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  1. Permanent evolution :
    selected essays on literature, theory and film /
    Author: Tyni͡anov, I͡U. N.
    Published: 2019.
    Publisher:  Academic Studies Press,, Boston :

    "Yuri Tynianov was a key figure of Russian Formalism, an intellectual movement in early 20th century Russia that also included Viktor Shklovsky and Roman Jakobson. Tynianov developed a groundbreaking conceptualization of literature as a system... more

    Location:
    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "Yuri Tynianov was a key figure of Russian Formalism, an intellectual movement in early 20th century Russia that also included Viktor Shklovsky and Roman Jakobson. Tynianov developed a groundbreaking conceptualization of literature as a system within-and in constant interaction with-other cultural and social systems. His essays on Russian literary classics, like Pushkin's Eugene Onegin and works by Dostoevsky and Gogol, as well as on the emerging art form of filmmaking, provide insight into the ways art and literature evolve and adapt new forms of expression. Although Tynianov was first a scholar of Russian literature, his ideas transcend the boundaries of any one genre or national tradition. Permanent Evolution gathers together for the first time Tynianov's seminal articles on literary theory and film, including several articles never before translated into English"--

     
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    Source: Philologische Bibliothek, FU Berlin
    Contributor: Morse, Ainsley, (translator,, editor.); Redko, Philip, (translator,, editor.); Tyni͡anov, I͡U. N.; Tyni͡anov, I͡U. N.
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1-64469-273-2; 1-64469-063-2
    Other identifier:
    Edition: 1st ed.
    Series: Cultural syllabus
    Subjects: Russian literature; Motion pictures
    Other subjects: 18th century Russian literature.; 19th century Russian literature.; 20th century Russian literature.; 20th century film.; Dostoevsky.; Film theory.; Gogol.; Pushkin.; Russian Formalism.; Russian Literary theory.; Russian literary history.; Russian poetry.; Soviet film.; Yuri Tynianov.; cinema studies.; film studies.; formalism.; formalist theory.; intellectual history.; linguistics.; literary criticism.; literary theory.; literature.; poetry.; semantics.
    Scope: 1 online resource (378 pages).
    Notes:

    Includes selected works from the author's "Arkhaisty i novatory" and "Poetika, istorii͡a literatury, kino".

    Includes bibliographical references and index.

    Issued also in print.

    Theory through history - then. Dostoevsky and Gogol (toward a theory of parody) ; Tyutchev and Heine ; The ode as an oratorical genre ; On the composition of Eugene Onegin -- Theory through history - now. Literary fact ; Interlude ; On Khlebnikov ; Film - word - music -- Evolutions in literature and film. On the screenplay ; On plot and fabula in film ; The foundations of film ; On literary evolution -- Epilogue. Problems of the study of literature and language (with Roman Jakobson) ; On FEX ; On Mayakovsky: In memory of the poet ; On parody.
  2. Kant’s Transcendental Semantics /
    Author: Loparic, Zeljko,
    Published: [2024]; 2025
    Publisher:  De Gruyter,, Berlin ;

    Kant’s Transcendental Semantics is a translation of the most influential monograph on Kant published in Brazil, one that launched the “Semantic School” in a country with a thriving tradition of Kant scholarship. Zeljko Loparic differs from most... more

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    Location:
    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Kant’s Transcendental Semantics is a translation of the most influential monograph on Kant published in Brazil, one that launched the “Semantic School” in a country with a thriving tradition of Kant scholarship. Zeljko Loparic differs from most interpreters of the Critique of Pure Reason in claiming that Kant’s main aim is neither metaphysical nor epistemological nor methodological but semantic in asking for the conditions for meaning and reference of terms in order to justify the possibility of meaningful discourse of different types. Loparic asks how our claims can have any meaning at all, how they relate to actual and possible objects, how our terms can ground scientific problem-solving, and what the truth-conditions are for various kinds of statements that differ according to the grounds of their meaning and the targets of their reference. Loparic argues for distinct uses for concepts of perception, concepts of experience, mathematical concepts, pure concepts of the understanding (the categories), and the heuristic ideas of reason. Because Kant’s main worry in the Critique of Pure Reason is with the possibility of synthetic a priori judgments, Loparic labels Kant’s defense of those judgments a transcendental semantics.

     
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    Source: Philologische Bibliothek, FU Berlin
    Contributor: Rauscher, Frederick, (editor.); Severo, Rogerio, (contributor.)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783111422879
    Other identifier:
    Series: Kantstudien-Ergänzungshefte , ; 227
    Subjects: Kant, Immanuel.; Semantik.; Transzendentalphilosophie.; Übersetzung.; PHILOSOPHY / History & Surveys / Modern.
    Other subjects: Kant, Immanuel.; semantics.; transcendental philosophy.; translation.
    Scope: 1 online resource (XXVII, 254 p.)
    Notes:

    Issued also in print.