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  1. Washed in Blood
    Male Sacrifice, Trauma, and the Cinema
    Published: [2011]; © 2011
    Publisher:  Rutgers University Press, New Brunswick, NJ

    Will Smith in I Am Legend. Leonardo DiCaprio in Titanic. Charlton Heston in just about everything. Viewers of Hollywood action films are no doubt familiar with the sacrificial victim-hero, the male protagonist who nobly gives up his life so that... more

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    Will Smith in I Am Legend. Leonardo DiCaprio in Titanic. Charlton Heston in just about everything. Viewers of Hollywood action films are no doubt familiar with the sacrificial victim-hero, the male protagonist who nobly gives up his life so that others may be saved. Washed in Blood argues that such sacrificial films are especially prominent in eras when the nation—and American manhood—is thought to be in crisis. The sacrificial victim-hero, continually imperiled and frequently exhibiting classic symptoms of post-traumatic stress disorder, thus bears the trauma of the nation. Claire Sisco King offers an in-depth study of three prominent cycles of Hollywood films that follow the sacrificial narrative: the early–to–mid 1970s, the mid–to–late 1990s, and the mid–to–late 2000s. From Vietnam-era disaster movies to post-9/11 apocalyptic thrillers, she examines how each film represents traumatized American masculinity and national identity. What she uncovers is a cinematic tendency to position straight white men as America’s most valuable citizens—and its noblest victims

     

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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780813552064
    Other identifier:
    Subjects: PERFORMING ARTS / General; Death in motion pictures; Heroes in motion pictures; Psychic trauma in motion pictures; Sacrifice in motion pictures; Heldentod <Motiv>; Opfer <Sozialpsychologie, Motiv>; Film
    Scope: 1 online resource (256 pages), 24
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Mai 2020)

  2. Washed in Blood
    Male Sacrifice, Trauma, and the Cinema
    Published: [2011]; © 2011
    Publisher:  Rutgers University Press, New Brunswick, NJ

    Will Smith in I Am Legend. Leonardo DiCaprio in Titanic. Charlton Heston in just about everything. Viewers of Hollywood action films are no doubt familiar with the sacrificial victim-hero, the male protagonist who nobly gives up his life so that... more

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
    Unlimited inter-library loan, copies and loan
    Technische Hochschule Augsburg
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Bamberg
    Unlimited inter-library loan, copies and loan
    Hochschule Coburg, Zentralbibliothek
    Unlimited inter-library loan, copies and loan
    Hochschule Kempten, Hochschulbibliothek
    Unlimited inter-library loan, copies and loan
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Passau
    Unlimited inter-library loan, copies and loan

     

    Will Smith in I Am Legend. Leonardo DiCaprio in Titanic. Charlton Heston in just about everything. Viewers of Hollywood action films are no doubt familiar with the sacrificial victim-hero, the male protagonist who nobly gives up his life so that others may be saved. Washed in Blood argues that such sacrificial films are especially prominent in eras when the nation—and American manhood—is thought to be in crisis. The sacrificial victim-hero, continually imperiled and frequently exhibiting classic symptoms of post-traumatic stress disorder, thus bears the trauma of the nation. Claire Sisco King offers an in-depth study of three prominent cycles of Hollywood films that follow the sacrificial narrative: the early–to–mid 1970s, the mid–to–late 1990s, and the mid–to–late 2000s. From Vietnam-era disaster movies to post-9/11 apocalyptic thrillers, she examines how each film represents traumatized American masculinity and national identity. What she uncovers is a cinematic tendency to position straight white men as America’s most valuable citizens—and its noblest victims

     

    Export to reference management software   RIS file
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780813552064
    Other identifier:
    Subjects: PERFORMING ARTS / General; Death in motion pictures; Heroes in motion pictures; Psychic trauma in motion pictures; Sacrifice in motion pictures; Heldentod <Motiv>; Opfer <Sozialpsychologie, Motiv>; Film
    Scope: 1 online resource (256 pages), 24
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Mai 2020)

  3. Washed in blood
    male sacrifice, trauma, and the cinema
    Published: c2012
    Publisher:  Rutgers University Press, New Brunswick, N.J.

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Zentralinstitut für Kunstgeschichte, Bibliothek
    No loan of volumes, only paper copies will be sent
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780813552064
    RVK Categories: AP 50300
    Subjects: Heroes in motion pictures; Death in motion pictures; Sacrifice in motion pictures; Psychic trauma in motion pictures; Heldentod <Motiv>; Opfer <Sozialpsychologie, Motiv>; Film
    Scope: x, 220 p
    Notes:

    Includes bibliographical references and index

    Introduction -- Reel presence, sacrifice, and the cinema -- Unhinged heroes and alpha traumas -- Free falls in the American nineties -- Remakes, resurrections, and sacrificial returns -- Epilogue: big screen memories

  4. Washed in Blood
    Male Sacrifice, Trauma, and the Cinema
    Published: 2011
    Publisher:  Rutgers University Press, Piscataway

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0813552060; 9780813552064
    Subjects: Fine Arts; ART / Film & Video; PERFORMING ARTS / Film & Video / Reference; PERFORMING ARTS / Film & Video / History & Criticism; Death; Heroes; Motion pictures; Psychic trauma; Sacrifice; Film; Heroes in motion pictures; Death in motion pictures; Sacrifice in motion pictures; Psychic trauma in motion pictures; Film; Heldentod <Motiv>; Opfer <Sozialpsychologie, Motiv>
    Scope: 1 online resource (235 pages)
    Notes:

    Print version record

    Claire Sisco King offers an in-depth study of three prominent cycles of Hollywood films that follow the sacrificial narrative: the early & ndash;to & ndash;mid 1970s, the mid & ndash;to & ndash;late 1990s, and the mid & ndash;to & ndash;late 2000s. From Vietnam-era disaster movies to post-9/11 apocalyptic thrillers, she examines how each film represents traumatized American masculinity and national identity. What she uncovers is a cinematic tendency to position straight white men as America & rsquo;s most valuable citizens & mdash;and its noblest victims

    Introduction -- Reel presence, sacrifice, and the cinema -- Unhinged heroes and alpha traumas -- Free falls in the American nineties -- Remakes, resurrections, and sacrificial returns -- Epilogue: big screen memories

  5. Washed in Blood
    Male Sacrifice, Trauma, and the Cinema
    Published: 2011
    Publisher:  Rutgers University Press, Piscataway ; EBSCO Industries, Inc., Birmingham, AL, USA

    Claire Sisco King offers an in-depth study of three prominent cycles of Hollywood films that follow the sacrificial narrative: the early & ndash;to & ndash;mid 1970s, the mid & ndash;to & ndash;late 1990s, and the mid & ndash;to & ndash;late 2000s.... more

    Bibliothek der Hochschule Mainz, Untergeschoss
    No inter-library loan

     

    Claire Sisco King offers an in-depth study of three prominent cycles of Hollywood films that follow the sacrificial narrative: the early & ndash;to & ndash;mid 1970s, the mid & ndash;to & ndash;late 1990s, and the mid & ndash;to & ndash;late 2000s. From Vietnam-era disaster movies to post-9/11 apocalyptic thrillers, she examines how each film represents traumatized American masculinity and national identity. What she uncovers is a cinematic tendency to position straight white men as America & rsquo;s most valuable citizens & mdash;and its noblest victims.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780813552064; 0813552060; 0813551595; 9780813551593; 0813551609; 9780813551609; 1283865726; 9781283865722
    RVK Categories: AP 50300
    Subjects: Film; Mann <Motiv>; Opfer <Religion, Motiv>
    Scope: 1 Online-Ressource (235 pages)
    Notes:

    Includes bibliographical references and index