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  1. Sonic possible worlds
    hearing the continuum of sound
    Author: Voegelin, Salomé
    Published: 2014
    Publisher:  Bloomsbury, New York, NY [u.a.]

    Inspired by its use in literary theory, film criticism and the discourse of game design, Salom Voegelin adapts and develops "possible world theory" in relation to sound. David K Lewis' Possible World is juxtaposed with Maurice Merleau-Ponty's... more

    Location:
    Musikwissenschaftliches Institut, Abteilung Historische Musikwissenschaft, Systematische Musikwissenschaft, Musikethnologie,, Collgium musicum, Bibliothek
    Signature:
    430/Vm5350
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    Location:
    Universitätsbibliothek Paderborn
    Signature:
    KHP3914
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    Inspired by its use in literary theory, film criticism and the discourse of game design, Salom Voegelin adapts and develops "possible world theory" in relation to sound. David K Lewis' Possible World is juxtaposed with Maurice Merleau-Ponty's life-world, to produce a meeting of the semantic and the phenomenological at the place of listening. The central tenet of Sonic Possible Worlds is that at present traditional musical compositions and contemporary sonic outputs are approached and investigated through separate and distinct critical languages and histories. As a consequence, no continuous and comparative study of the field is possible. In Sonic Possible Worlds, Voegelin proposes a new analytical framework that can access and investigate works across genres and times, enabling a comparative engagement where composers such as Henry Purcell and Nadia Boulanger encounter sound art works by Shilpa Gupta and Christina Kubisch and where the soundscape compositions of Chris Watson and Francisco L pez resound in the visual worlds of Louise Bourgeois.

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781623565091; 9781623567040
    RVK Categories: AP 14900
    Subjects: Music; Sound (Philosophy); Sound in art; Experimentelle Musik; Klangkunst; Philosophie; Ästhetik; Klang
    Scope: 207 S.
  2. Wireless imagination
    sound, radio, and the avant-garde
    Published: 1992
    Publisher:  MIT Press, Cambridge, Mass. u.a.

    Wireless Imagination directly addresses what is perhaps the most conspicuous silence in contemporary theory and art criticism, the silence that surrounds the polyphonous histories of audio and radio art By gathering both original essays and several... more

    Location:
    Universitätsbibliothek Eichstätt-Ingolstadt
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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    Deutsches Museum, Bibliothek
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    Hochschule für Fernsehen und Film, Bibliothek
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    Universitätsbibliothek der LMU München
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    Wireless Imagination directly addresses what is perhaps the most conspicuous silence in contemporary theory and art criticism, the silence that surrounds the polyphonous histories of audio and radio art By gathering both original essays and several newly translated documents into a single volume, editors Douglas Kahn and Gregory Whitehead provide a close audition to some of the most telling and soundful moments in the "deaf century," including the fantastic acoustic scenarios projected through the writings of Raymond Roussel, the "gap music" of Marcel Duchamp, the varied sonic activities of the early Russian avant-garde and of French Surrealism, the language labyrinths constructed by the producers of New German Horspiel, and the cut-up ventriloquism of William S. Burroughs. Approaches in the essays vary from detailed historical reconstructions to more speculative theory, providing a rich chorus of challenges to the culturally entrenched "regime of the visual." Supporting documents include F. T. Marinetti's explosive manifesto on the aesthetics of Futurist radio and the full text of Antonin Artaud's blistering radio performance, To Have Done with the Judgment of God Although the editors stress in their preface that this book should not be read as a comprehensive Last Word but rather as an opening to future discourse, Wireless Imagination certainly offers compelling evidence that the numbing silence surrounding sound was made to be broken

     
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  3. Sound states
    innovative poetics and acoustical technologies
    Published: 1997
    Publisher:  Univ. of North Carolina Press, Chapel Hill u.a.

    Location:
    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0807823643; 0807846708
    Subjects: Geluid; Geluidskunst; Letterkunde; Verbale communicatie; Literatur; Arts, Modern; Postmodernism; Sound in art; Literatur; Auditive Medien
    Scope: 349 S., Ill. + 1 CD
  4. Sons & lumières
    une histoire du son dans l'art du XXe siècle ; ... publié à l'occasion de l'exposition présentée au Centre Pompidou, Galerie 1 du 22 septembre 2004 au 3 janvier 2005
    Published: 2004
    Publisher:  Éd. du Centre Pompidou, Paris

    Location:
    Bayerische Staatsgemäldesammlungen, Bibliothek
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    Städtische Galerie im Lenbachhaus und Kunstbau München, Bibliothek
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    Universitätsbibliothek Regensburg
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  5. Background noise
    perspectives on sound art
    Author: LaBelle, Brandon
    Published: 2006
    Publisher:  Continuum, New York [u.a.]

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
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    No loan of volumes, only paper copies will be sent

    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780826418449; 9780826418456; 0826418449; 0826418457
    RVK Categories: LH 65829
    Subjects: Sound in art; Site-specific art; Performance art; Arts, Modern; Performance <Künste>; Klangkunst; Ästhetik
    Scope: XVIII, 314 S., Ill.
    Notes:

    Hier auch später erschienene, unveränderte Nachdrucke
  6. Planètes sonores
    radiophonie, arts, cinéma
    Author: Castant, Alexandre
    Published: 2007
    Publisher:  Monografik Éd., Blou

    Location:
    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: French
    Media type: Book
    ISBN: 9782916545400
    Subjects: Philosophie; Radio broadcasting; Sound in art; Sound in motion pictures; Film; Kunst; Ton <Akustik, Motiv>
    Scope: 208 S., 21 cm
    Notes:

    Literaturverz. S. 199 - 203
  7. Wireless imagination
    sound, radio, and the avant-garde
    Published: 1992
    Publisher:  MIT Press, Cambridge, Mass. u.a.

    Wireless Imagination directly addresses what is perhaps the most conspicuous silence in contemporary theory and art criticism, the silence that surrounds the polyphonous histories of audio and radio art By gathering both original essays and several... more

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    Archiv der Akademie der Künste, Bibliothek
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    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Wireless Imagination directly addresses what is perhaps the most conspicuous silence in contemporary theory and art criticism, the silence that surrounds the polyphonous histories of audio and radio art By gathering both original essays and several newly translated documents into a single volume, editors Douglas Kahn and Gregory Whitehead provide a close audition to some of the most telling and soundful moments in the "deaf century," including the fantastic acoustic scenarios projected through the writings of Raymond Roussel, the "gap music" of Marcel Duchamp, the varied sonic activities of the early Russian avant-garde and of French Surrealism, the language labyrinths constructed by the producers of New German Horspiel, and the cut-up ventriloquism of William S. Burroughs. Approaches in the essays vary from detailed historical reconstructions to more speculative theory, providing a rich chorus of challenges to the culturally entrenched "regime of the visual." Supporting documents include F. T. Marinetti's explosive manifesto on the aesthetics of Futurist radio and the full text of Antonin Artaud's blistering radio performance, To Have Done with the Judgment of God Although the editors stress in their preface that this book should not be read as a comprehensive Last Word but rather as an opening to future discourse, Wireless Imagination certainly offers compelling evidence that the numbing silence surrounding sound was made to be broken

     
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  8. Images, improvisations, sound, and silence from 1000 to 1800 - degree zero
    Contributor: Hellemans, Babette (Publisher); Nelson, Alissa Jones (Publisher)
    Published: 2020
    Publisher:  Amsterdam University Press, Amsterdam

    The act of drawing a line or uttering a word is often seen as integral to the process of making art. This is especially obvious in music and the visual arts, but applies to literature, performance, and other arts as well. These collected essays,... more

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    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    The act of drawing a line or uttering a word is often seen as integral to the process of making art. This is especially obvious in music and the visual arts, but applies to literature, performance, and other arts as well. These collected essays, written by scholars from diverse fields, take a historical view of the richness of creation out of nothing (creatio ex nihilo) in order to draw out debates, sometimes implicit and sometimes formally stated, about the production and reproduction of cultural meaning in a period of great change and novelty, between the beginnings of the medieval intellectual tradition and the imprint of the Enlightenment. The authors pose the following questions: Do tradition and creativity conflict with one another, or are they complementary? What are the tensions between composition and live performance? What is the role of the audience in perceiving the object of art? Are such objects fixed or flexible? What about the status of the event? Is the event part of creation, in the sense that it disturbs the still waters of historical continuity? These and other questions build on the foundation of Roland Barthes' concept of Degree Zero, offering new insights into what it means to create

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Hellemans, Babette (Publisher); Nelson, Alissa Jones (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789048529186
    Other identifier:
    Series: Knowledge communities (Amsterdam, Netherlands)
    6
    Subjects: Arts / Philosophy; Arts, Medieval; Arts, Modern; Sound in art; Sound in literature; Silence in literature; Ästhetik; Künste; Schaffensprozess; Kreativität
    Scope: 1 Online-Ressource (251 Seiten)
    Notes:

    Title from publisher's bibliographic system (viewed on 14 Dec 2020)

    Ouverture : degree zero between past and future / Babette Hellemans -- Images. The two bodies of the Virgin : on the festival of Cirio de Nazaré / Jean-Claude Schmitt -- The three ages of man and the materialization of an allegory : inquiries on an object at the threshold of modernity / Andrea von Hülsen-Esch -- Lapsus figurae : remarks on iconographic error / Pierre-Olivier Dittmar -- Improvisations. Drawing a line and questioning art / Nicola Suthor -- Fall and rise again / Irit Ruth Kleiman -- Improvisations as a chief pillar of the poetic art in Persian literary tradition / Asghar Seyed-Gohrab -- Sound. Intending the listener / Rokus de Groot -- The sovereign ear : Handel's Water music and aural historiography / Sander van Maas -- Where sound and meaning part : language and performance in early Hebrew poetry / Irene Zwiep -- Silence. Writing about silence and the secret in the twelfth century : monastic variations on a Biblical theme / Cédric Giraud -- An arrangement of silence : shaping monastic identity in Anselm of Canterbury's letter collections / Theo B. Lap -- Dimidia hora : liminal silence in Bernard of Clairvaux, Anselm of Canterbury, and Barack Obama / Burcht Pranger
  9. Sonic modernity
    representing sound in literature, culture and the arts
    Author: Halliday, Sam
    Published: 2013
    Publisher:  Edinburgh Univ. Press, Edinburgh

    Location:
    Universitäts- und Landesbibliothek Bonn
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    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
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    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
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    Universitätsbibliothek Paderborn
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780748627615
    Series: Edinburgh critical studies in modernist culture
    Subjects: Sound--Social aspects; Sound in literature; Sound in motion pictures; Sound in art; Modernism (Literature); Modernism (Art)
    Scope: IX, 206 S. : Ill., 24 cm
  10. Sonic possible worlds
    hearing the continuum of sound
    Author: Voegelin, Salomé
    Published: 2014
    Publisher:  Bloomsbury Academic, New York, NY ; London ; New Delhi ; Sydney

    Inspired by its use in literary theory, film criticism and the discourse of game design, Salom Voegelin adapts and develops "possible world theory" in relation to sound. David K Lewis' Possible World is juxtaposed with Maurice Merleau-Ponty's... more

    Location:
    Universitätsbibliothek Bayreuth
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    Unlimited inter-library loan, copies and loan

    Location:
    Bayerische Staatsbibliothek
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    Inspired by its use in literary theory, film criticism and the discourse of game design, Salom Voegelin adapts and develops "possible world theory" in relation to sound. David K Lewis' Possible World is juxtaposed with Maurice Merleau-Ponty's life-world, to produce a meeting of the semantic and the phenomenological at the place of listening. The central tenet of Sonic Possible Worlds is that at present traditional musical compositions and contemporary sonic outputs are approached and investigated through separate and distinct critical languages and histories. As a consequence, no continuous and comparative study of the field is possible. In Sonic Possible Worlds, Voegelin proposes a new analytical framework that can access and investigate works across genres and times, enabling a comparative engagement where composers such as Henry Purcell and Nadia Boulanger encounter sound art works by Shilpa Gupta and Christina Kubisch and where the soundscape compositions of Chris Watson and Francisco L pez resound in the visual worlds of Louise Bourgeois.

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781623565091; 9781623567040; 9781623566951; 9781623568009; 162356509X; 1623567041
    RVK Categories: AP 14900
    Edition: 1. publ.
    Subjects: Musik; Music; Sound (Philosophy); Sound in art; Philosophie; Klangkunst; Klang; Experimentelle Musik; Ästhetik
    Scope: VI, 207 S., 24 cm
    Notes:

    Literaturverz. S. 191 - 194. - Werkverz. S. 195 - 196

    The landscape as sonic possible world -- Into the world of the work : the possibility of sound art -- Sonic materialism : the sound of stones -- Hearing the continuum of sound -- Listening to the inaudible : the sound of unicorns
  11. Background noise
    perspectives on sound art
    Author: LaBelle, Brandon
    Published: 2013
    Publisher:  Bloomsbury, New York [u.a.]

    Location:
    Universitätsbibliothek Bayreuth
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780826418449; 9780826418456; 0826418449; 0826418457
    RVK Categories: LH 65829
    Edition: Reprinted
    Subjects: Sound in art; Site-specific art; Performance art; Arts, Modern; Klangkunst; Ästhetik; Performance <Künste>
    Scope: XVIII, 314 S., Ill.
  12. Background noise
    perspectives on sound art
    Author: LaBelle, Brandon
    Published: 2008
    Publisher:  Continuum International, New York [u.a.]

    Location:
    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0826418449; 0826418457
    RVK Categories: LH 65829 ; LR 56820
    Subjects: Geräusch - Geräuschkulisse; Raum - Kunst - Sound; Sound in art; Site-specific art; Performance art; Arts, Modern; Ästhetik; Performance <Künste>; Klangkunst
    Scope: XVIII, 316 S.
    Notes:

    Includes bibliographical references and index
  13. After sound
    toward a critical music
    Author: Barrett, G. Douglas
    Published: 2016
    Publisher:  Bloomsbury Academic, New York ; London ; Oxford ; New Dehli ; Sydney

    "After Sound examines contemporary art practices that reconceive music beyond the limitation of sound. Coining the term "critical music," it examines a diverse collection of art projects which intervene into specific political and philosophical... more

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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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    "After Sound examines contemporary art practices that reconceive music beyond the limitation of sound. Coining the term "critical music," it examines a diverse collection of art projects which intervene into specific political and philosophical conflicts by exploring music's unique historical forms"...

     
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  14. Sonic Modernity
    Representing Sound in Literature, Culture and the Arts
    Author: Halliday, Sam
    Published: 2013
    Publisher:  Edinburgh University Press, Edinburgh

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780748632565; 0748632565; 9780748627615; 0748627618; 9781299483842; 1299483844
    Series: Edinburgh critical studies in modernist culture
    Subjects: Modernism (Literature); Sound / Social aspects; Sound in art; Sound in literature; POLITICAL SCIENCE / Public Policy / Cultural Policy; SOCIAL SCIENCE / Anthropology / Cultural; SOCIAL SCIENCE / Popular Culture; LITERARY CRITICISM / General; Gesellschaft; Sound; Sound in literature; Sound in motion pictures; Sound in art; Modernism (Literature); Modernism (Art); Musikwahrnehmung; Literatur; Film; Moderne; Klang <Motiv>; Kunst; Klang
    Scope: 217 p.
    Notes:

    Description based upon print version of record

    Drawing on a wealth of texts and thinkers, the book shows the distinctive nature of sonic cultures in modernity. Arguing that these cultures are not reducible to sound alone, the book further shows that these encompass representations of sound in 'other' media: especially literature; but also, cinema and painting. Figures discussed include canonical writers such as Joyce, Richardson, and Woolf; relatively neglected writers such as Henry Roth and Bryher; and a whole host of musicians, artists, and other commentators, including Wagner, Schoenberg, Kandinsky, Adorno, and Benjamin. Conceptually as

    Includes bibliographical references and index
  15. Sonic modernity
    representing sound in literature, culture and the arts
    Author: Halliday, Sam
    Published: 2013
    Publisher:  Edinburgh University Press, Edinburgh

    Drawing on a wealth of texts and thinkers, the book shows the distinctive nature of sonic cultures in modernity. Arguing that these cultures are not reducible to sound alone, the book further shows that these encompass representations of sound in... more

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Drawing on a wealth of texts and thinkers, the book shows the distinctive nature of sonic cultures in modernity. Arguing that these cultures are not reducible to sound alone, the book further shows that these encompass representations of sound in 'other' media: especially literature; but also, cinema and painting. Figures discussed include canonical writers such as Joyce, Richardson, and Woolf; relatively neglected writers such as Henry Roth and Bryher; and a whole host of musicians, artists, and other commentators, including Wagner, Schoenberg, Kandinsky, Adorno, and Benjamin. Conceptually as well as topically diverse, the book engages issues such as city noise and 'foreign' accents, representations of sound in 'silent' cinema, the relationship of music to language, and the effects of technology on sonic production and reception

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780748632565
    RVK Categories: AP 14900 ; EC 2440
    Subjects: Gesellschaft; Sound in mass media; Sound / Social aspects; Sound in literature; Sound in motion pictures; Sound in art; Kunst; Film; Literatur; Musikwahrnehmung; Klang <Motiv>; Klang; Moderne
    Scope: 1 online resource (ix, 206 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Introduction : the sonic cultures of modernity -- Theorising sound and hearing -- Sound and social life -- Seeing sound -- Modernising music -- The art of listening
  16. Sonic modernity
    representing sound in literature, culture and the arts
    Author: Halliday, Sam
    Published: 2013
    Publisher:  Edinburgh University Press, Edinburgh

    Drawing on a wealth of texts and thinkers, the book shows the distinctive nature of sonic cultures in modernity. Arguing that these cultures are not reducible to sound alone, the book further shows that these encompass representations of sound in... more

    Location:
    Universitätsbibliothek Bamberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Bayerische Staatsbibliothek
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    Unlimited inter-library loan, copies and loan

     

    Drawing on a wealth of texts and thinkers, the book shows the distinctive nature of sonic cultures in modernity. Arguing that these cultures are not reducible to sound alone, the book further shows that these encompass representations of sound in 'other' media: especially literature; but also, cinema and painting. Figures discussed include canonical writers such as Joyce, Richardson, and Woolf; relatively neglected writers such as Henry Roth and Bryher; and a whole host of musicians, artists, and other commentators, including Wagner, Schoenberg, Kandinsky, Adorno, and Benjamin. Conceptually as well as topically diverse, the book engages issues such as city noise and 'foreign' accents, representations of sound in 'silent' cinema, the relationship of music to language, and the effects of technology on sonic production and reception

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780748632565
    RVK Categories: AP 14900 ; EC 2440
    Subjects: Gesellschaft; Sound in mass media; Sound / Social aspects; Sound in literature; Sound in motion pictures; Sound in art; Kunst; Musikwahrnehmung; Literatur; Film; Klang <Motiv>; Moderne; Klang
    Scope: 1 online resource (ix, 206 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Introduction : the sonic cultures of modernity -- Theorising sound and hearing -- Sound and social life -- Seeing sound -- Modernising music -- The art of listening
  17. Images, improvisations, sound, and silence from 1000 to 1800
    Degree Zero
    Contributor: Hellemans, Babette (Publisher); Nelson, Alissa Jones (Publisher)
    Published: [2018]; © 2018
    Publisher:  Amsterdam University Press, Amsterdam

    The act of drawing a line or uttering a word is often seen as integral to the process of making art. This is especially obvious in music and the visual arts, but applies to literature, performance, and other arts as well. These collected essays,... more

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Unlimited inter-library loan, copies and loan

    Location:
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Technische Hochschule Augsburg
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    Universitätsbibliothek Bamberg
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    Hochschule Coburg, Zentralbibliothek
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    Hochschule Kempten, Hochschulbibliothek
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Technische Universität München, Universitätsbibliothek
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    Universitätsbibliothek Passau
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    The act of drawing a line or uttering a word is often seen as integral to the process of making art. This is especially obvious in music and the visual arts, but applies to literature, performance, and other arts as well. These collected essays, written by scholars from diverse fields, take a historical view of the richness of creation out of nothing (creatio ex nihilo) in order to draw out debates, sometimes implicit and sometimes formally stated, about the production and reproduction of cultural meaning in a period of great change and novelty, between the beginnings of the medieval intellectual tradition and the imprint of the Enlightenment. The authors pose the following questions: Do tradition and creativity conflict with one another, or are they complementary? What are the tensions between composition and live performance? What is the role of the audience in perceiving the object of art? Are such objects fixed or flexible? What about the status of the event? Is the event part of creation, in the sense that it disturbs the still waters of historical continuity? These and other questions build on the foundation of Roland Barthes' concept of Degree Zero, offering new insights into what it means to create

     
    Export to reference management software   RIS file
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Hellemans, Babette (Publisher); Nelson, Alissa Jones (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789048529186
    Other identifier:
    Series: Knowledge communities ; 6
    Subjects: Arts, Medieval; Arts, Modern; Sound in art; Sound in literature; Kreativität; Künste; Schaffensprozess; Ästhetik
    Scope: 1 Online-Ressource (251 Seiten), Illustrationen
  18. Sound Art and Music
    Philosophy, Composition, Performance
    Author: Dack, John
    Published: 2020; ©2020
    Publisher:  Cambridge Scholars Publishing, Newcastle-upon-Tyne

    This volume explores the mutually beneficial, but occasionally uneasy, relationship between sound art and music. It reveals how practices and theories associated with these art forms frequently result in corroboration, and contains chapters from both... more

    Location:
    Bayerische Staatsbibliothek
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    Unlimited inter-library loan, copies and loan

     

    This volume explores the mutually beneficial, but occasionally uneasy, relationship between sound art and music. It reveals how practices and theories associated with these art forms frequently result in corroboration, and contains chapters from both practitioners and theoreticians who work in areas where innovative synergies between sound art and music can be identified. Although practice and theory are inseparable, discourses surrounding practice are elusive but informative, and, as such, are given particular recognition and exploration in this volume. Taken as a whole, the book provides a snapshot of contemporary research across a range of sound art and music disciplines, showcasing the variety, scope and scale of this exciting, if bewildering, area of study

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781527562042
    RVK Categories: LR 56660
    Edition: 1st ed
    Subjects: Art and music; Music-Philosophy and aesthetics; Sound in art; Ästhetik; Musik; Performance <Künste>; Klangkunst
    Other subjects: Electronic books
    Scope: 1 Online-Ressource (235 Seiten)
    Notes:

    Intro -- Table of Contents -- List of Figures, Tables and Examples -- Foreword -- Chapter One -- Chapter Two -- Chapter Three -- Chapter Four -- Chapter Five -- Colour Centrefold -- Chapter Six -- Chapter Seven -- Chapter Eight -- Chapter Nine -- Chapter Ten -- Chapter Eleven -- Chapter Twelve -- Contributors -- Index
  19. Sonic possible worlds
    hearing the continuum of sound
    Author: Voegelin, Salomé
    Published: 2014
    Publisher:  Bloomsbury Academic, New York ; London ; New Delhi ; Sydney

    Inspired by its use in literary theory, film criticism and the discourse of game design, Salom Voegelin adapts and develops "possible world theory" in relation to sound. David K Lewis' Possible World is juxtaposed with Maurice Merleau-Ponty's... more

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Inspired by its use in literary theory, film criticism and the discourse of game design, Salom Voegelin adapts and develops "possible world theory" in relation to sound. David K Lewis' Possible World is juxtaposed with Maurice Merleau-Ponty's life-world, to produce a meeting of the semantic and the phenomenological at the place of listening. The central tenet of Sonic Possible Worlds is that at present traditional musical compositions and contemporary sonic outputs are approached and investigated through separate and distinct critical languages and histories. As a consequence, no continuous and comparative study of the field is possible. In Sonic Possible Worlds, Voegelin proposes a new analytical framework that can access and investigate works across genres and times, enabling a comparative engagement where composers such as Henry Purcell and Nadia Boulanger encounter sound art works by Shilpa Gupta and Christina Kubisch and where the soundscape compositions of Chris Watson and Francisco L pez resound in the visual worlds of Louise Bourgeois.

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781623566951; 1623566959; 9781623565091; 162356509X; 9781623567040; 1623567041
    RVK Categories: AP 14900
    Subjects: MUSIC / Instruction & Study / Theory; Music / Philosophy and aesthetics; Sound in art; Sound (Philosophy); Musik; Music; Sound (Philosophy); Sound in art; Ästhetik; Klang; Klangkunst; Philosophie; Experimentelle Musik
    Scope: 1 online resource (VI, 207 S.)
    Notes:

    Description based on print version record

    The landscape as sonic possible world -- Into the world of the work : the possibility of sound art -- Sonic materialism : the sound of stones -- Hearing the continuum of sound -- Listening to the inaudible : the sound of unicorns
  20. Sonic possible worlds
    hearing the continuum of sound
    Author: Voegelin, Salomé
    Published: 2014
    Publisher:  Bloomsbury, New York, NY [u.a.]

    Inspired by its use in literary theory, film criticism and the discourse of game design, Salom Voegelin adapts and develops "possible world theory" in relation to sound. David K Lewis' Possible World is juxtaposed with Maurice Merleau-Ponty's... more

    Location:
    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Paderborn
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Inspired by its use in literary theory, film criticism and the discourse of game design, Salom Voegelin adapts and develops "possible world theory" in relation to sound. David K Lewis' Possible World is juxtaposed with Maurice Merleau-Ponty's life-world, to produce a meeting of the semantic and the phenomenological at the place of listening. The central tenet of Sonic Possible Worlds is that at present traditional musical compositions and contemporary sonic outputs are approached and investigated through separate and distinct critical languages and histories. As a consequence, no continuous and comparative study of the field is possible. In Sonic Possible Worlds, Voegelin proposes a new analytical framework that can access and investigate works across genres and times, enabling a comparative engagement where composers such as Henry Purcell and Nadia Boulanger encounter sound art works by Shilpa Gupta and Christina Kubisch and where the soundscape compositions of Chris Watson and Francisco L pez resound in the visual worlds of Louise Bourgeois

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781623565091; 9781623567040
    RVK Categories: AP 14900
    Subjects: Music; Sound (Philosophy); Sound in art
    Scope: 207 S.
  21. Earth Sound, Earth Signal
    Energies and Earth Magnitude in the Arts
    Author: Kahn, Douglas
    Published: 2013
    Publisher:  University of California Press, Berkeley

    Earth Sound Earth Signal is a study of energies in aesthetics and the arts, from the birth of modern communications in the nineteenth century to the global transmissions of the present day. Grounded in the Aeolian sphere music that Henry David... more

    Location:
    Universitätsbibliothek Freiburg
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    No inter-library loan

    Location:
    Kompetenzzentrum für Lizenzierung
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    Inter-library loan:
    No loan of volumes, only paper copies will be sent

     

    Earth Sound Earth Signal is a study of energies in aesthetics and the arts, from the birth of modern communications in the nineteenth century to the global transmissions of the present day. Grounded in the Aeolian sphere music that Henry David Thoreau heard blowing in telegraph lines and in the Aelectrosonic sounds of natural radio that Thomas Watson heard in telephone lines, the book moves through the histories of science, media, music, and the arts to the 1960s, when the composer Alvin Lucier worked with the ""natural electromagnetic sounds"" present from ""brainwaves to outer Cover; Title Page; Copyright Page; Table of Contents; List of Illustrations; Acknowledgments; Introduction; 1. Thomas Watson: Natural Radio, Natural Theology; 2. Microphonic Imagination; 3. The Aeolian and Henry David Thoreau's Sphere Music; 4. The Aelectrosonic and Energetic Environments; 5. Inductive Radio and Whistling Currents; 6. Alvin Lucier: Brainwaves; 7. Edmond Dewan and Cybernetic Hi-Fi; 8. Alvin Lucier: Whistlers; 9. From Brainwaves to Outer Space: John Cage and Karl Jansky; 10. For More New Signals; 11. Sound of the Underground: Earthquakes, Nuclear Weaponry, and Music

     
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  22. Sonic modernity
    representing sound in literature, culture and the arts
    Author: Halliday, Sam
    Published: [2013]
    Publisher:  Edinburgh University Press, Edinburgh

    Drawing on a wealth of texts and thinkers, the book shows the distinctive nature of sonic cultures in modernity. Arguing that these cultures are not reducible to sound alone, the book further shows that these encompass representations of sound in... more

    Location:
    Universitäts- und Landesbibliothek Bonn
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    No inter-library loan

     

    Drawing on a wealth of texts and thinkers, the book shows the distinctive nature of sonic cultures in modernity. Arguing that these cultures are not reducible to sound alone, the book further shows that these encompass representations of sound in 'other' media: especially literature; but also, cinema and painting. Figures discussed include canonical writers such as Joyce, Richardson, and Woolf; relatively neglected writers such as Henry Roth and Bryher; and a whole host of musicians, artists, and other commentators, including Wagner, Schoenberg, Kandinsky, Adorno, and Benjamin. Conceptually as well as topically diverse, the book engages issues such as city noise and 'foreign' accents, representations of sound in 'silent' cinema, the relationship of music to language, and the effects of technology on sonic production and reception Introduction : the sonic cultures of modernity -- Theorising sound and hearing -- Sound and social life -- Seeing sound -- Modernising music -- The art of listening

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780748632565; 9780748678525; 9780748678532
    RVK Categories: AP 14900 ; AP 14900
    Subjects: Sound / Social aspects; Sound in literature; Sound in motion pictures; Sound in art; Sound in mass media; Sound ; Social aspects
    Scope: 1 Online-Ressource (ix, 206 Seiten)
  23. Background noise
    perspectives on sound art
    Author: LaBelle, Brandon
    Published: 2010
    Publisher:  Continuum, New York [u.a.]

    Location:
    Universität der Künste Berlin, Universitätsbibliothek
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    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780826418456; 9780826418449; 0826418449; 0826418457
    RVK Categories: LH 65829
    Edition: [Nachdr.]
    Subjects: Sound in art; Site-specific art; Performance art; Arts, Modern; Klangkunst; Performance <Künste>; Ästhetik
    Scope: XVIII, 314 S., Ill.
  24. Background noise
    perspectives on sound art
    Author: LaBelle, Brandon
    Published: 2015
    Publisher:  Bloomsbury, New York [u.a.]

    "Follows the development of sound as an artistic medium and illustrates how sound is put to use within modes of composition, installation, and performance".. more

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Unlimited inter-library loan, copies and loan

    Location:
    Universität der Künste Berlin, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "Follows the development of sound as an artistic medium and illustrates how sound is put to use within modes of composition, installation, and performance"..

     
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    Content information
  25. Sonic possible worlds
    hearing the continuum of sound
    Author: Voegelin, Salomé
    Published: 2014
    Publisher:  Bloomsbury Academic, New York, NY ; London ; New Delhi ; Sydney

    Inspired by its use in literary theory, film criticism and the discourse of game design, Salom Voegelin adapts and develops "possible world theory" in relation to sound. David K Lewis' Possible World is juxtaposed with Maurice Merleau-Ponty's... more

    Location:
    Universität der Künste Berlin, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Inspired by its use in literary theory, film criticism and the discourse of game design, Salom Voegelin adapts and develops "possible world theory" in relation to sound. David K Lewis' Possible World is juxtaposed with Maurice Merleau-Ponty's life-world, to produce a meeting of the semantic and the phenomenological at the place of listening. The central tenet of Sonic Possible Worlds is that at present traditional musical compositions and contemporary sonic outputs are approached and investigated through separate and distinct critical languages and histories. As a consequence, no continuous and comparative study of the field is possible. In Sonic Possible Worlds, Voegelin proposes a new analytical framework that can access and investigate works across genres and times, enabling a comparative engagement where composers such as Henry Purcell and Nadia Boulanger encounter sound art works by Shilpa Gupta and Christina Kubisch and where the soundscape compositions of Chris Watson and Francisco L pez resound in the visual worlds of Louise Bourgeois.

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781623565091; 9781623567040; 9781623566951; 9781623568009; 162356509X; 1623567041
    RVK Categories: AP 14900
    Edition: 1. publ.
    Subjects: Musik; Music; Sound (Philosophy); Sound in art; Philosophie; Klangkunst; Klang; Experimentelle Musik; Ästhetik
    Scope: VI, 207 S., 24 cm
    Notes:

    Literaturverz. S. 191 - 194. - Werkverz. S. 195 - 196

    The landscape as sonic possible world -- Into the world of the work : the possibility of sound art -- Sonic materialism : the sound of stones -- Hearing the continuum of sound -- Listening to the inaudible : the sound of unicorns