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  1. Forms
    whole, rhythm, hierarchy, network
    Author: Levine, Caroline
    Published: [2015]; © 2015
    Publisher:  Princeton University Press, Princeton

    "Forms offers a powerful new answer to one of the most pressing problems facing literary, critical, and cultural studies today--how to connect form to political, social, and historical context. Caroline Levine argues that forms organize not only... more

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    Institute for Cultural Inquiry- Kulturlabor, Bibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    "Forms offers a powerful new answer to one of the most pressing problems facing literary, critical, and cultural studies today--how to connect form to political, social, and historical context. Caroline Levine argues that forms organize not only works of art but also political life--and our attempts to know both art and politics. Inescapable and frequently troubling, forms shape every aspect of our experience. But forms don't impose their order in any simple way. Multiple shapes, patterns, and arrangements, overlapping and colliding, generate complex and unpredictable social landscapes that challenge and unsettle conventional analytic models in literary and cultural studies. Borrowing the concept of "affordances" from design theory, this book investigates the specific ways that four major forms--wholes, rhythms, hierarchies, and networks--have structured culture, politics, and scholarly knowledge across periods, and it proposes exciting new ways of linking formalism to historicism and literature to politics. Levine rereads both formalist and antiformalist theorists, including Cleanth Brooks, Michel Foucault, Jacques Rancière, Mary Poovey, and Judith Butler, and she offers engaging accounts of a wide range of objects, from medieval convents and modern theme parks to Sophocles's Antigone and the television series The Wire. The result is a radically new way of thinking about form for the next generation and essential reading for scholars and students across the humanities who must wrestle with the problem of form and context"--

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780691160627; 9780691173436
    RVK Categories: EC 1859 ; CC 8200 ; MS 8010
    Subjects: Literary form; Form (Aesthetics); Form perception; Cultural fusion in literature; Literature and society; Criticism
    Scope: XVI, 173 Seiten, 25 cm
    Notes:

    Hier auch später erschienene, unveränderte Nachdrucke

    Index
  2. Forma
    el ideal clásico en el arte moderno ; Museo Thyssen-Bornemisza del 9 de octubre de 2001 al 13 de enero de 2002
    Published: 2001
    Publisher:  Museo Thyssen-Bornemisza, Madrid

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    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: Spanish
    Media type: Book
    ISBN: 8488474822
    RVK Categories: LH 84120
    Subjects: Art, European; Classicism; Form (Aesthetics); Plastik; Mensch <Motiv>; Ästhetisches Ideal; Malerei
    Scope: 207 S., zahlr. Ill.
  3. Formwerdung und Formentzug
    Contributor: Hadjinicolaou, Yannis (Herausgeber); Engel, Franz (Herausgeber)
    Published: 2016; © 2016
    Publisher:  De Gruyter, Berlin, [Germany] ; Boston, [Massachusetts]

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    Source: Union catalogues
    Contributor: Hadjinicolaou, Yannis (Herausgeber); Engel, Franz (Herausgeber)
    Language: German
    Media type: Book
    Format: Online
    Series: Actus et Imago ; Band 16
    Subjects: Form (Aesthetics); Form (Philosophy); Kunstproduktion; Künstlerische Form; Ästhetik
    Scope: 1 online resource (284 pages), illustrations (some color)
    Notes:

    Description based on print version record
  4. Adorno's poetics of form
    Author: Robinson, Josh
    Published: [2018]
    Publisher:  State University of New York, Albany, NY

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781438469836
    RVK Categories: CI 1337 ; CI 1335
    Series: SUNY series in contemporary Continental philosophy
    Subjects: Form (Aesthetics)
    Other subjects: Adorno, Theodor W (1903-1969)
    Scope: XI, 275 Seiten
    Notes:

    Includes bibliographical references and index
  5. The concept of coherence in art
    Author: Aschenbrenner, Karl
    Published: 1985
    Publisher:  Reidel, Dordrecht u.a.

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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9027719594
    RVK Categories: CC 6900 ; LH 61040
    Subjects: Aesthetics; Konstestetik; arts; Ästhetik; Form (Aesthetics); Philosophie; Ästhetik; Form; Musik; Kunst
    Scope: XI, 244 S., Ill.
  6. Formuntersuchungen zu spät- und nachhellenistischen Gruppen
    Author: Kell, Klaus
    Published: 1988
    Publisher:  Saarbrücker Druckerei u. Verl., Saarbrücken

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    Universitätsbibliothek Augsburg
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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    ISBN: 3925036261
    RVK Categories: LG 2450 ; LG 2500 ; NH 6880
    Series: Saarbrücker Studien zur Archäologie und alten Geschichte ; 2
    Subjects: Composition (art); Forme (esthétique); Sculpture hellénistique; Form (Aesthetics); Sculpture, Hellenistic; Gruppe; Gruppendarstellung <Kunst>; Plastik; Hellenismus
    Scope: 136 S.: Ill.
    Notes:

    Zugl.: Saarbrücken, Univ., Diss., 1984/85
  7. Laokoon
    Stoff und Form
    Author: Althaus, Horst
    Published: 1968
    Publisher:  Francke, Bern ; München

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    Universitätsbibliothek Augsburg
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  8. The providence of wit
    aspects of form in Augustan literature and the arts
    Author: Battestin, Martin C.
    Published: 1974
    Publisher:  Clarendon Press, Oxford

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    Universitätsbibliothek Augsburg
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  9. Il concetto di "forma" in Carducci
    indagine attraverso l'epistolario
    Author: Elli, Enrico
    Published: 1990
    Publisher:  Bulzoni, Roma

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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Content information
    Source: Union catalogues
    Language: Italian
    Media type: Book
    ISBN: 8871191331
    RVK Categories: IV 2082
    Series: Biblioteca di cultura ; 391
    Subjects: Form (Aesthetics); Literarische Form; Poetik
    Other subjects: Carducci, Giosuè <1835-1907>; Carducci, Giosuè <1835-1907>; Carducci, Giosuè (1835-1907)
    Scope: 117 S.
  10. Aberrations
    an essay on the legend of forms
    Author: Baltrušaitis, Jurgis
    Published: 1989
    Publisher:  MIT Press, Cambridge, Mass., u.a.

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    Universitätsbibliothek Passau
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  11. Discours, figure
    Author: Lyotard, Jean-François
    Published: 1985
    Publisher:  Klincksieck, Paris

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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Hochschule für Philosophie, Bibliothek
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    Universitätsbibliothek der LMU München
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  12. Evolutions of form
    Contributor: Russo, Luigi (Hrsg.)
    Published: 2013
    Publisher:  Logos-Verl, Berlin

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Gemeinsamer Bibliotheksverbund (GBV)

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    Verbund der Öffentlichen Bibliotheken Berlins - VÖBB
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    Source: Staatsbibliothek zu Berlin
    Contributor: Russo, Luigi (Hrsg.)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 3832533842; 9783832533847
    Other identifier:
    9783832533847
    Subjects: Form (Aesthetics); Morphology; Form perception
    Scope: IV, 244 S, Ill, 24 cm
    Notes:

    Literaturangaben
  13. I principî della forma
    natura, percezione e arte
    Author: Di Napoli, Giuseppe
    Published: 2011
    Publisher:  Einaudi, Torino

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Language: Italian
    Media type: Book
    Format: Print
    ISBN: 9788806192679
    RVK Categories: LI 99999
    Series: Array ; N.S., 524
    Subjects: Form (Aesthetics); Art
    Scope: xix, 464 p, Ill., graph. Darst., 21 cm
    Notes:

    G. Di Napoli teaches at the Accademia di belle arti di Brera and Istituto del design di Milano

    Includes bibliographical references
  14. I principî della forma
    natura, percezione e arte
    Author: Di Napoli, Giuseppe
    Published: 2011
    Publisher:  Einaudi, Torino

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 A 801899
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    Source: Staatsbibliothek zu Berlin
    Language: Italian
    Media type: Book
    Format: Print
    ISBN: 9788806192679
    RVK Categories: LI 99999
    Series: Array ; N.S., 524
    Subjects: Form (Aesthetics); Art
    Scope: xix, 464 p, Ill., graph. Darst., 21 cm
    Notes:

    G. Di Napoli teaches at the Accademia di belle arti di Brera and Istituto del design di Milano

    Includes bibliographical references
  15. Naturalismus, Ästhetizismus
    Published: 1979
    Publisher:  Suhrkamp, Frankfurt a.M.

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    Archiv der Akademie der Künste, Bibliothek
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    Verbund der Öffentlichen Bibliotheken Berlins - VÖBB
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    Source: Philologische Bibliothek, FU Berlin
    Language: German
    Media type: Book
    ISBN: 3518109928
    RVK Categories: EC 1850 ; EC 5174 ; EC 5184
    Edition: 1. Aufl.
    Series: Hefte für kritische Literaturwissenschaft. ; 1.
    Edition Suhrkamp ; 992
    Subjects: Art pour l'art (Théorie); Esthétisme (Littérature); Forme (Esthétique); Littérature - Esthétique; Naturalisme dans l'art; Literatur; Ästhetik; Aestheticism (Literature); Art for art's sake (Movement); Form (Aesthetics); Literature; Naturalism in art; Französisch; Ästhetizismus; Naturalismus; Literatur; Deutsch
    Scope: 259 S.
  16. Without rhetoric
    An architectural aesthetic 1955-1972
    Author: Smithson, Alison; Smithson, Peter
    Published: 1974
    Publisher:  MIT Pr., Cambridge, Mass.

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    TU Berlin, Universitätsbibliothek
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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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  17. Poetik der Form
    eine Begriffs- und Problemgeschichte
    Author: Burdorf, Dieter
    Published: [2001]
    Publisher:  Verlag J.B. Metzler, Stuttgart

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    Universitätsbibliothek der LMU München
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783476018007; 9783476055866
    Other identifier:
    RVK Categories: CC 6700 ; EC 3000 ; GE 3202 ; GE 3227 ; GE 3912
    Subjects: Beeldende kunsten; Filosofie; Letterkunde; Vorm; Kunst; Literatur; Philosophie; Form (Aesthetics); German literature; Philosophy, German; Künstlerische Form; Begriff; Poetik; Literarische Form; Kunst; Ästhetik; Geschichte; Literatur; Deutsch
    Other subjects: Geschichte 1700-2000
    Scope: 1 Online-Ressource
    Notes:

    Habilitationsschrift, Friedrich-Schiller Universität Jena, 2000
  18. The life of forms in art
    modernism, organism, vitality
    Author: Taylor, Brandon
    Published: 2020
    Publisher:  Bloomsbury Visual Arts, London ; New York ; Oxford ; New Delhi ; Sydney ; Bloomsbury Publishing, London

    "What is form in modern art? How could a work of art achieve its organic life in a world increasingly dominated by mechanism, by new technology? In this new book, Brandon Taylor proposes that biology and the life sciences themselves supplied many of... more

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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    "What is form in modern art? How could a work of art achieve its organic life in a world increasingly dominated by mechanism, by new technology? In this new book, Brandon Taylor proposes that biology and the life sciences themselves supplied many of the analogies and metaphors by which modern artists were guided. For the creative giants of the period - Picasso, Miró, Kandinsky, Strzeminski, Dalí, Arp, Motherwell and Pollock, as well as less-known figures such as Taeuber, Erni and Kobro - questions of 'living' form loomed large in studio conversation, in the press, and in the writings of the artists themselves. In a book rich in new research and fresh thinking, a well-known art historian proposes six modalities of organic and vital life that pervade the radical experiments of modern art: the organic , the biomorphic , the ambiguous , the monstrous , the dialectical , and the liquid."

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781501353918; 9781501356018
    Subjects: History of art & design styles: from c 1900 - / bicssc; Form (Aesthetics); Modern art / 20th century / History; Modern art / 21st century / History; Form; Moderne; Ästhetik; Kunst
    Scope: xiv, 253 Seiten, 24 ungezählte Seiten Tafeln, Illustrationen
    Notes:

    List of plates -- List of figures -- Prelude: On Life and Form -- 1. Organicity -- 2. Biomorphism -- 3. Ambiguity -- 4. Monstrosity -- 5. Dialectics -- 6. Liquifaction Coda -- Acknowledgements -- Notes -- Index. - Mode of access: World Wide Web
  19. L'inførme
    Author: Tortorella, Andrea
    Published: [2020]
    Publisher:  Mimesis, Milano

    Location:
    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: Italian
    Media type: Book
    ISBN: 9788857555898
    Series: Filosofie ; n. 686
    Subjects: Aesthetics, Modern / 20th century; Aesthetics, Modern / 21st century; Form (Aesthetics); Bildung; Ästhetik; Form <Philosophie>; Poetik
    Other subjects: Bataille, Georges / 1897-1962 / Aesthetics; Bataille, Georges (1897-1962)
    Scope: 512 pages, illustrations, 22 cm
    Notes:

    Includes bibliographical references (pages 505-512)
  20. Forms
    whole, rhythm, hierarchy, network
    Author: Levine, Caroline
    Published: [2015]; © 2015
    Publisher:  Princeton University Press, Princeton ; Oxford

    "Forms offers a powerful new answer to one of the most pressing problems facing literary, critical, and cultural studies today--how to connect form to political, social, and historical context. Caroline Levine argues that forms organize not only... more

    Location:
    Deutsches Forum für Kunstgeschichte, Bibliothek

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    Universitätsbibliothek Würzburg
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    "Forms offers a powerful new answer to one of the most pressing problems facing literary, critical, and cultural studies today--how to connect form to political, social, and historical context. Caroline Levine argues that forms organize not only works of art but also political life--and our attempts to know both art and politics. Inescapable and frequently troubling, forms shape every aspect of our experience. But forms don't impose their order in any simple way. Multiple shapes, patterns, and arrangements, overlapping and colliding, generate complex and unpredictable social landscapes that challenge and unsettle conventional analytic models in literary and cultural studies. Borrowing the concept of "affordances" from design theory, this book investigates the specific ways that four major forms--wholes, rhythms, hierarchies, and networks--have structured culture, politics, and scholarly knowledge across periods, and it proposes exciting new ways of linking formalism to historicism and literature to politics. Levine rereads both formalist and antiformalist theorists, including Cleanth Brooks, Michel Foucault, Jacques Rancière, Mary Poovey, and Judith Butler, and she offers engaging accounts of a wide range of objects, from medieval convents and modern theme parks to Sophocles's Antigone and the television series The Wire. The result is a radically new way of thinking about form for the next generation and essential reading for scholars and students across the humanities who must wrestle with the problem of form and context"--

     
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    Volltext (URL des Erstveröffentlichers)
  21. The life of forms in art
    modernism, organism, vitality
    Author: Taylor, Brandon
    Published: 2020
    Publisher:  Bloomsbury Visual Arts, London ; New York ; Oxford ; New Delhi ; Sydney

    "What is form in modern art? How could a work of art achieve its organic life in a world increasingly dominated by mechanism, by new technology? In this new book, Brandon Taylor proposes that biology and the life sciences themselves supplied many of... more

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Bayerische Staatsbibliothek
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    "What is form in modern art? How could a work of art achieve its organic life in a world increasingly dominated by mechanism, by new technology? In this new book, Brandon Taylor proposes that biology and the life sciences themselves supplied many of the analogies and metaphors by which modern artists were guided. For the creative giants of the period - Picasso, Miró, Kandinsky, Strzeminski, Dalí, Arp, Motherwell and Pollock, as well as less-known figures such as Taeuber, Erni and Kobro - questions of 'living' form loomed large in studio conversation, in the press, and in the writings of the artists themselves. In a book rich in new research and fresh thinking, a well-known art historian proposes six modalities of organic and vital life that pervade the radical experiments of modern art: the organic , the biomorphic , the ambiguous , the monstrous , the dialectical , and the liquid."

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501353949; 9781501353932
    Other identifier:
    RVK Categories: LH 61040
    Subjects: History of art & design styles: from c 1900 - / bicssc; Form (Aesthetics); Modern art / 20th century / History; Modern art / 21st century / History; Form; Moderne; Ästhetik; Kunst
    Scope: 1 Online-Ressource (xiv, 253 Seiten, 24 ungezählte Seiten Tafeln), Illustrationen
    Notes:

    List of plates -- List of figures -- Prelude: On Life and Form -- 1. Organicity -- 2. Biomorphism -- 3. Ambiguity -- 4. Monstrosity -- 5. Dialectics -- 6. Liquifaction Coda -- Acknowledgements -- Notes -- Index. - Mode of access: World Wide Web
  22. Prekäre Genres
    Zur Ästhetik peripherer, apokrypher und liminaler Gattungen
    Published: [2015]; © 2015
    Publisher:  transcript Verlag, Bielefeld

    Ist von Gattungen die Rede, so sind hiermit meist stabile Kategorien wie Oper, Roman oder Western gemeint. Der Einheit und Stabilität von Gattungen erwachsen jedoch Gefahren aus zwei historischen Kräften: Zum einen kann die kulturelle Evolution über... more

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    Ist von Gattungen die Rede, so sind hiermit meist stabile Kategorien wie Oper, Roman oder Western gemeint. Der Einheit und Stabilität von Gattungen erwachsen jedoch Gefahren aus zwei historischen Kräften: Zum einen kann die kulturelle Evolution über sie hinweggehen und sie obsolet werden lassen. Zum anderen sind wissenschaftliche Klassifizierungen ästhetischer Erscheinungen nicht unveränderlich.Indem sie das Marginale, Periphere und Prekäre fokussieren, werfen die Beiträge des Bandes ein anderes Licht auf die Gattungen, ihre Konzeptualisierung und ihre Evolution. Damit gerät das Prekäre nicht allein der »kleinen« Genres, sondern die konstitutive Prekarität des Gattungskonzepts überhaupt in den Blick Whenever we speak of genres, we usually mean stable categories like opera, the novel or the Western. However from the unity and stability of genres, dangers grow out of two historical forces: on the one hand, cultural evolution can move past them and make them obsolete. On the other hand, academic classifications of aesthetic manifestations are not immutable. Since they focus on the marginal, peripheral and precarious, the essays in this collection throw new light on genres, their conceptualization and their evolution. With this, the precarious moves into view, not just the precarity of »minor« genres, but the precarity of the concept of genre as such

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839429303
    Other identifier:
    RVK Categories: AP 52000 ; EC 1610 ; EC 1900 ; EC 2410 ; EC 4300
    Edition: 1. Aufl
    Series: Edition Kulturwissenschaft ; 56
    Subjects: Allgemeine Literaturwissenschaft; Computerspiele; Film; Gattung; Kulturwissenschaft; Kunst; Literaturtheorie; Medien; Musik; Musikwissenschaft; Prekarität; SOCIAL SCIENCE / Popular Culture; Art genres; Film genres; Form (Aesthetics); Form (Philosophy); Form perception; Literary form; Literature; Literature; Literature; Mass media genres; Musical form; Grenzüberschreitung; Literaturgattung; Filmgenre; Marginalität
    Scope: 1 Online-Ressource (310 Seiten)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021)
  23. The aesthetics of experience design
    a philosophical essay
    Author: Iannilli, Gioia Laura
    Published: [2020]
    Publisher:  Mimesis International, Milano

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    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9788869772986
    Series: Aesthetics ; n. 9
    Subjects: Design / Philosophy; Form (Aesthetics); Design; Ästhetik; Form <Philosophie>
    Scope: 149 pages, 21 cm
    Notes:

    Includes bibliographical references (pages 137-149)
  24. Aesthetic experiences and classical antiquity
    the significance of form in narratives and pictures
    Author: Grethlein, Jonas
    Published: 2019
    Publisher:  Cambridge University Press, Cambridge

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    Universitäts- und Landesbibliothek Bonn
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781316642573; 9781107192652
    Edition: First paperback edition
    Subjects: Form (Aesthetics); Aesthetics, Ancient
    Scope: xiv, 301 Seiten, Illustrationen, 25 cm
  25. Prekäre Genres
    Zur Ästhetik peripherer, apokrypher und liminaler Gattungen
    Contributor: Berger, Hanno (MitwirkendeR); Berger, Hanno (HerausgeberIn); Dang, Sarah-Mai (MitwirkendeR); Döhl, Frédéric (MitwirkendeR); Döhl, Frédéric (HerausgeberIn); Feige, Daniel Martin (MitwirkendeR); Fliescher, Mira (MitwirkendeR); Gross, Bernhard (MitwirkendeR); Günzel, Stephan (MitwirkendeR); Holt, Fabian (MitwirkendeR); Linck, Dirck (MitwirkendeR); Lück, Michael (MitwirkendeR); Morsch, Thomas (MitwirkendeR); Morsch, Thomas (HerausgeberIn); Schumm, Moritz (MitwirkendeR); Wulff, Hans J (MitwirkendeR)
    Published: [2015]
    Publisher:  transcript Verlag, Bielefeld

    Frontmatter -- Inhalt -- Einleitung -- Alle Genres sind prekär und kein Genre ist prekär, oder: -- Bohrende Zweifel. -- Das Minoritäre als Genre der Revolution -- Der Witz der Kunst -- Hubert Fichte und der Roman als Feature -- Zug um Zug. -- Prekäre... more

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    Frontmatter -- Inhalt -- Einleitung -- Alle Genres sind prekär und kein Genre ist prekär, oder: -- Bohrende Zweifel. -- Das Minoritäre als Genre der Revolution -- Der Witz der Kunst -- Hubert Fichte und der Roman als Feature -- Zug um Zug. -- Prekäre Reisen -- Das missratene Kind. -- Un/doing Woman. -- Hybridität der Gattungen. -- Dynamik in einem statischen Korsett. -- The Evolution of Corporate Sponsorship in Sensitive Cultural Spheres in the Early 21st Century. -- Game Genres. -- Autorinnen und Autoren -- Backmatter Ist von Gattungen die Rede, so sind hiermit meist stabile Kategorien wie Oper, Roman oder Western gemeint. Der Einheit und Stabilität von Gattungen erwachsen jedoch Gefahren aus zwei historischen Kräften: Zum einen kann die kulturelle Evolution über sie hinweggehen und sie obsolet werden lassen. Zum anderen sind wissenschaftliche Klassifizierungen ästhetischer Erscheinungen nicht unveränderlich.Indem sie das Marginale, Periphere und Prekäre fokussieren, werfen die Beiträge des Bandes ein anderes Licht auf die Gattungen, ihre Konzeptualisierung und ihre Evolution. Damit gerät das Prekäre nicht allein der »kleinen« Genres, sondern die konstitutive Prekarität des Gattungskonzepts überhaupt in den Blick Whenever we speak of genres, we usually mean stable categories like opera, the novel or the Western. However from the unity and stability of genres, dangers grow out of two historical forces: on the one hand, cultural evolution can move past them and make them obsolete. On the other hand, academic classifications of aesthetic manifestations are not immutable. Since they focus on the marginal, peripheral and precarious, the essays in this collection throw new light on genres, their conceptualization and their evolution. With this, the precarious moves into view, not just the precarity of »minor« genres, but the precarity of the concept of genre as such

     
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    Content information
    Source: Union catalogues
    Contributor: Berger, Hanno (MitwirkendeR); Berger, Hanno (HerausgeberIn); Dang, Sarah-Mai (MitwirkendeR); Döhl, Frédéric (MitwirkendeR); Döhl, Frédéric (HerausgeberIn); Feige, Daniel Martin (MitwirkendeR); Fliescher, Mira (MitwirkendeR); Gross, Bernhard (MitwirkendeR); Günzel, Stephan (MitwirkendeR); Holt, Fabian (MitwirkendeR); Linck, Dirck (MitwirkendeR); Lück, Michael (MitwirkendeR); Morsch, Thomas (MitwirkendeR); Morsch, Thomas (HerausgeberIn); Schumm, Moritz (MitwirkendeR); Wulff, Hans J (MitwirkendeR)
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839429303
    Other identifier:
    Edition: 1. Aufl
    Series: Edition Kulturwissenschaft ; 56
    Subjects: Art genres; Film genres; Form (Aesthetics); Form (Philosophy); Form perception; Literary form; Literature; Literature; Literature; Mass media genres; Musical form; SOCIAL SCIENCE / Popular Culture
    Scope: 1 Online-Ressource (310 p)