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  1. Romantic verse narrative
    the history of a genre
    Published: 1991
    Publisher:  Cambridge University Press, Cambridge

    Hermann Fischer's lively and original 1991 study of Romantic verse narrative traces in comprehensive detail the origins and development of this poetic form in the late eighteenth and early nineteenth centuries. It brings together the longer epic... more

    Universitätsbibliothek Bamberg
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    Hermann Fischer's lively and original 1991 study of Romantic verse narrative traces in comprehensive detail the origins and development of this poetic form in the late eighteenth and early nineteenth centuries. It brings together the longer epic verse tales of Scott, Byron and Southey and the more lyrical forms of Romantic narrative poetry, thus presenting familiar poems such as Shelley's 'Alastor' and Keats's 'The Eve of St Agnes' in the revealing but neglected context of the genre and its history. Professor Fischer addresses the question of genre from a viewpoint that is both theoretical and historical, and his study also proves illuminating in many areas of Romantic literature, covering issues such as the role of the medieval revival and the decline of neoclassicism, the relative importance of popular and more literary sources, and questions of changing taste and the reading public. This translation, extensively revised and updated, makes Hermann Fischer's acclaimed study available for the first time in English

     

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    Source: Union catalogues
    Contributor: Bollans, Sue
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511627521
    Other identifier:
    Series: European studies in English literature
    Subjects: English poetry / 19th century / History and criticism; Narrative poetry, English / History and criticism; Romanticism / Great Britain; Romantik; Englisch; Verserzählung
    Scope: 1 online resource (xi, 289 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Part I: The genre and its historical context -- Genre definitions -- The initial situation -- Part II: The history of the romantic tale in verse: poets, works, critics and the public -- Early forms -- The establishment of the genre by Sir Walter Scott, its fashionable period, and imitations by other poets -- 'The postscript of the Augustans' and the opposite of romance -- Ramification and dissolution -- The subsequent fate of teh genre

  2. English medieval narrative in the thirteenth and fourteenth centuries
    Published: 1982
    Publisher:  Cambridge University Press, Cambridge

    This is a wide-ranging and detailed study of English narrative verse in the thirteenth and fourteenth centuries. Piero Boitani describes and analyses the undisputed masterpieces of narrative (such as the works of the Gawain poet, Langland, Gower and... more

    Universitätsbibliothek Bamberg
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    This is a wide-ranging and detailed study of English narrative verse in the thirteenth and fourteenth centuries. Piero Boitani describes and analyses the undisputed masterpieces of narrative (such as the works of the Gawain poet, Langland, Gower and Chaucer), as well as the anonymous romances and specimens of religious and comic narrative which form the background to the better-known poems. The book is divided by literary genres or structural systems: chapters on the religious, comic and romance traditions are followed by a discussion of dream and visionary narratives and a chapter on story collections including those of Gower. The rest of the book is devoted to Chaucer, who mastered all these types

     

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    Source: Union catalogues
    Contributor: Hall, Joan Krakover
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511552915
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    RVK Categories: HH 4150 ; HH 4156 ; HH 4165
    Subjects: Geschichte; English poetry / Middle English, 1100-1500 / History and criticism; Narrative poetry, English / History and criticism; Narration (Rhetoric) / History / To 1500; Tales, Medieval / History and criticism; Versepik; Verserzählung; Mittelenglisch; Epos; Englisch; Versroman
    Other subjects: Chaucer, Geoffrey / -1400 / Criticism and interpretation
    Scope: 1 online resource (ix, 309 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

  3. The limits of eroticism in post-Petrarchan narrative
    conditional pleasure from Spenser to Marvell
    Published: 1998
    Publisher:  Cambridge University Press, Cambridge

    Although theories of exploitation and subversion have radically changed our understanding of gender in Renaissance literature, to favour only those theories is to risk ignoring productive exchanges between 'masculine' and 'feminine' in Renaissance... more

    Universitätsbibliothek Bamberg
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    Although theories of exploitation and subversion have radically changed our understanding of gender in Renaissance literature, to favour only those theories is to risk ignoring productive exchanges between 'masculine' and 'feminine' in Renaissance culture. 'Appropriation' is too simple a term to describe these exchanges - as when Petrarchan lovers flirt dangerously with potentially destructive femininity. Spenser revises this Petrarchan phenomenon, constructing flirtations whose participants are figures of speech, readers or narrative voices. His plots allow such exchanges to occur only through conditional speech, but this very conditionality powerfully shapes his work. Seventeenth-century works - including a comedy by Jane Cavendish and Elizabeth Brackley, and Upon Appleton House by Andrew Marvell - suggest that the civil war and the upsurge of female writers necessitated a reformulation of conditional erotics

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511484025
    Other identifier:
    RVK Categories: HI 1161
    Series: Cambridge studies in Renaissance literature and culture ; 29
    Subjects: Geschichte; English poetry / Early modern, 1500-1700 / History and criticism; Narrative poetry, English / History and criticism; Erotic poetry, English / History and criticism; Feminism and literature / England / History; English poetry / Italian influences; Renaissance / England; Sex in literature; Petrarkismus; Literatur; Erotik <Motiv>; Erotik; Englisch; Roman
    Other subjects: Petrarca, Francesco / 1304-1374 / Influence; Spenser, Edmund / 1552?-1599 / Technique; Marvell, Andrew / 1621-1678 / Technique
    Scope: 1 online resource (xii, 248 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Spenser. Into other arms: Amoret's evasion ; "Newes of devils": feminine sprights in masculine minds ; Monstrous intimacy and arrested developments ; Narrative flirtations -- Seventeenth-century refigurations. "Who can those vast imaginations feed?": The concealed fancies and the price of hunger ; Caught in the act at Nun Appleton

  4. Style and Consciousness in Middle English Narrative
    Published: [1983]
    Publisher:  Princeton University Press, Princeton, N.J.

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400855179
    Other identifier:
    Subjects: Englische Literatur; English poetry / Middle English, 1100-1500 / History and criticism; English language / Middle English, 1100-1500 / Style; Narrative poetry, English / History and criticism; Romances, English / History and criticism; Narration (Rhetoric) / History / To 1500; Space and time in literature; Reader-response criticism; Rhetoric, Medieval; POETRY / English, Irish, Scottish, Welsh; POETRY / European / English, Irish, Scottish, Welsh; English language / Middle English / Style; English language / Style; English poetry / Middle English; Narrative poetry, English; Romances, English; Englisch; Geschichte; Mittelenglisch; Leser; Verserzählung; Sprache
    Scope: 1 Online-Ressource (192p.)
    Notes:

    John M. Ganim presents a revised theory of late medieval literary history based on the relationship of the poet to the reader. His work shows how the increasingly compromised exemplary intent of later medieval poets led them to dramatize the reader as a character in the text and to develop complex forms of narrative characterized by discontinuity, distortion, and disorientation.Originally published in 1983.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905

  5. A genealogy of the verse novel
    Published: 2017
    Publisher:  Cambridge Scholars Publishing, Newcastle upon Tyne, UK

    Ruhr-Universität Bochum, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1443878995; 9781443878999
    Other identifier:
    9781443878999
    Subjects: Novels in verse / History and criticism; Narrative poetry, English / History and criticism
    Scope: ix, 494 Seiten, 22 cm
    Notes:

    Includes bibliographical references and index