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  1. Afterlives
    allegories of film and mortality in early Weimar Germany
    Author: Choe, Steve
    Published: 2014
    Publisher:  Bloomsbury, New York, NY

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online; Print
    ISBN: 9781501317729
    RVK Categories: AP 44911
    Series: Thinking cinema ; volume 2
    Subjects: Motion pictures / Germany / History / 20th century; Motion pictures / Philosophy
    Scope: 274 Seiten, illustrations
    Notes:

    Includes bibliographical references (pages 257-268) and index
  2. Film, art, and the third culture
    a naturalized aesthetics of film
    Author: Smith, Murray Stuart
    Published: 2017
    Publisher:  Oxford University Press, Oxford

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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780198790648
    RVK Categories: AP 45400
    Edition: First edition
    Subjects: Film; Philosophie; Ästhetik; Motion pictures / Aesthetics; Motion pictures / Philosophy; Filmästhetik
    Scope: xvi, 294 Seiten, Illustrationen, 24 cm
  3. Deleuze and the cinemas of performance
    powers of affection
    Author: Río, Elena del
    Published: c2008
    Publisher:  Edinburgh University Press, Edinburgh

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0748635262; 9780748635269
    RVK Categories: AP 45100 ; AP 50300 ; CC 8400 ; CI 5599
    Subjects: PERFORMING ARTS / Film & Video / History & Criticism; PERFORMING ARTS / Film & Video / General; Human body in motion pictures; Motion pictures / Philosophy; Film; Philosophie; Human body in motion pictures; Motion pictures; Affekt; Film; Körper <Motiv>
    Other subjects: Deleuze, Gilles / 1925-1995; Deleuze, Gilles / 1925-1995; Deleuze, Gilles (1925-1995); Deleuze, Gilles (1925-1995)
    Scope: 1 Online-Ressource (viii, 240 p.)
    Notes:

    Includes bibliographical references (p. [218]-227) and index

    COVER; Copyright; Contents; Acknowledgments; Introduction: Cinema and the Affective-Performative; 1. Animated Fetishes; 2. Choreographies of Affect; 3. Dancing Feminisms; 4. Kinesthetic Seductions; 5. Powers of the False; Conclusion: Everything is "Yes"; Works Cited; Index

    This book offers a unique reconsideration of the performing body that privileges the notion of affective force over the notion of visual form at the centre of former theories of spectacle and performativity. Drawing on Gilles Deleuze's philosophy of the body, and on Deleuze-Spinoza's relevant concepts of affect and expression, Elena del Río examines a kind of cinema that she calls 'affective-performative'. The features of this cinema unfold via detailed and engaging discussions of the movements, gestures and speeds of the body in a variety of films by Douglas Sirk, Rainer W. Fassbinder, Sally
  4. The terministic screen
    rhetorical perspectives on film
    Published: c2003
    Publisher:  Southern Illinois University Press, Carbondale

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0585499586; 9780585499581
    RVK Categories: AP 45100
    Subjects: PERFORMING ARTS / Film & Video / Reference; Cinéma; Rhétorique; Critique cinématographique; Cinéma / Philosophie; Film criticism; Motion pictures; Motion pictures / Philosophy; Rhetoric; Film; Philosophie; Motion pictures; Rhetoric; Film criticism; Motion pictures; Rhetorik; Filmtheorie
    Scope: 1 Online-Ressource (x, 312 p.)
    Notes:

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references and index

    Mapping the other: The English patient, colonial rhetoric, and cinematic representation / Alan Nadel -- Rhetoric and the early work of Christian Metz: augmenting ideological inquiry in rhetorical film theory and criticism / Ann Chisholm -- Temptation as taboo: a psychorhetorical reading of The last temptation of Christ Martin J. Medhurst -- Hyperrhetoric and the inventive spectator: remotivating The fifth element / Byron Hawk -- Time, space, and political identity: envisioning community in Triumph of the will / Ekaterina V. Haskins -- On rhetorical bodies: Hoop dreams and constitutional discourse / James Roberts -- Looking for the public in the popular: the Hollywood blacklist and the rhetoric of collective memory / Thomas W. Benson -- Copycat, serial murder, and the (de)terministic screen narrative / Philip L. Simpson -- Opening the text: reading gender, Christianity, and American intervention in Deliverance / Davis W. Houck and Caroline J.S. Picart -- From "world conspiracy" to "cultural imperialism": the history of anti-Plutocratic rhetoric in German film / Friedemann Weidauer -- Rhetorical conditioning: The Manchurian candidate / Bruce Krajewski -- Sophistry, magic, and the vilifying rhetoric of The usual suspects / David Blakesley -- Textual trouble in River City: literacy, rhetoric, and consumerism in The music man / Harriet Malinowitz -- Screen play: Ethos and dialectics in A time to kill / Granetta L. Richardson -- Postmodern dialogics in Pulp fiction: Jules, Ezekiel, and double-voiced discourse
  5. Cinema, theory, and political responsibility in contemporary culture
    Author: McGee, Patrick
    Published: ©1997
    Publisher:  Cambridge University Press, Cambridge, U.K.

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 051100592X; 0521581303; 9780511005923
    RVK Categories: AP 45100 ; AP 45500 ; AP 47400
    Series: Literature, culture, theory ; 24
    Subjects: PERFORMING ARTS / Film & Video / History & Criticism; Motion pictures; Motion pictures / Aesthetics; Motion pictures / Philosophy; Sex role; Film; Philosophie; Ästhetik; Motion pictures; Motion pictures; Sex role in motion pictures; Forschung; Politische Verantwortung; Massenkultur; Filmtheorie
    Scope: 1 Online-Ressource (xv, 235 pages)
    Notes:

    Includes bibliographical references (pages 224-231) and index
  6. Phenomenology's material presence
    video, vision and experience
    Author: Hezekiah, Gabrielle A., (Gabrielle Andrée)
    Published: 2010
    Publisher:  Intellect, Bistol, UK

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1282779303; 1841503835; 9781282779303; 9781841503837
    Subjects: Experimental films; Philosophy in motion pictures; Ramesar, Robert Yao / Criticism and interpretation; Fine Arts; DRAMA.; Motion pictures; Motion pictures / Philosophy; Phenomenology; Video recordings; Film; Philosophie; Motion pictures; Video recordings; Phenomenology
    Other subjects: Ramesar, Robert Yao; Ramesar, Robert Yao
    Scope: 1 Online-Ressource (vi, 91 pages)
    Notes:

    Includes bibliographical references and videography

    Cover -- Preliminary Pages -- Contents -- Preface -- Acknowledgements -- Introduction -- Phenomenology's Aims and Methods -- Phenomenology8217;s Material Presence -- Chapter 1: Acts of Consciousness -- Performing the Reduction -- Memory and Dream -- Movement, Memory and Consciousness -- "The Thetic Role of Consciousness" -- Chapter 2: Being and Consciousness -- The 8220;Concretion of Visibility8221; -- Possession, Embodiment and Consciousness -- Ecstasis, Temporality and the Dasein -- Chapter 3: Being, Consciousness and Time -- The Enfoldment in Time -- Being, Consciousness and Time -- Conclusion -- Endnotes -- Bibliography -- Videography

    Phenomenology's Material Presence: Video, Vision and Experience is an exploration of phenomenology and the aesthetics of the moving image. Drawing on the insights of Edmund Husserl, Martin Heidegger and Maurice Merleau-Ponty, this seminal work addresses key questions related to the notion of encounter in cinematic viewing. How does video make visible the act of looking and the act of being seen? How does it intimate the presence of that which cannot be seen? What is the role of video's material body in facilitating this process? Using a poetic essay style, and three videos by Trinidadian film-maker Robert Yao Ramesar, this book suggests that video performs its own act of phenomenological inquiry. Phenomenology's Material Presence invites the reader to explore the role of consciousness in our experience of the visual and brings continental philosophy and postcolonial cinema into conversation
  7. Deleuze, cinema and national identity
    narrative time in national contexts
    Author: Martin-Jones, David
    Published: c2006
    Publisher:  Edinburgh University Press, Edinburgh

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0748622446; 074862662X; 0748629718; 9780748622443; 9780748626625; 9780748629718
    Subjects: PERFORMING ARTS / Film & Video / History & Criticism; Filmkunst; Verteltheorie; Nationale identiteit; Motion pictures / Aesthetics; Motion pictures / Philosophy; Nationalism in motion pictures; Film; Nationalbewusstsein; Philosophie; Ästhetik; Nationalism in motion pictures; Motion pictures; Motion pictures; Filmanalyse; Erzählte Zeit; Nationalbewusstsein
    Other subjects: Deleuze, Gilles / 1925-1995; Deleuze, Gilles / 1925-1995; Deleuze, Gilles (1925-1995); Deleuze, Gilles (1925-1995)
    Scope: 1 Online-Ressource (ix, 244 p.)
    Notes:

    Includes bibliographical references and index

    Illustrations; Acknowledgements; Part I Deleuze and Narrative Time; CHAPTER 1 History; CHAPTER 2 Memory; Part II Movement-/Time-Image Films; CHAPTER 3 National Identity in the Global City; CHAPTER 4 American Triumphalism and the First Gulf War; CHAPTER 5 Renegotiating the National Past after 9/11; CHAPTER 6 The Pacific Rim; Conclusion: Blind Chance and Possible Futures; Select Bibliography; Select Filmography; Index

    This volume challenges the traditional use of Deleuze's philosophy to examine European art cinema. It explores how Deleuze can be used to analyse national identity across a range of different cinemas. Focusing on a narrative time, it combines a Deleuzean approach with a vast range of non-traditional material
  8. What is film theory?
    an introduction to contemporary debates
    Author: Rushton, Richard
    Published: c2010
    Publisher:  Open University Press, Maidenhead, England

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0335234224; 0335234232; 0335240380; 1283338661; 9780335234226; 9780335234233; 9780335240388; 9781283338660
    Subjects: DRAMA / Anthologies (multiple authors); Feminist film criticism; Film criticism; Motion pictures / Aesthetics; Motion pictures / Appreciation; Motion pictures / Philosophy; Semiotics and the arts; Film; Philosophie; Ästhetik; Film criticism; Feminist film criticism; Motion pictures; Motion pictures; Motion pictures; Semiotics and the arts; Filmtheorie
    Scope: 1 Online-Ressource
    Notes:

    Includes bibliographical references (p. [194]-204) and index

    Structuralism and semiotics: the foundations of contemporary film theory -- Apparatus theory: Jean-Louis Baudry and Christian Metz -- Screen theory: Colin MacCabe and Stephen Heath -- Feminism and film: visual pleasure and identificatory practices -- CInemas of the other: postcolonialism, race and queer theory -- Philosophers and film: Gilles Deleuze and Stanley Cavell -- Film as art: historical poetics and neoformalism -- The cognitive turn: narrative comprehension and character identification -- Recent developments: phenomenology, attractions and audiences

    "What is Film Theory? outlines the discipline's key theoretical concepts, perspectives, and traditions, and critically examines the assertions posited by exemplary film theorists and philosophers of film. A step-by-step approach to these issues guides the reader through the central topics of film theory. Beginning with a discussion of structuralism and semiotics, and moving through debates on psychoanalysis, feminism, Screen theory, and cultural studies, the authors then examine the perspectives of 'post-theory', cognitivism, and historical poetics, as well as recent developments such as audience research and the 'cinema of attractions'. Analysis of the major theories is supported with detailed and wide-ranging case studies of particular films, including Singin' in the Rain, The Searchers, Tout va bien, Jaws, Do the Right Thing, Brokeback Mountain, and Sweeney Todd: The Demon Barber of Fleet Street. These case studies are accompanied by a series of illustrative film and production stills."--P. [4] of cover
  9. The search for meaning in film and television
    disenchantment at the turn of the millennium
    Author: Maloney, Marcus
    Published: 2015
    Publisher:  Palgrave Macmillan, Basingstoke [u.a.]

    "This fascinating study explores the difficulties faced by modern Westerners in their search for a meaningful life. It sheds light on this enduring cultural dilemma through a close reading of four popular film and television narratives: Pixar's... more

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    "This fascinating study explores the difficulties faced by modern Westerners in their search for a meaningful life. It sheds light on this enduring cultural dilemma through a close reading of four popular film and television narratives: Pixar's animated feature film, Toy Story; Christopher Nolan's Batman Begins and The Dark Knight; the television romantic comedy, Sex and the City; and, finally, the mobster drama, The Sopranos. The readings are guided by a number of inter-related questions. First, in what ways do these popular stories speak to the modern West's meaning dilemma? What do they have to say about contemporary culture, and its capacity to illuminate the fundamental human? What are the core problems faced by the central characters and how are they resolved? Finally, and perhaps most importantly, do the four stories that come into focus suggest hope or despair in the modern West's search for meaning?"--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 1137499281; 9781137499288; 9781349698455
    RVK Categories: AP 50300
    Edition: 1. publ.
    Subjects: Motion pictures / Philosophy; Television / Philosophy; PERFORMING ARTS / Film & Video / History & Criticism; PERFORMING ARTS / Television / History & Criticism; SOCIAL SCIENCE / Media Studies; Motion pictures / Philosophy; Television / Philosophy; Film; Philosophie; Lebenssinn; Lebenssinn <Motiv>; Film
    Scope: VIII, 185 S., 23 cm
    Notes:

    Includes bibliographical references and index

    Acknowledgements -- 1. Introduction -- 2. Just a Toy -- 3. Batman and Society -- 4. Self, Sex and the City -- 5. Tony Soprano and the Big Nothing -- 6. Conclusion -- Notes -- Bibliography -- Index
  10. This is called moving
    a critical poetics of film
    Author: Child, Abigail
    Published: ©2005
    Publisher:  University of Alabama Press, Tuscaloosa

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0817381309; 9780817381301
    Series: Modern and contemporary poetics
    Subjects: Child, Abigail; Experimental films; Motion pictures; PERFORMING ARTS / Film & Video / Reference; Experimental films; Motion pictures / Aesthetics; Motion pictures / Philosophy; Film; Philosophie; Ästhetik; Experimental films; Motion pictures; Motion pictures; Experimentalfilm; Ästhetik
    Other subjects: Child, Abigail; Child, Abigail
    Scope: 1 Online-Ressource (xxv, 290 pages)
    Notes:

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references and index

    "Selected works by the author": pages 281-282

    List of Illustrations; Poetry in Motion by Tom Gunning; Preface; Sex Talk; Matrix; Interrogations; Notes; Selected Works by the Author; Index

    As a writer, director, producer, and cinematographer, Abigail Child has been recognized as a major and influential practitioner of experimental cinema since the early 1970s. In these essays, Child draws on her career as a practicing poet as well as a filmmaker to explore how these two language systems inform and cross-fertilize her work
  11. Film ecology
    defending the biosphere : doughnut economics and film theory and practice
    Author: Hayward, Susan
    Published: 2020; © 2020
    Publisher:  Routledge, Abingdon, Oxon

    "This book attempts to answer the questions, posed by T.J. Demos (in Against the Anthropocene, 2107): how do we find a way address the planetary harm and the issues it raises within the field of Film Studies? How do we construct a theoretical model... more

     

    "This book attempts to answer the questions, posed by T.J. Demos (in Against the Anthropocene, 2107): how do we find a way address the planetary harm and the issues it raises within the field of Film Studies? How do we construct a theoretical model that allows us to visualize the ecological transgressions brought about by the growth-model of capitalism which is heavily endorsed by mainstream narrative cinema? By turning to the Regenerative model set out in Kate Raworth's book Doughnut Economics (2017) and adapting its fundamental principles to a study of narrative cinema, Film Ecology proposes to show how, by using this model, we can usefully plot and investigate films according to criteria that are not genre/star/auteur-led, nor indeed embedded in anthropocentric theoretical models, but principles which are ecologically based. The hope is that this approach will inspire film practitioners, film theorists, critics and analysts, film students and film lovers alike to consider how they might integrate this Doughnut model into their thinking or work as part of their process"--

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780429293801; 0429293801; 9781000062243; 1000062244; 9781000062182; 100006218X; 9781000062212; 100006221X
    Subjects: Environmental protection and motion pictures; Environmentalism in motion pictures; Ecology in motion pictures; Capitalism in motion pictures; Motion pictures / Philosophy; Ecocriticism
    Scope: 1 online resource (116 pages)
    Notes:

    "Routledge Focus" -- Front cover

    Description based on online resource; title from digital title page (viewed on April 16, 2020)
  12. The soul of film theory
    Author: Cooper, Sarah
    Published: 2013
    Publisher:  Palgrave Macmillan, Basingstoke [u.a.]

    "In contemporary film theory, body and mind have been central to explorations of film form, representation, and spectatorship. While the soul may seem to have no place here, the history of film theory and its legacy to the present suggest otherwise.... more

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    "In contemporary film theory, body and mind have been central to explorations of film form, representation, and spectatorship. While the soul may seem to have no place here, the history of film theory and its legacy to the present suggest otherwise. From the origins of film theory - from Hugo Münsterberg through French Impressionism to writings of the Weimar Republic - to the mid-twentieth century work of Henri Agel and Amédée Ayfre and Henri Agel, as well as Edgar Morin, the soul emerges as a multi-faceted, if contested, concept. By revisiting such key moments in the history of film theory, and tracing the survival of this concept through to a range of cutting-edge debates today, from the work of Vivian Sobchack to Jean-Luc Nancy, Gilles Deleuze to Torben Grodal, The Soul of Film Theory tells the heretofore tacit tale of the relation between cinema and the soul, from classical to contemporary times, in dialogue with philosophy, religion, and science"--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780230365131
    Edition: 1. publ.
    Subjects: Motion pictures / Philosophy; Motion pictures / Psychological aspects; BODY, MIND & SPIRIT / General; PHILOSOPHY / General; SOCIAL SCIENCE / Media Studies; Film; Philosophie; Psychologie; Seele <Motiv>; Filmtheorie; Körper <Motiv>
    Scope: X, 209 S., Ill.
    Notes:

    Includes bibliographical references

    Machine generated contents note: Introduction: The Soul of Film Theory -- 1. Classical Souls -- 2. Signifying Souls -- 3. Body and Soul -- Concluding Remarks
  13. Critical cinema
    beyond the theory of practice
    Published: 2011
    Publisher:  Wallflower Press, London [u.a.]

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    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    Subjects: Film criticism; Motion pictures / Philosophy; Motion pictures / Aesthetics; Film; Philosophie; Ästhetik; Film; Filmtheorie
    Scope: XVI, 299 S., Ill., 24 cm
    Notes:

    Includes bibliographical references and index
  14. Deleuze, cinema and national identity
    narrative time in national contexts
    Author: Martin-Jones, David
    Published: 2008
    Publisher:  Edinburgh Univ. Press, Edinburgh

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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Regensburg
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780748635856; 9780748622443; 0748622446
    RVK Categories: AP 47000 ; CC 8400 ; CI 5599
    Subjects: Nationalism in motion pictures; Motion pictures / Aesthetics; Motion pictures / Philosophy; Filmkunst; Verteltheorie; Nationale identiteit; Cinéma - Philosophie; Nationalisme au cinéma; Film; Nationalbewusstsein; Philosophie; Ästhetik; Motion pictures; Nationalism in motion pictures; Filmanalyse; Nationalbewusstsein; Erzählte Zeit
    Other subjects: Deleuze, Gilles / 1925-1995 / Criticism and interpretation; Deleuze, Gilles <1925-1995>; Deleuze, Gilles <1925-1995>; Deleuze, Gilles (1925-1995)
    Scope: IX, 244 S., Ill., 25 cm
    Notes:

    Includes bibliographical references and index

    Introduction : Deleuze, film studies and national identity -- History -- Memory -- National identity in the global city -- American triumphalism and the first Gulf War -- Renegotiating the national past after 9/11 -- The Pacific Rim -- Conclusion : blind chance and possible futures
  15. Cinephilia in the age of digital reproduction
    film, pleasure and digital culture
    Publisher:  Wallflower, London

  16. Film, theory and philosophy
    the key thinkers
    Contributor: Colman, Felicity J. (Publisher)
    Published: 2009
    Publisher:  Acumen, Durham

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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek der LMU München
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  17. Seeing fictions in film
    the epistemology of movies
    Author: Wilson, George M.
    Published: 2011
    Publisher:  Oxford Univ. Press, Oxford [u.a.]

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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780199594894; 9780199686780
    RVK Categories: AP 45200 ; AP 47600
    Edition: 1. publ.
    Subjects: Motion pictures / Philosophy; Motion pictures / Aesthetics; Motion picture audiences; Narration (Rhetoric); Film; Philosophie; Ästhetik; Erkenntnistheorie; Film; Erzähltechnik; Wahrnehmung
    Scope: VIII, 220 S., Ill.
    Notes:

    Hier auch spätere unveränderte Nachdrucke
  18. Ecologies of the moving image
    cinema, affect, nature
    Author: Ivakhiv, Adrian J.
    Published: 2013
    Publisher:  Wilfrid Laurier University Press, Waterloo, Ontario, Canada

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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bayreuth
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781554589050
    RVK Categories: AP 50300
    Series: Environmental humanities
    Subjects: Motion pictures / Philosophy; Nature in motion pictures; Ecology in motion pictures; Film; Philosophie; Ökologie; Natur <Motiv>; Film
    Scope: xii, 418 Seiten, Illustrationen, 23 cm
    Notes:

    Includes bibliographical references and index
  19. Deleuze
    il non-tutto in immagine : sulla risonanza tra Differenza e ripetizione e L'immagine-tempo
    Author: Carmagnola, Fulvio
    Published: [2022]
    Publisher:  Mimesis, Milano

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    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: Italian
    Media type: Book
    ISBN: 9788857583198
    Series: OT/Orbis tertius ; [nuova serie], n. 14
    Subjects: Ontology; Aesthetics; Motion pictures / Philosophy; Ästhetik
    Other subjects: Deleuze, Gilles / 1925-1995 / Différence et répétition; Deleuze, Gilles / 1925-1995 / Image-temps; Deleuze, Gilles (1925-1995): Différence et répétition
    Scope: 66 pages, 1 illustration, 21 cm
    Notes:

    Includes bibliographical references (pages 65-66)
  20. Turbulence and flow in film
    the rhythmic design
    Author: Biró, Yvette
    Published: 2008
    Publisher:  Indiana Univ. Press, Bloomington [u.a.]

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    Bayerische Staatsbibliothek
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    Hochschule für Fernsehen und Film, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780253350862; 9780253219657
    RVK Categories: AP 45200
    Subjects: Motion pictures / Philosophy; Motion pictures / Aesthetics; Film; Philosophie; Ästhetik; Motion pictures; Motion pictures; Rhythmus; Zeit; Film
    Scope: xii, 268 S., Ill.
    Notes:

    Includes filmography: p. [253]-258

    Includes bibliographical references (p. [247]-251) and index
  21. Deleuze and the cinemas of performance
    powers of affection
    Author: Río, Elena del
    Published: 2008
    Publisher:  Edinburgh Univ. Press, Edinburgh

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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Bayreuth
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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    Hochschule für Fernsehen und Film, Bibliothek
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    Universitätsbibliothek Regensburg
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780748635252
    RVK Categories: AP 45100 ; AP 50300 ; CC 8400 ; CI 5599
    Subjects: Body, Human, in motion pictures; Motion pictures / Philosophy; Film; Philosophie; Body, Human, in motion pictures; Motion pictures / Philosophy; Film; Affekt; Körper <Motiv>
    Other subjects: Deleuze, Gilles / 1925-1995; Deleuze / Gilles / 1925-1995; Deleuze, Gilles (1925-1995)
    Scope: VIII, 240 S.
    Notes:

    Includes bibliographical references (p. [218]-227) and index
  22. Deleuze, cinema and national identity
    narrative time in national contexts
    Author: Martin-Jones, David
    Published: 2006
    Publisher:  Edinburgh Univ. Press, Edinburgh

    This volume challenges the traditional use of Deleuze's philosophy to examine European art cinema. It explores how Deleuze can be used to analyse national identity across a range of different cinemas. Focusing on a narrative time, it combines a... more

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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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    This volume challenges the traditional use of Deleuze's philosophy to examine European art cinema. It explores how Deleuze can be used to analyse national identity across a range of different cinemas. Focusing on a narrative time, it combines a Deleuzean approach with a vast range of non-traditional material.

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780748635856; 9780748622443; 0748622446
    RVK Categories: CI 5599
    Subjects: Nationalism in motion pictures; Motion pictures / Aesthetics; Motion pictures / Philosophy; Filmkunst; Verteltheorie; Nationale identiteit; Film; Nationalbewusstsein; Philosophie; Ästhetik; Motion pictures; Motion pictures; Nationalism in motion pictures; Nationalbewusstsein; Filmanalyse; Erzählte Zeit
    Other subjects: Deleuze, Gilles / 1925-1995 / Criticism and interpretation; Deleuze, Gilles <1925-1995>; Deleuze, Gilles (1925-1995)
    Scope: IX, 244 S., Ill., 25 cm
    Notes:

    Includes bibliographical references and index

    Introduction : Deleuze, film studies and national identity -- History -- Memory -- National identity in the global city -- American triumphalism and the first Gulf War -- Renegotiating the national past after 9/11 -- The Pacific Rim -- Conclusion : blind chance and possible futures
  23. Dal segno all'immagine
    saggio su Gilles Deleuze
    Author: Cantone, Damiano
    Published: [2022]
    Publisher:  MELTEMI, Milano

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    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: Italian
    Media type: Book
    ISBN: 9788855196895
    Series: Linee ; 169
    Subjects: Semiotics; Aesthetics; Art / Philosophy; Motion pictures / Philosophy; Semiotik; Bild; Literatur; Film
    Other subjects: Deleuze, Gilles / 1925-1995; Deleuze, Gilles (1925-1995)
    Scope: 160 Seiten, 21 cm
  24. Deleuze, cinema and national identity
    narrative time in national contexts
    Author: Martin-Jones, David
    Published: 2006
    Publisher:  Edinburgh Univ. Press, Edinburgh

    This volume challenges the traditional use of Deleuze's philosophy to examine European art cinema. It explores how Deleuze can be used to analyse national identity across a range of different cinemas. Focusing on a narrative time, it combines a... more

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    Freie Universität Berlin, Universitätsbibliothek
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    This volume challenges the traditional use of Deleuze's philosophy to examine European art cinema. It explores how Deleuze can be used to analyse national identity across a range of different cinemas. Focusing on a narrative time, it combines a Deleuzean approach with a vast range of non-traditional material.

     
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    Content information
    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 9780748635856; 9780748622443; 0748622446
    RVK Categories: CI 5599
    Subjects: Nationalism in motion pictures; Motion pictures / Aesthetics; Motion pictures / Philosophy; Filmkunst; Verteltheorie; Nationale identiteit; Film; Nationalbewusstsein; Philosophie; Ästhetik; Motion pictures; Motion pictures; Nationalism in motion pictures; Nationalbewusstsein; Filmanalyse; Erzählte Zeit
    Other subjects: Deleuze, Gilles / 1925-1995 / Criticism and interpretation; Deleuze, Gilles <1925-1995>; Deleuze, Gilles (1925-1995)
    Scope: IX, 244 S., Ill., 25 cm
    Notes:

    Includes bibliographical references and index

    Introduction : Deleuze, film studies and national identity -- History -- Memory -- National identity in the global city -- American triumphalism and the first Gulf War -- Renegotiating the national past after 9/11 -- The Pacific Rim -- Conclusion : blind chance and possible futures
  25. Seeing fictions in film
    the epistemology of movies
    Author: Wilson, George M.
    Published: 2011
    Publisher:  Oxford Univ. Press, Oxford [u.a.]

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Volltext (Inhaltsverzeichnis)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    ISBN: 9780199594894; 9780199686780
    RVK Categories: AP 45200 ; AP 47600
    Edition: 1. publ.
    Subjects: Motion pictures / Philosophy; Motion pictures / Aesthetics; Motion picture audiences; Narration (Rhetoric); Film; Philosophie; Ästhetik; Erkenntnistheorie; Film; Erzähltechnik; Wahrnehmung
    Scope: VIII, 220 S., Ill.
    Notes:

    Hier auch spätere unveränderte Nachdrucke