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  1. Resonant Alterities
    Sound, Desire and Anxiety in Non-Realist Fiction
    Published: [2014]; ©2014
    Publisher:  transcript-Verlag, Bielefeld

    »Resonant Alterities« bridges the gap between sound studies and literary criticism. A queer ghost story by Vernon Lee, an occultist novel of psychic adventure by Algernon Blackwood, a dystopian science fiction tale by J.G. Ballard and a... more

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    »Resonant Alterities« bridges the gap between sound studies and literary criticism. A queer ghost story by Vernon Lee, an occultist novel of psychic adventure by Algernon Blackwood, a dystopian science fiction tale by J.G. Ballard and a post-traumatic short novel by Don DeLillo are its primary objects of analysis. Each is explored within the context of its contemporary cultural debates on sound. Meanwhile, all four theory-enriched readings focus on intersecting and desire-laden processes of meaning making, knowledge production and subject formation. Focal points are aurally/audio-visually structured phenomena expressive of both collective and individual anxieties

     

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  2. Unlaute
    Noise
    Published: [2017]; ©2017
    Publisher:  transcript-Verlag, Bielefeld

    Culture, media, and science are largely determined by noise. By interference and »noise«, un-intended, nonsensical, and undesired sounds are meant - those which are traditionally the opposite of linguistic and musical sense-making sounds. Even recent... more

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    Culture, media, and science are largely determined by noise. By interference and »noise«, un-intended, nonsensical, and undesired sounds are meant - those which are traditionally the opposite of linguistic and musical sense-making sounds. Even recent research takes this view. However, concentrated interdisciplinary work on listening to sounds of negation, i.e. »un-sounds«, can bring to light previously unknown structures, the analysis potential of which for cultural studies is difficult to exaggerate. The contributions to this volume focus especially on the 20th Century, since the technical capabilities in sound recording have resulted in specific postures Kultur, Medien, Wissenschaften sind maßgeblich von Geräuschen bestimmt. Als Interferenzen und »noise« sind un-intendierte, un-sinnige, un-erwünschte Laute traditionell das Gegenteil von sprachlicher und musikalischer Sinnstiftung - auch in jüngerer Forschung. Doch das konzentrierte interdisziplinäre 'Hin-Hören' auf solche negierten Laute, also Un-Laute, lässt bisher unerkannte Strukturen zutage treten, deren Analysepotenzial für die Kulturwissenschaften derzeit kaum zu überschätzen ist.Die Beiträge des Bandes konzentrieren sich besonders auf das 20. Jahrhundert, seit die technischen Möglichkeiten der Schallaufzeichnung spezifische Dispositive hervorgebracht haben

     

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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839425343
    Other identifier:
    RVK Categories: LR 57790
    Edition: 1. Aufl
    Series: Musik und Klangkultur ; 2
    Other subjects: Cultural Studies; Culture; Epistemologie; Klang; Kultur; Kulturwissenschaft; Literatur; Media Aesthetics; Media; Medien; Medienästhetik; Musicology; Musikwissenschaft; Noise; Sound Studies; Sound; Geräusch / Motiv; Medien; Musikwissenschaft; Geräusch; Literatur; Kulturwissenschaften; Klang; Klang / Motiv; Noise; Medienästhetik; Sound Studies; MUSIC / History & Criticism
    Scope: 1 online resource
  3. Resonant Alterities
    Sound, Desire and Anxiety in Non-Realist Fiction
    Published: [2014]; ©2014
    Publisher:  transcript-Verlag, Bielefeld

    »Resonant Alterities« bridges the gap between sound studies and literary criticism. A queer ghost story by Vernon Lee, an occultist novel of psychic adventure by Algernon Blackwood, a dystopian science fiction tale by J.G. Ballard and a... more

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    Hochschulbibliothek der Fachhochschule Aachen
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    »Resonant Alterities« bridges the gap between sound studies and literary criticism. A queer ghost story by Vernon Lee, an occultist novel of psychic adventure by Algernon Blackwood, a dystopian science fiction tale by J.G. Ballard and a post-traumatic short novel by Don DeLillo are its primary objects of analysis. Each is explored within the context of its contemporary cultural debates on sound. Meanwhile, all four theory-enriched readings focus on intersecting and desire-laden processes of meaning making, knowledge production and subject formation. Focal points are aurally/audio-visually structured phenomena expressive of both collective and individual anxieties

     

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