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  1. Vladimir Sorokin's discourses
    a companion
    Published: 2020; © 2020
    Publisher:  Academic Studies Press, Brookline, MA

    Vladimir Sorokin is the most prominent and the most controversial contemporary Russian writer. Having emerged as a prose writer in Moscow's artistic underground in the late 1970s and early 80s, he became visible to a broader Russian audience only in... more

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Vladimir Sorokin is the most prominent and the most controversial contemporary Russian writer. Having emerged as a prose writer in Moscow's artistic underground in the late 1970s and early 80s, he became visible to a broader Russian audience only in the mid-1990s, with texts shocking the moralistic expectations of traditionally minded readers by violating not only Soviet ideological taboos, but also injecting vulgar language, sex, and violence into plots that the postmodernist Sorokin borrowed from nineteenth-century literature and Socialist Realism. Sorokin became famous when the Putin youth organization burned his books in 2002 and he picked up neo-nationalist and neo-imperialist discourses in his dystopian novels of the 2000s and 2010s, making him one of the fiercest critics of Russia's "new middle ages," while remaining steadfast in his dismantling of foreign discourses

     

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  2. Art, ethics and provocation
    Contributor: Suwalska-Kołecka, Anna (Publisher); Penier, Izabella (Publisher)
    Published: [2016]
    Publisher:  Peter Lang Edition, Frankfurt am Main

    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Contributor: Suwalska-Kołecka, Anna (Publisher); Penier, Izabella (Publisher)
    Language: English
    Media type: Book
    ISBN: 9783631663714
    RVK Categories: ID 1230
    DDC Categories: 810
    Series: Dis-continuities ; Vol. 14
    Subjects: Ethik <Motiv>; Kultur; Film; Provokation <Motiv>; Literatur
    Other subjects: challenging conventions; expanding paradigms; gender; taboos; AB; ANH
    Scope: 185 Seiten
  3. Art, ethics and provocation
    Contributor: Suwalska-Kołecka, Anna (Publisher); Penier, Izabella (Publisher)
    Published: [2016]
    Publisher:  Peter Lang Edition, Frankfurt am Main

    Freie Universität Berlin, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin
    Contributor: Suwalska-Kołecka, Anna (Publisher); Penier, Izabella (Publisher)
    Language: English
    Media type: Book
    ISBN: 9783631663714
    RVK Categories: ID 1230
    DDC Categories: 810
    Series: Dis-continuities ; Vol. 14
    Subjects: Ethik <Motiv>; Kultur; Film; Provokation <Motiv>; Literatur
    Other subjects: challenging conventions; expanding paradigms; gender; taboos; AB; ANH
    Scope: 185 Seiten
  4. Vladimir Sorokin's discourses
    a companion
    Published: 2020; © 2020
    Publisher:  Academic Studies Press, Brookline, MA

    Vladimir Sorokin is the most prominent and the most controversial contemporary Russian writer. Having emerged as a prose writer in Moscow's artistic underground in the late 1970s and early 80s, he became visible to a broader Russian audience only in... more

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Universität Potsdam, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    Vladimir Sorokin is the most prominent and the most controversial contemporary Russian writer. Having emerged as a prose writer in Moscow's artistic underground in the late 1970s and early 80s, he became visible to a broader Russian audience only in the mid-1990s, with texts shocking the moralistic expectations of traditionally minded readers by violating not only Soviet ideological taboos, but also injecting vulgar language, sex, and violence into plots that the postmodernist Sorokin borrowed from nineteenth-century literature and Socialist Realism. Sorokin became famous when the Putin youth organization burned his books in 2002 and he picked up neo-nationalist and neo-imperialist discourses in his dystopian novels of the 2000s and 2010s, making him one of the fiercest critics of Russia's "new middle ages," while remaining steadfast in his dismantling of foreign discourses

     

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  5. Vladimir Sorokin's discourses
    a companion
    Published: 2020
    Publisher:  Academic Studies Press, Boston, MA

    Frontmatter -- Table of Contents -- Acknowledgments -- A Note on Transliteration, Translation, and Referencing -- Disclaimer -- 1. Introduction: The Late Soviet Union and Moscow's Artistic Underground -- 2. The Queue and Collective Speech -- 3. The... more

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    Staats- und Universitätsbibliothek Bremen
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    Frontmatter -- Table of Contents -- Acknowledgments -- A Note on Transliteration, Translation, and Referencing -- Disclaimer -- 1. Introduction: The Late Soviet Union and Moscow's Artistic Underground -- 2. The Queue and Collective Speech -- 3. The Norm and Socialist Realism -- 4. Marina's Thirtieth Love and Dissident Narratives -- 5. A Novel and Classical Russian Literature -- 6. A Month in Dachau and Entangled Totalitarianisms -- 7. Sorokin's New Media Strategies and Civic Position in Post-Soviet Russia -- 8. Blue Lard and Pulp Fiction -- 9. Ice and Esoteric Fanaticism-a New Sorokin? -- 10. Day of the Oprichnik and Political (Anti-)Utopias -- 11. The Blizzard and Self-References of a Meta-Classic -- 12. Manaraga and Reactionary Anti-Globalism -- 13. Discontinuity in Continuity: Prospects -- Bibliography -- Index Vladimir Sorokin is the most prominent and the most controversial contemporary Russian writer. Having emerged as a prose writer in Moscow's artistic underground in the late 1970s and early 80s, he became visible to a broader Russian audience only in the mid-1990s, with texts shocking the moralistic expectations of traditionally minded readers by violating not only Soviet ideological taboos, but also injecting vulgar language, sex, and violence into plots that the postmodernist Sorokin borrowed from nineteenth-century literature and Socialist Realism. Sorokin became famous when the Putin youth organization burned his books in 2002 and he picked up neo-nationalist and neo-imperialist discourses in his dystopian novels of the 2000s and 2010s, making him one of the fiercest critics of Russia's "new middle ages," while remaining steadfast in his dismantling of foreign discourses

     

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  6. Art, ethics and provocation /
    Contributor: Suwalska-Kołecka, Anna (Publisher); Penier, Izabella (Publisher)
    Published: [2016].
    Publisher:  Peter Lang Edition,, Frankfurt am Main :

    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
    Unlimited inter-library loan, copies and loan
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    Source: Philologische Bibliothek, FU Berlin
    Contributor: Suwalska-Kołecka, Anna (Publisher); Penier, Izabella (Publisher)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 978-3-631-66371-4
    RVK Categories: ID 1230
    Series: Dis-continuities ; Vol. 14
    Subjects: Literatur; Kultur; Film; Ethik <Motiv>; Provokation <Motiv>
    Other subjects: challenging conventions; expanding paradigms; gender; taboos; AB; ANH
    Scope: 185 Seiten.
  7. Art, ethics and provocation
  8. TYA, culture, society
    international essays on theatre for young audiences ; a publication of ASSITEJ and ITYARN
  9. Skopos in Arabic-English Translation
    The adaptation of "Loose Women" as a case study
    Author: Daoud, Maher
    Published: 2014
    Publisher:  LAP LAMBERT Academic Publishing, Saarbrücken

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783659517150; 3659517151
    Other identifier:
    9783659517150
    Edition: 1. Aufl.
    Other subjects: (Produktform)Electronic book text; cultural equivalence; euphemism; skopos; Adaption; covert translation; overt translation; translating sensetive texts; translating sex; taboos; cultural filter; (VLB-WN)1564: Englische Sprachwissenschaft, Literaturwissenschaft
    Scope: Online-Ressource
    Notes:

    Lizenzpflichtig. - Vom Verlag als Druckwerk on demand und/oder als E-Book angeboten

  10. TYA, Culture, Society
    International Essays on Theatre for Young Audiences A Publication of ASSITEJ and ITYARN
  11. Vladimir Sorokin's discourses :
    a companion /
    Published: 2020.; © 2020.
    Publisher:  Academic Studies Press,, Brookline, MA :

    Vladimir Sorokin is the most prominent and the most controversial contemporary Russian writer. Having emerged as a prose writer in Moscow's artistic underground in the late 1970s and early 80s, he became visible to a broader Russian audience only in... more

    Access:
    Verlag (lizenzpflichtig)
    Resolving-System (lizenzpflichtig)
    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
    Unlimited inter-library loan, copies and loan
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Unlimited inter-library loan, copies and loan
    Universität Potsdam, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    Vladimir Sorokin is the most prominent and the most controversial contemporary Russian writer. Having emerged as a prose writer in Moscow's artistic underground in the late 1970s and early 80s, he became visible to a broader Russian audience only in the mid-1990s, with texts shocking the moralistic expectations of traditionally minded readers by violating not only Soviet ideological taboos, but also injecting vulgar language, sex, and violence into plots that the postmodernist Sorokin borrowed from nineteenth-century literature and Socialist Realism. Sorokin became famous when the Putin youth organization burned his books in 2002 and he picked up neo-nationalist and neo-imperialist discourses in his dystopian novels of the 2000s and 2010s, making him one of the fiercest critics of Russia's "new middle ages," while remaining steadfast in his dismantling of foreign discourses

     

    Export to reference management software   RIS file
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    Content information
    Volltext (URL des Erstveröffentlichers)
  12. Vladimir Sorokin's discourses
    a companion
    Published: 2020
    Publisher:  Academic Studies Press, Boston, MA

    Frontmatter -- Table of Contents -- Acknowledgments -- A Note on Transliteration, Translation, and Referencing -- Disclaimer -- 1. Introduction: The Late Soviet Union and Moscow's Artistic Underground -- 2. The Queue and Collective Speech -- 3. The... more

    Access:
    Verlag (lizenzpflichtig)
    Resolving-System (lizenzpflichtig)
    Universität Potsdam, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    Frontmatter -- Table of Contents -- Acknowledgments -- A Note on Transliteration, Translation, and Referencing -- Disclaimer -- 1. Introduction: The Late Soviet Union and Moscow's Artistic Underground -- 2. The Queue and Collective Speech -- 3. The Norm and Socialist Realism -- 4. Marina's Thirtieth Love and Dissident Narratives -- 5. A Novel and Classical Russian Literature -- 6. A Month in Dachau and Entangled Totalitarianisms -- 7. Sorokin's New Media Strategies and Civic Position in Post-Soviet Russia -- 8. Blue Lard and Pulp Fiction -- 9. Ice and Esoteric Fanaticism-a New Sorokin? -- 10. Day of the Oprichnik and Political (Anti-)Utopias -- 11. The Blizzard and Self-References of a Meta-Classic -- 12. Manaraga and Reactionary Anti-Globalism -- 13. Discontinuity in Continuity: Prospects -- Bibliography -- Index Vladimir Sorokin is the most prominent and the most controversial contemporary Russian writer. Having emerged as a prose writer in Moscow's artistic underground in the late 1970s and early 80s, he became visible to a broader Russian audience only in the mid-1990s, with texts shocking the moralistic expectations of traditionally minded readers by violating not only Soviet ideological taboos, but also injecting vulgar language, sex, and violence into plots that the postmodernist Sorokin borrowed from nineteenth-century literature and Socialist Realism. Sorokin became famous when the Putin youth organization burned his books in 2002 and he picked up neo-nationalist and neo-imperialist discourses in his dystopian novels of the 2000s and 2010s, making him one of the fiercest critics of Russia's "new middle ages," while remaining steadfast in his dismantling of foreign discourses

     

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