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  1. Meditations on the hero
    a study of the romantic hero in 19th-century fiction
    Author: Reed, Walter L.
    Published: 1974
    Publisher:  Yale Univ. Press, New Haven [u.a.]

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    Universitätsbibliothek Augsburg
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0300017359
    RVK Categories: EC 5177 ; EC 6655
    Subjects: Fiction; Heroes in literature; Romantik; Epik; Roman; Held
    Scope: X, 207 S.
  2. Von Homer bis Hemingway
    Einzelanalysen zu Erzählstil und Erzähldynamik in der Weltliteratur
    Author: Wiegmann, Hermann
    Published: 1992
    Publisher:  Kovač, Hamburg

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    Universitätsbibliothek Bamberg
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  3. Der realistische Weg
    Formen pragmatischen Erzählens bei Balzac, Dickens, Hardy, Keller, Raabe und anderen Autoren des 19. Jahrhunderts
    Author: Geppert, Hans Vilmar
    Published: 1994
    Publisher:  Niemeyer, Tübingen

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  4. Erlebte Rede und impressionistischer Stil
    europäische Erzählprosa im Vergleich mit ihren deutschen Übersetzungen
    Published: 1995
    Publisher:  Wallstein-Verl., Göttingen

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  5. Groteske Figuren in der Prosa des 19. Jahrhunderts
    ihre ästhetischen und poetologischen Funktionen
    Author: Hochheimer, Andrea
    Published: 1996

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    Hofbibliothek Aschaffenburg
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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    RVK Categories: EC 4520 ; EC 6655
    Subjects: Fictie; Het Groteske; Personages; Prosa; Characters and characteristics in literature; European fiction; Grotesque in literature; Held; Schönheit; Prosa; Das Groteske; Literatur; Literarische Gestalt
    Other subjects: Geschichte 1800-1899
    Scope: I, 247 S.
    Notes:

    München, Univ., Diss., 1996
  6. Romantic prose fiction
    Published: 2008
    Publisher:  Benjamins, Amsterdam [u.a.]

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    Universitätsbibliothek Augsburg
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9789027234568
    RVK Categories: EC 5174 ; EC 6654 ; EC 6655
    Series: A comparative history of literatures in European languages ; 23
    Subjects: Fiction / 18th century / History and criticism; Fiction / 19th century / History and criticism; Romanticism; Fiction; Fiction; Romanticism; Romantik; Prosa
    Scope: XXI, 733 S.
  7. The sentiment of reality
    truth of feeling in the European novel
    Author: Bell, Michael
    Published: 1983
    Publisher:  Allen & Unwin, London [u.a.]

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    Universitätsbibliothek Augsburg
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  8. Erlebte Rede und impressionistischer Stil
    europäische Erzählprosa im Vergleich mit ihren deutschen Übersetzungen ; [mit Beiträgen eines Kolloquiums über "Stil- und Übersetzungsprobleme in Erzählender Prosa", das am 5. und 6. April 1993 in Göttingen stattfand]
    Contributor: Kullmann, Dorothea (Hrsg.)
    Published: 1995
    Publisher:  Wallstein-Verl., Göttingen

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Contributor: Kullmann, Dorothea (Hrsg.)
    Language: German
    Media type: Book
    Format: Print
    ISBN: 3892440921
    RVK Categories: EC 6655 ; EC 5710
    Subjects: Prosa; Erzählperspektive; Erlebte Rede; Geschichte 1730-1922; ; Impressionismus;
    Other subjects: Array; Array; Array; Array; Array
    Scope: 528 S, 23 cm
    Notes:

    Literaturangaben
  9. Romantic prose fiction
    Contributor: Gillespie, Gerald Ernest Paul (Hrsg.)
    Published: 2008
    Publisher:  Benjamins, Amsterdam [u.a.]

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Contributor: Gillespie, Gerald Ernest Paul (Hrsg.)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9027234566; 9789027234568
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    9789027234568
    RVK Categories: EC 5174 ; EC 6654 ; EC 6655 ; EC 5164
    Series: Array ; 23
    Subjects: Fiction; Fiction; Romanticism
    Scope: XXI, 733 S.
    Notes:

    Literaturangaben
  10. Unnatural voices: extreme narration in modern and contemporary fiction
    Author: Richardson, Brian
    Published: 2006
    Publisher:  Ohio State Univ. Press, Columbus, Ohio

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0814251579; 0814210414; 9780814251577; 9780814210413
    RVK Categories: EC 4500 ; EC 4600 ; EC 6655 ; EC 6656
    Series: Theory and interpretation of narrative
    Subjects: Fiction; Narration (Rhetoric); Fiction; Fiction
    Scope: XIII, 166 S., graph. Darst.
    Notes:

    Includes bibliographical references (S. 151 - 160) and index
  11. Romantic prose fiction
    Contributor: Gillespie, Gerald Ernest Paul (Herausgeber)
    Published: 2008
    Publisher:  Benjamins, Amsterdam [u.a.]

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    Universitätsbibliothek der RWTH Aachen
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    Source: Union catalogues
    Contributor: Gillespie, Gerald Ernest Paul (Herausgeber)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9789027234568
    RVK Categories: EC 6655 ; EC 5164
    Series: <<A>> comparative history of literatures in European languages ; 23
    Subjects: Romantik; Prosa; Prosa; Geschichte 1790-1830
    Scope: XXI, 733 S.
  12. Meditations on the hero
    a study of the romantic hero in nineteenth-century fiction
    Author: Reed, Walter L
    Published: 1974
    Publisher:  Yale Uni. Pr., New Haven

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    Universitätsbibliothek der RWTH Aachen
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0300017359
    RVK Categories: EC 6655 ; EC 5177
    Subjects: Held; Roman; Geschichte 1840-1860; Romantik; Epik; Held; Held; Epik; Geschichte <1800-1900>
    Scope: X, 207 S.
  13. When fiction feels real
    representation and the reading mind
    Author: Auyoung, Elaine
    Published: 2018
    Publisher:  Oxford University Press, New York, NY

    "Why do readers claim that fictional worlds feel real even when they know they're not? How can certain literary characters seem capable of leading lives of their own, outside the stories in which they appear? What is uniquely pleasurable about the... more

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    "Why do readers claim that fictional worlds feel real even when they know they're not? How can certain literary characters seem capable of leading lives of their own, outside the stories in which they appear? What is uniquely pleasurable about the experience of reading a novel and what do readers lose when this experience comes to an end? These questions are central to literary experience but remain difficult for readers, critics, and philosophers to explain. 'When Fiction Feels Real' introduces a new set of tools for thinking about the phenomenology of reading by bringing narrative techniques into conversation with well-established psychological research on reading and cognition. Through sensitive attention to classic novels by Jane Austen, Charles Dickens, George Eliot, and Leo Tolstoy, as well as to the elegies of Thomas Hardy, Elaine Auyoung reveals what nineteenth-century writers know about what happens when we read. This book changes the way we think about literary language, realist aesthetics, and what readers bring to a text, opening up a new field of inquiry centered on the intricate relationship between fictional representation and comprehension" - Umschlag

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780190845476
    RVK Categories: EC 1970 ; EC 2120 ; EC 6655 ; HL 1023
    Subjects: Fiction; Fiction; English fiction; Realism in literature; Mimesis in literature; Reading, Psychology of; Fiktion; Realismus; Leser; Roman
    Other subjects: Tolstoy, Leo graf (1828-1910)
    Scope: x, 164 Seiten
    Notes:

    Literaturverzeichnis: Seite 143-156
  14. Meditations on the Hero
    a study of the Romantic hero in Nineteenth-century fiction
    Author: Reed, Walter L.
    Published: 1974
    Publisher:  Yale Univ. Press, New Haven, Conn. [u.a.]

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    Staats- und Universitätsbibliothek Bremen
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0300017359
    RVK Categories: EC 6655 ; EC 5177
    Subjects: Held; Roman; Geschichte 1840-1860; ; Romantik; Epik; Held; ; Held; Epik; Geschichte 1800-1900;
    Scope: X, 207 S.
  15. Meditations on the hero
    a study of the romantic hero in nineteenth-century fiction
    Author: Reed, Walter L.
    Published: 1974
    Publisher:  Yale Uni. Pr., New Haven

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    Universitätsbibliothek der RWTH Aachen
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0300017359
    RVK Categories: EC 5177 ; EC 6655
    Subjects: Epik; Roman; Held; Romantik
    Scope: X, 207 S.
  16. Romantic prose fiction
    Contributor: Gillespie, Gerald Ernest Paul (Hrsg.)
    Published: 2008
    Publisher:  Benjamins, Amsterdam [u.a.]

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    Universitätsbibliothek der RWTH Aachen
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    Series: A comparative history of literatures in European languages ; 23
    Subjects: Prosa; Romantik
    Scope: XXI, 733 S.
  17. When fiction feels real
    representation and the reading mind
    Author: Auyoung, Elaine
    Published: 2018
    Publisher:  Oxford University Press, New York, NY

    "Why do readers claim that fictional worlds feel real even when they know they're not? How can certain literary characters seem capable of leading lives of their own, outside the stories in which they appear? What is uniquely pleasurable about the... more

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    "Why do readers claim that fictional worlds feel real even when they know they're not? How can certain literary characters seem capable of leading lives of their own, outside the stories in which they appear? What is uniquely pleasurable about the experience of reading a novel and what do readers lose when this experience comes to an end? These questions are central to literary experience but remain difficult for readers, critics, and philosophers to explain. 'When Fiction Feels Real' introduces a new set of tools for thinking about the phenomenology of reading by bringing narrative techniques into conversation with well-established psychological research on reading and cognition. Through sensitive attention to classic novels by Jane Austen, Charles Dickens, George Eliot, and Leo Tolstoy, as well as to the elegies of Thomas Hardy, Elaine Auyoung reveals what nineteenth-century writers know about what happens when we read. This book changes the way we think about literary language, realist aesthetics, and what readers bring to a text, opening up a new field of inquiry centered on the intricate relationship between fictional representation and comprehension" - Umschlag

     
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    Verlag (Inhaltsverzeichnis)
    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    ISBN: 9780190845476
    RVK Categories: EC 1970 ; EC 2120 ; EC 6655 ; HL 1023
    Subjects: Fiction; Fiction; English fiction; Realism in literature; Mimesis in literature; Reading, Psychology of; Fiktion; Realismus; Leser; Roman
    Other subjects: Tolstoy, Leo graf (1828-1910)
    Scope: x, 164 Seiten
    Notes:

    Literaturverzeichnis: Seite 143-156
  18. The sentiment of reality
    truth of feeling in the European novel
    Author: Bell, Michael
    Published: 1983
    Publisher:  George Allen & Unwin, London

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    Subjects: Empfindsamkeit; Roman; Geschichte 1750-1950; ; Roman; Realismus; Geschichte 1750-1950; ; Empfindsamkeit; Roman; ; Realismus; Roman;
    Scope: 210 Seiten
  19. Der realistische Weg
    Formen pragmatischen Erzählens bei Balzac, Dickens, Hardy, Keller, Raabe und anderen Autoren des 19. Jahrhunderts
    Author: Geppert, Hans Vilmar
    Published: 2012; ©1994
    Publisher:  De Gruyter, Berlin

    In Einzeluntersuchungen, Längs- und Querschnitten entsteht ein für die deutsche, englische und französische Literatur tragfähiger Begriff des literarischen Realismus im 19. Jahrhundert. Neben den genannten Autoren werden ausführlich auch Flaubert,... more

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    In Einzeluntersuchungen, Längs- und Querschnitten entsteht ein für die deutsche, englische und französische Literatur tragfähiger Begriff des literarischen Realismus im 19. Jahrhundert. Neben den genannten Autoren werden ausführlich auch Flaubert, George Eliot und Fontane einbezogen. Abgrenzungen ergeben sich einerseits etwa zu Goethe, andererseits v.a. zu Zola und zur literarischen Moderne. Der theoretische Teil der Untersuchung ist an der pragmatischen Erkenntnistheorie orientiert, die in vielen Traditionen 'von Kant zu Peirce' führt und deren zentrale Begriffe sich als literarisch fruchtbar erweisen. Im Mittelpunkt der Untersuchung steht eine Interpretation des "Grünen Heinrich" in vergleichender Perspektive; den immer neuen Erzählstrukturen und Wirklichkeitsentwürfen, die Keller für seine Geschichte erprobte, lassen sich jeweils Beispiele aus der europäischen Literatur zuordnen: von K. Ph. Moritz über den jungen Flaubert, Charlotte Brontë, die Goncourt und andere, bis zu Joyce und Proust. Die Untersuchung arbeitet eng an den Texten und enthält insbesondere in den mehr theoretischen Teilen viele anschauliche Beispiele. Alle Kapitel sind so geschrieben, daß sie jeweils auch für sich gelesen werden können.

     
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    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783110940084
    Other identifier:
    RVK Categories: EC 4620 ; EC 6655 ; EC 6665 ; EC 3955
    Series: Communicatio ; 5
    Subjects: European fiction; Realism in literature; European fiction.; Realism in literature.; LITERARY CRITICISM / European / German
    Scope: Online-Ressource (XI, 712 S.)
  20. Human forms
    the novel in the age of evolution
    Author: Duncan, Ian
    Published: [2019]; © 2019
    Publisher:  Princeton University Press, Princeton

    The 120 years between Henry Fielding's Tom Jones (1749) and George Eliot's Middlemarch (1871) marked both the rise of the novel and the shift from the presumption of a stable, universal human nature to one that changes over time. In Human Forms, Ian... more

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    The 120 years between Henry Fielding's Tom Jones (1749) and George Eliot's Middlemarch (1871) marked both the rise of the novel and the shift from the presumption of a stable, universal human nature to one that changes over time. In Human Forms, Ian Duncan reorients our understanding of the novel's formation during its cultural ascendancy, arguing that fiction produced new knowledge in a period characterized by the interplay between literary and scientific discourses―even as the two were separating into distinct domains. Duncan focuses on several crisis points: the contentious formation of a natural history of the human species in the late Enlightenment; the emergence of new genres such as the Romantic bildungsroman; historical novels by Walter Scott and Victor Hugo that confronted the dissolution of the idea of a fixed human nature; Charles Dickens's transformist aesthetic and its challenge to Victorian realism; and George Eliot's reckoning with the nineteenth-century revolutions in the human and natural sciences. Modeling the modern scientific conception of a developmental human nature, the novel became a major experimental instrument for managing the new set of divisions―between nature and history, individual and species, human and biological life―that replaced the ancient schism between animal body and immortal soul.

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780691175072
    Other identifier:
    9780691175072
    RVK Categories: EC 6654 ; EC 6655
    Subjects: European fiction; European fiction; Evolution (Biology) in literature; Humanity in literature
    Scope: xiii, 290 Seiten
  21. Erlebte Rede und impressionistischer Stil
    europäische Erzählprosa im Vergleich mit ihren deutschen Übersetzungen ; [mit Beiträgen eines Kolloquiums über "Stil- und Übersetzungsprobleme in Erzählender Prosa", das am 5. und 6. April 1993 in Göttingen stattfand]
    Contributor: Kullmann, Dorothea (Hrsg.)
    Published: 1995
    Publisher:  Wallstein-Verl., Göttingen

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    Source: Staatsbibliothek zu Berlin
    Contributor: Kullmann, Dorothea (Hrsg.)
    Language: German
    Media type: Book
    Format: Print
    ISBN: 3892440921
    RVK Categories: EC 6655 ; EC 5710
    Subjects: Prosa; Erzählperspektive; Erlebte Rede; Geschichte 1730-1922; ; Impressionismus;
    Other subjects: Array; Array; Array; Array; Array
    Scope: 528 S, 23 cm
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    Literaturangaben
  22. Human forms
    the novel in the age of evolution
    Author: Duncan, Ian
    Published: [2019]
    Publisher:  Princeton University Press, Princeton

    A major rethinking of the European novel and its relationship to early evolutionary science. The 120 years between Henry Fielding's Tom Jones (1749) and George Eliot's Middlemarch (1871) marked both the rise of the novel and the shift from the... more

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    Universität Potsdam, Universitätsbibliothek
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    A major rethinking of the European novel and its relationship to early evolutionary science. The 120 years between Henry Fielding's Tom Jones (1749) and George Eliot's Middlemarch (1871) marked both the rise of the novel and the shift from the presumption of a stable, universal human nature to one that changes over time. In Human Forms, Ian Duncan reorients our understanding of the novel's formation during its cultural ascendancy, arguing that fiction produced new knowledge in a period characterized by the interplay between literary and scientific discourses—even as the two were separating into distinct domains. Duncan focuses on several crisis points: the contentious formation of a natural history of the human species in the late Enlightenment; the emergence of new genres such as the Romantic bildungsroman; historical novels by Walter Scott and Victor Hugo that confronted the dissolution of the idea of a fixed human nature; Charles Dickens's transformist aesthetic and its challenge to Victorian realism; and George Eliot's reckoning with the nineteenth-century revolutions in the human and natural sciences. Modeling the modern scientific conception of a developmental human nature, the novel became a major experimental instrument for managing the new set of divisions—between nature and history, individual and species, human and biological life—that replaced the ancient schism between animal body and immortal soul.The first book to explore the interaction of European fiction with "the natural history of man" from the late Enlightenment through the mid-Victorian era, Human Forms sets a new standard for work on natural history and the novel Frontmatter -- Contents -- Acknowledgments -- Introduction. The Human Age -- Chapter Two. The Form of the Novel -- Chapter Three. Lamarckian Historical Romance -- Chapter Four. Dickens -- Chapter Five. George Eliot’s Science Fiction -- Notes -- Bibliography -- Index

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780691194189
    Other identifier:
    RVK Categories: EC 6654 ; EC 6655
    Subjects: European fiction; European fiction; Evolution (Biology) in literature; Humanity in literature; Fiction; Evolution (Biology); Literature and science; LITERARY CRITICISM / European / General
    Scope: 1 Online-Ressource (xiii, 290 Seiten)
    Notes:

    Literaturverzeichnis: Seite 249 - 278
  23. Human forms
    the novel in the age of evolution
    Author: Duncan, Ian
    Published: [2019]; © 2019
    Publisher:  Princeton University Press, Princeton

    The 120 years between Henry Fielding's Tom Jones (1749) and George Eliot's Middlemarch (1871) marked both the rise of the novel and the shift from the presumption of a stable, universal human nature to one that changes over time. In Human Forms, Ian... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    The 120 years between Henry Fielding's Tom Jones (1749) and George Eliot's Middlemarch (1871) marked both the rise of the novel and the shift from the presumption of a stable, universal human nature to one that changes over time. In Human Forms, Ian Duncan reorients our understanding of the novel's formation during its cultural ascendancy, arguing that fiction produced new knowledge in a period characterized by the interplay between literary and scientific discourses―even as the two were separating into distinct domains. Duncan focuses on several crisis points: the contentious formation of a natural history of the human species in the late Enlightenment; the emergence of new genres such as the Romantic bildungsroman; historical novels by Walter Scott and Victor Hugo that confronted the dissolution of the idea of a fixed human nature; Charles Dickens's transformist aesthetic and its challenge to Victorian realism; and George Eliot's reckoning with the nineteenth-century revolutions in the human and natural sciences. Modeling the modern scientific conception of a developmental human nature, the novel became a major experimental instrument for managing the new set of divisions―between nature and history, individual and species, human and biological life―that replaced the ancient schism between animal body and immortal soul.

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780691175072
    Other identifier:
    9780691175072
    RVK Categories: EC 6654 ; EC 6655
    Subjects: European fiction; European fiction; Evolution (Biology) in literature; Humanity in literature
    Scope: xiii, 290 Seiten
  24. Groteske Figuren in der Prosa des 19. Jahrhunderts
    ihre ästhetischen und poetologischen Funktionen
    Author: Hochheimer, Andrea
    Published: 1996

    Location:
    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
    Signature:
    HS 166/225
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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    Signature:
    D 207/300
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    Universität Mainz, Zentralbibliothek
    Signature:
    195.365
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    Universität Marburg, Universitätsbibliothek
    Signature:
    Z 97/1216
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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Print
    RVK Categories: EC 4520 ; EC 6655
    Subjects: Held; Literatur; Das Groteske; Literarische Gestalt
    Scope: I, 247 S.
    Notes:

    Literaturverz. S. 239 - 246

    München, Univ., Diss., 1996
  25. When fiction feels real
    representation and the reading mind
    Author: Auyoung, Elaine
    Published: 2018
    Publisher:  Oxford University Press, New York, NY

    This work explores questions that are central to literary experience but remain difficult for critics to explain, such as how novels can seem to transport readers to fictional worlds that feel real, why literary characters can come to seem like... more

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    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Location:
    Universität Mainz, Zentralbibliothek
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    This work explores questions that are central to literary experience but remain difficult for critics to explain, such as how novels can seem to transport readers to fictional worlds that feel real, why literary characters can come to seem like intimate friends, and what is uniquely pleasurable about reading fiction.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780190845506
    Other identifier:
    RVK Categories: HL 1023 ; EC 2120 ; EC 1970 ; EC 6655
    Subjects: Englisch; Literarische Gestalt; Embodiment; Literatursoziologie; Roman; Fiktion; Realismus; Leser
    Scope: 1 Online-Ressource, Illustrations (black and white)
    Notes:

    Previously issued in print: 2018

    Includes bibliographical references and index