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  1. Im Hörraum vor der Schaubühne
    Theatersound von Hans Peter Kuhn für Robert Wilson und von Leigh Landy für Heiner Müller
    Contributor: Schröder, Julia H. (HerausgeberIn)
    Published: [2015]
    Publisher:  Transcript Verlag, Bielefeld

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    Staatliches Institut für Musikforschung - Preußischer Kulturbesitz, Bibliothek
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Source: Union catalogues
    Contributor: Schröder, Julia H. (HerausgeberIn)
    Language: German
    Media type: Book
    Format: Print
    ISBN: 3837629082; 9783837629088
    Other identifier:
    9783837629088
    RVK Categories: AP 75600 ; AP 75700
    Series: Theater ; 68
    Subjects: Theaters; Music in the theater
    Other subjects: Wilson, Robert (1941-); Kuhn, Hans Peter (1952-); Landy, Leigh (1951-); Müller, Heiner (1929-1995)
    Scope: 235 Seiten, Illustrationen, Notenbeispiele, 23 cm, 348 g
    Notes:

    Julia H. Schröder: Vorwort ; Im Hörraum vor der Schaubühne : Theatersound für Robert Wilson (Hans Peter Kuhn) und Heiner Müller (Leigh Landy)

    Hans Peter Kuhn: Über die Arbeiten mit Robert Wilson : Klang im Raum: Sprache, Musik und Geräusch als Teil der theatralen Raumerfahrung

    Helga Finter: His Master's Voice(s)? Sound und Audio-Vision in Robert Wilsons Theater : zum Beitrag Hans Peter Kuhns

    Leigh Landy: Über die Zusammenarbeit mit Heiner Müller : "The idea is to feed, furnish and let the space speak for itself" (Antonin Artaud)

    Leigh Landy: Dokument : 'Spar deinem Schiff die unbequeme Fracht, Den Misslaut meiner Schmerzen deinem Ohr' : a composer's work with Philoktet (1987)

    Matthias Dreyer: Landscape & Soundscape : Postanthropozentrische Ästhetik bei Robert Wilson und Heiner Müller

    Sabine Sanio: Klangkunst als Landschaft? : Überlegungen anlässlich Kuhns Arbeiten nach dem Theater

    Ursula Kramer: Auf der Suche nach dem verlorenen Klang : zur Schauspielmusik vor Robert Wilson und Heiner Müller

    Julia H. Schröder: Abschlussdiskussion : Dokumentation, Rekonstruktion, Re-Enactment, Neu-Inszenierung oder doch lieber "das Museum im Kopf"? Referentinnen und Referenten sowie Gäste ; Zu den Zeichnungen von Robert Wilson

    Irene Lehmann: Der Kontext der Grafiken : vom Bild zum Sehen und Hören in Alceste, Alkestis und Dr. Faustus
  2. An outward show
    music for Shakespeare on the London stage, 1660-1830
    Author: Neighbarger, Randy L.
    Published: 1992
    Publisher:  Greenwood Press, New York

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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    ZA 64427:27
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0313278059
    Series: Contributions to the study of music and dance ; 27
    Subjects: Music; Theater; Music in the theater
    Other subjects: Shakespeare, William (1564-1616)
    Scope: xxii, 318 p, graph. Darst., Notenbeisp, 25 cm
    Notes:

    Includes bibliographical references (p. [290]-310) and index
  3. Die Funktion der Lieder in den Dublin Plays von Sean O'Casey
    Author: Karlson, Ilse
    Published: 1984
    Publisher:  Minerva-Publ., München

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    Universitätsbibliothek Augsburg
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    Source: Union catalogues
    Language: German
    Media type: Book
    ISBN: 3597105130
    RVK Categories: HM 3815
    Series: Minerva-Fachserie Geisteswissenschaften
    Subjects: Musik; Wissen; Music in the theater; Songs, English; Songs, English; Lied; Drama
    Other subjects: O'Casey, Sean <1880-1964>; O'Casey, Sean (1880-1964)
    Scope: XI, 428 S., Ill.
  4. Music on the Shakespearian stage
    Author: Cowling, George H.
    Published: 1913
    Publisher:  Univ. Press, Cambridge

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    Universitätsbibliothek Regensburg
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    Source: Union catalogues
    Language: English
    Media type: Book
    RVK Categories: HI 3560
    Subjects: Geschichte; Musik; Music in the theater; Music; Theater; Theater; Geschichte; Drama; Musik
    Other subjects: Shakespeare, William <1564-1616>; Shakespeare, William (1564-1616)
    Scope: VI, 116 S., Ill.
  5. Théâtre et musique au XVIIe siècle
    Published: 1994
    Publisher:  Klincksieck, Paris

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    Universitätsbibliothek Augsburg
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    Source: Union catalogues
    Language: French
    Media type: Book
    RVK Categories: IF 4525
    Series: Littératures classiques ; 21
    Subjects: Musique au théâtre - Histoire - 17e siècle; Musique de scène - France - 17e siècle - Histoire et critique; Théâtre français - 17e siècle - Histoire et critique; Toneelmuziek; Geschichte; French drama; Music in the theater; Drama; Französisch; Musiktheater; Musik
    Scope: 275 S., Ill., graph. Darst., Notenbeisp.
  6. Der Milde Knabe oder Die Natur eines Berufenen
    ein wissenschaftlicher Ausblick, Oskar Pausch zum Eintritt in den Ruhestand gewidmet
    Contributor: Pausch, Oskar
    Published: 1997
    Publisher:  Böhlau, Wien [u.a.]

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    Source: Union catalogues
    Contributor: Pausch, Oskar
    Language: German; English; French
    Media type: Book
    ISBN: 3205988191
    Series: Mimundus ; 9
    Subjects: Music in the theater; Theater; Theater; Deutsch; Literatur; Museum; Theater; Bibliothek
    Scope: 333 S., Ill.
    Notes:

    Beitr. teilw. dt., teilw. engl., teilw. franz.
  7. Stimmen, Klänge, Töne
    Synergien im szenischen Spiel
    Published: 2002
    Publisher:  Narr, Tübingen

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    Universitätsbibliothek Bamberg
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    Source: Union catalogues
    Language: German
    Media type: Book
    ISBN: 3772052304
    RVK Categories: AP 61500 ; AP 66400 ; EC 4720 ; LR 54140
    Series: Forum modernes Theater : Schriftenreihe ; 30
    Subjects: Muziek; Stemgebruik; Toneel; Musik; Theater; Drama; Music in the theater; Theater; Voice culture; Sprache; Theater; Stimme; Musik
    Scope: X, 593 S., Ill., graph. Darst., Notenbeisp.
  8. Theater als Musik
    Verfahren der Musikalisierung in chorischen Theaterformen bei Christoph Marthaler, Einar Schleef und Robert Wilson
    Author: Roesner, David
    Published: 2003
    Publisher:  Narr, Tübingen

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    Volltext (kostenfrei)
    Source: Union catalogues
    Language: German
    Media type: Dissertation
    ISBN: 3823360205
    RVK Categories: AP 72500 ; EC 2440 ; GN 1894
    Series: Forum modernes Theater : Schriftenreihe ; 31
    Subjects: Muziek; Toneelvoorstellingen; Musik; Music in the theater; Musikalität; Rhythmus; Inszenierung; Drama; Chor
    Other subjects: Marthaler, Christoph <1951->; Schleef, Einar <1944-2001>; Wilson, Robert <1941->; Marthaler, Christoph (1951-); Wilson, Robert (1941-); Schleef, Einar (1944-2001)
    Scope: 324 S., Notenbeisp.
    Notes:

    Zugl.: Hildesheim, Univ., Diss., 2002
  9. Theater als Musik
    Verfahren der Musikalisierung in chorischen Theaterformen bei Christoph Marthaler, Einar Schleef und Robert Wilson
    Author: Roesner, David
    Published: 2003
    Publisher:  Narr, Tübingen

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    Freie Universität Berlin, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    ISBN: 3823360205
    RVK Categories: AP 72500 ; EC 2440 ; GN 1894
    Series: Forum modernes Theater : Schriftenreihe ; 31
    Subjects: Muziek; Toneelvoorstellingen; Musik; Music in the theater; Musikalität; Inszenierung; Rhythmus; Chor; Drama
    Other subjects: Marthaler, Christoph <1951->; Schleef, Einar <1944-2001>; Wilson, Robert <1941->; Schleef, Einar (1944-2001); Marthaler, Christoph (1951-); Wilson, Robert (1941-)
    Scope: 324 S., Notenbeisp.
    Notes:

    Zugl.: Hildesheim, Univ., Diss., 2002
  10. TechnoTheater
    Dramaturgie und Philosophie bei Rainald Goetz und Thomas Bernhard
    Author: Windrich, Johannes
    Published: 2007
    Publisher:  Fink, München

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Book
    Format: Print
    ISBN: 3770544692; 9783770544691
    Other identifier:
    9783770544691
    RVK Categories: GN 4947
    Subjects: Music in the theater; Techno music
    Other subjects: Goetz, Rainald; Bernhard, Thomas
    Scope: 476 S., graph. Darst.
    Notes:

    Literaturverz. S. [435] - 473
  11. TechnoTheater
    Dramaturgie und Philosophie bei Rainald Goetz und Thomas Bernhard
    Author: Windrich, Johannes
    Published: [2007]; © 2007
    Publisher:  Wilhelm Fink, München

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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    ISBN: 9783770544691; 3770544692
    Other identifier:
    9783770544691
    RVK Categories: GN 1873 ; GN 3224 ; GN 4947
    DDC Categories: 430
    Subjects: Philosophie; Music in the theater; Techno music; Techno; Drama
    Other subjects: Bernhard, Thomas; Goetz, Rainald; Bernhard, Thomas (1931-1989); Goetz, Rainald (1954-)
    Scope: 476 Seiten
    Notes:

    Dissertation, Freie Universität Berlin, 2005
  12. Die Funktion der Lieder in den Dublin plays von Sean O'Casey
    Author: Karlson, Ilse Katharina
    Published: 1984
    Publisher:  Minerva-Publ., München

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    Staats- und Universitätsbibliothek Bremen
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    Content information
    Source: Union catalogues
    Language: German; English
    Media type: Book
    Format: Print
    ISBN: 3597105130
    Series: Minerva-Fachserie Geisteswissenschaft
    Subjects: Music in the theater; Songs, English; Songs, English
    Other subjects: O'Casey, Sean (1880-1964)
    Scope: 428 S
    Notes:

    Literaturverz. S. 261-272
  13. Theater als Musik
    Verfahren der Musikalisierung in chorischen Theaterformen bei Christoph Marthaler, Einar Schleef und Robert Wilson
    Author: Roesner, David
    Published: 2003
    Publisher:  Narr, Tübingen

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    Freie Universität Berlin, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    ISBN: 3823360205
    RVK Categories: AP 72500 ; EC 2440 ; GN 1894
    Series: Forum modernes Theater : Schriftenreihe ; 31
    Subjects: Muziek; Toneelvoorstellingen; Musik; Music in the theater; Musikalität; Chor; Rhythmus; Drama; Inszenierung
    Other subjects: Marthaler, Christoph <1951->; Schleef, Einar <1944-2001>; Wilson, Robert <1941->; Wilson, Robert (1941-); Marthaler, Christoph (1951-); Schleef, Einar (1944-2001)
    Scope: 324 S., Notenbeisp.
    Notes:

    Zugl.: Hildesheim, Univ., Diss., 2002
  14. TechnoTheater
    Dramaturgie und Philosophie bei Rainald Goetz und Thomas Bernhard
    Author: Windrich, Johannes
    Published: [2007]; © 2007
    Publisher:  Wilhelm Fink, München

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    Freie Universität Berlin, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    ISBN: 9783770544691; 3770544692
    Other identifier:
    9783770544691
    RVK Categories: GN 1873 ; GN 3224 ; GN 4947
    DDC Categories: 430
    Subjects: Philosophie; Music in the theater; Techno music; Techno; Drama
    Other subjects: Bernhard, Thomas; Goetz, Rainald; Bernhard, Thomas (1931-1989); Goetz, Rainald (1954-)
    Scope: 476 Seiten
    Notes:

    Dissertation, Freie Universität Berlin, 2005
  15. TechnoTheater
    Dramaturgie und Philosophie bei Rainald Goetz und Thomas Bernhard
    Author: Windrich, Johannes
    Published: 2007
    Publisher:  Fink, München

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    Content information
    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783770544691; 3770544692
    Other identifier:
    9783770544691
    RVK Categories: GN 1873 ; GN 3224 ; GN 4947
    Subjects: Bernhard, Thomas ; Criticism and interpretation; Goetz, Rainald ; Criticism and interpretation; Bernhard, Thomas ; 1931-1989 ; rswk-swf; Goetz, Rainald ; 1954- ; rswk-swf; Philosophie; Music in the theater; Techno music ; Philosophy; Techno ; rswk-swf; Drama ; rswk-swf
    Scope: 476 S.
    Notes:

    Volltext // 2011 digitalisiert von: Bayerische Staatsbibliothek, München. Exemplar mit der Signatur: München, Bayerische Staatsbibliothek -- PVA 2007.4410

    Zugl.: Berlin, Freie Univ., Diss., 2005
  16. Im Hörraum vor der Schaubühne
    Theatersound von Hans Peter Kuhn für Robert Wilson und von Leigh Landy für Heiner Müller
    Contributor: Schröder, Julia H. (HerausgeberIn)
    Published: [2015]
    Publisher:  Transcript Verlag, Bielefeld

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    Staatliches Institut für Musikforschung - Preußischer Kulturbesitz, Bibliothek
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    Content information
    Source: Union catalogues
    Contributor: Schröder, Julia H. (HerausgeberIn)
    Language: German
    Media type: Book
    Format: Print
    ISBN: 3837629082; 9783837629088
    Other identifier:
    9783837629088
    RVK Categories: AP 75600 ; AP 75700
    Series: Theater ; 68
    Subjects: Theaters; Music in the theater
    Other subjects: Wilson, Robert (1941-); Kuhn, Hans Peter (1952-); Landy, Leigh (1951-); Müller, Heiner (1929-1995)
    Scope: 235 Seiten, Illustrationen, Notenbeispiele, 23 cm, 348 g
    Notes:

    Tagungsband zum gleichnamigen Symposium an der Universität der Künste Berlin, 29. u. 30. November 2013

    Julia H. Schröder: Vorwort ; Im Hörraum vor der Schaubühne : Theatersound für Robert Wilson (Hans Peter Kuhn) und Heiner Müller (Leigh Landy)

    Hans Peter Kuhn: Über die Arbeiten mit Robert Wilson : Klang im Raum: Sprache, Musik und Geräusch als Teil der theatralen Raumerfahrung

    Helga Finter: His Master's Voice(s)? Sound und Audio-Vision in Robert Wilsons Theater : zum Beitrag Hans Peter Kuhns

    Leigh Landy: Über die Zusammenarbeit mit Heiner Müller : "The idea is to feed, furnish and let the space speak for itself" (Antonin Artaud)

    Leigh Landy: Dokument : 'Spar deinem Schiff die unbequeme Fracht, Den Misslaut meiner Schmerzen deinem Ohr' : a composer's work with Philoktet (1987)

    Matthias Dreyer: Landscape & Soundscape : Postanthropozentrische Ästhetik bei Robert Wilson und Heiner Müller

    Sabine Sanio: Klangkunst als Landschaft? : Überlegungen anlässlich Kuhns Arbeiten nach dem Theater

    Ursula Kramer: Auf der Suche nach dem verlorenen Klang : zur Schauspielmusik vor Robert Wilson und Heiner Müller

    Julia H. Schröder: Abschlussdiskussion : Dokumentation, Rekonstruktion, Re-Enactment, Neu-Inszenierung oder doch lieber "das Museum im Kopf"? Referentinnen und Referenten sowie Gäste ; Zu den Zeichnungen von Robert Wilson

    Irene Lehmann: Der Kontext der Grafiken : vom Bild zum Sehen und Hören in Alceste, Alkestis und Dr. Faustus
  17. Musical response in the early modern playhouse, 1603-1625
    Author: Smith, Simon
    Published: 2018
    Publisher:  Cambridge University Press, Cambridge, United Kingdom

    Listening --Looking --Imagining --Remembering. "Presupposing no specialist musical knowledge, this book offers a fresh perspective on the dramatic role of music in the plays of Shakespeare and his early seventeenth-century contemporaries. Simon Smith... more

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    Württembergische Landesbibliothek
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    69/15013
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    Listening --Looking --Imagining --Remembering. "Presupposing no specialist musical knowledge, this book offers a fresh perspective on the dramatic role of music in the plays of Shakespeare and his early seventeenth-century contemporaries. Simon Smith argues that many plays used music as a dramatic tool, inviting culturally familiar responses to music from playgoers. Music cues regularly encouraged audiences to listen, look, imagine or remember at dramatically critical moments, shaping meaning in plays from The Winter's Tale to A Game at Chess, and making theatregoers active and playful participants in playhouse performance. Drawing upon sensory studies, theatre history, material texts, musicology and close reading, Smith argues for the importance of music in familiar and less well-known plays including Antony and Cleopatra, Othello, The Revenger's Tragedy, Sophonisba, The Spanish Gypsy and A Woman Killed With Kindness"--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1316632369; 9781316632369
    Edition: First paperback edition
    Subjects: Music in the theater; Theater; Dramatic music; Music and literature; English drama; English drama; Music in literature; Music; Dramatic music; English drama; Music and literature; Music in the theater; Theater; English drama ; Early modern and Elizabethan; Music; England; Criticism, interpretation, etc; History
    Scope: xvi, 246 Seiten, Illustrationen, 23 cm
    Notes:

    Originally published in 2017

    Includes bibliographical references (pages 221-240) and index
  18. Monody in Euripides
    character and the liberation of form in late Greek tragedy
    Author: Catenaccio, Claire
    Published: 2023
    Publisher:  Cambridge University Press, Cambridge

    The solo singer takes center stage in Euripides' late tragedies. Solo song - what the Ancient Greeks called monody - is a true dramatic innovation, combining and transcending the traditional poetic forms of Greek tragedy. At the same time, Euripides... more

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    The solo singer takes center stage in Euripides' late tragedies. Solo song - what the Ancient Greeks called monody - is a true dramatic innovation, combining and transcending the traditional poetic forms of Greek tragedy. At the same time, Euripides uses solo song to explore the realm of the interior and the personal in an expanded expressive range. Contributing to the current scholarly debate on music, emotion, and characterization in Greek drama, this book presents a new vision for the role of monody in the musical design of Ion, Iphigenia among the Taurians, Phoenician Women, and Orestes. Drawing on her practical experience in the theater, Catenaccio establishes the central importance of monody in Euripides' art.

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781009300179; 9781009300124; 9781009300131
    Other identifier:
    Subjects: Music in the theater
    Other subjects: Euripides
    Scope: 1 online resource (x, 217 pages), digital, PDF file(s).
    Notes:

    Title from publisher's bibliographic system (viewed on 31 Jul 2023)
  19. Theater als Musik
    Verfahren der Musikalisierung in chorischen Theaterformen bei Christoph Marthaler, Einar Schleef und Robert Wilson
    Author: Roesner, David
    Published: 2003
    Publisher:  Narr, Tübingen

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    Content information
    Volltext (kostenfrei)
    Volltext (kostenfrei)
    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Online
    RVK Categories: AP 72500 ; EC 2440 ; GN 1894
    Series: Forum modernes Theater ; Band 31
    Subjects: Music in the theater
    Other subjects: Marthaler, Christoph <1951->; Schleef, Einar <1944-2001>; Wilson, Robert <1941->
    Scope: 1 Online-Ressource (324 Seiten), Notenbeisp.
    Notes:

    Zugl.: @Hildesheim, Univ., Diss., 2003

    Zugl.: Diss.

    CD-ROM enth.: Ton-, Video- und Notenbeisp
  20. An outward show
    music for Shakespeare on the London stage, 1660 - 1830
    Author: Neighbarger, Randy L.
    Published: 1992
    Publisher:  Greenwood Press, Westport, Conn. [u.a.]

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0313278059
    RVK Categories: HI 3560 ; HI 3390 ; LR 54176
    Edition: 1. publ.
    Series: Contributions to the study of music and dance ; 27
    Subjects: Music; Theater; Music in the theater; Music
    Other subjects: Shakespeare, William (1564-1616)
    Scope: XXII, 318 S., Notenbeisp.
    Notes:

    Includes bibliographical references (p. [290]-310) and index
  21. Monody in Euripides
    character and the liberation of form in late Greek tragedy
    Author: Catenaccio, Claire
    Published: 2023
    Publisher:  Cambridge University Press, Cambridge

    The solo singer takes center stage in Euripides' late tragedies. Solo song - what the Ancient Greeks called monody - is a true dramatic innovation, combining and transcending the traditional poetic forms of Greek tragedy. At the same time, Euripides... more

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    The solo singer takes center stage in Euripides' late tragedies. Solo song - what the Ancient Greeks called monody - is a true dramatic innovation, combining and transcending the traditional poetic forms of Greek tragedy. At the same time, Euripides uses solo song to explore the realm of the interior and the personal in an expanded expressive range. Contributing to the current scholarly debate on music, emotion, and characterization in Greek drama, this book presents a new vision for the role of monody in the musical design of Ion, Iphigenia among the Taurians, Phoenician Women, and Orestes. Drawing on her practical experience in the theater, Catenaccio establishes the central importance of monody in Euripides' art.

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781009300179; 9781009300124; 9781009300131
    Other identifier:
    Subjects: Music in the theater
    Other subjects: Euripides
    Scope: 1 online resource (x, 217 pages), digital, PDF file(s).
    Notes:

    Title from publisher's bibliographic system (viewed on 31 Jul 2023)
  22. An outward show
    music for Shakespeare on the London stage, 1660 - 1830
    Author: Neighbarger, Randy L.
    Published: 1992
    Publisher:  Greenwood Press, Westport, Conn. [u.a.]

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0313278059
    RVK Categories: HI 3560 ; HI 3390 ; LR 54176
    Edition: 1. publ.
    Series: Contributions to the study of music and dance ; 27
    Subjects: Music; Theater; Music in the theater; Music
    Other subjects: Shakespeare, William (1564-1616)
    Scope: XXII, 318 S., Notenbeisp.
    Notes:

    Includes bibliographical references (p. [290]-310) and index
  23. Musical response in the early modern playhouse, 1603-1625
    Author: Smith, Simon
    Published: 2017
    Publisher:  Cambridge University Press, Cambridge

    "Presupposing no specialist musical knowledge, this book offers a fresh perspective on the dramatic role of music in the plays of Shakespeare and his early seventeenth-century contemporaries. Simon Smith argues that many plays used music as a... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Unlimited inter-library loan, copies and loan

     

    "Presupposing no specialist musical knowledge, this book offers a fresh perspective on the dramatic role of music in the plays of Shakespeare and his early seventeenth-century contemporaries. Simon Smith argues that many plays used music as a dramatic tool, inviting culturally familiar responses to music from playgoers. Music cues regularly encouraged audiences to listen, look, imagine or remember at dramatically critical moments, shaping meaning in plays from The Winter's Tale to A Game at Chess, and making theatregoers active and playful participants in playhouse performance. Drawing upon sensory studies, theatre history, material texts, musicology and close reading, Smith argues for the importance of music in familiar and less well-known plays including Antony and Cleopatra, Othello, The Revenger's Tragedy, Sophonisba, The Spanish Gypsy and A Woman Killed With Kindness"-- Machine generated contents note: Introduction; 1. Listening; 2. Looking; 3. Imagining; 4. Remembering; Coda

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781107180840
    Subjects: Music in the theater; Theater; Dramatic music; Music and literature; English drama
    Scope: xvi, 246 Seiten, Illustrationen, Notenbeispiele, 23 cm
    Notes:

    Literaturverzeichnis: Seite 221 - 240
  24. Monody in Euripides
    character and the liberation of form in late Greek tragedy
    Author: Catenaccio, Claire
    Published: 2023
    Publisher:  Cambridge University Press, Cambridge

    The solo singer takes center stage in Euripides' late tragedies. Solo song - what the Ancient Greeks called monody - is a true dramatic innovation, combining and transcending the traditional poetic forms of Greek tragedy. At the same time, Euripides... more

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    The solo singer takes center stage in Euripides' late tragedies. Solo song - what the Ancient Greeks called monody - is a true dramatic innovation, combining and transcending the traditional poetic forms of Greek tragedy. At the same time, Euripides uses solo song to explore the realm of the interior and the personal in an expanded expressive range. Contributing to the current scholarly debate on music, emotion, and characterization in Greek drama, this book presents a new vision for the role of monody in the musical design of Ion, Iphigenia among the Taurians, Phoenician Women, and Orestes. Drawing on her practical experience in the theater, Catenaccio establishes the central importance of monody in Euripides' art.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781009300179
    Other identifier:
    RVK Categories: FE 4451 ; FH 24045
    Subjects: Music in the theater
    Scope: 1 Online-Ressource (x, 217 pages)
  25. The practicalities of producing the play Mozart, with music by Franz von Suppé
    Author: Bray, Lucinda; Salvi, Dario
    Published: 2019
    Publisher:  Cambridge Scholars Publishing, Newcastle upon Tyne, UK

    "In 1854, the originator of Viennese operetta, Franz von Suppé, created the music for a new play by Leonhart Wohlmuth. It is part of a forgotten art form where the music underlines and accompanies the action on stage in a similar way to a soundtrack... more

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    Universitätsbibliothek Heidelberg
    Signature:
    2020 A 2601
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    "In 1854, the originator of Viennese operetta, Franz von Suppé, created the music for a new play by Leonhart Wohlmuth. It is part of a forgotten art form where the music underlines and accompanies the action on stage in a similar way to a soundtrack for a film. While the music works very well in the present day, the real challenge is to modernise the script to make it relevant and interesting for a modern audience. Originally written in early 19th century German, the script sounds outdated and received a less than positive reception at its original outing. Its dialogue is more in keeping with Opera and required significant work to make it palatable to a contemporary audience. The project on which this book is based maintained the music by Suppé as indicated in the manuscript score, while translating and adapting the German script by Wohlmuth into a version more interesting in the present day"--

     
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    Source: Union catalogues
    Language: English; German; Italian
    Media type: Book
    Format: Print
    ISBN: 9781527537408; 1527537404
    Subjects: Music in the theater; Operetta; Operas; Suppé, Franz von; Operetta; Operas ; Librettos; Music in the theater; Austria ; Vienna; Germany; Adaptations; History
    Other subjects: Wohlmuth, Leonhart (1823-1889): Mozart; Suppé, Franz von (1819-1895)
    Scope: 220 Seiten, 22 cm
    Notes:

    Includes the original German text, with English and Italian translations

    Includes bibliographical references (pages 219-220) and index