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The Cambridge companion to modern British women playwrights
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Authenticity in contemporary theatre and performance
make it real -
<<The>> spaces of Irish drama
stage and place in contemporary plays -
New concepts of the human "body" in in-yer-face drama
representations of "dysfunctional bodies" in selected plays by Sarah Kane and Anthony Neilson -
Words, space, and the audience
the theatrical tension between empiricism and rationalism -
History as Theatrical Metaphor
History, Myth and National Identities in Modern Scottish Drama -
Adorno and modern theatre
the drama of the damaged self in Bond, Rudkin, Barker and Kane -
Modern British playwriting: 2000 - 2009
voices, documents, new interpretations -
Feminist views on the English stage
women playwrights, 1990 - 2000 -
The stamp of humanity
Individuum, Identität, Gesellschaft und die Entwicklung des englischen Dramas nach 1956 -
Representations of gender and female subjectivity in contemporary Irish drama by women
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Modern British playwriting: 2000 - 2009
voices, documents, new interpretations -
Strategies of political theatre
post-War British playwrights -
Die jüngere englische Romantik im Prisma des englischen Gegenwartstheaters
dargestellt an: Howard Brenton, "Bloody Poetry", Liz Lochhead, "Blood and Ice", Ken Russell, "Gothic" -
Mirrors of our playing
paradigms and presences in modern drama -
Die schottische Sprache im modernen Drama
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Race and religion in contemporary theatre and drama in English
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Acting gay
male homosexuality in modern drama -
The stamp of humanity
Individuum, Identität, Gesellschaft und die Entwicklung des englischen Dramas nach 1956 -
Erscheinungsformen der Grausamkeit im zeitgenössischen englischen Drama
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A search for a postmodern theater
interviews with contemporary playwrights -
The death of the playwright?
Modern British drama and literary theory -
Retreats from realism in recent English drama
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Radical stages
alternative history in modern British drama -
On first looking into Arden's Goethe
adaptations and translations of classical German plays for the modern English stage