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Displaying results 1 to 25 of 124.

  1. La création de la femme chez Michelet
    Author: Calo, Jeanne
    Published: 1975
    Publisher:  Nizet, Paris

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  2. Sowing the body
    psychoanalysis and ancient representations of women
    Author: DuBois, Page
    Published: 1988
    Publisher:  Univ. of Chicago Press, Chicago u.a.

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  3. Weiblichkeit als Kunst
    die Geschichte eines kulturellen Deutungsmusters
    Published: 1991
    Publisher:  Metzler, Stuttgart

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  4. Matisse, "Le Rêve" ou les belles endormies
    Published: 1989
    Publisher:  Biro, Paris

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  5. Dealing with Degas
    representations of women and the politics of vision
    Published: 1992
    Publisher:  Pandora, London u.a.

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  6. Die "Dame d'intrigue" in der französischen Originalkomödie des XVI. und XVII. Jahrhunderts
    Published: 1916
    Publisher:  Niemeyer, Halle a. S.

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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    RVK Categories: IF 5750
    Series: Beihefte zur Zeitschrift für romanische Philologie ; 64
    Subjects: Comédie française - Histoire et critique; Femmes dans l'art; Femmes dans la littérature; French drama (Comedy); Women in art; Women in literature; Intrigantin <Motiv>; Französisch; Komödie
    Scope: 73 S.
    Notes:

    Zugl.: Basel, Univ., Diss., 1916

  7. Woman, image, text
    readings in pre-raphaelite art and literature
    Published: 1991
    Publisher:  Univ. of Toronto Pr., Toronto u.a.

  8. Engendering culture
    manhood and womanhood in New Deal public art and theater
    Published: 1991
    Publisher:  Smithsonian Inst. Press, Washington [u.a.]

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  9. Women in the comics
    Published: 1980
    Publisher:  Chelsea House Publ., New York

    Universitätsbibliothek Bamberg
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  10. Femmes et machines de 1900
    Lecture d'une obsession modern style
    Published: 1979
    Publisher:  Klincksieck, Paris

    Universitätsbibliothek Bamberg
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    Source: Union catalogues
    Language: French
    Media type: Book
    ISBN: 2252021012
    RVK Categories: EC 5187 ; IH 1546
    Series: Bibliothèque du vingtième siècle ; 11.
    Subjects: Art nouveau; Arts - 19e siècle; Femmes dans l'art; Art nouveau; Arts, Modern; Women in art; Frauenbild; Maschine <Motiv>; Literatur; Jugendstil; Kunst; Kraftwagen <Motiv>; Frau <Motiv>; Fin de siècle
    Scope: 439 S., 41 Ill.
  11. L' image de la femme
    Published: 1899
    Publisher:  Hachette, Paris

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    Source: Union catalogues
    Language: French
    Media type: Book
    RVK Categories: LH 84160
    Subjects: Beeldende kunsten; Femmes - Portraits; Femmes dans l'art; Vrouwen; Wereldgeschiedenis; Frau; Kunst; Art; Women; Women in art; Women; Geschichte; Kunst; Frau <Motiv>
    Scope: 397 S., zahlr. Ill.
  12. Blaustrumpf und Kurtisane
    Bilder der Frau im 19. Jahrhundert
    Published: 1991
    Publisher:  Kreuz-Verl., Stuttgart

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    Source: Union catalogues
    Language: German
    Media type: Book
    ISBN: 3783110858
    RVK Categories: LB 44000 ; MS 3000 ; NW 8100
    Edition: 1. Aufl.
    Subjects: Arts - France - 19e siècle; Arts français; Femmes dans l'art; Arts, French; Women in art; Französisch; Kunst; Geschlechterrolle; Frau; Literatur; Frauenbild; Frau <Motiv>
    Scope: 279 S., Ill.
  13. Eroticism and the body politic
    Published: 1991
    Publisher:  Johns Hopkins University Press, Baltimore

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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0801840260; 9780801840272; 0801840279
    RVK Categories: IG 1378 ; NK 5056
    Series: Parallax / Re-visions of culture and society
    Subjects: Arts - 18e siècle; Arts - 19e siècle; Arts français; Erotiek; Femmes dans l'art; Kunst; Letterkunde; Politieke aspecten; Politique dans l'art; Érotisme; Literatur; Politik; Arts, French; Erotica; Politics in art; Women in art; Erotik; Kunst
    Scope: 242 Seiten, Illustrationen
  14. La divine et l'impure
    le nu au XIXe
    Published: 1990
    Publisher:  Ed. du Jaguar, Paris

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    Source: Union catalogues
    Language: French
    Media type: Book
    ISBN: 2869501749
    Subjects: Femmes dans l'art; Nu; Peinture - Europe - 19e siècle; Peinture européenne; Nude in art; Painting, European; Women in art; Aktmalerei; Frau <Motiv>; Aktdarstellung
    Scope: 191 S., zahlr. Ill.
  15. Men viewing women as art objects
    studies in German literature
    Published: 1998
    Publisher:  Camden House, Columbia, SC

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  16. Crucifixae
    Frauen am Kreuz
    Published: 1998
    Publisher:  <<Gebr.>> Mann, Berlin

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  17. Cassone painting, humanism, and gender in early modern Italy
    Published: 1998
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

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  18. Women and visual culture in nineteenth century France
    1800 - 1852
    Author: Doy, Gen
    Published: 1998
    Publisher:  Leicester Univ. Press, London [u.a.]

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  19. Weiblichkeit und Avantgarde
    Published: 1987
    Publisher:  Argument-Verl., Berlin

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  20. Images de femmes
    Published: 1992
    Publisher:  Plon, Paris

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    Source: Union catalogues
    Language: French
    Media type: Book
    ISBN: 2259024823
    RVK Categories: LH 84120
    Subjects: Femmes - Histoire; Femmes dans l'art; Femmes dans l'art; Frau; Geschichte; Women in art; Women in art; Women; Women; Frau <Motiv>; Frau; Geschichte; Frauenbild; Ikonographie; Kunst
    Scope: 189 S., überwiegend Ill.
  21. L' image de la femme dans l'art préhistorique
    Published: 1993
    Publisher:  Picard, Paris

    Universitätsbibliothek Bamberg
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    Source: Union catalogues
    Language: French
    Media type: Book
    ISBN: 2708404407
    RVK Categories: NF 1205 ; NF 1230
    Edition: Nouv. éd. augmentée
    Subjects: Art préhistorique; Femmes dans l'art; Iconografie; Kunst; Prehistorie; Vrouwen; Frau; Art, Prehistoric; Women in art; Women, Prehistoric; Vor- und Frühgeschichte; Kunst; Frau <Motiv>
    Scope: 287 S., zahlr. Ill., Kt.
  22. The female nude
    art, obscenity and sexuality
    Author: Nead, Lynda
    Published: 1992
    Publisher:  Routledge, London [u.a.]

    Anyone who examines the history of western art must be struck by the prevalence of images of the female body. More than any other subject, the female nude connotes 'art'. The framed image of a female body, hung on the walls of an art gallery, is an... more

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    Anyone who examines the history of western art must be struck by the prevalence of images of the female body. More than any other subject, the female nude connotes 'art'. The framed image of a female body, hung on the walls of an art gallery, is an icon of western culture, a symbol of civilization and accomplishment. But how and why did the female nude acquire this status? In recent years, the female nude has received renewed attention from feminist artists and art historians. By examining the dissemination of the high art female nude through art education and the life class, through art publications and the language of art criticism itself, The Female Nude brings together, in an entirely new way, analysis of the historical tradition of the female nude and discussion of recent feminist art. The book also explores the ways in which acceptable and unacceptable images of the female body are produced and maintained, and by surveying the legal and social regulation of the obscene renews recent debates on high culture and pornography. The Female Nude represents the first feminist survey of the most significant subject in western art. It reveals how the female nude is now both at the centre and at the margins of high culture. At the centre, and within art historical discourse, the female nude is seen as the visual culmination of enlightenment aesthetics; at the edge, it risks losing its respectability and spilling over into the obscene.

     

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  23. Imagining women
    cultural representations and gender
    Published: 1992
    Publisher:  Polity Press, Cambridge

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  24. Birds, cages and women in Victorian and Pre-Raphaelite Art
    Published: 1990
    Publisher:  Lang, New York u.a.

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  25. The twilight of the goddesses
    women and representation in the French revolutionary era
    Published: 1992
    Publisher:  Rutgers Univ. Press, New Brunswick, NJ

    In this extraordinarily rich book, Madelyn Gutwirth examines over one hundred prints and paintings, dozens of texts, and the work of a great many cultural critics in order to consider how gender politics were played out during a highly volatile era.... more

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    In this extraordinarily rich book, Madelyn Gutwirth examines over one hundred prints and paintings, dozens of texts, and the work of a great many cultural critics in order to consider how gender politics were played out during a highly volatile era. Finding evidence of a crisis in gender relations during the eighteenth century, she traces its evolution in the politics of rococo art, demographic trends, plans for the control of prostitution, maternal nursing and wet-nursing practices, folklore, the salon, and in the theater of Diderot and the polemics of Rousseau. Gutwirth shows how a hostile gender ideology consigned women to a solely mothering role before the political revolution began, and how women who struggled to participate in the nascent First French Republic found themselves hobbled by the representational practices of the revolutionaries, especially their use of allegory. The artificiality and anachronism of the Revolution's representation of women were ratified by the Napoleonic Code. Once depicted as erotic goddesses by the rococo, then as goddesses of liberty (Marianne), the dominant figuration of women around 1800 would become the dying waif. As modern republics began their struggle toward legitimacy, women's posture within them had been reduced, by representation, to feeble marginality. Gutwirth combines perspectives from literature, history, sociology, demography, psychology, and art history and criticism in her delineation of this crisis.

     

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