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  1. Realist Ecstasy :
    Religion, Race, and Performance in American Literature /
    Published: [2021]; ©2020
    Publisher:  New York University Press,, New York, NY :

    Explores the intersection and history of American literary realism and the performance of spiritual and racial embodiment. Recovering a series of ecstatic performances in late nineteenth- and early twentieth-century American realism, Realist Ecstasy... more

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    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
    Unlimited inter-library loan, copies and loan

     

    Explores the intersection and history of American literary realism and the performance of spiritual and racial embodiment. Recovering a series of ecstatic performances in late nineteenth- and early twentieth-century American realism, Realist Ecstasy travels from camp meetings to Native American ghost dances to storefront church revivals to explore realism’s relationship to spiritual experience. In her approach to realism as both an unruly archive of performance and a wide-ranging repertoire of media practices—including literature, photography, audio recording, and early film—Lindsay V. Reckson argues that the real was repetitively enacted and reenacted through bodily practice. Realist Ecstasy demonstrates how the realist imagining of possessed bodies helped construct and naturalize racial difference, while excavating the complex, shifting, and dynamic possibilities embedded in ecstatic performance: its production of new and immanent forms of being beside. Across her readings of Stephen Crane, James Weldon Johnson, and Nella Larsen, among others, Reckson triangulates secularism, realism, and racial formation in the post-Reconstruction moment. Realist Ecstasy shows how post-Reconstruction realist texts mobilized gestures—especially the gestures associated with religious ecstasy—to racialize secularism itself. Reckson offers us a distinctly new vision of American realism as a performative practice, a sustained account of how performance lives in and through literary archives, and a rich sense of how closely secularization and racialization were linked in Jim Crow America.

     

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  2. Old Futures
    Speculative Fiction and Queer Possibility /
    Published: 2019.; 2021; ©2019.
    Publisher:  New York University Press,, New York : ; Project MUSE,, Baltimore, Md. :

    'Old Futures' traverses the history of imagined futures from the 1890s to the 2010s, interweaving speculative visions of gender, race, and sexuality from literature, film, and digital media. Centering works by women, queers, and people of colour that... more

    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
    Unlimited inter-library loan, copies and loan

     

    'Old Futures' traverses the history of imagined futures from the 1890s to the 2010s, interweaving speculative visions of gender, race, and sexuality from literature, film, and digital media. Centering works by women, queers, and people of colour that are marginalized within most accounts of the genre, the text offers a new perspective on speculative fiction studies while reframing established theories of queer temporality by arguing that futures imagined in the past offer new ways to queer the present.

     

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    Source: Philologische Bibliothek, FU Berlin
    Media type: Ebook
    Format: Online
    ISBN: 1-4798-5458-1
    Other identifier:
    Series: NYU scholarship online
    Postmillennial pop
    Subjects: Speculative fiction.; Gender identity in literature.; Future, The, in literature.; LITERARY CRITICISM; Gender identity in literature.; Future, The, in literature.; Speculative fiction
    Other subjects: Afrofuturism.; American fiction.; British fiction.; LGBT.; affect.; black feminism.; black queer studies.; blackness.; digital.; dystopia.; empire.; eugenics.; fandom.; fantasy.; fascism.; feminism.; film.; futurity.; gay.; gender.; lesbian.; media.; modernity.; music.; narrative.; negativity.; new media.; pleasure.; politics.; punk.; race.; remix.; reproduction.; science fiction.; sexuality.; slash fiction.; slavery.; speculation.; technology.; television.; temporality.; transnational.; utopia.; vampire.; vidding.; video.; violence.; visual culture.; whiteness.; world-building.; world-making.
    Scope: 1 online resource :, illustrations (black and white).
    Notes:

    Previously issued in print: 2018.

    Includes bibliographical references and index.

    4. Science Fiction Worlding and Speculative Sex -- WORMHOLE. Try This at Home: Networked Public Sexual Fantasy -- PART III. IT'S THE FUTURE, BUT IT LOOKS LIKE THE PRESENT: QUEER SPECULATIONS ON MEDIA TIME -- 5. Queer Deviations from the Future on Screen -- 6. How to Remix the Future -- Epilogue: Queer Geek Politics after the Future -- Acknowledgments -- Notes -- Bibliography -- Index -- About the Author

    Cover -- OLD FUTURES -- Title -- Copyright -- Dedication -- CONTENTS -- Introduction: The Future's Queer Histories -- PART I.A HISTORY OF NO FUTURE: FEMINISM, EUGENICS, AND REPRODUCTIVE IMAGINARIES -- 1. Utopian Interventions to the Reproduction of Empire -- 2. Dystopian Impulses, Feminist Negativity, and the Fascism of the Baby's Face -- WORMHOLE. The Future Stops Here: Countering the Human Project -- PART II. A NOW THAT CAN BREED FUTURES: QUEERNESS AND PLEASURE IN BLACK SCIENCE FICTION -- 3. Afrofuturist Entanglements of Gender, Eugenics, and Queer Possibility

  3. Realist Ecstasy
    Religion, Race, and Performance in American Literature /
    Published: [2020]; ©[2020]
    Publisher:  New York University Press,, New York :

    Explores the intersection and history of American literary realism and the performance of spiritual and racial embodiment. Recovering a series of ecstatic performances in late 19th- and early 20th-century American realism, 'Realist Ecstasy' travels... more

    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
    Unlimited inter-library loan, copies and loan

     

    Explores the intersection and history of American literary realism and the performance of spiritual and racial embodiment. Recovering a series of ecstatic performances in late 19th- and early 20th-century American realism, 'Realist Ecstasy' travels from camp meetings to Native American ghost dances to storefront church revivals to explore realism's relationship to spiritual experience. In her approach to realism as both an unruly archive of performance and a wide-ranging repertoire of media practices - including literature, photography, audio recording, and early film - Lindsay V. Reckson argues that the real was repetitively enacted and reenacted through bodily practice.

     

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    Source: Philologische Bibliothek, FU Berlin
    Media type: Ebook
    Format: Online
    ISBN: 1-4798-4245-1
    Other identifier:
    Series: Performance and American Cultures
    Subjects: Religion in literature.; Realism in literature.; Race in literature.; Performance in literature.; American literature.; Performance in literature.; Race in literature.; Religion in literature.; Realism in literature.; American literature
    Other subjects: Anna Julia Cooper.; Frances E. W. Harper.; Ghost Dance.; Hamlin Garland.; James Mooney.; James Weldon Johnson.; Jim Crow.; Nella Larsen.; Pentecostalism.; Reconstruction.; W. E. B. Du Bois.; William Dean Howells.; William Van der Weyde.; affect.; body.; capital punishment.; conversion.; electricity.; ethnography.; gesture.; haunting.; intersectionality.; lynching.; messiah craze.; performance.; photography.; queerness.; realism.; recording.; reenactment.; secularism.; secularization.; settler colonialism.; sexuality.; storefront church.; temporality.; whiteness.
    Scope: 1 online resource (253 pages).
    Notes:

    Includes bibliographical references and index.

    Introduction : being beside -- Reconstructing secularisms -- Archival enthusiasm -- The ghost dance and realism's techno-spiritual frontier -- Touching a button -- Born, again -- Coda : behind, before, beside.