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Cover -- Title Page -- Copyright -- Contents -- Martin LÖSCHNIGG (Graz), Introduction: Canucks, Doughboys and the Great War in the Old World -- I. The Great War in an International Perspective -- Jay WINTER (New Haven/CT), Beyond Glory? Language, Memory, and the Great War -- Holger KLEIN (Salzburg), Voices of Protest: Early English, French, and German Anthologies of Anti-War Poetry -- Karin KRAUS (Graz), Charlie and the Hun: The First World War in Twenty-First Century Young Adult Fiction -- II. Memorializing the War -- Don SPARLING (Brno), Memorializing the Great War: Canada, Czechoslovakia, Hungary -- Brigitte JOHANNA GLASER (Göttingen), Cultural Memory in Canada: Revisiting the Battlefields in Reality and Fiction -- III. Remembering the Great War in Canadian Literature and Art -- Anna BRANACH-KALLAS (Toruń), Narratives of (Post-)Colonial Encounter: The Old World in Contemporary Canadian Great War Fiction -- Martin LÖSCHNIGG (Graz), Fighting the War in Europe: Canadian Literature and the Loss of 'New World Innocence' in World War I -- Marzena SOKOLOWSKA-PARYŻ (Warsaw), Remembering German Canadians in Jane Urquhart's The Stone Carvers and Paul Gross's Passchendaele: 'Alien Citizens' versus 'the Birth of a Nation' -- Sherrill GRACE (Vancouver), Staging the Great War: The Haunted Landscapes of Canadian Theatre -- Zachary ABRAM (Ottawa), "Shut up, Sky Pilot": The Limits of Rebellion in Charles Yale Harrison's Generals Die in Bed -- Laura BRANDON (Ottawa), Making a New World: War, Art, and Identity in the Landscape Paintings of A.Y. Jackson -- IV. The U.S. Experience -- Waldemar ZACHARASIEWICZ (Vienna), Echoes from the Western Front: Stages in the Transformation of Germans / German Americans in the Media from Models into Dangerous Antagonists
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