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Screening the face
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The gorgon's gaze
German cinema, expressionism, and the image of horror -
The double and the other
identity as ideology in post-romantic fiction -
Words after speech
a comparative study of romanticism and symbolism -
The realist fantasy
fiction and reality since "Clarissa" -
The realist fantasy: Fiction and reality since "Clarissa"
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The double and the other
identity as ideology in post-romantic fiction -
Comparative cinema
late and last things in literature and film -
Cinema and colour
the saturated image -
The gorgon's gaze
German cinema, expressionism and the image of horror -
Screening the face
-
<<The>> double and the other
identity as ideology in post-romantic fiction -
<<The>> realist fantasy, fiction and reality since Clarissa
-
Words after speech
a comparative study of Romanticism and symbolism -
<<The>> realist fantasy
fiction and reality simce Clarissa -
Words after speech
a comparative study of romanticism and symbolism -
Fredric Jameson and Film Theory
Marxism, Allegory, and Geopolitics in World Cinema -
The double and the other
identity as ideology in post-romantic fiction -
The realist fantasy
fiction and reality since "Clarissa" -
The double and the other
identity as ideology in post-romantic fiction -
Words after speech
a comparative study of romanticism and symbolism -
The realist fantasy, fiction and reality since Clarissa
-
The double and the other
identity as ideology in post-romantic fiction -
Words after speech
a comparative study of Romanticism and symbolism -
The realist fantasy
fiction and reality simce Clarissa