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  1. Guise and Disguise
    Rhetoric and Characterization in the English Renaissance
    Author: Davis, Lloyd
    Published: [2016]; © 1993
    Publisher:  University of Toronto Press, Toronto

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442675575
    Other identifier:
    Subjects: Disguise in literature; English drama; English drama; Verkleidung <Motiv>; Verkleidung; Literatur; Identität; Charakterisierung; Englisch; Drama; Rhetorik; Charakter <Motiv>
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016)

    :
  2. Indirections
    Shakespeare and the Art of illusion
    Author: Dawson, Anthony
    Published: [2017]; © 1978
    Publisher:  University of Toronto Press, Toronto

    The precise relation between the spectator and the work of art was a matter of great interest to late Renaissance and baroque artists, playwrights as well as painters. In Shakespeare's plays the relation between audience and stage life is crucial.... more

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    The precise relation between the spectator and the work of art was a matter of great interest to late Renaissance and baroque artists, playwrights as well as painters. In Shakespeare's plays the relation between audience and stage life is crucial. The plays constantly remind the audience of the complex fictiveness of their experience yet they also project a reality specifically through illusion. Indirections is a study of twelve plays in which Shakespeare sets up situations and relationships between the characters analogous to the relationship established between audience and play. This book examines the varied uses of illusion, deceit, disguise, and manipulation in the plays, both comedies and tragedies, and traces Shakespeare's use of illusion through his career — from the buoyant optimism of the great comedies and the ambiguity of the middle years to the new richness and power in the romances. Dawson suggests that the way characters respond to illusory situations sets up a model for the way audiences are meant to respond to the play themselves. Such action at least initially establishes a basis for the movement of characters from self-delusion to self-knowledge. This process of self-realization enables the characters to distinguish truth from appearance, love from infatuation; and significantly, it is a direct result of involvement with illusion and role-playing. It is as if the characters must arrive, within the movement of the plot, at an understanding of, and response to, the nature of drama itself parallel to the audience's experience of the play as a whole. This subtle interplay between audience and characters, where each in a sense represents the other, depends for its life on the physical and psychic distances created by the theatre

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442653580
    Other identifier:
    Series: Heritage
    Subjects: DISCOUNT-B.; Disguise in literature; Illusion in literature; Illusion <Motiv>; Drama
    Other subjects: Shakespeare, William (1564-1616)
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Jun 2017)
  3. Jeu de masques
    les femmes et le travestissements textuel (1500 - 1940)
    Published: 2011
    Publisher:  Publications de l'Univ. de Saint-Étienne, Saint-Étienne

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 A 824963
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    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
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    266523 - A
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    Source: Staatsbibliothek zu Berlin
    Language: French
    Media type: Book
    Format: Print
    ISBN: 9782862725789
    RVK Categories: IE 1252
    Series: Array ; 6
    Subjects: French literature; Women and literature; Women in literature; Disguise in literature; Masks in literature; Sex role in literature; Authorship
    Scope: 282 S., 24 cm
    Notes:

    Includes bibliographical references (p. 273-276) and index (p. [277]-282)
  4. Masquerade and social justice in contemporary Latin American fiction
    Author: Weldt-Basson, Helene Carol
    Published: 2017
    Publisher:  University of New Mexico Press, Albuquerque

    "Contemporary Latin American fiction establishes a unique connection between masquerade, frequently motivated by stigma or trauma, and social justice. Using an interdisciplinary approach that combines philosophy, history, psychology, literature, and... more

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    "Contemporary Latin American fiction establishes a unique connection between masquerade, frequently motivated by stigma or trauma, and social justice. Using an interdisciplinary approach that combines philosophy, history, psychology, literature, and social justice theory, this study delineates the synergistic connection between these two themes. Weldt-Basson examines fourteen novels by twelve different Latin American authors: Mario Vargas Llosa, Sergio Galindo, Augusto Roa Bastos, Fernando del Paso, Mayra Santos-Febres, Isabel Allende, Carmen Boullosa, Antonio Benítez-Rojo, Marcela Serrano, Sara Sefchovich, Luisa Valenzuela, and Ariel Dorfman. She elucidates the varieties of social justice operating in the plots of contemporary Latin American novels: distributive, postmodern/feminist, postcolonial, transitional, and historical justices. The author further examines how masquerade and disguise aid in articulating the theme of social justice, why this is important, and how it relates to Latin American history and the historical novel. "--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780826358158
    Edition: First edition
    Subjects: Latin American fiction; Latin American fiction; Masquerades in literature; Disguise in literature; Social justice in literature
    Scope: viii, 226 Seiten
    Notes:

    Includes bibliographical references and index
  5. Indirections
    Shakespeare and the Art of illusion
    Author: Dawson, Anthony
    Published: 2017; ©1978
    Publisher:  University of Toronto Press, Toronto

    The precise relation between the spectator and the work of art was a matter of great interest to late Renaissance and baroque artists, playwrights as well as painters. In Shakespeare's plays the relation between audience and stage life is crucial.... more

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    The precise relation between the spectator and the work of art was a matter of great interest to late Renaissance and baroque artists, playwrights as well as painters. In Shakespeare's plays the relation between audience and stage life is crucial. The plays constantly remind the audience of the complex fictiveness of their experience yet they also project a reality specifically through illusion. Indirections is a study of twelve plays in which Shakespeare sets up situations and relationships between the characters analogous to the relationship established between audience and play. This book examines the varied uses of illusion, deceit, disguise, and manipulation in the plays, both comedies and tragedies, and traces Shakespeare's use of illusion through his career — from the buoyant optimism of the great comedies and the ambiguity of the middle years to the new richness and power in the romances. Dawson suggests that the way characters respond to illusory situations sets up a model for the way audiences are meant to respond to the play themselves. Such action at least initially establishes a basis for the movement of characters from self-delusion to self-knowledge. This process of self-realization enables the characters to distinguish truth from appearance, love from infatuation; and significantly, it is a direct result of involvement with illusion and role-playing. It is as if the characters must arrive, within the movement of the plot, at an understanding of, and response to, the nature of drama itself parallel to the audience's experience of the play as a whole. This subtle interplay between audience and characters, where each in a sense represents the other, depends for its life on the physical and psychic distances created by the theatre.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442653580
    Other identifier:
    Series: Heritage
    Subjects: Disguise in literature; Illusion in literature; Disguise in literature; Illusion in literature; Disguise in literature.; Illusion in literature.; DISCOUNT-B.
    Scope: 1 online resource
    Notes:

    Frontmatter -- -- Preface -- -- Contents -- -- Introduction -- -- 1. The Merchant of Venice -- -- 2. As You Like It -- -- 3. Hamlet -- -- 4. A Midsummer Night's Dream, Twelfth Night, and Troilus and Cressida -- -- 5. All's Well that Ends Well -- -- 6. Measure for Measure -- -- 7. King Lear, Antony and Cleopatra, and The Winter's Tale -- -- 8. The Tempest -- -- Notes -- -- Index
  6. Guise and Disguise
    Rhetoric and Characterization in the English Renaissance
    Author: Davis, Lloyd.
    Published: [2016]; ©1993
    Publisher:  University of Toronto Press, Toronto

    Davis's approach links Renaissance culture both to its past and to modern and post-modern notions of subjectivity and language.‹/p more

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    Hochschule für Gesundheit, Hochschulbibliothek
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    Initiative E-Books.NRW
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    Technische Universität Hamburg, Universitätsbibliothek
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    Universitätsbibliothek Hildesheim
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    Otto-von-Guericke-Universität, Universitätsbibliothek
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    Hochschule Merseburg, Bibliothek
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Oldenburg, Bibliothek
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    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Elsfleth, Bibliothek
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    Universitätsbibliothek Osnabrück
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    Hochschulbibliothek Pforzheim, Bereichsbibliothek Technik und Wirtschaft
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    Universitätsbibliothek der Eberhard Karls Universität
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    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Wilhelmshaven, Bibliothek
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    Davis's approach links Renaissance culture both to its past and to modern and post-modern notions of subjectivity and language.‹/p

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442675575
    Other identifier:
    Subjects: Disguise in literature; English drama; English drama; English drama; English drama; Disguise in literature; Disguise in literature.; English drama.; English drama.
    Scope: 1 online resource
    Notes:

    Frontmatter -- -- Contents -- -- Acknowledgments -- -- Introduction: Disguise in the Renaissance -- -- Chapter One: The Rhetoric of Characterization -- -- Chapter Two: Political Acts -- -- Chapter Three: The Allegorical Subject -- -- Chapter Four: The Figure of Woman -- -- Epilogue: Tragedy and Disguise -- -- Notes -- -- Index
  7. Dazzling images
    the masks of Sir Philip Sidney
    Author: Hager, Alan
    Published: 1991
    Publisher:  Univ. of Delaware Press u.a., Newark

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    Universitätsbibliothek Augsburg
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  8. Masking and unmasking the female mind
    disguising romances in feminine fiction ; 1713 - 1799
    Author: Schofield, Mary Anne
    Published: 1990
    Publisher:  Univ. of Delaware Press u.a., Newark

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    Universitätsbibliothek Bamberg
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  9. Masques et déguisements dans la littérature médiévale
    études
    Contributor: Ollier, Marie-Louise (Publisher)
    Published: 1988
    Publisher:  Presse de l'Univ. de Montréal [u.a.], Montréal (Québec)

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    Universitätsbibliothek Augsburg
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    Source: Union catalogues
    Contributor: Ollier, Marie-Louise (Publisher)
    Language: French
    Media type: Book
    ISBN: 2760608166
    RVK Categories: IE 4762
    Series: Etudes médiévales
    Subjects: Disguise in literature; French literature; Literature, Medieval; Masks in literature; Maske <Motiv>; Literatur; Altfranzösisch; Verkleidung <Motiv>; Kostümball
    Scope: 295 S., Ill.
    Notes:

    Contributions au XIIIe Colloque de l'Institut d'études médiévales, qui s'est tenu, sous le même titre, à l'Université de Montréal en avril 1987
  10. Verkleidung und Verwechslung in der erzählenden Dichtung Eichendorffs
    Author: Eberhardt, Otto
    Published: 1987
    Publisher:  Winter, Heidelberg

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  11. La mujer vestida de hombre en el teatro español
    (Siglos XVI-XVII)
    Author: Bravo-Villasante, Carmen
    Published: 1976
    Publisher:  Soc. General Española de Libreria, Madrid

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    Source: Union catalogues
    Language: Spanish
    Media type: Book
    ISBN: 8471431068
    RVK Categories: IO 2242
    Series: Colección temas ; 8
    Subjects: Disguise in literature; Spanish drama; Women in literature; Verkleidung <Motiv>; Frau <Motiv>; Spanisch; Drama
    Scope: 191 S.
  12. Tolerancia y ambigüedad en "La gran sultana" de Cervantes
    Author: Jurado Santos, Agapita
    Published: 1997
    Publisher:  Ed. Reichenberger, Kassel

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    Universitätsbibliothek Eichstätt-Ingolstadt
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  13. Gender in play on the Shakespearean stage
    boy heroines and female pages
    Author: Shapiro, Michael
    Published: 1996
    Publisher:  Univ. of Michigan Press, Ann Arbor

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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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  14. Masking and unmasking the female mind
    disguising romances in feminine fiction, 1713 - 1799
    Author: Schofield, Mary Anne
    Published: 1990
    Publisher:  Univ. of Delaware Press u.a., Newark u.a.

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    Universitätsbibliothek Bayreuth
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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  15. Guise and disguise
    rhetoric and characterization in the English Renaissance
    Author: Davis, Lloyd
    Published: 1993
    Publisher:  Univ. of Toronto Press, Toronto [u.a.]

    Disguise is a recurring figure in many Renaissance texts. In its apparent intention to deceive, it raises complex issues of identity, motivation, and the construction of character. Lloyd Davis's Guise and Disguise examines disguise as a rhetorical... more

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    Disguise is a recurring figure in many Renaissance texts. In its apparent intention to deceive, it raises complex issues of identity, motivation, and the construction of character. Lloyd Davis's Guise and Disguise examines disguise as a rhetorical and dramatistic motif in a wide range of Renaissance texts. Drawing on the sociological analyses of character in the work of Goffmann and Garfinkel as well as on recent historicist studies of Renaissance literature, Davis argues against an essentialist notion of identity. He posits a counter-tradition of character as invented, shaped guise, a cultural process realized through rhetorical and dramatic performance. Davis traces the conflict between idealist and cultural notions of selfhood from its classical roots to its role as a key social concern in the English Renaissance. He analyses rhetorical texts from Wilson, Rainolds, Puttenham, and Sidney; the political and social philosophies of Machiavelli, Castiglione, Montaigne, Bacon, and Hobbes; the religious writings of Erasmus, Calvin, and Donne; and the dramatic works of Lyly, Shakespeare, Marston, Jonson, and Beaumont and Fletcher. He sees issues of selfhood and identity as central to the period's ideological and gender discourses, and strategies of disguise and character-making as challenging the political and sexual motives that underlie images of the essentialist self. Davis's approach links Renaissance culture both to its past and to modern and post-modern notions of subjectivity and language.

     
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  16. Gender in play on the Shakespearean stage
    boy heroines and female pages
    Author: Shapiro, Michael
    Published: 1994
    Publisher:  Univ. of Michigan Press, Ann Arbor

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  17. Faulkner
    masks and metaphors
    Author: Hönnighausen, Lothar
    Published: 1997
    Publisher:  Univ. Press of Mississippi, Jackson

    That Faulkner was a "liar" not just in his writing but also in his life has troubled many critics. With psychopathological imposture-theories they have explained his numerous "false stories," particularly those about military honors he actually never... more

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    That Faulkner was a "liar" not just in his writing but also in his life has troubled many critics. With psychopathological imposture-theories they have explained his numerous "false stories," particularly those about military honors he actually never earned and war wounds he never sustained. The drawback of this critical approach is that it reduces and oversimplifies the complex psychological and aesthetic phenomenon of Faulkner's role-playing. Instead, this study by one of the most acclaimed international Faulkner scholars takes its cue from Nietzsche's concept of "truth as a mobile army of metaphors" and from Ricoeur's dynamic view of metaphor and treats the wearing of masks not as an ontological issue but as a matter of discourse. Honnighausen examines Faulkner's interviews and photographs for the fictions they perpetuate. Such Faulknerian role-playing he interprets as "a mode of organizing experience" and relates it to the crafting of the artist's various personae in his works. His conclusion, a comparative view of cultural nationalism and international regionalism in the Thirties, will lead readers to a new understanding of The Hamlet and of Faulkner's self-portrait of the artist as a Mississippi farmer.

     
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  18. Populism, gender, and sympathy in the romantic novel
    Author: Carson, James Patrick
    Published: 2010
    Publisher:  Palgrave Macmillan, New York

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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780230621107
    RVK Categories: HL 1331
    Edition: 1. publ.
    Series: Nineteenth-century major lives and letters
    Subjects: English fiction; Crowds in literature; Riots in literature; Populism in literature; Women in literature; Disguise in literature; Sympathy in literature; Menschenmenge <Motiv>; Englisch; Literatur; Massenkultur; Geschlechterrolle <Motiv>
    Scope: X, 247 S., Ill.
    Notes:

    Includes bibliographical references and index
  19. Metamphieseis stē neoellēnikē pezographia
    (19os - 20os aiōnas)
    Author: Mike, Mairē
    Published: 2001
    Publisher:  Ekd. Kedros, Athēna

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    Source: Union catalogues
    Language: Greek, Modern (1453-)
    Media type: Book
    ISBN: 960041842X
    RVK Categories: FG 2000
    Subjects: Fictie; Nieuwgrieks; Prosa; Disguise in literature; Greek prose literature, Modern; Greek prose literature, Modern
    Scope: 425 S.
    Notes:

    In griech. Schr.
  20. Travestimenti
    mondi immaginari e scrittura nell'Europa delle corti
    Published: 2009
    Publisher:  Ed. di Pagina, Bari

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    Source: Union catalogues
    Language: Italian
    Media type: Book
    ISBN: 9788874700936
    Series: Due punti ; 9
    Subjects: Literatur; Disguise in literature; Literature; Masks in literature; Höfische Kultur; Verkleidung; Literatur
    Scope: x, 265 p., 21 cm
    Notes:

    Contains bibliographical references, notes and name index. - Collected essays
  21. Jeux de masques, jeux de ruses dans la littérature française médiévale (XIIe - XVe siècles)
    Author: Tanase, Gabriela
    Published: 2010
    Publisher:  Champion, Paris

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    Source: Union catalogues
    Language: French
    Media type: Dissertation
    ISBN: 9782745320773
    RVK Categories: IE 4762
    Series: Nouvelle bibliothèque du Moyen Age ; 101
    Subjects: Disguise in literature; French literature; Masks in literature; Transvestism in literature; Kostümball <Motiv>; Literatur; Verkleidung <Motiv>; Altfranzösisch
    Scope: 382 S., 24 cm
    Notes:

    Literaturverz. S. [355] - 370

    Teilw. zugl.: Montréal, Univ., Diss., 2003 u.d.T.: Tanase, Gabriela: De Tristan à Villon, les ruses du masque et du discours
  22. Enthüllen - Verhüllen
    Text und Sprache als Strategie ; Beiträge zum 19. Forum Junge Romanistik
    Published: 2004
    Publisher:  Romanistischer Verl., Bonn

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    Source: Union catalogues
    Language: French; German; Spanish
    Media type: Book
    ISBN: 386143153X
    RVK Categories: IB 1079
    Series: Forum Junge Romanistik ; 10
    Subjects: Communication; Disguise in literature; Revelation in literature; Romance languages; Romance literature; Romance literature; Romanische Sprachen; Verhüllung <Motiv>; Literatur
    Scope: 484 S., Ill.
    Notes:

    Beitr. teilw. dt., teilw. franz., teilw. span.
  23. Indirections
    Shakespeare and the art of illusion
    Author: Dawson, Anthony B.
    Published: 1978
    Publisher:  Univ. of Toronto Press, Toronto [u.a.]

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  24. Travestis, métamorphoses, dédoublements
    essai sur l'oeuvre romanesque de Théophile Gautier
    Author: Savalle, Joseph
    Published: 1981
    Publisher:  Minard, Paris

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  25. Passing for Spain
    Cervantes and the fictions of identity
    Author: Fuchs, Barbara
    Published: 2003
    Publisher:  Univ. of Illinois Press, Urbana [u.a.]

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