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  1. Animal skins and the reading self in medieval Latin and French bestiaries
    Author: Kay, Sarah
    Published: [2017]; © 2017
    Publisher:  The University of Chicago Press, Chicago

    Introduction: skin, suture, and caesura -- Book, word, page -- Garments of skin -- Orifices and the library -- Cutting the skin: sacrifice, sovereignty, and the space of exception -- The riddle of recognition -- Skin, the inner senses, and the soul... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 997986
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    AM 53600 T564 K23
    No inter-library loan
    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
    19-12874
    Unlimited inter-library loan, copies and loan
    Herzog August Bibliothek Wolfenbüttel
    67.2455
    Unlimited inter-library loan, copies and loan

     

    Introduction: skin, suture, and caesura -- Book, word, page -- Garments of skin -- Orifices and the library -- Cutting the skin: sacrifice, sovereignty, and the space of exception -- The riddle of recognition -- Skin, the inner senses, and the soul as "inner life" -- Conclusion: reading bestiaries

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780226436739
    RVK Categories: AM 49000 ; EC 5127 ; EC 7465 ; IB 1061 ; IB 4950 ; IB 5000 ; IB 6950 ; IE 8401
    Subjects: Bestiaries; Manuscripts, Medieval; Parchment; Illumination of books and manuscripts, Medieval; Books and reading; Animals in literature; Animals, Mythical, in literature; Animals in art; Animals, Mythical, in art; Human-animal relationships
    Scope: xv, 203 Seiten, 24 ungezählte Seiten Tafeln, Illustrationen
    Notes:

    Includes bibliographical references and index

  2. On parchment
    animals, archives, and the making of culture from Herodotus to the digital age
    Published: 2023
    Publisher:  Yale University Press, New Haven

    A sweeping exploration of the shaping role of animal skins in written culture and human imagination over three millennia "Richly detailed and illustrated. . . . An engaging exploration of book history."-Kirkus Reviews For centuries, premodern... more

    Universitätsbibliothek Wuppertal
    Unlimited inter-library loan, copies and loan

     

    A sweeping exploration of the shaping role of animal skins in written culture and human imagination over three millennia "Richly detailed and illustrated. . . . An engaging exploration of book history."-Kirkus Reviews For centuries, premodern societies recorded and preserved much of their written cultures on parchment: the rendered skins of sheep, cows, goats, camels, deer, gazelles, and other creatures. These remains make up a significant portion of the era's surviving historical record. In a study spanning three millennia and twenty languages, Bruce Holsinger explores this animal archive as it shaped the inheritance of the Euro-Mediterranean world, from the leather rolls of ancient Egypt to the Acts of Parliament in the United Kingdom. Holsinger discusses the making of parchment past and present, the nature of the medium as a biomolecular record of faunal life and environmental history, the knotty question of "uterine vellum," and the imaginative role of parchment in the works of St. Augustine, William Shakespeare, and a range of Jewish rabbinic writers of the medieval era. Closely informed by the handicraft of contemporary makers, painters, and sculptors, the book draws on a vast array of sources-codices and scrolls, documents and ephemera, works of craft and art-that speak to the vitality of parchment across epochs and continents. At the center of On Parchment is the vexed relationship of human beings to the myriad slaughtered beasts whose remains make up this vast record: a relationship of dominion and compassion, of brutality and empathy

     

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  3. Animal skins and the reading self in medieval Latin and French bestiaries
    Author: Kay, Sarah
    Published: 2017
    Publisher:  The University of Chicago Press, Chicago ; Oxford University Press, Oxford

    This work explores the relations between humans and other animals as they appear to a reader of medieval bestiaries, given that almost all of them are realized as parchment books and that parchment, although made from animal skin, looks much like... more

    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    No inter-library loan

     

    This work explores the relations between humans and other animals as they appear to a reader of medieval bestiaries, given that almost all of them are realized as parchment books and that parchment, although made from animal skin, looks much like human skin.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780226436876
    Other identifier:
    DDC Categories: 800
    Subjects: Bestiaries; Manuscripts, Medieval; Parchment; Illumination of books and manuscripts, Medieval; Books and reading; Animals in literature; Animals, Mythical, in literature; Animals in art; Animals, Mythical, in art; Human-animal relationships
    Scope: 1 Online-Ressource, Illustrations (black and white, and colour)
    Notes:

    Previously issued in print: 2017

    Includes bibliographical references and index

  4. Animal skins and the reading self in medieval Latin and French bestiaries
    Author: Kay, Sarah
    Published: [2017]; © 2017
    Publisher:  The University of Chicago Press, Chicago ; London

    Universitätsbibliothek Bamberg
    Unlimited inter-library loan, copies and loan
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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  5. Animal skins and the reading self in medieval Latin and French bestiaries
    Author: Kay, Sarah
    Published: [2017]; © 2017
    Publisher:  The University of Chicago Press, Chicago ; London

    Freie Universität Berlin, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Unlimited inter-library loan, copies and loan
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan
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    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    ISBN: 9780226436739
    RVK Categories: AM 49000 ; EC 5127 ; EC 7465 ; FU 4750 ; IE 8401 ; LH 84540
    Subjects: Geschichte; Bestiaries; Manuscripts, Medieval; Parchment; Illumination of books and manuscripts, Medieval; Books and reading; Animals in literature; Animals, Mythical, in literature; Animals in art; Animals, Mythical, in art; Human-animal relationships; Mensch; Mittelalter; Mythos; Tiere; Bestiarium
    Scope: xv, 203 Seiten, 24 ungezählte Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index

  6. Animal skins and the reading self in medieval Latin and French bestiaries
    Author: Kay, Sarah
    Published: 2017; © 2017
    Publisher:  The University of Chicago Press, Chicago

    Introduction: skin, suture, and caesura -- Book, word, page -- Garments of skin -- Orifices and the library -- Cutting the skin: sacrifice, sovereignty, and the space of exception -- The riddle of recognition -- Skin, the inner senses, and the soul... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 997986
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    AM 53600 T564 K23
    No inter-library loan
    Universität Freiburg, Seminar für Griechische und Lateinische Philologie, Abteilung für Lateinische Philologie des Mittelalters, Bibliothek
    Frei 137: H/KAY 1/1
    No loan of volumes, only paper copies will be sent
    Universitätsbibliothek Heidelberg
    2017 C 1964
    Unlimited inter-library loan, copies and loan
    Romanisches Seminar der Universität, Bibliothek
    RO/IB 5000 K23 A59
    No loan of volumes, only paper copies will be sent
    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
    19-12874
    Unlimited inter-library loan, copies and loan
    Germanisches Nationalmuseum, Bibliothek
    No loan of volumes, only paper copies will be sent
    Brechtbau-Bibliothek
    TG 050.098
    Unlimited inter-library loan, copies and loan
    Herzog August Bibliothek Wolfenbüttel
    67.2455
    Unlimited inter-library loan, copies and loan

     

    Introduction: skin, suture, and caesura -- Book, word, page -- Garments of skin -- Orifices and the library -- Cutting the skin: sacrifice, sovereignty, and the space of exception -- The riddle of recognition -- Skin, the inner senses, and the soul as "inner life" -- Conclusion: reading bestiaries

     

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    Content information
  7. On parchment
    animals, archives, and the making of culture from Herodotus to the digital age
    Published: 2023
    Publisher:  Yale University Press, New Haven

    A sweeping exploration of the shaping role of animal skins in written culture and human imagination over three millennia "Richly detailed and illustrated. . . . An engaging exploration of book history."-Kirkus Reviews For centuries, premodern... more

    Universitätsbibliothek Stuttgart
    No inter-library loan

     

    A sweeping exploration of the shaping role of animal skins in written culture and human imagination over three millennia "Richly detailed and illustrated. . . . An engaging exploration of book history."-Kirkus Reviews For centuries, premodern societies recorded and preserved much of their written cultures on parchment: the rendered skins of sheep, cows, goats, camels, deer, gazelles, and other creatures. These remains make up a significant portion of the era's surviving historical record. In a study spanning three millennia and twenty languages, Bruce Holsinger explores this animal archive as it shaped the inheritance of the Euro-Mediterranean world, from the leather rolls of ancient Egypt to the Acts of Parliament in the United Kingdom. Holsinger discusses the making of parchment past and present, the nature of the medium as a biomolecular record of faunal life and environmental history, the knotty question of "uterine vellum," and the imaginative role of parchment in the works of St. Augustine, William Shakespeare, and a range of Jewish rabbinic writers of the medieval era. Closely informed by the handicraft of contemporary makers, painters, and sculptors, the book draws on a vast array of sources-codices and scrolls, documents and ephemera, works of craft and art-that speak to the vitality of parchment across epochs and continents. At the center of On Parchment is the vexed relationship of human beings to the myriad slaughtered beasts whose remains make up this vast record: a relationship of dominion and compassion, of brutality and empathy

     

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    Content information
    Cover (lizenzpflichtig)
  8. On parchment
    animals, archives, and the making of culture from Herodotus to the digital age
    Published: [2022]; © 2022
    Publisher:  Yale University Press, New Haven

    A sweeping exploration of the shaping role of animal skins in written culture and human imagination over three millennia "Richly detailed and illustrated. . . . An engaging exploration of book history."-Kirkus Reviews For centuries, premodern... more

    Berlin-Brandenburgische Akademie der Wissenschaften, Akademiebibliothek
    No inter-library loan
    Max-Planck-Institut für Wissenschaftsgeschichte, Bibliothek
    002 H756o
    No inter-library loan
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    Forschungsbibliothek Gotha
    Unlimited inter-library loan, copies and loan
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    MK 0 8 Mate. Hol. 1
    No inter-library loan
    Universitätsbibliothek Heidelberg
    2023 C 1452
    Unlimited inter-library loan, copies and loan
    Germanisches Nationalmuseum, Bibliothek
    No loan of volumes, only paper copies will be sent
    Herzog August Bibliothek Wolfenbüttel
    73.1724
    Unlimited inter-library loan, copies and loan

     

    A sweeping exploration of the shaping role of animal skins in written culture and human imagination over three millennia "Richly detailed and illustrated. . . . An engaging exploration of book history."-Kirkus Reviews For centuries, premodern societies recorded and preserved much of their written cultures on parchment: the rendered skins of sheep, cows, goats, camels, deer, gazelles, and other creatures. These remains make up a significant portion of the era's surviving historical record. In a study spanning three millennia and twenty languages, Bruce Holsinger explores this animal archive as it shaped the inheritance of the Euro-Mediterranean world, from the leather rolls of ancient Egypt to the Acts of Parliament in the United Kingdom. Holsinger discusses the making of parchment past and present, the nature of the medium as a biomolecular record of faunal life and environmental history, the knotty question of "uterine vellum," and the imaginative role of parchment in the works of St. Augustine, William Shakespeare, and a range of Jewish rabbinic writers of the medieval era. Closely informed by the handicraft of contemporary makers, painters, and sculptors, the book draws on a vast array of sources-codices and scrolls, documents and ephemera, works of craft and art-that speak to the vitality of parchment across epochs and continents. At the center of On Parchment is the vexed relationship of human beings to the myriad slaughtered beasts whose remains make up this vast record: a relationship of dominion and compassion, of brutality and empathy

     

    Export to reference management software   RIS file
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    Content information
    Cover (lizenzpflichtig)
  9. On parchment
    animals, archives, and the making of culture from Herodotus to the digital age
    Published: [2022]; © 2022
    Publisher:  Yale University Press, New Haven

    A sweeping exploration of the shaping role of animal skins in written culture and human imagination over three millennia "Richly detailed and illustrated. . . . An engaging exploration of book history."-Kirkus Reviews For centuries, premodern... more

    Berlin-Brandenburgische Akademie der Wissenschaften, Akademiebibliothek
    Unlimited inter-library loan, copies and loan

     

    A sweeping exploration of the shaping role of animal skins in written culture and human imagination over three millennia "Richly detailed and illustrated. . . . An engaging exploration of book history."-Kirkus Reviews For centuries, premodern societies recorded and preserved much of their written cultures on parchment: the rendered skins of sheep, cows, goats, camels, deer, gazelles, and other creatures. These remains make up a significant portion of the era's surviving historical record. In a study spanning three millennia and twenty languages, Bruce Holsinger explores this animal archive as it shaped the inheritance of the Euro-Mediterranean world, from the leather rolls of ancient Egypt to the Acts of Parliament in the United Kingdom. Holsinger discusses the making of parchment past and present, the nature of the medium as a biomolecular record of faunal life and environmental history, the knotty question of "uterine vellum," and the imaginative role of parchment in the works of St. Augustine, William Shakespeare, and a range of Jewish rabbinic writers of the medieval era. Closely informed by the handicraft of contemporary makers, painters, and sculptors, the book draws on a vast array of sources-codices and scrolls, documents and ephemera, works of craft and art-that speak to the vitality of parchment across epochs and continents. At the center of On Parchment is the vexed relationship of human beings to the myriad slaughtered beasts whose remains make up this vast record: a relationship of dominion and compassion, of brutality and empathy

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Cover (lizenzpflichtig)
  10. On parchment
    animals, archives, and the making of culture from Herodotus to the digital age
    Published: [2022]; © 2022
    Publisher:  Yale University Press, New Haven ; London

    A sweeping exploration of the shaping role of animal skins in written culture and human imagination over three millennia "Richly detailed and illustrated. . . . An engaging exploration of book history."-Kirkus Reviews For centuries, premodern... more

    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Wuppertal
    Unlimited inter-library loan, copies and loan

     

    A sweeping exploration of the shaping role of animal skins in written culture and human imagination over three millennia "Richly detailed and illustrated. . . . An engaging exploration of book history."-Kirkus Reviews For centuries, premodern societies recorded and preserved much of their written cultures on parchment: the rendered skins of sheep, cows, goats, camels, deer, gazelles, and other creatures. These remains make up a significant portion of the era's surviving historical record. In a study spanning three millennia and twenty languages, Bruce Holsinger explores this animal archive as it shaped the inheritance of the Euro-Mediterranean world, from the leather rolls of ancient Egypt to the Acts of Parliament in the United Kingdom. Holsinger discusses the making of parchment past and present, the nature of the medium as a biomolecular record of faunal life and environmental history, the knotty question of "uterine vellum," and the imaginative role of parchment in the works of St. Augustine, William Shakespeare, and a range of Jewish rabbinic writers of the medieval era. Closely informed by the handicraft of contemporary makers, painters, and sculptors, the book draws on a vast array of sources-codices and scrolls, documents and ephemera, works of craft and art-that speak to the vitality of parchment across epochs and continents. At the center of On Parchment is the vexed relationship of human beings to the myriad slaughtered beasts whose remains make up this vast record: a relationship of dominion and compassion, of brutality and empathy

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Cover (lizenzpflichtig)
  11. Animal skins and the reading self in medieval Latin and French bestiaries
    Author: Kay, Sarah
    Published: [2017]; © 2017
    Publisher:  The University of Chicago Press, Chicago