBN: 3928024914
    RVK Categories: CX 7500 ; LH 61080
    Subjects: Kunst; Art; Visual perception; Visuelle Wahrnehmung; Wahrnehmung; Kunst; Ästhetik; Rezeptionsästhetik; Kunstpsychologie
    Scope: 124 S., Ill.
  8. Anschauliches Denken
    zur Einheit von Bild u. Begriff
    Published: 1972
    Publisher:  DuMont Schauberg, Köln

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Language: German
    Media type: Book
    ISBN: 978-3-7701-0642-4
    Series: DuMont-Dokumente : Reihe Kunstgeschichte, Wissenschaft
    Subjects: Wahrnehmung; Denken; Kunstpsychologie; Denken; Bild; Begriff
    Scope: 322 S.
    Notes:

    Literaturverz. S. 305 - 315.

  9. See it again, say it again
    the artist as researcher
    Contributor: Wesseling, Janneke (Publisher)
    Published: 2011
    Publisher:  Valiz, Amsterdam

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Contributor: Wesseling, Janneke (Publisher)
    Media type: Book
    ISBN: 978-90-78088-53-0
    Series: Antennae series ; 6
    Subjects: Künstler; Forschung; Kunstpsychologie
    Scope: 305 S. : Ill.
  10. Under blue cup
    Published: 2011
    Publisher:  MIT Press, Cambridge, Mass. [u.a.]

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Media type: Book
    ISBN: 978-0-262-01613-1
    Subjects: Ästhetik; Kunstpsychologie; Kunst; Gedächtnis
    Scope: 142 S. : Ill.
  11. Aesthetic science
    connecting minds, brains, and experience
    Contributor: Shimamura, Arthur P. (Publisher); Palmer, Stephen E. (Publisher)
    Published: 2012
    Publisher:  Oxford Univ. Press, Oxford [u.a.]

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Contributor: Shimamura, Arthur P. (Publisher); Palmer, Stephen E. (Publisher)
    Media type: Book
    ISBN: 978-0-19-973214-2
    Subjects: Kunstpsychologie; Neuroästhetik; Ästhetische Wahrnehmung
    Scope: XII, 408 S. : Ill., graph. Darst.
    Notes:

    Literaturangaben

  12. Vision and art
    the biology of seeing
    Published: 2002
    Publisher:  Abrams, New York

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Contributor: Hubel, David
    Media type: Book
    ISBN: 0-8109-0406-3
    Subjects: Visuelle Wahrnehmung; Malerei; Kunstpsychologie; Farbensehen; Malerei; Kunstpsychologie
    Scope: 208 S. : Ill.
  13. Deeper than reason
    emotion and its role in literature, music, and art
    Published: 2005
    Publisher:  Oxford Univ. Press, Oxford

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Media type: Book
    ISBN: 0-19-926365-5
    Edition: 1st publ.
    Subjects: Gefühl; Künste; Ästhetik; Kunstpsychologie
    Scope: XIV, 500 ; Ill.
    Notes:

    Litertaturverz. S. 469 - 486

  14. Der Sinn der Sinne
    Contributor: Neumann, Claudia (Publisher)
    Published: 1998
    Publisher:  Steidl, Göttingen

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Contributor: Neumann, Claudia (Publisher)
    Media type: Book
    ISBN: 3-88243-533-x
    Series: Schriftenreihe Forum ; 8
    Subjects: Kunstpsychologie; Wahrnehmung; Kunst; Kunst; Wahrnehmung; Sinne; Kultur; Kongress; Empfindung; Kulturanthropologie; Kongress; Kulturanthropologie; Kongress; Sinne; Kulturanthropologie; Kongress
    Scope: 621 S.
  15. Bild und Auge
    neue Studien zur Psychologie der bildlichen Darstellung
    Published: 1984
    Publisher:  Klett-Cotta, Stuttgart

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Contributor: Gombrich, Lisbeth
    Media type: Book
    ISBN: 3-608-76180-2
    Subjects: Visuelle Wahrnehmung; Kunstpsychologie; Wahrnehmung; Kunst; Psychologie; Kunstpsychologie; Visuelle Wahrnehmung; Psychologie; Visuelle Wahrnehmung; Kunst; Kunst; Visuelle Wahrnehmung
    Scope: 316 S. : Ill.
    Notes:

    Visuelle Entdeckungen durch die Kunst -- Der fruchtbare Moment : vom Zeitelement in der bildenden Kunst -- Verhaltensritual und Ausdrucksgebärde in der Kunst -- Handlung und Ausdruck in der abendländischen Kunst -- Maske und Gesicht : die Wahrnehmung physiognomischer Ähnlichkeit im Leben und in der Kunst -- Das Bild und seine Rolle in der Kommunikation -- Der Blick ins Ungewisse : die Illusion des Himmelsgewölbes als Vorstufe des bildmäßigen Sehens -- Zwischen Landkarte und Spiegelbild : das Verhältnis bildlicher Darstellung und Wahrnehmung -- Vom Experiment in der Kunst -- Kriterien der Wirklichkeitstreue : der fixierte und der schweifende Blick -- Bild und Kode : die Rolle der Konvention in der bildlichen Darstellung

  16. Kunst, Wahrnehmung, Wirklichkeit
    Published: [1999]
    Publisher:  Suhrkamp, Frankfurt a.M.

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Media type: Book
    Subjects: Kunstpsychologie; Bild; Wahrnehmung; Ästhetik; Einfühlung; visuelle Organisation
  17. Beyond recognition
    representation, power, and culture
    Author: Owens, Craig
    Published: 1992
    Publisher:  Univ. of California Press, Berkeley [u.a.]

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Contributor: Bryson, Scott (Publisher); Kruger, Barbara (Publisher); Tillmann, Lynne (Publisher); Watney, Simon
    Media type: Book
    ISBN: 0-520-07739-3
    Subjects: Postmoderne; Kunstpsychologie
    Scope: XVII, 386 S.
  18. Ästhetisch erleben
    eine psychologische Untersuchung des Übergangs von Kunsterleben und Kitscherleben
    Published: 1981
    Publisher:  Olms, Hildesheim [u.a.]

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Language: German
    Media type: Dissertation
    ISBN: 3-487-07155-X
    Series: Studien zur Kunstgeschichte ; 14
    Subjects: Kunstpsychologie
    Scope: XIII, 185 S.
    Notes:

    Zugl.: Köln, Univ., Diss., 1981

  19. Kunst und Sehen
    eine Psychologie des schöpferischen Auges
    Published: 1965
    Publisher:  de Gruyter, Berlin [u. a.]

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Contributor: Hermann, Hans
    Media type: Book
    ISBN: 3-11-006682-3
    Edition: Neufassung
    Subjects: Ästhetische Wahrnehmung; Kunstpsychologie
    Scope: XII, 514 S. : Ill., graph. Darst., Notenbeisp.
    Notes:

    Literaturverz. S. 493 - 507

  20. The sense of order
    a study in the psychology of decorative art
    Published: 1979
    Publisher:  Phaidon Press, Oxford

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Language: English
    Media type: Book
    ISBN: 0-7148-1732-5
    Series: The Wrightsman lectures ; 9
    Subjects: Ornament; Kunstpsychologie
    Scope: XI, 411 S., [90] Taf. : zahlr. Ill. ; 27 cm
  21. Nur über ihre Leiche
    Tod, Weiblichkeit und Ästhetik
    Published: 1996
    Publisher:  Dt. Taschenbuch-Verl., München

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Contributor: Lindquist, Thomas
    Language: German; English
    Media type: Book
    ISBN: 3-423-04703-8
    Series: dtv ; 4703
    Subjects: Englisch; Literatur; Frau; Tod; Literaturpsychologie; Kunstpsychologie
    Scope: 646 S. : Ill.
    Notes:

    Literaturverz. S. 627 - 645

  22. Psychologische Ästhetik
    Published: 1930
    Publisher:  Rikola Verl., Wien

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Contributor: Katann, Oskar (Publisher); Lach, Robert
    Language: German
    Media type: Book
    Subjects: Kunstpsychologie; Geschichte; Ästhetik; Psychologie; Geschichte
    Scope: XXXV, 797 S.
    Notes:

    Literaturverz. S. 783 - 797

  23. Ornament und Kunst
    Schmuckbetrieb und Ordnungssinn in der Psychologie des dekorativen Schaffens
    Published: 1982
    Publisher:  Klett-Cotta, Stuttgart

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Media type: Book
    ISBN: 3-608-76156-x
    Subjects: Ornament; Kunstpsychologie; Sehen; Ornament; Dekorative Kunst; Dekorative Form
    Scope: 420 S. : zahlr. Ill.
  24. The power of images
    studies in the history and theory of response
    Published: 2007
    Publisher:  Univ. of Chicago Press, Chicago [u.a.]

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Media type: Book
    ISBN: 978-0-226-26146-1; 0-226-26146-8
    Edition: 7. publ.
    Subjects: Bild; Kult; Ablehnung; Rezeption; Kunst; Symbolik; Kunstpsychologie; Visuelle Wahrnehmung
    Scope: XXV, 534 S. : Ill.
    Notes:

    Literaturverz. S. 507 - 517

  25. The artful mind
    cognitive science and the riddle of human creativity
    Contributor: Turner, Mark (Publisher)
    Published: 2006
    Publisher:  Oxford Univ. Press, Oxford [u.a.]

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Contributor: Turner, Mark (Publisher)
    Media type: Book
    ISBN: 978-0-19-530636-1
    Subjects: Kreatives Denken; Kognitionswissenschaft; Kunst; Kognition; Kreativität; Kunstpsychologie
    Scope: XVI, 314 S. : Ill., graph. Darst.
    Notes:

    Literaturangaben