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  1. Apocalyptic geographies
    religion, media, and the American landscape
    Author: Tharaud, Jerome
    Published: [2020]; © 2020
    Publisher:  Princeton University Press, Princeton ; Oxford

    How nineteenth-century Protestant evangelicals used print and visual media to shape American cultureIn nineteenth-century America, "apocalypse" referred not to the end of the world but to sacred revelation, and "geography" meant both the physical... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

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    Universität Potsdam, Universitätsbibliothek
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    Gemeinsamer Bibliotheksverbund (GBV)

     

    How nineteenth-century Protestant evangelicals used print and visual media to shape American cultureIn nineteenth-century America, "apocalypse" referred not to the end of the world but to sacred revelation, and "geography" meant both the physical landscape and its representation in printed maps, atlases, and pictures. In Apocalyptic Geographies, Jerome Tharaud explores how white Protestant evangelicals used print and visual media to present the antebellum landscape as a "sacred space" of spiritual pilgrimage, and how devotional literature influenced secular society in important and surprising ways.Reading across genres and media—including religious tracts and landscape paintings, domestic fiction and missionary memoirs, slave narratives and moving panoramas—Apocalyptic Geographies illuminates intersections of popular culture, the physical spaces of an expanding and urbanizing nation, and the spiritual narratives that ordinary Americans used to orient their lives. Placing works of literature and visual art—from Thomas Cole’s The Oxbow to Harriet Beecher Stowe’s Uncle Tom’s Cabin and Henry David Thoreau’s Walden—into new contexts, Tharaud traces the rise of evangelical media, the controversy and backlash it engendered, and the role it played in shaping American modernity

     
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  2. New Haven's sentinels
    the art and science of East Rock and West Rock
    Author: Zeilinga de Boer, Jelle; Wareham, John
    Published: 2013
    Publisher:  Wesleyan University Press, Middletown, Conn.

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780819573742
    Series: A Driftless Connecticut series
    Subjects: Geology; Geology; Landscape painting, American
    Scope: XII, 156 S, zahlr. Ill., Kt, 22 x 27 cm
    Notes:

    Includes bibliographical references (pages 145-149)
  3. The early landscapes of Frederic Edwin Church
    1845 - 1854
    Published: 1987
    Publisher:  Amon Carter Museum, Fort Worth, Tex.

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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0883600781
    Series: Anne Burnett Tandy Lectures in American Civilization: The Anne Burnett Tandy Lectures in American Civilization ; 6
    Subjects: Landscape painting, American; Landschaftsmalerei; USA <Motiv>
    Other subjects: Church, Frederic Edwin <1826-1900>; Church, Frederic Edwin <1826-1900>; Church, Frederick Edwin (1826-1900); Cole, Thomas
    Scope: XI, 159 S., Ill.
  4. The artist's Mount Desert
    American painters on the Maine Coast
    Published: 1994
    Publisher:  Princeton Univ. Press, Princeton, NJ

    In a panoramic narrative John Wilmerding has brought together individual studies of the artists who painted Mount Desert Island off the Maine coast in the nineteenth and early twentieth centuries. Wilmerding demonstrates that Mount Desert has had an... more

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    In a panoramic narrative John Wilmerding has brought together individual studies of the artists who painted Mount Desert Island off the Maine coast in the nineteenth and early twentieth centuries. Wilmerding demonstrates that Mount Desert has had an enduring appeal for artists and visitors, much like other great sites of national geography, such as Yosemite, Yellowstone, and Niagara Falls This coastal region of the northeast captured the imaginations of several generations of American painters, and each generation attached its own meaning to the island. These changing meanings reveal both the history of American landscape painting as well as cultural concerns of each era As Wilmerding states, "Part of the island's continuing allure is that a fixed point of geography can inspire such diverse visual responses and stylistic treatments as the romantic realism of the early Hudson River painters, the crystalline luminism of artists in the middle of the nineteenth century, the variants of impressionism practiced at century's end, and the new modes of representation in the twentieth, approaching aspects of abstraction."

     
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  5. New Haven's sentinels
    the art and science of East Rock and West Rock
    Author: Zeilinga de Boer, Jelle; Wareham, John
    Published: 2013
    Publisher:  Wesleyan University Press, Middletown, Conn.

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780819573742
    Series: A Driftless Connecticut series
    Subjects: Geology; Geology; Landscape painting, American
    Scope: XII, 156 S, zahlr. Ill., Kt, 22 x 27 cm
    Notes:

    Includes bibliographical references (pages 145-149)
  6. Charmed places
    Hudson River artists and their houses, studios, and vistas
    Published: 1988
    Publisher:  Abrams, New York

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    Bayerische Staatsbibliothek
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    Subjects: Hudson River school of landscape painting; Landscape painters; Landscape painters; Landscape painting, American; Landschaftsmalerei; Hudson River School; Haus; Hudson River <Motiv>; Hausbau; Künstler
    Scope: 160 S., Ill.
    Notes:

    Wanderausstellung 1988-1989
  7. Paintings of California
    Published: 1993
    Publisher:  Potter, New York

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    Bayerische Staatsbibliothek
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  8. The planter's prospect
    privilege and slavery in plantation paintings
    Author: Vlach, John Michael
    Published: 2002
    Publisher:  Univ. of North Carolina Press, Chapel Hill, NC [u.a.]

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    Universitätsbibliothek Bayreuth
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0807826863; 0807853526
    RVK Categories: HD 575 ; LO 96680
    Series: The Richard Hampton Jenrette series in architecture and the decorative arts
    Subjects: Landschapschilderkunst; Plantage-eigenaren; Plantages; Slaven (arbeid); Landscape painting, American; Landscape painting, American; Plantation life in art; Sklaverei <Motiv>; Plantage <Motiv>; Sklave <Motiv>; Landschaftsmalerei
    Scope: X, 216 S., zahlr. Ill.
  9. Arcadian waters and wanton seas
    the iconology of waterscapes in nineteenth-century transatlantic culture
    Author: Neset, Arne
    Published: c2009
    Publisher:  Peter Lang, New York

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781453903636
    RVK Categories: HD 570 ; LO 94020
    Series: American university studies ; v. 36
    Subjects: Marine painting, American; Landscape painting, American; Painting, American; Symbolism in art; Landschaftsmalerei; Arkadien <Motiv>; Gewässer <Motiv>
    Scope: xii, 275 p.
    Notes:

    Includes bibliographical references and index
  10. Apocalyptic geographies
    religion, media, and the American landscape
    Author: Tharaud, Jerome
    Published: [2020]; © 2020
    Publisher:  Princeton University Press, Princeton ; Oxford

    How nineteenth-century Protestant evangelicals used print and visual media to shape American cultureIn nineteenth-century America, "apocalypse" referred not to the end of the world but to sacred revelation, and "geography" meant both the physical... more

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    How nineteenth-century Protestant evangelicals used print and visual media to shape American cultureIn nineteenth-century America, "apocalypse" referred not to the end of the world but to sacred revelation, and "geography" meant both the physical landscape and its representation in printed maps, atlases, and pictures. In Apocalyptic Geographies, Jerome Tharaud explores how white Protestant evangelicals used print and visual media to present the antebellum landscape as a "sacred space" of spiritual pilgrimage, and how devotional literature influenced secular society in important and surprising ways.Reading across genres and media—including religious tracts and landscape paintings, domestic fiction and missionary memoirs, slave narratives and moving panoramas—Apocalyptic Geographies illuminates intersections of popular culture, the physical spaces of an expanding and urbanizing nation, and the spiritual narratives that ordinary Americans used to orient their lives. Placing works of literature and visual art—from Thomas Cole’s The Oxbow to Harriet Beecher Stowe’s Uncle Tom’s Cabin and Henry David Thoreau’s Walden—into new contexts, Tharaud traces the rise of evangelical media, the controversy and backlash it engendered, and the role it played in shaping American modernity

     
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  11. Arcadian waters and wanton seas
    the iconology of waterscapes in nineteenth-century transatlantic culture
    Author: Neset, Arne
    Published: 2009
    Publisher:  Lang, New York [u.a.]

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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781433102974
    RVK Categories: HD 570 ; LO 94020
    Series: American university studies : Series XIX, General literature ; 36
    Subjects: Marine painting, American; Landscape painting, American; Painting, American; Symbolism in art; Arkadien <Motiv>; Gewässer <Motiv>; Landschaftsmalerei
    Scope: XII, 275 S., zahlr. Ill.
  12. Apocalyptic Geographies
    Religion, Media, and the American Landscape
    Author: Tharaud, Jerome
    Published: [2020]
    Publisher:  Princeton University Press, Princeton, NJ

    Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Abbreviations -- Introduction -- 1. Thomas Cole and the Landscape of Evangelical Print -- 2. Abolitionist Mediascapes: The American Anti-Slavery Society and the Sacred Geography of... more

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    Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Abbreviations -- Introduction -- 1. Thomas Cole and the Landscape of Evangelical Print -- 2. Abolitionist Mediascapes: The American Anti-Slavery Society and the Sacred Geography of Emancipation -- 3. The Human Medium: Harriet Beecher Stowe and the New-York Evangelist -- 4. Pilgrimage to the “Secular Center”: Tourism and the Sentimental Novel -- 5. Cosmic Modernity: Henry David Thoreau, the Missionary Memoir, and the Heathen Within -- 6. The Sensational Republic: Catholic Conspiracy and the Battle for the Great West -- Epilogue -- Notes -- Selected Bibliography -- Index -- A NOTE ON THE TYPE How nineteenth-century Protestant evangelicals used print and visual media to shape American cultureIn nineteenth-century America, "apocalypse" referred not to the end of the world but to sacred revelation, and "geography" meant both the physical landscape and its representation in printed maps, atlases, and pictures. In Apocalyptic Geographies, Jerome Tharaud explores how white Protestant evangelicals used print and visual media to present the antebellum landscape as a “sacred space” of spiritual pilgrimage, and how devotional literature influenced secular society in important and surprising ways.Reading across genres and media—including religious tracts and landscape paintings, domestic fiction and missionary memoirs, slave narratives and moving panoramas—Apocalyptic Geographies illuminates intersections of popular culture, the physical spaces of an expanding and urbanizing nation, and the spiritual narratives that ordinary Americans used to orient their lives. Placing works of literature and visual art—from Thomas Cole’s The Oxbow to Harriet Beecher Stowe’s Uncle Tom’s Cabin and Henry David Thoreau’s Walden—into new contexts, Tharaud traces the rise of evangelical media, the controversy and backlash it engendered, and the role it played in shaping American modernity

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780691203263
    Other identifier:
    Subjects: Landscape painting, American; Evangelicalism in literature; Spirituality in art; Apocalypse in literature; Apocalypse in art; American literature; Landscapes in literature; LITERARY CRITICISM / American / General
    Scope: 1 Online-Ressource (360 p), 8 color + 50 b/w illus
  13. The pictorial mode
    Space and time in the art of Bryant, Irving and Cooper
    Author: Ringe, Donald A.
    Published: 1971
    Publisher:  Univ. Press, Lexington, Ky.

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    Universitätsbibliothek Bamberg
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  14. Apocalyptic Geographies
    Religion, Media, and the American Landscape
    Author: Tharaud, Jerome
    Published: [2020]
    Publisher:  Princeton University Press, Princeton, NJ

    Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Abbreviations -- Introduction -- 1. Thomas Cole and the Landscape of Evangelical Print -- 2. Abolitionist Mediascapes: The American Anti-Slavery Society and the Sacred Geography of... more

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    Universität Potsdam, Universitätsbibliothek
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    Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Abbreviations -- Introduction -- 1. Thomas Cole and the Landscape of Evangelical Print -- 2. Abolitionist Mediascapes: The American Anti-Slavery Society and the Sacred Geography of Emancipation -- 3. The Human Medium: Harriet Beecher Stowe and the New-York Evangelist -- 4. Pilgrimage to the “Secular Center”: Tourism and the Sentimental Novel -- 5. Cosmic Modernity: Henry David Thoreau, the Missionary Memoir, and the Heathen Within -- 6. The Sensational Republic: Catholic Conspiracy and the Battle for the Great West -- Epilogue -- Notes -- Selected Bibliography -- Index -- A NOTE ON THE TYPE How nineteenth-century Protestant evangelicals used print and visual media to shape American cultureIn nineteenth-century America, "apocalypse" referred not to the end of the world but to sacred revelation, and "geography" meant both the physical landscape and its representation in printed maps, atlases, and pictures. In Apocalyptic Geographies, Jerome Tharaud explores how white Protestant evangelicals used print and visual media to present the antebellum landscape as a “sacred space” of spiritual pilgrimage, and how devotional literature influenced secular society in important and surprising ways.Reading across genres and media—including religious tracts and landscape paintings, domestic fiction and missionary memoirs, slave narratives and moving panoramas—Apocalyptic Geographies illuminates intersections of popular culture, the physical spaces of an expanding and urbanizing nation, and the spiritual narratives that ordinary Americans used to orient their lives. Placing works of literature and visual art—from Thomas Cole’s The Oxbow to Harriet Beecher Stowe’s Uncle Tom’s Cabin and Henry David Thoreau’s Walden—into new contexts, Tharaud traces the rise of evangelical media, the controversy and backlash it engendered, and the role it played in shaping American modernity

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780691203263
    Other identifier:
    Subjects: Landscape painting, American; Evangelicalism in literature; Spirituality in art; Apocalypse in literature; Apocalypse in art; American literature; Landscapes in literature; LITERARY CRITICISM / American / General
    Scope: 1 Online-Ressource (360 p), 8 color + 50 b/w illus
  15. Arcadian waters and wanton seas
    the iconology of waterscapes in nineteenth-century transatlantic culture
    Author: Neset, Arne
    Published: 2009
    Publisher:  Lang, New York [u.a.]

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    Freie Universität Berlin, Universitätsbibliothek
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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Source: Staatsbibliothek zu Berlin; Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 9781433102974
    RVK Categories: HD 570 ; LO 94020
    Series: American university studies : Series XIX, General literature ; 36
    Subjects: Marine painting, American; Landscape painting, American; Painting, American; Symbolism in art; Arkadien <Motiv>; Gewässer <Motiv>; Landschaftsmalerei
    Scope: XII, 275 S., zahlr. Ill.
  16. The pictorial mode
    space and time in the art of Bryant, Irving, and Cooper
    Published: 2010
    Publisher:  The University Press of Kentucky, Lexington

    Focusing on style as a means of thematic expression, Donald A. Ringe in this study examines in detail the affinities that exist between the paintings of the Hudson River school and the works of William Cullen Bryant, Washington Irving, and James... more

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    Hochschule Aalen, Bibliothek
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    Focusing on style as a means of thematic expression, Donald A. Ringe in this study examines in detail the affinities that exist between the paintings of the Hudson River school and the works of William Cullen Bryant, Washington Irving, and James Fenimore Cooper

     
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  17. Aesthetic transcendentalism in Emerson, Peirce, and nineteenth-century American landscape painting
    Author: Guardiano, Nicholas
    Published: [2017]
    Publisher:  Lexington Books, Lanham

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    Universitätsbibliothek Heidelberg
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    2017 C 994
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781498524537
    Series: American philosophy series
    Subjects: Philosophy of nature; Transcendentalism (New England); Nature (Aesthetics); Art and philosophy; Landscape painting, American
    Other subjects: Emerson, Ralph Waldo (1803-1882); Peirce, Charles S (1839-1914)
    Scope: XXIII, 143 Seiten
    Notes:

    Includes bibliographical references and index
  18. Apocalyptic geographies
    religion, media, and the American landscape
    Author: Tharaud, Jerome
    Published: [2020]; © 2020
    Publisher:  Princeton University Press, Princeton

    Evangelical Space. Thomas Cole and the Landscape of Evangelical Print -- Abolitionist Mediascapes: The American Anti-Slavery Society and the Sacred Geography of Emancipation -- The Human Medium: Harriet Beecher Stowe and the New-York Evangelist --... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    10 A 125325
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signature:
    2020 A 1915
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    Unlimited inter-library loan, copies and loan

    Location:
    Fakultätsbibliothek Theologie
    Signature:
    KG Pmg 115
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

     

    Evangelical Space. Thomas Cole and the Landscape of Evangelical Print -- Abolitionist Mediascapes: The American Anti-Slavery Society and the Sacred Geography of Emancipation -- The Human Medium: Harriet Beecher Stowe and the New-York Evangelist -- Geographies of the Secular. Pilgrimage to the 'Secular Center': Tourism and the Calvinist Novel -- Cosmic Modernity: Henry David Thoreau, the Missionary Memoir, and the Heathen Within -- The Sensational Republic: Catholic Conspiracy and the Battle for the Great West -- Epilogue. "This monograph argues that Protestant evangelicals used the rise of mass print culture in the nineteenth century to produce a modern form of "sacred space" that moved beyond devotional literature to profoundly shape popular literature, art, and politics. The author places well-known works of literature and visual art-Thomas Cole's 1836 painting The Oxbow, Harriet Beecher Stowe's Uncle Tom's Cabin, Henry David Thoreau's Walden, among others-into new contexts, showing the revelatory nature they contained for religious audiences. As the author demonstrates, the antebellum landscape meant more than physical territory to be conquered or new markets to be exploited: the land itself represented intense spiritual longing and struggle, a spiritual medium through which many Americans looked to see the state of their souls and the fate of the world unveiled"--

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780691200095; 9780691200101
    RVK Categories: HL 1101
    Subjects: American literature; Apocalypse in literature; Landscapes in literature; Evangelicalism in literature; Landscape painting, American; Apocalypse in art; Spirituality in art
    Scope: xix, 334 Seiten, 8 ungezählte Seiten, Illustrationen, 25 cm
    Notes:

    Includes bibliographical references and index
  19. Painting summer in New England
    [published in conjunction with the exhibition Painting Summer in New England organized by the Peabody Essex Museum, Salem, Massachusetts, April 22 - September 4, 2006]
    Published: 2006
    Publisher:  Yale University Press, New Haven, Conn.

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signature:
    ::8:2006:3466:
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    No inter-library loan
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0300116926
    Subjects: Landscape painting, American; Landscape painting, American; Summer in art
    Scope: 136 S, zahlr. Ill, 28cm
  20. Speculative landscapes
    American art and real estate in the nineteenth century
    Author: Barrett, Ross
    Published: [2022]
    Publisher:  University of California Press, Oakland, California

    Introduction -- Land, looking, and futurity in the Hudson Valley -- Digging for gold : allegories of speculation on the Illinois frontier -- Picturing land and labor in the Old Northwest and New England -- Perilous prospects : speculation and... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signature:
    ::8:2023:328:
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Heidelberg
    Signature:
    2022 C 3893
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Introduction -- Land, looking, and futurity in the Hudson Valley -- Digging for gold : allegories of speculation on the Illinois frontier -- Picturing land and labor in the Old Northwest and New England -- Perilous prospects : speculation and landscape painting in Florida -- Painting and property on Prout's Neck -- Conclusion. "Speculative Landscapes offers the first comprehensive account of American artists' financial involvements in and creative responses to the nineteenth-century real estate economy. Examining the dealings of five painters who participated actively in this economy--Daniel Huntington, John Quidor, Eastman Johnson, Martin Johnson Heade, and Winslow Homer--Ross Barrett argues that the experience of property investment exposed artists to new ways of seeing and representing land, inspiring them to develop innovative figural, landscape, and marine paintings that radically reworked visual conventions. This approach moved beyond just aesthetics, however, and the book traces how artists creatively interrogated the economic, environmental, and cultural dynamics of American real estate capitalism. In doing so, Speculative Landscapes reveals how the provocative experience of land investment spurred painters to produce uniquely insightful critiques of the emerging real estate economy, critiques that uncovered its fiscal perils and social costs and imagined spaces outside the regime of private property"--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780520343917
    Subjects: Landscape painting, American; Real estate investment; Painters; Real property in art
    Scope: 241 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  21. Viaggiatori appassionati
    Elihu Vedder e alri paesaggisti americani dell'Ottocento in Italia ; [San Gimignano, Galleria d'Arte Moderna e Contemporanea "Raffaele De Gradda" 29 giugno - 29 settembre 2002 ; Roma, Museo Hendrick C. Andersen 15 ottobre 2002 - 12 gennaio 2003]
    Published: 2002
    Publisher:  Comune di San Gimignano, San Gimignano (Siena) ; Bandecchi & Vivaldi, Pontedera (Pisa)

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signature:
    ::8:2003:5283:
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    No inter-library loan
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    Source: Union catalogues
    Language: Italian
    Media type: Book
    Format: Print
    Subjects: Landscape painting, American
    Other subjects: Vedder, Elihu (1836-1923)
    Scope: 195 S, zahlr. Ill, 30 cm
    Notes:

    E. Vedder (1836-1923)

    Cont. bibl
  22. Apocalyptic geographies
    religion, media, and the American landscape
    Author: Tharaud, Jerome
    Published: [2020]; © 2020
    Publisher:  Princeton University Press, Princeton

    Evangelical Space. Thomas Cole and the Landscape of Evangelical Print -- Abolitionist Mediascapes: The American Anti-Slavery Society and the Sacred Geography of Emancipation -- The Human Medium: Harriet Beecher Stowe and the New-York Evangelist --... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Evangelical Space. Thomas Cole and the Landscape of Evangelical Print -- Abolitionist Mediascapes: The American Anti-Slavery Society and the Sacred Geography of Emancipation -- The Human Medium: Harriet Beecher Stowe and the New-York Evangelist -- Geographies of the Secular. Pilgrimage to the 'Secular Center': Tourism and the Calvinist Novel -- Cosmic Modernity: Henry David Thoreau, the Missionary Memoir, and the Heathen Within -- The Sensational Republic: Catholic Conspiracy and the Battle for the Great West -- Epilogue. "This monograph argues that Protestant evangelicals used the rise of mass print culture in the nineteenth century to produce a modern form of "sacred space" that moved beyond devotional literature to profoundly shape popular literature, art, and politics. The author places well-known works of literature and visual art-Thomas Cole's 1836 painting The Oxbow, Harriet Beecher Stowe's Uncle Tom's Cabin, Henry David Thoreau's Walden, among others-into new contexts, showing the revelatory nature they contained for religious audiences. As the author demonstrates, the antebellum landscape meant more than physical territory to be conquered or new markets to be exploited: the land itself represented intense spiritual longing and struggle, a spiritual medium through which many Americans looked to see the state of their souls and the fate of the world unveiled"--

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780691200095; 9780691200101
    RVK Categories: HL 1101
    Subjects: American literature; Apocalypse in literature; Landscapes in literature; Evangelicalism in literature; Landscape painting, American; Apocalypse in art; Spirituality in art
    Scope: xix, 334 Seiten, 8 ungezählte Seiten, Illustrationen, 25 cm
    Notes:

    Includes bibliographical references and index
  23. Art of the national parks
    historic connections, contemporary interpretations
    Contributor: MacGarry, Susan Hallsten
    Published: 2013
    Publisher:  Fresco Fine Arts Publications, [Albuquerque, New Mexico]

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Content information
    Source: Union catalogues
    Contributor: MacGarry, Susan Hallsten
    Language: English
    Media type: Book
    Format: Print
    ISBN: 193449139X; 9781934491393
    Subjects: Landscape painting, American; National parks and reserves; Landscape painting, American; National parks and reserves
    Scope: 432 S, zahlr. Ill., Kt, 27 x 32 cm
    Notes:

    Includes bibliographical references and index
  24. Folk art murals of the Rufus Porter school
    New England landscapes, 1825 - 1845
    Author: Lefko, Linda Carter; Radcliffe, Jane E.
    Published: c2011
    Publisher:  Schiffer, Atglen, Penn.

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780764337253
    Subjects: Landscapes in art; Folk art; Mural painting and decoration, American; Landscape painting, American
    Other subjects: Porter, Rufus (1792-1884): Select collection of valuable and curious arts, and interesting experiments; Porter, Rufus (1792-1884)
    Scope: 256 S, zahlr. Ill, 32 cm
    Notes:

    Includes bibliographical references (p. [249]-252) and index
  25. Facing Eden
    100 years of landscape art in the Bay area ; [catalogue of an exhibition of the same name held at The Fine Arts Museums of San Francisco 25. June - 10. September 1995]
    Published: 1995
    Publisher:  Fine Arts Museums of San Francisco, San Francisco, Calif. ; University of California Press, Berkeley

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0520203623; 0520203631
    Subjects: Landscape painting, American; Landscape painting, American; Landscapes in art; Landscape painting, American; Landscape painting; Landscape painting; Art, American; Art, Modern; Art, Modern; Landscape in art; San Francisco Bay Area in art; Graphic arts
    Scope: XXIII, 216 S, Ill. (some col.), col. maps, 31 cm
    Notes:

    Catalog of an exhibition of the same name held at the Fine Arts Museums