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  1. Populäre Musik im Kontext von Social Media-Kurzvideos
    Musikaneignung im Rahmen von TikTok und Instagram Reels
    Author: Geyer, Carolin
    Published: 2024; ©2024
    Publisher:  Nomos Verlagsgesellschaft mbH & Co. KG, Baden-Baden

    Die Musikaneignung wird gegenwärtig in der digitalen Medienkultur von Social Media-Kurzvideos geprägt, insbesondere durch TikToks und Instagram Reels. Diese Studie erforscht die transformativen Einflüsse von Kurzvideos auf die musikalische Botschaft,... more

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    Die Musikaneignung wird gegenwärtig in der digitalen Medienkultur von Social Media-Kurzvideos geprägt, insbesondere durch TikToks und Instagram Reels. Diese Studie erforscht die transformativen Einflüsse von Kurzvideos auf die musikalische Botschaft, basierend auf dem Konzept der digitalen Mediamorphose. Im Fokus steht die Aneignung populärer Musik in musikzentrierten Kurzvideos und deren Auswirkungen auf die Kontextualisierung der musikalischen Botschaft. Die Videoanalyse präsentiert Erkenntnisse zum intermedialen Zusammenspiel von Bild, Text und Ton. Userzentrierte Interviews decken auf, wie sich User populäre Musik durch Kurzvideos aneignen. Drei Aneignungsmodi der Rezeption sowie zwei der Produktion werden skizziert. Music appropriation in digital media culture is currently characterised by social media short videos, especially TikToks and Instagram Reels. This study explores the transformative influences of short videos on the musical message, based on the concept of digital mediamorphosis. The focus is on the appropriation of popular music in music-centric short videos and their impact on the contextualisation of the musical message. The video analysis presents findings on the intermedial interplay of image, text and sound. User-centred interviews reveal how users appropriate popular music through short videos. Three modes of appropriation of reception and two of production are outlined.

     
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    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783748940357
    Other identifier:
    RVK Categories: LR 56976 ; LR 57798
    Series: Short Cuts Cross Media ; 15
    Subjects: Intermedialität; Digitalisierung; Social Media; Popmusik; Internet; Medienkultur; Soziale Medien; Instagram; Digitalization; populäre Musik; TikTok; popular music; Intermediality; pop music; media culture; mediamorphosis; Kurzvideos; music appropriation; Mediamorphose; short videos; Musikaneignung; video analysis; Reels; Videoanalyse
    Scope: 1 Online-Ressource (526 Seiten)
    Notes:

    Dissertation, Hochschule f. Musik, Weimar, 2023
  2. Gender differences in face-to-face deceptive behavior
    Author: Lohse, Tim; Qari, Salmai
    Published: [2019]
    Publisher:  CESifo, Center for Economic Studies & Ifo Institute, Munich, Germany

    We study the role of face-to-face interaction for gender differences in deceptive behavior and perceived honesty. In the first part, we compare women's to men's deceptive behavior using data from an incentivized income reporting experiment in which... more

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    We study the role of face-to-face interaction for gender differences in deceptive behavior and perceived honesty. In the first part, we compare women's to men's deceptive behavior using data from an incentivized income reporting experiment in which lies can be detected in the course of an audit. Between the three treatments of that experiment, (i) the degree, and (ii) the impact of the face-to-face interaction vary from none (computerized baseline treatment) to a little (treatment in which face-to-face communication triggers psychological effects such as greater lying aversion) to much (treatment in which the perception by others also enters as a strategic effect determining the probability of detecting a lie). In the computerized baseline treatment men and women lie alike. Women's truthfulness increases when psychological effects of face-to-face interaction come into play. In contrast, male deceptive behavior does not change until the strategic effect of perceived honesty matters and men's truthfulness rises way beyond the level of women. To elaborate on these gender differences, in the second part, participants are asked to assess the honesty of videotaped statements from an experimental setting identical to the third treatment. We find that more men are assessed as rather dishonest. Men's dishonest perception is independent of whether they are actually truthful or not and whether they are assessed by men or women. We conclude that men anticipate their low perceived honesty in a face-to-face setting and, therefore, deceive less compared to women.

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    hdl: 10419/214997
    Series: Array ; no. 7995 (December 2019)
    Subjects: gender differences; lying; face-to-face interaction; honesty assessment; perception; video analysis; laboratory experiment
    Scope: 1 Online-Ressource (circa 39 Seiten), Illustrationen
  3. Gender differences in face-to-face deceptive behavior
    Author: Lohse, Tim; Qari, Salmai
    Published: 2020
    Publisher:  DIW Berlin, German Institute for Economic Research, Berlin

    We study the role of face-to-face interaction for gender differences in deceptive behavior and perceived honesty. In the first part, we compare women to men’s deceptive behavior using data from an incentivized income-reporting experiment with three... more

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    ZBW - Leibniz-Informationszentrum Wirtschaft, Standort Kiel
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    DS 14
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    We study the role of face-to-face interaction for gender differences in deceptive behavior and perceived honesty. In the first part, we compare women to men’s deceptive behavior using data from an incentivized income-reporting experiment with three treatments. Reporting is fully computerized in a baseline treatment but occurs face-to-face in the second and third treatment. Lies can be detected in the course of an audit, which happens with a given probability in the first and second treatment whereas it depends on perceptions by others in the third treatment. In the computerized baseline treatment, men and women’s deceptive behavior is statistically indistinguishable. However, women’s truthfulness increases when face-to-face interaction is introduced in the second treatment. In contrast, males’ deceptive behavior does not change until the audit probability depends on their perceived honesty in the third treatment. Then, men’s truthfulness rises sharply and exceeds women’s level of honesty by far. We elaborate on these gender differences in the second part. We conduct an experiment to assess the honesty of videotaped income-reporting statements from a setting identical to the third treatment. Our findings confirm that men anticipate their low perceived honesty, which is consistent with the results from the first part.

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    hdl: 10419/227770
    Series: Discussion papers / Deutsches Institut für Wirtschaftsforschung ; 1922
    Subjects: Gender differences; lying; face-to-face interaction; honesty assessment; perception; video analysis; laboratory experiment
    Scope: 1 Online-Ressource (circa 38 Seiten), Illustrationen
  4. Populäre Musik im Kontext von Social Media-Kurzvideos
    Musikaneignung im Rahmen von TikTok und Instagram Reels
    Author: Geyer, Carolin
    Published: 2024
    Publisher:  Nomos, Baden-Baden

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    Content information
    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 9783756016402; 3756016404
    Other identifier:
    9783756016402
    RVK Categories: LR 56976 ; LR 57798
    DDC Categories: 300
    Edition: 1. Auflage
    Series: Short Cuts - Cross Media ; Band 15
    Subjects: Unterhaltungsmusik; Social Media; Musikerziehung;
    Other subjects: digitalization; Digitalisierung; intermediality; Instagram; media culture; Intermedialität; Internet; mediamorphosis; Kurzvideos; music appropriation; pop music; Mediamorphose; Medienkultur; popular music; short videos; Musikaneignung; video analysis; Popmusik; Populäre Musik; Reels
    Scope: 526 Seiten, Illustrationen, 23 cm
    Notes:

    Leicht modifizierte Fassung der echten Hochschulschrift

    Enthält Literaturverzeichnis auf Seite

    Dissertation, Array, 2023
  5. Populäre Musik im Kontext von Social Media-Kurzvideos
    Musikaneignung im Rahmen von TikTok und Instagram Reels
    Author: Geyer, Carolin
    Published: 2024
    Publisher:  Nomos, Baden-Baden

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    Content information
  6. Digital Tools in Media Studies. Analysis and Research. An Overview
    Contributor: Ross, Michael (Herausgeber); Grauer, Manfred (Herausgeber); Freisleben, Bernd (Herausgeber)
    Published: 2009
    Publisher:  Philipps-Universität Marburg, Marburg

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    Source: Union catalogues
    Contributor: Ross, Michael (Herausgeber); Grauer, Manfred (Herausgeber); Freisleben, Bernd (Herausgeber)
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    Subjects: Neue Medien; Filmanalyse; Digitale Filmtechnik
    Other subjects: database; Digital Humanities; digital media; method; movie; video analysis; (VLB-FS)Media; (VLB-FS)Databases; (BISAC Subject Heading)LAN004000; Media History; Media Studies; Movie,Databases,Video Analysis,Technology,Digital Media,Media History,Media Studies; Technology
    Scope: Online-Ressource
    Notes:

    In: Ross, Michael; Grauer, Manfred; Freisleben, Bernd (Hg.) (2009): Digital Tools in Media Studies. Analysis and Research. An Overview. Bielefeld: transcript (Medienumbrüche, 27).
  7. Populäre Musik im Kontext von Social Media-Kurzvideos
    Musikaneignung im Rahmen von TikTok und Instagram Reels
    Author: Geyer, Carolin
    Published: 2024
    Publisher:  Nomos Verlagsgesellschaft mbH & Co. KG, Baden-Baden

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  8. Populäre Musik im Kontext von Social Media-Kurzvideos
    Musikaneignung im Rahmen von TikTok und Instagram Reels
    Author: Geyer, Carolin
    Published: 2024; ©2024
    Publisher:  Nomos Verlagsgesellschaft mbH & Co. KG, Baden-Baden

    Die Musikaneignung wird gegenwärtig in der digitalen Medienkultur von Social Media-Kurzvideos geprägt, insbesondere durch TikToks und Instagram Reels. Diese Studie erforscht die transformativen Einflüsse von Kurzvideos auf die musikalische Botschaft,... more

    Access:
    Verlag (kostenfrei)
    Resolving-System (kostenfrei)

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Die Musikaneignung wird gegenwärtig in der digitalen Medienkultur von Social Media-Kurzvideos geprägt, insbesondere durch TikToks und Instagram Reels. Diese Studie erforscht die transformativen Einflüsse von Kurzvideos auf die musikalische Botschaft, basierend auf dem Konzept der digitalen Mediamorphose. Im Fokus steht die Aneignung populärer Musik in musikzentrierten Kurzvideos und deren Auswirkungen auf die Kontextualisierung der musikalischen Botschaft. Die Videoanalyse präsentiert Erkenntnisse zum intermedialen Zusammenspiel von Bild, Text und Ton. Userzentrierte Interviews decken auf, wie sich User populäre Musik durch Kurzvideos aneignen. Drei Aneignungsmodi der Rezeption sowie zwei der Produktion werden skizziert. Music appropriation in digital media culture is currently characterised by social media short videos, especially TikToks and Instagram Reels. This study explores the transformative influences of short videos on the musical message, based on the concept of digital mediamorphosis. The focus is on the appropriation of popular music in music-centric short videos and their impact on the contextualisation of the musical message. The video analysis presents findings on the intermedial interplay of image, text and sound. User-centred interviews reveal how users appropriate popular music through short videos. Three modes of appropriation of reception and two of production are outlined.

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783748940357
    Other identifier:
    RVK Categories: LR 56976 ; LR 57798
    Series: Short Cuts Cross Media ; 15
    Subjects: Intermedialität; Digitalisierung; Social Media; Popmusik; Internet; Medienkultur; Soziale Medien; Instagram; Digitalization; populäre Musik; TikTok; popular music; Intermediality; pop music; media culture; mediamorphosis; Kurzvideos; music appropriation; Mediamorphose; short videos; Musikaneignung; video analysis; Reels; Videoanalyse
    Scope: 1 Online-Ressource (526 Seiten)
    Notes:

    Dissertation, Hochschule f. Musik, Weimar, 2023