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  1. Writing and reading Byzantine secular poetry, 1025-1081
    Author: Bernard, Floris
    Published: 2014
    Publisher:  Oxford Universtiy Press, Oxford

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0191008788; 9780191008788; 9780198703747
    Edition: First edition
    Series: Oxford studies in Byzantium
    Subjects: POETRY / Ancient, Classical & Medieval; Byzantine poetry; Byzantine poetry; Lyrik
    Scope: 1 online resource
    Notes:

    Title from PDF title page (viewed on Aug. 11, 2014)
  2. Writing and reading Byzantine secular poetry, 1025-1081
    Author: Bernard, Floris
    Published: 2014
    Publisher:  Oxford University Press, Oxford

    ""Cover""; ""Writing and Reading Byzantine Secular Poetry, 1025�1081""; ""Copyright""; ""Dedication""; ""Acknowledgements""; ""Contents""; ""List of Figures""; ""List of Abbreviations""; ""Note to the Reader""; ""1: Introduction""; ""1.1. BUILDING... more

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    Location:
    Hochschule Aalen, Bibliothek
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    Location:
    Hochschule Esslingen, Bibliothek
    Signature:
    E-Book Ebsco
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    Location:
    Saarländische Universitäts- und Landesbibliothek
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    Location:
    Universitätsbibliothek der Eberhard Karls Universität
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    ""Cover""; ""Writing and Reading Byzantine Secular Poetry, 1025�1081""; ""Copyright""; ""Dedication""; ""Acknowledgements""; ""Contents""; ""List of Figures""; ""List of Abbreviations""; ""Note to the Reader""; ""1: Introduction""; ""1.1. BUILDING A BRIDGE""; ""1.2. THE ELEVENTH CENTURY: SOME TENDENCIES""; ""1.3. POETIC TEXTS IN BYZANTIUM, 1025�1081""; ""2: Concepts""; ""2.1. WRITING POETRY: CONTEMPORARY EVIDENCE""; ""2.2. POETRY, HOI LOGOI, AND RHETORIC""; ""2.3. POI�SIS AND POI�T�S""; ""2.4. POETRY AND LITERARY TRADITION""; ""3: Readings"" ""3.1. READING POETRY: THE TANGIBLE REMAINS""""3.1.1. Poetry in public spaces""; ""3.1.2. Poetry in manuscripts""; ""3.1.3. Visual aspects of reading poetry""; ""3.2. TWO ACCOUNTS OF READINGS""; ""3.2.1. Reading a funeral oration: Christophoros 75�79""; ""3.2.2. Reading an inscription: Mauropous 32�33""; ""3.3. CONTEMPORARY CIRCULATION OF POETRY""; ""3.3.1. Scrolls and separate leaves""; ""3.3.2. Reading circles""; ""3.4. PERFORMANCE OF POETRY""; ""3.4.1. Acoustic aspects of poetry""; ""3.4.2. Poetry to be sung""; ""3.4.3. Ceremonial poetry""; ""3.5. REAL WORLD OR WORLD ON PAPER?"" ""3.5.1. Deixis and speech situations""""3.5.2. Switching contexts""; ""4: Collections""; ""4.1. MINOR GROUPINGS OF POEMS""; ""4.2. MAUROPOUS� POETRY BOOK: A LIFE IN VERSE""; ""4.2.1. Vat. gr. 676: words materialized""; ""4.2.2. A double preface""; ""4.2.3. A progressive biographical logic""; ""4.2.4. Discontinuity as a continuous message""; ""4.3. VARIOUS VERSES: CHRISTOPHOROS �COLLECTION""; ""5: Ambitions""; ""5.1. PRELUDE: THE VOICE OF THE OUTSIDER""; ""5.2. THE �BEAMTENLITERAT�""; ""5.2.1. New social trajectories""; ""5.2.2. A meritocratic model""; ""5.3. DISPLAY"" ""5.3.1. Textual production and display""""5.3.2. A poem for a job""; ""5.3.3. Insects and fruit: epideictic pieces""; ""5.4. SHAPING AN ELITE""; ""5.4.1. Distinction""; ""5.4.2. Forging friendships""; ""5.4.3. An urbane ethos""; ""5.5. AMBITIONS AND ETHICAL CONSTRAINTS""; ""5.5.1. The ethic of disinterestedness""; ""5.5.2. Mauropous� self-representation: between ambition and resignation""; ""6: Education""; ""6.1. LEARNING POETRY AT SCHOOL""; ""6.1.1. Schools in eleventh-century Byzantium""; ""6.1.2. The teaching of poetry""; ""6.1.3. Poetic exercises"" ""6.2. TEACHING WITH POETRY: DIDACTIC VERSE""""6.2.1. Serious games: the charms of didactic verse""; ""6.2.2. The synoptic quality of poetry""; ""6.2.3. A classroom setting""; ""6.3. PUBLIC AND DEDICATEES OF DIDACTIC POETRY""; ""6.3.1. Political verse: an ambiguous metre""; ""6.3.2. Imperial tastes""; ""6.3.3. Recycling poems""; ""7: Competitions""; ""7.1. THE LOGIKOS AGON""; ""7.2. THE SCHEDOS CONTESTS""; ""7.3. DERISION AND ABUSE""; ""7.4. POETIC CONTESTS IN CHRISTOPHOROS� COLLECTION""; ""7.5. PSELLOS AND SABBA�TES: A POETIC AGON""; ""8: Patronage""; ""8.1. SOLICITING PATRONAGE"" In the mid-11th century, secular Byzantine poetry attained a hitherto unseen degree of wit, vividness, and personal involvement. This volume considers this poetic activity as a whole, focusing on Byzantine conceptions of the role of poetry in society

     
    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780191008788; 0191008788
    Edition: First edition
    Series: Oxford studies in Byzantium
    Subjects: Byzantine poetry; POETRY ; Ancient, Classical & Medieval; Byzantine poetry; Criticism, interpretation, etc
    Scope: 1 Online-Ressource (1 online resource)
    Notes:

    Title from PDF title page (viewed on Aug. 11, 2014)

    Includes bibliographical references and index
  3. Writing and Reading Byzantine Secular Poetry, 1025-1081
    Author: Bernard, Floris
    Published: 2014; ©2014
    Publisher:  Oxford University Press, Incorporated, Oxford

    In the mid-eleventh century, secular Byzantine poetry attained a hitherto unseen degree of wit, vividness, and personal involvement. This is the first volume to consider this poetic activity as a whole, focusing on Byzantine conceptions of the role... more

    Access:
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    Location:
    Hochschulbibliothek Friedensau
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    In the mid-eleventh century, secular Byzantine poetry attained a hitherto unseen degree of wit, vividness, and personal involvement. This is the first volume to consider this poetic activity as a whole, focusing on Byzantine conceptions of the role of poetry in society. Cover -- Writing and Reading Byzantine Secular Poetry, 1025-1081 -- Copyright -- Dedication -- Acknowledgements -- Contents -- List of Figures -- List of Abbreviations -- Note to the Reader -- 1: Introduction -- 1.1. BUILDING A BRIDGE -- 1.2. THE ELEVENTH CENTURY: SOME TENDENCIES -- 1.3. POETIC TEXTS IN BYZANTIUM, 1025-1081 -- 2: Concepts -- 2.1. WRITING POETRY: CONTEMPORARY EVIDENCE -- 2.2. POETRY, HOI LOGOI, AND RHETORIC -- 2.3. POIÈSIS AND POIÈTÈS -- 2.4. POETRY AND LITERARY TRADITION -- 3: Readings -- 3.1. READING POETRY: THE TANGIBLE REMAINS -- 3.1.1. Poetry in public spaces -- 3.1.2. Poetry in manuscripts -- 3.1.3. Visual aspects of reading poetry -- 3.2. TWO ACCOUNTS OF READINGS -- 3.2.1. Reading a funeral oration: Christophoros 75-79 -- 3.2.2. Reading an inscription: Mauropous 32-33 -- 3.3. CONTEMPORARY CIRCULATION OF POETRY -- 3.3.1. Scrolls and separate leaves -- 3.3.2. Reading circles -- 3.4. PERFORMANCE OF POETRY -- 3.4.1. Acoustic aspects of poetry -- 3.4.2. Poetry to be sung -- 3.4.3. Ceremonial poetry -- 3.5. REAL WORLD OR WORLD ON PAPER? -- 3.5.1. Deixis and speech situations -- 3.5.2. Switching contexts -- 4: Collections -- 4.1. MINOR GROUPINGS OF POEMS -- 4.2. MAUROPOUS' POETRY BOOK: A LIFE IN VERSE -- 4.2.1. Vat. gr. 676: words materialized -- 4.2.2. A double preface -- 4.2.3. A progressive biographical logic -- 4.2.4. Discontinuity as a continuous message -- 4.3. VARIOUS VERSES: CHRISTOPHOROS 'COLLECTION -- 5: Ambitions -- 5.1. PRELUDE: THE VOICE OF THE OUTSIDER -- 5.2. THE 'BEAMTENLITERAT' -- 5.2.1. New social trajectories -- 5.2.2. A meritocratic model -- 5.3. DISPLAY -- 5.3.1. Textual production and display -- 5.3.2. A poem for a job -- 5.3.3. Insects and fruit: epideictic pieces -- 5.4. SHAPING AN ELITE -- 5.4.1. Distinction -- 5.4.2. Forging friendships -- 5.4.3. An urbane ethos -- 5.5. AMBITIONS AND ETHICAL CONSTRAINTS.

     
    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780191008788
    Series: Oxford Studies in Byzantium Ser.
    Subjects: Byzantine poetry; Electronic books
    Scope: 1 online resource (395 pages)
    Notes:

    Description based on publisher supplied metadata and other sources