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  1. In common things
    commerce, culture, and ecology in British romantic literature
    Published: [2022]; © 2022
    Publisher:  University of Toronto Press, Toronto

    The hardness of stone, the pliancy of wood, the fluidity of palm oil, the crystalline nature of salt, and the vegetable qualities of moss – each describes a way of being in and understanding the world. These substances are both natural objects hailed... more

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    Verlag (lizenzpflichtig)
    Universität Potsdam, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    The hardness of stone, the pliancy of wood, the fluidity of palm oil, the crystalline nature of salt, and the vegetable qualities of moss – each describes a way of being in and understanding the world. These substances are both natural objects hailed in Romantic literature and global commodities within a system of extraction and exchange that has driven climate change, representing the paradox of the modern relation to materiality. In Common Things examines these five common substances – stone, wood, oil, salt, and moss – in the literature of Romantic period authors, excavating their cultural, ecological, and commodity histories. The book argues that the substances and their histories have shaped cultural consciousness, and that Romantic era texts formally encode this shaping. Matthew Rowney draws together processes, beings, and things, both from the Romantic period and from our current ecological moment, to re-invoke a lost heritage of cultural relations with common substances. Enabling a fresh reading of Romantic literature, In Common Things prompts a reevaluation of the simple, the everyday, and the common, in light of their contributions to our contemporary sense of ourselves and our societies "In Common Things explores the implacable agency of five common substances--stone, wood, oil, salt, and moss--in the life and literature of the Romantic period. It argues that these substances and their histories have shaped cultural consciousness, and that Romantic era texts formally encode this shaping. Substance is both the natural object of Romantic literature and the commodity that has driven global climate change, and represents the paradox of the modern relation to materiality. In Common Things excavates the cultural, ecological and commodity histories of these substances, demonstrating qualities they share "in common" with literary form. What this book hopes to prompt in its readers is a reevaluation of the simple, the everyday, and the common in light of its contribution to our contemporary sense of ourselves and our societies."--

     

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  2. Sheela-na-gigs
    Published: 2004
    Publisher:  Taylor & Francis, [Erscheinungsort nicht ermittelbar] ; OAPEN FOUNDATION, The Hague

    Here Barbara Freitag examines all the literature on the subject since their discovery 160 years ago, highlighting the inconsistencies of the various interpretations in regard to origin, function and name. By considering the Sheela-na-gigs in their... more

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    Bibliothek der Hochschule Darmstadt, Zentralbibliothek
    No inter-library loan
    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
    No inter-library loan
    Bibliothek der Frankfurt University of Applied Sciences
    No inter-library loan
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    No inter-library loan
    Hochschul- und Landesbibliothek Fulda, Standort Heinrich-von-Bibra-Platz
    No inter-library loan
    Technische Hochschule Mittelhessen, Hochschulbibliothek Gießen
    No inter-library loan
    Universitätsbibliothek Gießen
    No inter-library loan
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    No inter-library loan
    Universität Mainz, Zentralbibliothek
    No inter-library loan
    Universität Marburg, Universitätsbibliothek
    No inter-library loan

     

    Here Barbara Freitag examines all the literature on the subject since their discovery 160 years ago, highlighting the inconsistencies of the various interpretations in regard to origin, function and name. By considering the Sheela-na-gigs in their medieval social context, she suggests that they were folk deities with particular responsibility for assistance in childbirth. This fascinating survey sheds new light on a controversial phenomenon, and also contains a complete catalogue of all known Sheela-na-gigs, including hitherto unrecorded or unpublished figures.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780203567067; 9780415345521
    Subjects: Plastik; Frau <Motiv>; Archaeology; Society & culture: general
    Other subjects: patrick's; day; patricks; celebrations; stone; carving; fertility; figures; british; isles
  3. In common things
    commerce, culture, and ecology in British romantic literature
    Published: [2022]; © 2022
    Publisher:  University of Toronto Press, Toronto

    The hardness of stone, the pliancy of wood, the fluidity of palm oil, the crystalline nature of salt, and the vegetable qualities of moss – each describes a way of being in and understanding the world. These substances are both natural objects hailed... more

    Access:
    Resolving-System (lizenzpflichtig)
    Verlag (lizenzpflichtig)
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    No inter-library loan
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    No inter-library loan
    Thüringer Universitäts- und Landesbibliothek
    No inter-library loan
    Universität Potsdam, Universitätsbibliothek
    No inter-library loan
    Herzog August Bibliothek Wolfenbüttel
    No inter-library loan

     

    The hardness of stone, the pliancy of wood, the fluidity of palm oil, the crystalline nature of salt, and the vegetable qualities of moss – each describes a way of being in and understanding the world. These substances are both natural objects hailed in Romantic literature and global commodities within a system of extraction and exchange that has driven climate change, representing the paradox of the modern relation to materiality. In Common Things examines these five common substances – stone, wood, oil, salt, and moss – in the literature of Romantic period authors, excavating their cultural, ecological, and commodity histories. The book argues that the substances and their histories have shaped cultural consciousness, and that Romantic era texts formally encode this shaping. Matthew Rowney draws together processes, beings, and things, both from the Romantic period and from our current ecological moment, to re-invoke a lost heritage of cultural relations with common substances. Enabling a fresh reading of Romantic literature, In Common Things prompts a reevaluation of the simple, the everyday, and the common, in light of their contributions to our contemporary sense of ourselves and our societies "In Common Things explores the implacable agency of five common substances--stone, wood, oil, salt, and moss--in the life and literature of the Romantic period. It argues that these substances and their histories have shaped cultural consciousness, and that Romantic era texts formally encode this shaping. Substance is both the natural object of Romantic literature and the commodity that has driven global climate change, and represents the paradox of the modern relation to materiality. In Common Things excavates the cultural, ecological and commodity histories of these substances, demonstrating qualities they share "in common" with literary form. What this book hopes to prompt in its readers is a reevaluation of the simple, the everyday, and the common in light of its contribution to our contemporary sense of ourselves and our societies."--

     

    Export to reference management software   RIS file
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    Content information