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  1. Homeric Receptions Across Generic and Cultural Contexts
    Contributor: Efstathiou, Athanasios (Herausgeber); Karamanou, Ioanna (Herausgeber)
    Published: [2016]; ©2016
    Publisher:  De Gruyter, Berlin ; Boston

    This collective volume provides a fresh perspective on Homeric reception through a methodologically focused, interdisciplinary investigation of the transformations of Homeric epic within varying generic and cultural contexts. It explores how various... more

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    This collective volume provides a fresh perspective on Homeric reception through a methodologically focused, interdisciplinary investigation of the transformations of Homeric epic within varying generic and cultural contexts. It explores how various aspects of Homeric poetics appeal and can be mapped on to a diversity of contexts under different socio-historical, intellectual, literary and artistic conditions. The volume brings together internationally acclaimed scholars and acute young researchers in the fields of classics and reception studies, yielding insight into the varied strategies and ideological forces that define Homeric reception in literature, scholarship and the performing arts (theatre, film and music) and shape the ‘horizon of expectations’ of readers and audience. This collection also showcases that the wide-ranging ‘migration’ of Homeric material through time and across place holds significant cultural power, being instrumental in the construction of new cultural identities. The volume is of particular interest to scholars in the fields of classics, reception and cultural studies and the performing arts, as well as to readers fascinated by ancient literature and its cultural transformations

     

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    Source: Union catalogues
    Contributor: Efstathiou, Athanasios (Herausgeber); Karamanou, Ioanna (Herausgeber)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110479799
    Other identifier:
    Series: Trends in Classics - Supplementary Volumes ; 37
    Subjects: Epic poetry, Greek / History and criticism / Congresses; Reader-response criticism / Congresses; Antike; Griechische Literatur; Homer; Performanz; Rezeptionswissenschaften; ancient Greek literature; performing arts; reception studies; LITERARY CRITICISM / Ancient & Classical
    Scope: 1 online resource (X, 495 p.)
  2. Refiguring tragedy
    studies in plays preserved in fragments and their reception
    Published: [2019]
    Publisher:  De Gruyter, Berlin

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110661279; 9783110660005
    Other identifier:
    Series: Trends in classics - supplementary volumes ; volume 80
    Subjects: Classics; fragments; reception studies; tragedy; LITERARY CRITICISM / Ancient & Classical
    Scope: 1 Online-Ressource (162 Seiten)
    Notes:

    Literaturverzeichnis: Seite [129]-152

  3. Novel hermeneutics in the Greek Pseudo-Clementine romance
    Published: 2019
    Publisher:  Mohr Siebeck, Tübingen

    Patricia A. Duncan untersucht den christlichen Roman aus dem 4. Jahrhundert, der traditionell als pseudoklementinische Homilien (hier jedoch als Klementia bezeichnet) bekannt ist, um zu zeigen, wie die ausgedehnte und komplexe Erzählung als... more

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    Patricia A. Duncan untersucht den christlichen Roman aus dem 4. Jahrhundert, der traditionell als pseudoklementinische Homilien (hier jedoch als Klementia bezeichnet) bekannt ist, um zu zeigen, wie die ausgedehnte und komplexe Erzählung als rhetorisches Ganzes zusammenhängt und als Einführung des Lesers in eine neuartige, esoterische Vorstellung von den Ursprüngen des Christentums fungiert. Der Roman ist bekannt für seine auffällige Doktrin der »falschen Perikopen« in den Schriften der Juden, genauso wichtig ist jedoch die Art und Weise, wie er aus seinem Erzählgenre Nutzen zieht, um falsche Perikopen in den Evangelien des Neuen Testaments zu korrigieren. Der Schlüssel zu den Absichten des Romans ist die Konstruktion des Apostels Petrus als Hauptüberlieferer und autorisierter Deuter der Worte und Taten des wahren Propheten Jesus. Dieser Petrus präsentiert ein gesetzestreues, monotheistisches »Christentum«, welches quasi vollständig an die Religion der Anhänger Mose gekoppelt ist. Patricia A. Duncan examines the fourth-century Christian novel traditionally known as the Pseudo-Clementine Homilies (but here referred to as the Klementia) in order to show how the lengthy and complex narrative coheres as a rhetorical whole and works to initiate the reader into a revised, esoteric vision of the origins of Christianity. The novel is well known for its distinctive doctrine of »false pericopes« in the scriptures of the Jews, but equally important is the way it capitalizes on its narrative genre to correct false pericopes in the Gospels of the New Testament. Key to the novel's project is a construction of the apostle Peter as the chief tradent and the fully authorized interpreter of the words and deeds of the True Prophet Jesus. This Peter offers up of a law-abiding, monotheistic »Christianity« that is fully continuous with the religion of the followers of Moses.

     

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  4. Horace and Seneca
    interactions, intertexts, interpretations
    Contributor: Stöckinger, Martin (HerausgeberIn); Winter, Kathrin (HerausgeberIn); Zanker, Andreas T. (HerausgeberIn)
    Published: [2017]; © 2017
    Publisher:  De Gruyter, Berlin, Boston

    This volume sets out to explore the complex relationship between Horace and Seneca. It is the first book that examines the interface between these different and yet highly comparable authors with consideration of their œuvres in their entirety. The... more

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    This volume sets out to explore the complex relationship between Horace and Seneca. It is the first book that examines the interface between these different and yet highly comparable authors with consideration of their œuvres in their entirety. The fourteen chapters collected here explore a wide range of topics clustered around the following four themes: the combination of literature and philosophy; the ways in which Seneca’s choral odes rework Horatian material and move beyond it; the treatment of ethical, poetic, and aesthetic questions by the two authors; and the problem of literary influence and reception as well as ancient and modern reflections on these problems. While the intertextual contacts between Horace and Seneca themselves lie at the core of this project, it also considers the earlier texts that serve as sources for both authors, intermediary steps in Roman literature, and later texts where connections between the two philosopher-poets are drawn. Although not as obviously palpable as the linkage between authors who share a common generic tradition, this uneven but pervasive relationship can be regarded as one of the most prolific literary interactions between the early Augustan and the Neronian periods. A bidirectional list of correspondences between Horace and Seneca concludes the volume.

     

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    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Contributor: Stöckinger, Martin (HerausgeberIn); Winter, Kathrin (HerausgeberIn); Zanker, Andreas T. (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110528893
    Other identifier:
    RVK Categories: FX 181605 ; FX 210805
    Series: Beiträge zur Altertumskunde ; Band 365
    De Gruyter eBook-Paket Altertumswissenschaften
    Subjects: Horace; Horaz; Intertextualität; intertextuality; reception studies; Rezeptionswissenschaft; Seneca
    Other subjects: Horace; Seneca, Lucius Annaeus approximately 4 B.C.-65 A.D
    Scope: 1 Online-Ressource
    Notes:

    Del Giovane, Barbara --: Frontmatter -- ; Foreword -- ; Table of Contents -- ; Introduction -- ; I. Philosophy in Literature – Literature in Philosophy -- ; Dressing Philosophy with sal niger. Horace’s Role in Seneca’s Approach to the Diatribic Tradition

    Berno, Francesca Romana --: Nurses’ Prayers, Philosophical otium, and Fat Pigs: Seneca Ep. 60 versus Horace Ep. 1.4

    Edwards, Catharine --: Saturnalian Exchanges: Seneca, Horace, and Satiric Advice

    Tarrant, Richard --: II. Horatian Verse in Senecan Tragedy -- ; Custode rerum Caesare: Horatian Civic Engagement and the Senecan Tragic Chorus

    Trinacty, Christopher --: Horatian Contexts in Senecan Tragedy

    Allendorf, Tobias --: Sounds and Space. Seneca’s Horatian Lyrics

    Geiger, Jonathan --: Strictness, Freedom, and Experimentation in Horatian and Senecan Metrics

    Vogt-Spira, Gregor --: III. Themes and Concepts -- ; Time in Horace and Seneca

    Blum, Barak --: Studiorum instrumenta: Loaded Libraries in Seneca and Horace

    Giusti, Elena --: The Metapoetics of Liber-ty. Horace’s Bacchic Ship in Seneca’s De Tranquillitate Animi

    Kirichenko, Alexander --: Constructing Oneself in Horace and Seneca

    Tischer, Ute --: IV. Modes of Quotation and Issues of Reception -- ; Nostra faciamus. Quoting in Horace and Seneca

    Mindt, Nina --: Horace, Seneca, and Martial: ‘Sententious Style’ across Genres

    Moul, Victoria --: Seneca, Horace, and the Anglo-Latin ‘Moralising Lyric’ in Early Modern England

  5. <<The>> Routledge companion to literature and emotion
    Contributor: Hogan, Patrick Colm (Herausgeber); Irish, Bradley J (Herausgeber); Hogan, Lalita Pandit (Herausgeber)
    Published: [2022]
    Publisher:  Routledge, London ; New York, NY

    The Routledge Companion to Literature and Emotion shows how the "affective turn" in the humanities applies to literary studies. Deftly combining the scientific elements with the literary, the book provides a theoretical and topical introduction to... more

    Universitätsbibliothek Bielefeld
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    The Routledge Companion to Literature and Emotion shows how the "affective turn" in the humanities applies to literary studies. Deftly combining the scientific elements with the literary, the book provides a theoretical and topical introduction to reading literature and emotion. Looking at a variety of formats including novels, drama, film, graphic fiction, and lyric poetry the book also includes focus on specific authors such as Shakespeare, Chaucer, Jane Austen, Virginia Woolf, and Viet Thanh Nguyen. The volume introduces the theoretical groundwork, covering such categories as affect theory, affective neuroscience, cognitive science, evolution, and history of emotions. It examines the range of emotions that play a special role in literature, including happiness, fear, aesthetic delight, empathy, and sympathy, as well as aspects of literature (style, narrative voice, and others) that bear on emotional response. Finally, it explores ethical and political concerns that are often intertwined with emotional response, including racism, colonialism, disability, ecology, gender, sexuality, and trauma. This is a crucial guide to the ways in which new, interdisciplinary understandings of emotion and affect—in fields from neuroscience to social theory--are changing the study of literature and of the ways those new understandings are impacted by work on literature also

     

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    Source: Union catalogues
    Contributor: Hogan, Patrick Colm (Herausgeber); Irish, Bradley J (Herausgeber); Hogan, Lalita Pandit (Herausgeber)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780367409159; 9781032219226
    Other identifier:
    9780367409159
    RVK Categories: EC 5410
    Series: Routledge literature companions
    Subjects: Literary criticism; Apollonius of Rhodes; Appraisal; Aristotle; aesthetics; aesthetics of poetry; aesthetic emotions; affect; affective ecocriticism; affective historicism; affective practices; affective structures; affect theory; alcoholism; anger; apostrophe; attachment; attachment-detachment; audiovisual media; Black feminisms; British Empire; basic emotions; bildungsroman; Cardinal Thomas Wolsey; Chaucer; Comedy; Conrad; Cymbeline; character; climate fiction; cognition; colonizer; coming of age; conceptual integration; conceptual metaphor; conceptual metonymy; constructed emotion; context; craft analysis; creativity; criterial prefocussing; cultural studies; Dhvani; decolonization; defamiliarization; direct address; disability; discourse; disgust; Edmund Spenser; Elizabeth Bishop; Elizabeth Bowen; Embodied cognition; Emotional Tears; Emotion Systems; Empiricism; Eve Kosofsky Sedgwick; econarratology; eco-criticism; embodied cognition; embodied simulation; embodiment; emotion; emotional contagion; emotions in the lyric; emotion concepts; emotion regulation; emotion systems; empathy; enactivism; encapsulated interest; ethics; ethnoracial pause; evolution; exploration; expression; Fatwa; fair play; fascination; feminism; fiction; film; force dynamics; frames; Gender; Gilles Deleuze; Gone Girl; Gothic fiction; G. Gabrielle Starr; gender; gender and emotion; graphic narrative; Habila; Hamlet; Hans Robert Jauss; Hans Ulrich Gumbrecht; habitus; healing; historical periodisation; history of emotion; history of emotions; history of literature; identification; image schema; inferences; intergroup emotion; irony; Jenefer Robinson; Jonathan Haidt; Joseph Henrich; Joshua Greene; Kendall Walton; King Lear; literary creativity; literary Darwinism; literary genres; literary judgement; literary meaning; literary reading; literary universals; literature; love; Macbeth; Medea; Milton; Murder of Roger Ackroyd; marginalization; materiality; mediality; mental imagery; mental simulation; mental spaces; mind-modelling; mind-style; mirror neurons; Nigerian fiction; narrative; narrative genres; narrative permissibility; narrative resolution; narrator; neocolonialism; neuroscience; Orientalism; Orphan of Zhào; Parasocial Relationships; PEN International; Plato; PSR; paradox of fiction; paradox of tragedy; participation; passions; phenomenology; plot; plot tricks; poetics; poetic imagery; postcolonial; posthumanism; post-structuralism; predictive processing; prose fiction; psychotherapy; queer studies; queer theory; Rasa; Reception Theory; Reciprocal Altruism; Research Methods; Restoration drama; Romeo and Juliet; R.G. Collingwood; race; race and ethnicity; racialization; reader emotions; reception studies; reparative reading; rhetoric; Shakespeare; Stanley Fish; Susanne K. Langer; sexuality; sexual literacy; similarity assessment; simulation; situation models; slavery; social capital; social cognition; social construction; sociology of emotion; spatial cognition; stigmatization; story function; story structure; strategic narrative empathy; structures of feeling; style; sublime; sympathy; Teens; Text processing; The Godfather; The Tempest; The Water Knife; The Years; Tragedy; Trust; texture; the Sympathizer; tone; transportation; trauma; trust; Usual Suspects; universals; unreliable narration; Viet Thanh Nguyen; Virginia Woolf; WEIRD societies; W.S. Merwin; Emotions in literature; Affect (Psychology) in literature
    Scope: xvii, 495 Seiten, Illustrationen
    Notes:

    Literaturangaben