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  1. Aesthetic and emotional effects of meter and rhyme in poetry
    Author: Obermeier, Christian; Menninghaus, Winfried; Koppenfels, Martin von; Raettig, Tim; Schmidt-Kassow, Maren; Otterbein, Sascha; Kotz, Sonja A.
    Published: 2013

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    Language: English
    Media type: Undefined
    Format: Online
    DDC Categories: 890
    Subjects: meter; rhyme; emotion; aesthetics; cognitive fluency; poetry
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  2. "Ad evigilationem brutarum mentium" : Emotionen als wirkungsmächtige erzählte Kategorien im 'Renner' Hugos von Trimberg
    Author: Kundert, Ursula
    Published: 2005

  3. Religious Affects and Female Subjects in the Altarpieces of the Finnish Artist Alexandra Frosterus-Såltin
    A Case Study of the Jepua Altarpiece ‘Christ Appearing to Mary Magdalene’ (1906)
    Author: Takanen, Ringa
    Published: [2020]

    Before the mid-nineteenth century there were few subjects in the altarpiece tradition of the Evangelical Lutheran Church of Finland in which the central figures accompanying Christ were female. Seldom used or new motifs involving female characters... more

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    Before the mid-nineteenth century there were few subjects in the altarpiece tradition of the Evangelical Lutheran Church of Finland in which the central figures accompanying Christ were female. Seldom used or new motifs involving female characters now emerged behind the altar. Most of the altarpieces with central women figures were painted in Finland at the turn of the twentieth century by the artist Alexandra Frosterus-Såltin (1837-1916). In the nineteenth century Frosterus-Såltin was the only artist in Finland who realized the motif of ‘Christ Appearing to Mary Magdalene’ in her altarpieces. In her final representation of the theme, the altarpiece in the church of the Finnish Jepua commune, she chose an unusual approach to the motif. My interest in the subject lies in the motif’s affective nature - the ways in which altarpieces in general have been actively used to evoke feelings. Moreover, I consider the influence that Alexandra Frosterus-Såltin, a significant agent in Finnish sacral art, had on consolidating the position of women’s agency in the Finnish altarpiece tradition. I examine the motif in relation to the cultural and political atmosphere of the era, especially the changing gender roles and the understanding of women’s social agency as the women’s movement emerged.

     
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    Source: Union catalogues
    Language: English
    Media type: Article (journal)
    Format: Online
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    Parent title: Enthalten in: Temenos; Helsinki, 1965; 56(2020), 2, Seite 201-226; Online-Ressource

    Subjects: Alexandra Frosterus-Såltin; Christianity; Finland; affect; art history; emotion; fin-de-siècle; iconography; religious art; women artists; women’s history
  4. Multilinguals' Verbalisation and Perception of Emotions
    Author: Resnik, Pia
    Published: [2018]; © 2018
    Publisher:  Multilingual Matters, Blue Ridge Summit, PA

    This book investigates the interplay of language, emotion and gender in a multilingual context and provides rich insights into the complexities of bilingualism and the field of emotion research, as well as the intersection of both. Combining... more

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    This book investigates the interplay of language, emotion and gender in a multilingual context and provides rich insights into the complexities of bilingualism and the field of emotion research, as well as the intersection of both. Combining quantitative and qualitative analyses of data, the book examines multilinguals' verbalisation and perception of emotions in their first language and English, their second language (L2). The research looks at crosslinguistic, intercultural and gender-based differences, thereby highlighting the challenges faced by multilinguals in this context and the potential risks of miscommunication and misinterpretation. Results support the call for a change of paradigm towards a holistic approach to multilingualism and emotion research and highlight the similarities and differences in L2 users of English when expressing their emotions in the different languages. The book will appeal to anyone interested in research on emotions in the context of bi-/multilingualism or second language acquisition, as well as those teaching or learning multiple languages

     
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  5. Emotion und Handlung im Artusroman
    Published: [2017]; © 2017
    Publisher:  De Gruyter, Berlin ; Boston

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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783110536058
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    RVK Categories: GE 8573
    Series: Schriften der Internationalen Artusgesellschaft ; 13
    Subjects: Arthurian romance; Artusroman; characters; emotion; Emotion; Figur; Narratologie; narratology; Artusepik; Erzähltechnik; Motivation; Literarische Gestalt; Handlung; Gefühl <Motiv>; Handlung <Literatur>
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  6. Multilinguals' Verbalisation and Perception of Emotions
    Author: Resnik, Pia
    Published: [2018]; © 2018
    Publisher:  Multilingual Matters, Blue Ridge Summit, PA

    This book investigates the interplay of language, emotion and gender in a multilingual context and provides rich insights into the complexities of bilingualism and the field of emotion research, as well as the intersection of both. Combining... more

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    This book investigates the interplay of language, emotion and gender in a multilingual context and provides rich insights into the complexities of bilingualism and the field of emotion research, as well as the intersection of both. Combining quantitative and qualitative analyses of data, the book examines multilinguals' verbalisation and perception of emotions in their first language and English, their second language (L2). The research looks at crosslinguistic, intercultural and gender-based differences, thereby highlighting the challenges faced by multilinguals in this context and the potential risks of miscommunication and misinterpretation. Results support the call for a change of paradigm towards a holistic approach to multilingualism and emotion research and highlight the similarities and differences in L2 users of English when expressing their emotions in the different languages. The book will appeal to anyone interested in research on emotions in the context of bi-/multilingualism or second language acquisition, as well as those teaching or learning multiple languages

     
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  7. Göttliches Empfinden
    Sanfte Melancholie in der englischen und deutschen Literatur der Aufklärung
    Author: Battenfeld, Katja
    Published: [2013]; ©2013
    Publisher:  De Gruyter, Berlin ; Boston

    Kulturell kodierte Gefühle haben in vielfacher Weise strukturierende Eigenschaften für Individuen und ihre Gesellschaft. Die Bedeutung dieser Emotionskodes ist bisher noch wenig erforscht und zugleich ein ertragreiches Feld der modernen... more

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    Kulturell kodierte Gefühle haben in vielfacher Weise strukturierende Eigenschaften für Individuen und ihre Gesellschaft. Die Bedeutung dieser Emotionskodes ist bisher noch wenig erforscht und zugleich ein ertragreiches Feld der modernen Kulturwissenschaft. Diese Studie widmet sich der Kultivierung sanfter Melancholie im 18. Jahrhundert aus Sicht einer literaturwissenschaftlich gelagerten Emotionsforschung, um der vermeintlich allein repressiven Melancholie im Zeitalter der Aufklärung positive Effekte und Ziele zur Seite zu stellen. Im Zentrum stehen englische und deutsche Texte der Lyrik, Epik und Prosa zwischen 1720 und 1785. Die Analyse ihrer Emotionalisierungsstrategien in Emotionskodes legt eine sakrale und säkulare Verbreitung sanfter Melancholie dar, die die Entwicklung eines individuellen Fühlens und damit Bewertens in hohem Maße förderte. Sanfte Melancholie wurde zum Einsatz gebracht, um Leserinnen und Leser emotional zu formen, ihnen Sprachfähigkeit über Phänomene zu geben und schließlich ihre emotionale Autonomie zu bekräftigen

     
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  8. Emotion und Handlung im Artusroman
    Published: [2017]; ©2017
    Publisher:  De Gruyter, Berlin ; Boston

    Wie sind Handlungen literarischer Figuren motiviert? Lassen sie sich psychologisch oder narratologisch erklären? Da die Figuren arthurischer Romane textübergreifend konstruiert werden, könnte man annehmen, ihre Handlungen folgten einem festen Muster,... more

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    Wie sind Handlungen literarischer Figuren motiviert? Lassen sie sich psychologisch oder narratologisch erklären? Da die Figuren arthurischer Romane textübergreifend konstruiert werden, könnte man annehmen, ihre Handlungen folgten einem festen Muster, unabhängig von situativ dargestellten Emotionen. Gibt es also eine gattungsspezifische Handlungsmotivation? - Um diese Fragen kreisen die hier versammelten Beiträge. Sie demonstrieren, dass der europäische Artusroman keine einheitliche Behandlung von Emotionen als Handlungsmotivation kennt. Groß ist die Variationsbreite der sichtbaren Innerlichkeit der Figuren. Als gattungsspezifisch lässt sich aber eine Tendenz erkennen, das Verhältnis von Emotion und Handlung in den Texten selbst als ein Produkt narrativer Vermittlung aufzudecken: durch die Inszenierung von Selbstverlust oder des Widerstreits zwischen Vernunft und Emotion, durch ein offenes Spiel mit unterschiedlichen Graden der Informiertheit von Figuren, Erzähler und Rezipienten, durch die Integration des Vorwissens der Rezipienten oder durch die Referenz auf und den Verstoß gegen Codierungen von Emotionen, kulturelle und literarische Normen

     
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783110536058
    Other identifier:
    Series: Schriften der Internationalen Artusgesellschaft ; 13
    Subjects: Arthurian romance; Artusroman; Emotion; Figur; Narratologie; characters; emotion; narratology; Gefühl / Motiv; Literarische Gestalt; Artusepik; Motivation; Handlung; LITERARY CRITICISM / Medieval
    Scope: 1 online resource (315 p.)
  9. Medialisierungen der Macht
    Filmische Inszenierungen politischer Praxis
    Contributor: Gradinari, Irina (Herausgeber); Immer, Nikolas (Herausgeber); Pause, Johannes (Herausgeber)
    Published: 2018
    Publisher:  Verlag Wilhelm Fink, Paderborn

    Die Konjunktur des Politischen in neueren Kinofilmen und Fernsehserien ist mit tradierten Oppositionen – wie der von Inhalt und Form – nicht mehr zu beschreiben. Vielmehr lässt sich konstatieren, dass Theorie und Praxis des Politischen längst mit... more

     

    Die Konjunktur des Politischen in neueren Kinofilmen und Fernsehserien ist mit tradierten Oppositionen – wie der von Inhalt und Form – nicht mehr zu beschreiben. Vielmehr lässt sich konstatieren, dass Theorie und Praxis des Politischen längst mit filmischen Fiktionen verflochten sind: Diese vermitteln zwischen universalen und partikularen Perspektiven, entwerfen Figurentypen und Verhaltensmuster und intervenieren in aktuelle Diskurse. Ein neuer "medialer Realismus", der diese Unhintergehbarkeit der Medien selbst sichtbar macht, bildet den thematischen Horizont der Beiträge dieses Sammelbands. Unter den Aspekten des Affizierens, Modellierens und Tradierens werden die theoretischen und ästhetischen Neuansätze des aktuellen politischen Kinos anhand einschlägiger Beispiele diskutiert

     
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    Source: Union catalogues
    Contributor: Gradinari, Irina (Herausgeber); Immer, Nikolas (Herausgeber); Pause, Johannes (Herausgeber)
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783846763414
    Other identifier:
    9783846763414
    Edition: 2018
    Subjects: Kino; Realismus; Repräsentation; Affekt; Modell; Tradition; Ästhetik; Paranoia; cinema; realism; House of Cards; Homeland; Walking Dead; representation; emotion; model; tradition; aesthetics; paranoia
    Other subjects: Nonbooks, PBS / Medien, Kommunikation/Medienwissenschaft
    Scope: 416 p.
  10. Contextual and crosslinguistic facets of emotion concepts
    Contributor: Ströbel, Liane (Herausgeber)
    Published: 2023
    Publisher:  AVM.edition, München

    Emotions permeate every aspect of our lives and not only provide us with invaluable information about our environment and the people in it, but also influence our perception of situations and events. Interestingly, this domain, so ubiquitous in our... more

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    Emotions permeate every aspect of our lives and not only provide us with invaluable information about our environment and the people in it, but also influence our perception of situations and events. Interestingly, this domain, so ubiquitous in our everyday lives, largely resists attempts at scientific definition. One reason for this could be that emotions rarely occur in isolation but are usually combined or embedded in other states of mind. Moreover, the experience of emotions may be influenced not only by culture but also by individual language. Analysis is further complicated by the fact that emotions are abstract and require complex linguistic coding to make an invisible emotional state of the speaker at least rudimentarily visible to the listener. For this reason, the present volume aims to investigate the perception, encoding, reception, and influence potential of emotions in context and across languages using different corpora. The following questions are central: To what extent do emotions influence our perception of events and facts? and To what extent can emotion concepts be defined language-specifically, but also universally, on the basis of our perception? Therefore, the eight contributions analyze emotions in different contexts and from different starting points to uncover the cognitive mechanisms underlying the perception and influence of emotion concepts. The first four papers focus primarily on emotional and sensory experiences and interactions that are set in motion when we are confronted with emotions, while the following four focus on the different facets of emotion across languages to show which emotion concepts are language-specific or universal, and thus contribute to a better understanding of this complex field

     
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  11. <<The>> Routledge companion to literature and emotion
    Contributor: Hogan, Patrick Colm (Herausgeber); Irish, Bradley J (Herausgeber); Hogan, Lalita Pandit (Herausgeber)
    Published: [2022]
    Publisher:  Routledge, London ; New York, NY

    The Routledge Companion to Literature and Emotion shows how the "affective turn" in the humanities applies to literary studies. Deftly combining the scientific elements with the literary, the book provides a theoretical and topical introduction to... more

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    The Routledge Companion to Literature and Emotion shows how the "affective turn" in the humanities applies to literary studies. Deftly combining the scientific elements with the literary, the book provides a theoretical and topical introduction to reading literature and emotion. Looking at a variety of formats including novels, drama, film, graphic fiction, and lyric poetry the book also includes focus on specific authors such as Shakespeare, Chaucer, Jane Austen, Virginia Woolf, and Viet Thanh Nguyen. The volume introduces the theoretical groundwork, covering such categories as affect theory, affective neuroscience, cognitive science, evolution, and history of emotions. It examines the range of emotions that play a special role in literature, including happiness, fear, aesthetic delight, empathy, and sympathy, as well as aspects of literature (style, narrative voice, and others) that bear on emotional response. Finally, it explores ethical and political concerns that are often intertwined with emotional response, including racism, colonialism, disability, ecology, gender, sexuality, and trauma. This is a crucial guide to the ways in which new, interdisciplinary understandings of emotion and affect—in fields from neuroscience to social theory--are changing the study of literature and of the ways those new understandings are impacted by work on literature also

     
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    Source: Union catalogues
    Contributor: Hogan, Patrick Colm (Herausgeber); Irish, Bradley J (Herausgeber); Hogan, Lalita Pandit (Herausgeber)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780367409159; 9781032219226
    Other identifier:
    9780367409159
    RVK Categories: EC 5410
    Series: Routledge literature companions
    Subjects: Literary criticism; Apollonius of Rhodes; Appraisal; Aristotle; aesthetics; aesthetics of poetry; aesthetic emotions; affect; affective ecocriticism; affective historicism; affective practices; affective structures; affect theory; alcoholism; anger; apostrophe; attachment; attachment-detachment; audiovisual media; Black feminisms; British Empire; basic emotions; bildungsroman; Cardinal Thomas Wolsey; Chaucer; Comedy; Conrad; Cymbeline; character; climate fiction; cognition; colonizer; coming of age; conceptual integration; conceptual metaphor; conceptual metonymy; constructed emotion; context; craft analysis; creativity; criterial prefocussing; cultural studies; Dhvani; decolonization; defamiliarization; direct address; disability; discourse; disgust; Edmund Spenser; Elizabeth Bishop; Elizabeth Bowen; Embodied cognition; Emotional Tears; Emotion Systems; Empiricism; Eve Kosofsky Sedgwick; econarratology; eco-criticism; embodied cognition; embodied simulation; embodiment; emotion; emotional contagion; emotions in the lyric; emotion concepts; emotion regulation; emotion systems; empathy; enactivism; encapsulated interest; ethics; ethnoracial pause; evolution; exploration; expression; Fatwa; fair play; fascination; feminism; fiction; film; force dynamics; frames; Gender; Gilles Deleuze; Gone Girl; Gothic fiction; G. Gabrielle Starr; gender; gender and emotion; graphic narrative; Habila; Hamlet; Hans Robert Jauss; Hans Ulrich Gumbrecht; habitus; healing; historical periodisation; history of emotion; history of emotions; history of literature; identification; image schema; inferences; intergroup emotion; irony; Jenefer Robinson; Jonathan Haidt; Joseph Henrich; Joshua Greene; Kendall Walton; King Lear; literary creativity; literary Darwinism; literary genres; literary judgement; literary meaning; literary reading; literary universals; literature; love; Macbeth; Medea; Milton; Murder of Roger Ackroyd; marginalization; materiality; mediality; mental imagery; mental simulation; mental spaces; mind-modelling; mind-style; mirror neurons; Nigerian fiction; narrative; narrative genres; narrative permissibility; narrative resolution; narrator; neocolonialism; neuroscience; Orientalism; Orphan of Zhào; Parasocial Relationships; PEN International; Plato; PSR; paradox of fiction; paradox of tragedy; participation; passions; phenomenology; plot; plot tricks; poetics; poetic imagery; postcolonial; posthumanism; post-structuralism; predictive processing; prose fiction; psychotherapy; queer studies; queer theory; Rasa; Reception Theory; Reciprocal Altruism; Research Methods; Restoration drama; Romeo and Juliet; R.G. Collingwood; race; race and ethnicity; racialization; reader emotions; reception studies; reparative reading; rhetoric; Shakespeare; Stanley Fish; Susanne K. Langer; sexuality; sexual literacy; similarity assessment; simulation; situation models; slavery; social capital; social cognition; social construction; sociology of emotion; spatial cognition; stigmatization; story function; story structure; strategic narrative empathy; structures of feeling; style; sublime; sympathy; Teens; Text processing; The Godfather; The Tempest; The Water Knife; The Years; Tragedy; Trust; texture; the Sympathizer; tone; transportation; trauma; trust; Usual Suspects; universals; unreliable narration; Viet Thanh Nguyen; Virginia Woolf; WEIRD societies; W.S. Merwin; Emotions in literature; Affect (Psychology) in literature
    Scope: xvii, 495 Seiten, Illustrationen
    Notes:

    Literaturangaben
  12. Emotion und Handlung im Artusroman
    Published: [2017]; © 2017
    Publisher:  De Gruyter, Berlin ; Boston

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Universität Potsdam, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783110536058
    Other identifier:
    RVK Categories: GE 8573
    Series: Schriften der Internationalen Artusgesellschaft ; 13
    Subjects: Arthurian romance; Artusroman; characters; emotion; Emotion; Figur; Narratologie; narratology; Artusepik; Erzähltechnik; Motivation; Literarische Gestalt; Handlung; Gefühl <Motiv>; Handlung <Literatur>
    Scope: 1 online resource (315 pages)
  13. Emotion and Islamic Hagiology: A Post-taxonomic Approach
    Author: Yep, Stephanie
    Published: 2023

    The study of emotion in Islamic hagiology remains largely uninterrogated, as visible in elliptical descriptions that classify particular texts, bodily gestures, or utterances as “emotive.” I advocate for a shift from taxonomic approaches to emotion... more

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    The study of emotion in Islamic hagiology remains largely uninterrogated, as visible in elliptical descriptions that classify particular texts, bodily gestures, or utterances as “emotive.” I advocate for a shift from taxonomic approaches to emotion to a focus on function in narrative hagiographies. I argue that emotion provides a rich analytic category for understanding the dynamic relationship between texts and bodies in the hagiographical process, as well as the multiplicity of bodies that are involved or implicated. To illustrate this framework, I provide readings of narratives in the sīra (biographies of Muḥammad) which depict bodily manifestations of awe when in Muḥammad’s presence. Endorsing the position that the hagiographical process is constantly under negotiation, these analyses reveal that emotional practices are crucial to understanding the relationality between exemplary persons, biographers, characters, and readers.

     
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    Source: Union catalogues
    Language: English
    Media type: Article (journal)
    Format: Online
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    Parent title: Enthalten in: Method & theory in the study of religion; Leiden : Brill, 1989; 35(2023), 1, Seite 24-54; Online-Ressource

    Subjects: narrative; affect; Muhammad; Islamic studies; emotion; hagiography
  14. American older adults in the time of COVID-19
    vulnerability types, aging attitudes, and emotional responses
    Author: Fu, Mingqi; Guo, Jing; Chen, Xi; Han, Boxun; Ahmed, Farooq; Shahid, Muhammad; Zhang, Qilin
    Published: February 2022
    Publisher:  IZA - Institute of Labor Economics, Bonn, Germany

    With 1582 respondents from the Health and Retirement Survey (HRS), this study investigates the heterogeneity in older adults' vulnerability and examines the relationship between vulnerability types, aging attitudes and emotional responses.... more

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    With 1582 respondents from the Health and Retirement Survey (HRS), this study investigates the heterogeneity in older adults' vulnerability and examines the relationship between vulnerability types, aging attitudes and emotional responses. International Positive and Negative Affect Schedule Short-form (I-PANAS-SF) and Attitudes toward own aging (ATOT) were used to assess the emotional experiences and aging attitudes, and 14 types of pandemic-related deprivations evaluated individuals' vulnerability. Latent class analysis was used to explore the vulnerability types, and weighted linear regressions examined the relationship between vulnerability, aging attitudes and emotional responses. Results showed that the proportion for individuals with mild vulnerability (MV), health care use vulnerability (HV), and dual vulnerability in health care use and finances (DVs) was 67%, 22%, and 11%, respectively. Older adults aged below 65, Hispanics and non-Hispanic Blacks, and those not eligible for Medicaid were more likely to have HV or DVS. The relationship between vulnerability and positive emotions was insignificant, yet individuals with HV (beta=0.10, SE=0.16) or DVs (beta=0.09, SE=0.28) were likely to have more negative emotions than their mildly vulnerable counterparts. Furthermore, aging attitudes moderated the relationship between vulnerability and emotions. Encouraging positive aging attitudes might be helpful for older adults to have better emotional well-being, especially for those with DVs.

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    hdl: 10419/252216
    Series: Discussion paper series / IZA ; no. 15092
    Subjects: vulnerability; aging attitudes; emotion; older adults; COVID-19
    Scope: 1 Online-Ressource (circa 32 Seiten), Illustrationen
  15. What Did It Feel Like to Be a Jew?
    The Kosher Food Laws and Emotional Norms among Ancient Jews
    Author: Mermelstein, Ari
    Published: 2022

    Jewish observance of a set of legal practices constituted the most obvious distinction between Jew and gentile in antiquity. Yet Jewish ritual practice did not only affect the ways in which Jews acted but also how they felt about their Jewishness and... more

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    Jewish observance of a set of legal practices constituted the most obvious distinction between Jew and gentile in antiquity. Yet Jewish ritual practice did not only affect the ways in which Jews acted but also how they felt about their Jewishness and their connection to the wider culture. Law and emotion play mutually reinforcing roles in both shaping and reflecting a society’s values, an observation that invites the following questions: how did observance of Jewish dietary laws make Jews feel, and which emotional norms were involved in the production of law? The emotions of those who observed the kosher food laws were variously characterized as hate, a self-controlled repudiation of negative emotion, or disgust. Disputes about how to understand the emotions that animate the dietary laws were attempts to define the power relations between Jews and the surrounding world: did Jews enjoy the power to integrate into their Greco-Roman surroundings?

     
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    Language: English
    Media type: Article (journal)
    Format: Online
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    Parent title: Enthalten in: Journal for the study of Judaism; Leiden : Brill, 1970; 53(2022), 3, Seite 344-376; Online-Ressource

    Subjects: Stoicism; disgust; emotion; law; kosher food laws; rabbinic literature; 4 Maccabees; Philo of Alexandria
  16. The Scriptural Shape of God
    Divine Anthropomorphisms in Synoptic Perspective
    Author: Wilson, Brittany E.
    Published: 2023

    Although an increasing number of works are focusing on depictions of God in the New Testament, none so far specifically focus on how these depictions rely on anthropomorphic language in their presentation of God. This article attends to this... more

     

    Although an increasing number of works are focusing on depictions of God in the New Testament, none so far specifically focus on how these depictions rely on anthropomorphic language in their presentation of God. This article attends to this oversight by turning to the Synoptic Gospels (and the book of Acts) as a test case. Not only do these narratives lack an explicit anti-anthropomorphic agenda, but they also rely on divine anthropomorphisms that are derived from Jewish Scripture. To demonstrate this claim, the article concentrates on how Matthew and Luke expand Mark's anthropomorphic presentation of God and how Luke's presentation emerges as the most anthropomorphic of all. It also discusses how Mark, Matthew, and Luke's respective narratives depict God's human, or human-like, characteristics according to the following four categories: (1) God's human roles and titles, (2) God's depiction as an acting subject who speaks and desires to be in relationship with humans, (3) God's concrete presence located in space, and finally, (4) God's description as a character with recognisable body parts and other markers of corporeality. In the end, we shall see that anthropomorphism is a central component of God's characterisation in the Synoptics and that this anthropomorphic characterisation better enables readers to see the Jewish, scriptural shape of God as a personal deity who desires to be in relationship with humans.

     
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    Source: Union catalogues
    Language: English
    Media type: Article (journal)
    Format: Online
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    Parent title: Enthalten in: New Testament studies; Cambridge [u.a.] : Cambridge Univ. Press, 1954; 69(2023), 2, Seite 138-153; Online-Ressource

    Subjects: God; Hebrew Bible; Luke-Acts; New Testament; Synoptic Gospels; anthropomorphism; body; characterisation; emotion; space
  17. Complexes of Emotions in Joseph and Aseneth
    Author: Smith, Tyler
    Published: 2021

    The ancient Greek novel introduced to the history of literature a new topos: the “complex of emotions.” This became a staple of storytelling and remains widely in use across a variety of genres to the present day. The Hellenistic Jewish text Joseph... more

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    The ancient Greek novel introduced to the history of literature a new topos: the “complex of emotions.” This became a staple of storytelling and remains widely in use across a variety of genres to the present day. The Hellenistic Jewish text Joseph and Aseneth employs this topos in at least three passages, where it draws attention to the cognitive-emotional aspect of the heroine’s conversion. This is interesting for what it contributes to our understanding of the genre of Aseneth, but it also has social-historical implications. In particular, it supports the idea that Aseneth reflects concerns about Gentile partners in Jewish-Gentile marriages, that Gentile partners might convert out of expedience or that they might be less than fully committed to abandoning “idolatrous” attachments. The representations of deep, grievous, and complex emotions in Aseneth’s transformational turn from idolatry to monolatry, then, might play a psychagogic role for the Gentile reader interested in marrying a Jewish person.

     
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    Source: Union catalogues
    Language: English
    Media type: Article (journal)
    Format: Online
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    Parent title: Enthalten in: Journal for the study of the pseudepigrapha; London : Sage, 1987; 30(2021), 3, Seite 133-155; Online-Ressource

    Subjects: Joseph and Aseneth; emotion; conversion; ancient novel—literary conventions
  18. Driven by Grief, Inspired by Christ
    Paul "Beside Himself" in 2 Cor 5:13
    Author: Mesick, Clair E.
    Published: [2019]

    Paul's enigmatic claim of being "beside himself" (ἐξίστηµι) in 2 Cor 5:13 has been interpreted as a reference to an episode of religious ecstasy, an incident of erratic behavior, or a criticism of Paul's poor rhetoric and leadership. Among its wide... more

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    Paul's enigmatic claim of being "beside himself" (ἐξίστηµι) in 2 Cor 5:13 has been interpreted as a reference to an episode of religious ecstasy, an incident of erratic behavior, or a criticism of Paul's poor rhetoric and leadership. Among its wide range of meanings, however, ἐξίστηµι denotes excessive emotion; it is used in classical texts to describe those swept away by immoderate anger or grief or even those moved or transported by the power of a rhetor's words. Drawing on these texts, and following a suggestion by James Kennedy in 1903, the author will argue that in 2 Cor 5:13 Paul is controlling for the legitimate possibility that his prior correspondence with the Corinthians, specifically 2 Corinthians 10-13, might have been seen as furious, emotional, or even violent, and reinterpreting any seemingly immoderate anger or foolish speech as done wholly in service of God and compelled by Christ.

     
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    Source: Union catalogues
    Language: English
    Media type: Article (journal)
    Format: Online
    Other identifier:
    Parent title: Enthalten in: Novum Testamentum; Leiden [u.a.] : Brill, 1956; 61(2019), 2, Seite 137-155; Online-Ressource

    Subjects: 2 Corinthians; Paul; boasting; emotion; literary reconstruction; rhetoric
  19. Alexa Weik von Mossner (ed.), Moving Environments
    Affect, Emotion, Ecology, and Film
    Author: O'Dell-Chaib, Courtney
    Published: 2019

    Alexa Weik von Mossner (ed.), Moving Environments: Affect, Emotion, Ecology, and Film (Waterloo, ON: Wilfrid Laurier University Press, 2014), 287 pp., $42.99 (pbk), ISBN: 978-1-77112-002-9. more

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    Alexa Weik von Mossner (ed.), Moving Environments: Affect, Emotion, Ecology, and Film (Waterloo, ON: Wilfrid Laurier University Press, 2014), 287 pp., $42.99 (pbk), ISBN: 978-1-77112-002-9.

     
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    Source: Union catalogues
    Language: English
    Media type: Article (journal)
    Format: Online
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    Parent title: Enthalten in: Journal for the study of religion, nature and culture; London : Equinox Publ., 2007; 13(2019), 3, Seite 387-389; Online-Ressource

    Subjects: affect; ecocriticism; ecofilm; ecology; emotion; film
  20. Emotion und Handlung im Artusroman
    Contributor: Dietl, Cora (Publisher); Schanze, Christoph (Publisher); Wolfzettel, Friedrich (Publisher); Zudrell, Lena (Publisher)
    Published: [2017]; © 2017
    Publisher:  De Gruyter, Berlin

    Wie sind Handlungen literarischer Figuren motiviert? Lassen sie sich psychologisch oder narratologisch erklären? Da die Figuren arthurischer Romane textübergreifend konstruiert werden, könnte man annehmen, ihre Handlungen folgten einem festen Muster,... more

     

    Wie sind Handlungen literarischer Figuren motiviert? Lassen sie sich psychologisch oder narratologisch erklären? Da die Figuren arthurischer Romane textübergreifend konstruiert werden, könnte man annehmen, ihre Handlungen folgten einem festen Muster, unabhängig von situativ dargestellten Emotionen. Gibt es also eine gattungsspezifische Handlungsmotivation? – Um diese Fragen kreisen die hier versammelten Beiträge. Sie demonstrieren, dass der europäische Artusroman keine einheitliche Behandlung von Emotionen als Handlungsmotivation kennt. Groß ist die Variationsbreite der sichtbaren Innerlichkeit der Figuren. Als gattungsspezifisch lässt sich aber eine Tendenz erkennen, das Verhältnis von Emotion und Handlung in den Texten selbst als ein Produkt narrativer Vermittlung aufzudecken: durch die Inszenierung von Selbstverlust oder des Widerstreits zwischen Vernunft und Emotion, durch ein offenes Spiel mit unterschiedlichen Graden der Informiertheit von Figuren, Erzähler und Rezipienten, durch die Integration des Vorwissens der Rezipienten oder durch die Referenz auf und den Verstoß gegen Codierungen von Emotionen, kulturelle und literarische Normen.

     
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    Source: Union catalogues
    Contributor: Dietl, Cora (Publisher); Schanze, Christoph (Publisher); Wolfzettel, Friedrich (Publisher); Zudrell, Lena (Publisher)
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783110536058; 9783110534948
    Other identifier:
    RVK Categories: EC 5410 ; EC 6535 ; GE 8573
    Series: Schriften der Internationalen Artusgesellschaft ; Band 13
    Subjects: Arthurian romance; Artusroman; characters; emotion; Emotion; Figur; Narratologie; narratology
    Scope: 1 Online-Ressource (XX, 295 Seiten), Illustrationen
  21. “Just the two of us, you and me.” ; Aesthetics and Economics of Intimacy in Contemporary American Fiction
    Author: Eggers, Fabian
    Published: 2023

    Joining the field of New Economic Criticism, this dissertation examines a strand of recent American fiction expressing a yearning for intimacy while simultaneously reflecting on the various material circumstances that frustrate its satisfaction.... more

     

    Joining the field of New Economic Criticism, this dissertation examines a strand of recent American fiction expressing a yearning for intimacy while simultaneously reflecting on the various material circumstances that frustrate its satisfaction. Through what this study calls the “aesthetics and economics of intimacy,” a range of contemporary authors distinguish themselves from postmodernism’s playful detachment from the world by deliberating questions of subjectivity, interiority and the difficulty of interpersonal reciprocity with renewed urgency. The selection of David Foster Wallace’s The Pale King, Jennifer Egan’s A Visit From the Goon Squad, Tao Lin’s Taipei and Barbara Browning’s The Gift is cautiously optimistic about intersubjectivity, it evinces an ethical commitment to earnest exchanges within, and via its readers, through literature. As self-aware fiction ‘after postmodernism,’ these texts negotiate irony (distance) and sincerity (intimacy). They seek to form genuine relations in a post-Fordist society that mandates disintegration and connectivity at once and thus illuminate the contradiction of concealment and disclosure at the heart of reflexive intimacy that, unlike its forerunner romance, demands perpetual attention. By shedding light on how material relations can exacerbate such dilemmas, the examined primary literature brings attention to intimacy’s frequently overlooked economic context. This study employs the analytical tools of New Economic Criticism to contextualize the cultural turn to intimacy—epitomized in literary studies by postcritique—as both symptomatic of reflexive modernization (Beck) and a reaction against economic challenges for literature and literary studies. Given the tangible affinity between the concerned texts’ explicit communicative impetus and sociological discourses on a contemporary capitalistic rhetoric of care, this dissertation analyzes the re-emergence of sincerity both against the backdrop of post-Fordism’s communicative emphasis and intimacy’s discursive history. ...

     
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    Source: BASE Selection for Comparative Literature
    Language: English
    Media type: Dissertation
    Format: Online
    DDC Categories: 800
    Subjects: intimacy; New Economic Criticism; New Sincerity; post-Fordism; emotion; postcritique; antimodernism
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  22. Trauer in der deutschen Nachkriegslyrik. Zur Emotionsgestaltung bei Günter Eich, Marie Luise Kaschnitz und Nelly Sachs
    Author: Fenner, Anna Magdalena; Winko, Simone; Detering, Heinrich
    Published: 2015

  23. Nomadic Places Cultures and Literatures in Movement ‘Hybrid-Performative-Diasporas’ in ‘Ibero-American-Maghrebian-Moroccan’ Literature and Culture: the Case of Najat El Hachmi
    Author: Toro, Alfonso de
    Published: 2019
    Publisher:  Brill

    This article put the focus in a very new field of research, that of the Hispanic-Moroccan Literature and Culture, which is interpreted as a special, complex and highly interesting case for Nomadic Places of Cultures and Literatures in the frame of... more

     

    This article put the focus in a very new field of research, that of the Hispanic-Moroccan Literature and Culture, which is interpreted as a special, complex and highly interesting case for Nomadic Places of Cultures and Literatures in the frame of ‘Performative-Hybrid Diaspora’. In the first part offers the article an extensive bibliography of novels, essay and literary and cultural criticism; the second part is exposing the theory of ‘performative-hybrid Diaspora’; and in the last part focuses on some the works of El Hachmi. The article provides “foundational concepts” and introduces new concept of integration, identity and co-habitation, understood as new, ‘performative-hybrid diaspora’ and ‘performative-hybrid identities,’ based on ‘situational disposi-tive’ such as ‘situational imperatives.’ It describes and explains a practice of hospitality and belonging in which the concept ‘emotion’ is at the center of his socio-political endeavors, exemplified by a novel and an essay by the Catalan author, El Hachmi, who originates from Morocco. The analysis leads to the concept of ‘Hispano-Maghreb/Moroccan’ literature and culture, and following an introduction to the current primary research body and studies in this area, he introduces a set of criteria for the scholarly treatment of this new field of research. ; Dieser Artikel legt den Fokus auf ein sehr neues Forschungsgebiet, nämlich auf die der spanisch-marokkanischen-Literatur und Kultur, die als einen speziellen, komplexen und hochinteressanten Fall für nomadische Orte von Kulturen und Literaturen im Rahmen der ‚performativ-hybriden Diaspora‘ interpretiert wird. Im ersten Teil bietet der Artikel eine umfangreiche Bibliographie von Romanen, Essays und Literatur- und Kulturkritiken; im zweiten Teil wird die Theorie der ‚performativ-hybriden Diaspora‘ dargelegt; und im letzten Teil konzentriert sich der Artikel auf einige Werke von El Hachmi. Der Beitrag liefert ‚prinzipielle Konzepte‘ und führt ein neues Konzept von Integration, Identität und Zusammenleben ein, das ...

     
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