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  1. Decadent Orientalisms
    the decay of colonial modernity
    Author: Fieni, David
    Published: [2020]; © 2020
    Publisher:  Fordham University Press, New York

    Decadent Orientalisms presents a sustained critique of the ways Orientalism and decadence have formed a joint discursive mode of the imperial imagination. Attentive to historical and literary configurations of language, race, religion, and power,... more

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    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
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    Decadent Orientalisms presents a sustained critique of the ways Orientalism and decadence have formed a joint discursive mode of the imperial imagination. Attentive to historical and literary configurations of language, race, religion, and power, Fieni shows the importance of understanding Western discourses of Eastern decline and obsolescence together with Arab and Islamic responses in which the language of decadence returns as a characteristic of the West.Taking seriously Edward Said’s claim that Orientalism is a "style of having power," Fieni works historically through the aesthetic and ideological effects of Orientalist style, showing how it is at once comparative, descriptive, and performative. Orientalism, the book argues, relies upon decadence as the figure through which its positivist scientific claims become redistributed as speech acts—"truths" that establish dominance. Rather than attending to Orientalism as a repertoire of clichés and stereotypes, Decadent Orientalisms considers the systemic epistemological consequences of the diffuse, yet coherent network of institutions that have constituted Orientalism’s power

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823286423
    Other identifier:
    RVK Categories: IH 1481
    Edition: First edition
    Subjects: Arabic literature; Francophone literature; Islam; Maghreb; Orientalism; colonial modernity; decadence; language politics; philology; secularism; LITERARY CRITICISM / Comparative Literature; Decadence (Literary movement); Decadence in literature; Orientalism in literature; Orientalism
    Scope: 1 Online-Ressource (vii, 220 Seiten)
  2. Decadent Orientalisms
    The Decay of Colonial Modernity
    Author: Fieni, David
    Published: [2020]
    Publisher:  Fordham University Press, New York, NY

    Decadent Orientalisms presents a sustained critique of the ways Orientalism and decadence have formed a joint discursive mode of the imperial imagination. Attentive to historical and literary configurations of language, race, religion, and power,... more

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    Universität Potsdam, Universitätsbibliothek
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    Decadent Orientalisms presents a sustained critique of the ways Orientalism and decadence have formed a joint discursive mode of the imperial imagination. Attentive to historical and literary configurations of language, race, religion, and power, Fieni shows the importance of understanding Western discourses of Eastern decline and obsolescence together with Arab and Islamic responses in which the language of decadence returns as a characteristic of the West.Taking seriously Edward Said’s claim that Orientalism is a “style of having power,” Fieni works historically through the aesthetic and ideological effects of Orientalist style, showing how it is at once comparative, descriptive, and performative. Orientalism, the book argues, relies upon decadence as the figure through which its positivist scientific claims become redistributed as speech acts—“truths” that establish dominance. Rather than attending to Orientalism as a repertoire of clichés and stereotypes, Decadent Orientalisms considers the systemic epistemological consequences of the diffuse, yet coherent network of institutions that have constituted Orientalism’s power Frontmatter -- Contents -- Introduction. Orientalist decadence -- Chapter 1. French decadence, Arab awakenings: figures of decay in the nahda -- Chapter 2. Al- shidyaq’s decadent carnival -- Chapter 3. From dreyfus in the colony to céline’s anti- semitic style -- Chapter 4. Resurrecting colonial decadence in independent Algeria -- Chapter 5. Algerian women and the invention of literary mourning -- Chapter 6. Virtual secularization: abdelwahab meddeb’s “walking cure” and the immigrant body in France -- Conclusion. Toward a contrapuntal double critique of colonial modernity -- Acknowledgments -- Notes -- Select bibliography -- Index

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823286423
    Other identifier:
    RVK Categories: IG 4280
    Edition: First edition
    Subjects: Orientalism; Decadence (Literary movement); Decadence in literature; Orientalism in literature; LITERARY CRITICISM / Comparative Literature
    Other subjects: Arabic literature; Francophone literature; Islam; Maghreb; Orientalism; colonial modernity; decadence; language politics; philology; secularism
    Scope: 1 Online-Ressource (224 Seiten)
  3. Lessons in Secular Criticism
    Author: Gourgouris, Stathis
    Published: [2013]; © 2013
    Publisher:  Fordham University Press, New York, NY

    Secular criticism is a term invented by Edward Said to denote not a theory but a practice that counters the tendency of much modern thinking to reach for a transcendentalist comfort zone, the very space philosophy wrested away from religion in the... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Secular criticism is a term invented by Edward Said to denote not a theory but a practice that counters the tendency of much modern thinking to reach for a transcendentalist comfort zone, the very space philosophy wrested away from religion in the name of modernity. Using this notion as a compass, this book reconfigures recent secularism debates on an entirely different basis, by showing (1) how the secular imagination is closely linked to society’s radical poiesis, its capacity to imagine and create unprecedented forms of worldly existence; and (2) how the space of the secular animates the desire for a radical democratic politics that overturns inherited modes of subjugation, whether religious or secularist.Gourgouris’s point is to disrupt the co-dependent relation between the religious and the secular—hence, his rejection of fashionable languages of postsecularism—in order to engage in a double critique of heteronomous politics of all kinds. For him, secular criticism is a form of political being: critical, antifoundational, disobedient, anarchic, yet not negative for negation’s sake but creative of new forms of collective reflection, interrogation, and action that alter not only the current terrain of dominant politics but also the very self-conceptualization of what it means to be human.Written in a free and combative style and given both to close readings of texts and to gazing off into the broad horizon, these essays cover a range of issues—historical and philosophical, archaic and contemporary, literary and political—that ultimately converge in the significance of contemporary radical politics: the assembly movements we have seen in various parts of the world in recent years. The secular imagination demands a radical pedagogy and unlearning a great many established thought patterns. Its most important dimension is not battling religion per se but dismantling theological politics of sovereignty in favor of radical conditions for social autonomy

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823254873
    Other identifier:
    Series: Thinking Out Loud
    Subjects: Sovereignty; autonomy; critique; democracy; poetics; political theology; radical politics; secularism; RELIGION / General; Criticism; Literature; Religion and literature; Secularism in literature
    Scope: 1 online resource (216 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
  4. Decadent Orientalisms
    the decay of colonial modernity
    Author: Fieni, David
    Published: 2020; © 2020
    Publisher:  Fordham University Press, New York

    Decadent Orientalisms presents a sustained critique of the ways Orientalism and decadence have formed a joint discursive mode of the imperial imagination. Attentive to historical and literary configurations of language, race, religion, and power,... more

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Decadent Orientalisms presents a sustained critique of the ways Orientalism and decadence have formed a joint discursive mode of the imperial imagination. Attentive to historical and literary configurations of language, race, religion, and power, Fieni shows the importance of understanding Western discourses of Eastern decline and obsolescence together with Arab and Islamic responses in which the language of decadence returns as a characteristic of the West.Taking seriously Edward Said’s claim that Orientalism is a "style of having power," Fieni works historically through the aesthetic and ideological effects of Orientalist style, showing how it is at once comparative, descriptive, and performative. Orientalism, the book argues, relies upon decadence as the figure through which its positivist scientific claims become redistributed as speech acts—"truths" that establish dominance. Rather than attending to Orientalism as a repertoire of clichés and stereotypes, Decadent Orientalisms considers the systemic epistemological consequences of the diffuse, yet coherent network of institutions that have constituted Orientalism’s power

     
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  5. Decadent Orientalisms
    the decay of colonial modernity
    Author: Fieni, David
    Published: 2020; © 2020
    Publisher:  Fordham University Press, New York

    Decadent Orientalisms presents a sustained critique of the ways Orientalism and decadence have formed a joint discursive mode of the imperial imagination. Attentive to historical and literary configurations of language, race, religion, and power,... more

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Decadent Orientalisms presents a sustained critique of the ways Orientalism and decadence have formed a joint discursive mode of the imperial imagination. Attentive to historical and literary configurations of language, race, religion, and power, Fieni shows the importance of understanding Western discourses of Eastern decline and obsolescence together with Arab and Islamic responses in which the language of decadence returns as a characteristic of the West.Taking seriously Edward Said’s claim that Orientalism is a "style of having power," Fieni works historically through the aesthetic and ideological effects of Orientalist style, showing how it is at once comparative, descriptive, and performative. Orientalism, the book argues, relies upon decadence as the figure through which its positivist scientific claims become redistributed as speech acts—"truths" that establish dominance. Rather than attending to Orientalism as a repertoire of clichés and stereotypes, Decadent Orientalisms considers the systemic epistemological consequences of the diffuse, yet coherent network of institutions that have constituted Orientalism’s power

     
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  6. Lessons in Secular Criticism
    Author: Gourgouris, Stathis
    Published: [2013]; © 2013
    Publisher:  Fordham University Press, New York, NY

    Secular criticism is a term invented by Edward Said to denote not a theory but a practice that counters the tendency of much modern thinking to reach for a transcendentalist comfort zone, the very space philosophy wrested away from religion in the... more

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Secular criticism is a term invented by Edward Said to denote not a theory but a practice that counters the tendency of much modern thinking to reach for a transcendentalist comfort zone, the very space philosophy wrested away from religion in the name of modernity. Using this notion as a compass, this book reconfigures recent secularism debates on an entirely different basis, by showing (1) how the secular imagination is closely linked to society’s radical poiesis, its capacity to imagine and create unprecedented forms of worldly existence; and (2) how the space of the secular animates the desire for a radical democratic politics that overturns inherited modes of subjugation, whether religious or secularist.Gourgouris’s point is to disrupt the co-dependent relation between the religious and the secular—hence, his rejection of fashionable languages of postsecularism—in order to engage in a double critique of heteronomous politics of all kinds. For him, secular criticism is a form of political being: critical, antifoundational, disobedient, anarchic, yet not negative for negation’s sake but creative of new forms of collective reflection, interrogation, and action that alter not only the current terrain of dominant politics but also the very self-conceptualization of what it means to be human.Written in a free and combative style and given both to close readings of texts and to gazing off into the broad horizon, these essays cover a range of issues—historical and philosophical, archaic and contemporary, literary and political—that ultimately converge in the significance of contemporary radical politics: the assembly movements we have seen in various parts of the world in recent years. The secular imagination demands a radical pedagogy and unlearning a great many established thought patterns. Its most important dimension is not battling religion per se but dismantling theological politics of sovereignty in favor of radical conditions for social autonomy

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823254873
    Other identifier:
    Series: Thinking Out Loud
    Subjects: Sovereignty; autonomy; critique; democracy; poetics; political theology; radical politics; secularism; RELIGION / General; Criticism; Literature; Religion and literature; Secularism in literature
    Scope: 1 online resource (216 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
  7. Realist Ecstasy
    Religion, Race, and Performance in American Literature
    Author: Reckson, Lindsay
    Published: [2020]; ©2020
    Publisher:  New York University Press, New York, NY ; Walter de Gruyter GmbH, Berlin

    Explores the intersection and history of American literary realism and the performance of spiritual and racial embodiment. Recovering a series of ecstatic performances in late nineteenth- and early twentieth-century American realism, Realist Ecstasy... more

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    Universitätsbibliothek Gießen
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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Explores the intersection and history of American literary realism and the performance of spiritual and racial embodiment. Recovering a series of ecstatic performances in late nineteenth- and early twentieth-century American realism, Realist Ecstasy travels from camp meetings to Native American ghost dances to storefront church revivals to explore realism’s relationship to spiritual experience. In her approach to realism as both an unruly archive of performance and a wide-ranging repertoire of media practices—including literature, photography, audio recording, and early film—Lindsay V. Reckson argues that the real was repetitively enacted and reenacted through bodily practice. Realist Ecstasy demonstrates how the realist imagining of possessed bodies helped construct and naturalize racial difference, while excavating the complex, shifting, and dynamic possibilities embedded in ecstatic performance: its production of new and immanent forms of being beside. Across her readings of Stephen Crane, James Weldon Johnson, and Nella Larsen, among others, Reckson triangulates secularism, realism, and racial formation in the post-Reconstruction moment. Realist Ecstasy shows how post-Reconstruction realist texts mobilized gestures—especially the gestures associated with religious ecstasy—to racialize secularism itself. Reckson offers us a distinctly new vision of American realism as a performative practice, a sustained account of how performance lives in and through literary archives, and a rich sense of how closely secularization and racialization were linked in Jim Crow America.

     
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  8. Postsecularism as colonialism by other means
    Author: Bugyis, Eric
    Published: [2015]

    The claim that we are entering a "postsecular" age supposedly marks a new openness toward public religion, which was expected to wither as societies modernized. Similarly, postcolonial theory has attempted to think through the public resurgence of... more

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    Index theologicus der Universitätsbibliothek Tübingen
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    The claim that we are entering a "postsecular" age supposedly marks a new openness toward public religion, which was expected to wither as societies modernized. Similarly, postcolonial theory has attempted to think through the public resurgence of indigenous culture after the collapse of "Western" political regimes, which also predicted and prescribed its privatization. Drawing on the work of Partha Chatterjee, this paper argues that the "postsecular," particularly as it is deployed by Jürgen Habermas and Alasdair MacIntyre, seeks to seduce religious believers and practitioners into just this same logic of self-colonization so that they might be recognized as defenders of an increasingly insecure, liberal nation-state against those who might seek to take advantage of its vulnerability.

     
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    Source: Union catalogues
    Language: English
    Media type: Article (journal)
    Format: Online
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    Parent title: Enthalten in: Critical research on religion; London [u.a.] : Sage, 2013; 3(2015), 1, Seite 25-40; Online-Ressource

    Subjects: Chatterjee; Democracy; Habermas; MacIntyre; Postcolonial; secularism
  9. Secular shadows
    African, immanent, post-colonial
    Author: Engelke, Matthew
    Published: [2015]

    Almost none of the critical theory concerned with the secular addresses it in relation to sub-Saharan Africa. This is notable not least given the extent to which other post-colonial regions, such as North Africa and South Asia, are central to such... more

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    Index theologicus der Universitätsbibliothek Tübingen
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    Almost none of the critical theory concerned with the secular addresses it in relation to sub-Saharan Africa. This is notable not least given the extent to which other post-colonial regions, such as North Africa and South Asia, are central to such discussions. It is not, however, that the critical theorists are ignoring Africanists' work; indeed, looking at the Africanist literature in any depth makes it clear that there is not, and has never been, a field of "secular studies." Taking this observation as a point of departure, and considering it in relation to a range of classic and contemporary ethnographic cases, this paper aims to shed light (and cast shadows) on some of the key terms in current debates about the secular-terms such as immanence, the mundane, critique, and doubt. In doing so, it calls for further considerations of how to figure the Africanist canon in relation to the terms of critical theory.

     
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    Source: Union catalogues
    Language: English
    Media type: Article (journal)
    Format: Online
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    Parent title: Enthalten in: Critical research on religion; London [u.a.] : Sage, 2013; 3(2015), 1, Seite 86-100; Online-Ressource

    Subjects: Africa; post-colonialism; secularism
  10. Can the post-colonial be post-religious? Reflections from the secular metropolis
    Author: Viefhues-Bailey, Ludger H.
    Published: [2015]

    If, following Masuzawa, Fitzgerald and others we assume that "the religious" is a category produced by Western colonial regimes in tandem with that of "the secular," then consequently the post-secular would need to be post-religious, as well. Here I... more

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    If, following Masuzawa, Fitzgerald and others we assume that "the religious" is a category produced by Western colonial regimes in tandem with that of "the secular," then consequently the post-secular would need to be post-religious, as well. Here I demonstrate how in one metropolitan case, Germany, the religious and secular divide is evoked to produce a particular exclusivist narrative of national identity. A substantial part of German civil society, media, and legal establishment mobilize an imagined culturally Christian vision of Germany in order to exclude from public visibility and political participation German born Muslims of Turkish descent. The colonial twin categories of secular-religious still operate in the shaping of the German polity. Decolonizing it would thus require not only to enter a post-secular dialogue with religious presentations in the public sphere, as Habermas contends; rather a post-secular polity would require the post-religious.

     
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    Source: Union catalogues
    Language: English
    Media type: Article (journal)
    Format: Online
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    Parent title: Enthalten in: Critical research on religion; London [u.a.] : Sage, 2013; 3(2015), 1, Seite 101-117; Online-Ressource

    Subjects: Religion; politics; secularism
  11. Change in subjective well-being, affluence and trust in state governments in India
    Author: Kulkarni, Vani S.; Kulakarṇi, Vīṇā; Imai, Katsushi S.; Gaiha, Raghav
    Published: 6-10-2022
    Publisher:  Population Studies Center, [Philadelphia, PA]

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    Source: Union catalogues
    Language: English
    Media type: Book
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    Series: Population Center Working Papers (PSC/PARC) / Population Studies Center ; 2022, 94
    Subjects: subjective well-being; trust; state governments; federalism; secularism; India
    Scope: 1 Online-Ressource (circa 40 Seiten)
  12. Multiculturalism in the British Commonwealth
    Comparative Perspectives on Theory and Practice
    Contributor: Bevir, Mark (HerausgeberIn); Ashcroft, Richard T (HerausgeberIn)
    Published: [2019]
    Publisher:  University of California Press, Berkeley, CA

    A free open access ebook is available upon publication. Learn more at www.luminosoa.org. Multiculturalism as a distinct form of liberal-democratic governance gained widespread acceptance after World War II, but in recent years this consensus has been... more

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    A free open access ebook is available upon publication. Learn more at www.luminosoa.org. Multiculturalism as a distinct form of liberal-democratic governance gained widespread acceptance after World War II, but in recent years this consensus has been fractured. Multiculturalism in the British Commonwealth examines cultural diversity across the postwar Commonwealth, situating modern multiculturalism in its national, international, and historical contexts. Bringing together practitioners from across the humanities and social sciences to explore the legal, political, and philosophical issues involved, these essays address common questions: What is postwar multiculturalism? Why did it come about? How have social actors responded to it? In addition to chapters on Australia, Britain, Canada, and New Zealand, this volume also covers India, Malaysia, Nigeria, Singapore, and Trinidad, tracing the historical roots of contemporary dilemmas back to the intertwined legacies of imperialism and liberalism. In so doing it demonstrates that multiculturalism has implications that stretch far beyond its current formulations in public and academic discourse Frontmatter -- Contents -- Acknowledgments -- 1. What is Postwar Multiculturalism in Theory and Practice? / Ashcroft, Richard T. / Bevir, Mark -- Part I. British Multiculturalism -- 2. British Multiculturalism after Empire: Immigration, Nationality, and Citizenship / Ashcroft, Richard T. / Bevir, Mark -- 3. Accentuating Multicultural Britishness: An Open or Closed Activity? / Meer, Nasar / Modood, Tariq -- Part II. Multiculturalism in the "Old" Commonwealth -- 4. Multiculturalism in a Context of Minority Nationalism and Indigenous Rights: The Canadian Case / Eisenberg, Avigail -- 5. Australia's "Liberal Nationalist" Multiculturalism / Brahm Levey, Geoffrey -- 6. Multiculturalism, Biculturalism, and National Identity in Aotearoa / New Zealand / Smits, Katherine -- Part III. Multiculturalism in the "New" Commonwealth -- 7. Multiculturalism in India: An Exception? / Bajpai, Rochana -- 8. Secularism in India: A "Gandhian" Approach / Godrej, Farah -- 9. Contesting Multiculturalism: Federalism and Unitarism in Late Colonial Nigeria / Adebanwi, Wale -- 10. Arrested Multiculturalisms: Race, Capitalism, and State Formation in Malaysia and Singapore / Goh, Daniel P. S. -- 11. The Cunning of Multiculturalism: A Perspective from the Caribbean / Munasinghe, Viranjini -- 12. Comparative Perspectives on the Theory and Practice of Multiculturalism: Lessons from the Commonwealth / Ashcroft, Richard T. / Bevir, Mark -- Bibliography -- List of Contributors -- Index

     
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  13. Lessons in Secular Criticism
    Author: Gourgouris, Stathis
    Published: [2013]
    Publisher:  Fordham University Press, New York, NY

    Frontmatter -- Contents -- Preface -- Acknowledgments -- 1. The Poiein of Secular Criticism -- 2. Detranscendentalizing the Secular -- 3. Why I Am Not a Post-secularist -- 4. Confronting Heteronomy -- 5. The Void Occupied Unconcealed -- 6. Responding... more

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    Frontmatter -- Contents -- Preface -- Acknowledgments -- 1. The Poiein of Secular Criticism -- 2. Detranscendentalizing the Secular -- 3. Why I Am Not a Post-secularist -- 4. Confronting Heteronomy -- 5. The Void Occupied Unconcealed -- 6. Responding to the Deregulation of the Political -- Index Secular criticism is a term invented by Edward Said to denote not a theory but a practice that counters the tendency of much modern thinking to reach for a transcendentalist comfort zone, the very space philosophy wrested away from religion in the name of modernity. Using this notion as a compass, this book reconfigures recent secularism debates on an entirely different basis, by showing (1) how the secular imagination is closely linked to society’s radical poiesis, its capacity to imagine and create unprecedented forms of worldly existence; and (2) how the space of the secular animates the desire for a radical democratic politics that overturns inherited modes of subjugation, whether religious or secularist.Gourgouris’s point is to disrupt the co-dependent relation between the religious and the secular—hence, his rejection of fashionable languages of postsecularism—in order to engage in a double critique of heteronomous politics of all kinds. For him, secular criticism is a form of political being: critical, antifoundational, disobedient, anarchic, yet not negative for negation’s sake but creative of new forms of collective reflection, interrogation, and action that alter not only the current terrain of dominant politics but also the very self-conceptualization of what it means to be human.Written in a free and combative style and given both to close readings of texts and to gazing off into the broad horizon, these essays cover a range of issues—historical and philosophical, archaic and contemporary, literary and political—that ultimately converge in the significance of contemporary radical politics: the assembly movements we have seen in various parts of the world in recent years. The secular imagination demands a radical pedagogy and unlearning a great many established thought patterns. Its most important dimension is not battling religion per se but dismantling theological politics of sovereignty in favor of radical conditions for social autonomy

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823254873
    Other identifier:
    Series: Thinking Out Loud
    Subjects: Criticism; Literature; Religion and literature; Secularism in literature; RELIGION / General
    Other subjects: Sovereignty; autonomy; critique; democracy; poetics; political theology; radical politics; secularism
    Scope: 1 Online-Ressource (216 p)
  14. Decadent Orientalisms
    The Decay of Colonial Modernity
    Author: Fieni, David
    Published: [2020]
    Publisher:  Fordham University Press, New York, NY

    Decadent Orientalisms presents a sustained critique of the ways Orientalism and decadence have formed a joint discursive mode of the imperial imagination. Attentive to historical and literary configurations of language, race, religion, and power,... more

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    Decadent Orientalisms presents a sustained critique of the ways Orientalism and decadence have formed a joint discursive mode of the imperial imagination. Attentive to historical and literary configurations of language, race, religion, and power, Fieni shows the importance of understanding Western discourses of Eastern decline and obsolescence together with Arab and Islamic responses in which the language of decadence returns as a characteristic of the West.Taking seriously Edward Said’s claim that Orientalism is a “style of having power,” Fieni works historically through the aesthetic and ideological effects of Orientalist style, showing how it is at once comparative, descriptive, and performative. Orientalism, the book argues, relies upon decadence as the figure through which its positivist scientific claims become redistributed as speech acts—“truths” that establish dominance. Rather than attending to Orientalism as a repertoire of clichés and stereotypes, Decadent Orientalisms considers the systemic epistemological consequences of the diffuse, yet coherent network of institutions that have constituted Orientalism’s power Frontmatter -- Contents -- Introduction. Orientalist decadence -- Chapter 1. French decadence, Arab awakenings: figures of decay in the nahda -- Chapter 2. Al- shidyaq’s decadent carnival -- Chapter 3. From dreyfus in the colony to céline’s anti- semitic style -- Chapter 4. Resurrecting colonial decadence in independent Algeria -- Chapter 5. Algerian women and the invention of literary mourning -- Chapter 6. Virtual secularization: abdelwahab meddeb’s “walking cure” and the immigrant body in France -- Conclusion. Toward a contrapuntal double critique of colonial modernity -- Acknowledgments -- Notes -- Select bibliography -- Index

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823286423
    Other identifier:
    RVK Categories: IG 4280
    Edition: First edition
    Subjects: Orientalism; Decadence (Literary movement); Decadence in literature; Orientalism in literature; LITERARY CRITICISM / Comparative Literature
    Other subjects: Arabic literature; Francophone literature; Islam; Maghreb; Orientalism; colonial modernity; decadence; language politics; philology; secularism
    Scope: 1 Online-Ressource (224 Seiten)
  15. The Concept of Neutrality with Regard to Gender and Religion
    A Critique Exemplified by the Approach of Martha Nussbaum
    Author: Mügge, Cornelia
    Published: [2015]

    This article is about the meaning and the plausibility of the concept of neutrality with regard to debates on gender and religion in political philosophy. As an example, it takes the Capabilities Approach of Martha Nussbaum, which is particularly... more

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    This article is about the meaning and the plausibility of the concept of neutrality with regard to debates on gender and religion in political philosophy. As an example, it takes the Capabilities Approach of Martha Nussbaum, which is particularly instructive as she advocates neutrality between comprehensive doctrines and, at the same time, attends to the challenges posed by gender and religion. Starting from an explanation of the meaning of the concept of neutrality in Nussbaum’s approach, the article focuses on objections against neutrality raised by feminist approaches. It discusses Nussbaum’s defence of neutrality and asks whether it is convincing or not, and to what extent. The article suggests a differentiation between neutrality as an ideal and the attribution of neutrality to actual political norms. It further argues that, whereas Nussbaum’s approach implies the latter conception, the former better corresponds to the basic norm of equal respect.

     
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    Language: English
    Media type: Article (journal)
    Format: Online
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    Parent title: Enthalten in: Religion & gender; Leiden : Brill, 2011; 5(2015), 2, Seite 150-164; Online-Ressource

    Subjects: Martha Nussbaum; Political philosophy; feminist ethics; secularism
  16. Death and the Body in the Eighteenth-Century Novel
    Author: Zigarovich, Jolene
    Published: [2022]; ©2023
    Publisher:  University of Pennsylvania Press, Philadelphia

    Death and the Body in the Eighteenth-Century Novel demonstrates that archives continually speak to the period’s rising funeral and mourning culture, as well as the increasing commodification of death and mourning typically associated with... more

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    Death and the Body in the Eighteenth-Century Novel demonstrates that archives continually speak to the period’s rising funeral and mourning culture, as well as the increasing commodification of death and mourning typically associated with nineteenth-century practices. Drawing on a variety of historical discourses—such as wills, undertaking histories, medical treatises and textbooks, anatomical studies, philosophical treatises, and religious tracts and sermons—the book contributes to a fuller understanding of the history of death in the Enlightenment and its narrative transformation.Death and the Body in the Eighteenth-Century Novel not only offers new insights about the effect of a growing secularization and commodification of death on the culture and its productions, but also fills critical gaps in the history of death, using narrative as a distinct literary marker. As anatomists dissected, undertakers preserved, jewelers encased, and artists figured the corpse, so too the novelist portrayed bodily artifacts. Why are these morbid forms of materiality entombed in the novel? Jolene Zigarovich addresses this complex question by claiming that the body itself—its parts, or its preserved representation—functioned as secular memento, suggesting that preserved remains became symbols of individuality and subjectivity. To support the conception that in this period notions of self and knowing center upon theories of the tactile and material, the chapters are organized around sensory conceptions and bodily materials such as touch, preserved flesh, bowel, heart, wax, hair, and bone. Including numerous visual examples, the book also argues that the relic represents the slippage between corpse and treasure, sentimentality and materialism, and corporeal fetish and aesthetic accessory.Zigarovich’s analysis compels us to reassess the eighteenth-century response to and representation of the dead and dead-like body, and its material purpose and use in fiction. In a broader framework, Death and the Body in the Eighteenth-Century Novel also narrates a history of the novel that speaks to the cultural formation of modern individualism

     
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  17. Von den Diagnosen der Moderne zu deren Überbietung
    die Postsäkularisierungsthese von Jürgen Habermas und der gemäßigte Postmodernismus bei Niklas Luhmann
    Author: Reese-Schäfer, Walter
    Published: 2010
    Publisher:  Martin-Luther-Universität Halle-Wittenberg, Lehrstuhl für Wirtschaftsethik, Halle

    Mit Jürgen Habermas' Postsäkularisierungsthese und Niklas Luhmanns gemäßigtem Postmodernismus werden in diesem Aufsatz zwei Sichtweisen einer über sich selbst hinauswachsenden Moderne dargestellt. Der gemeinsame Ursprung beider Theoreme wird in der... more

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    Mit Jürgen Habermas' Postsäkularisierungsthese und Niklas Luhmanns gemäßigtem Postmodernismus werden in diesem Aufsatz zwei Sichtweisen einer über sich selbst hinauswachsenden Moderne dargestellt. Der gemeinsame Ursprung beider Theoreme wird in der systemtheoretischen Weiterentwicklung von Max Weber gesehen. Eine weitere entscheidende Gemeinsamkeit besteht darin, dass sowohl Luhmann als auch Habermas sich von einigen Aspekten der klassischen Modernisierungsdiagnose verabschieden und über diese hinauszuweisen beginnen - das allerdings auf unterschiedliche Weise. Während Habermas' These von der postsäkularen Gesellschaft einen veränderten Umgang von Staat und Zivilgesellschaft mit religiösen Forderungen verlangt, findet bei Luhmann letztlich eine Wendung zu einer reflexiv-postmodernen Sichtweise statt. By summarizing the postsecularism thesis of Jürgen Habermas and the moderate Postmodernism of Niklas Luhmann this article presents two versions of modernity transcending itself. The common origin of the two propositions is seen in Max Weber and the systems theory influenced by him. Another important communality consists in the fact that both Luhmann and Habermas dismiss certain aspects of the classical diagnosis of Modernism. In very different manners both start transcending it instead. While the Habermasian assumption of postsecular society postulates the need for a changed way of responding to religious demands by civil society and the state, Luhmann's theory takes a turn to a self-reflective postmodern outlook.

     
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    Volltext (kostenfrei)
    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783868292701
    Other identifier:
    hdl: 10419/170331
    RVK Categories: CI 2357 ; MQ 3471
    Series: Diskussionspapier des Lehrstuhls für Wirtschaftsethik an der Martin-Luther-Universität Halle-Wittenberg ; Nr. 2010, 2
    Subjects: Postmoderne; Sozialer Wandel; Systemtheorie; Moderne; Säkularismus; Zivilgesellschaft; Postmoderne; Semantik; Systemtheorie; politische Theorie; modernity; secularism; civil society; postmodernism; semantics; systems theory; political theory
    Scope: Online-Ressource (PDF-Datei: III, 18 S., 0,12 MB)
  18. Exiting Violence
    The Role of Religion
    Contributor: Tonelli, Debora (Herausgeber); Mannion, Gerard (Herausgeber)
    Published: 2024
    Publisher:  De Gruyter, Berlin/Boston

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  19. Is Prose Poetry a Conspiracy Against the Noble Qur'an? Poetics, Humans, and God in Contemporary Egypt
    Author: Schielke, Samuli

    Abstract: There is a peculiar relationship between contemporary poetry and perspectives that are deemed to be heretical by conservative audiences. This relationship is not fully accounted for by current anthropological theories of the secular. The... more

     

    Abstract: There is a peculiar relationship between contemporary poetry and perspectives that are deemed to be heretical by conservative audiences. This relationship is not fully accounted for by current anthropological theories of the secular. The field of literature has been successfully studied as a secular institution – both in the sense of the differentiation of institutions as well as in the sense of the subordination of the religious to the political. Such secularity appears as a rather safe, less controversial way to claim the power of some human entities in relation to God. Some poetry, by contrast, may be accused of heresy or unbelief even when written with pious intention. This suggests a dimension to being secular that is more offensive to conservative societal sensibilities, as it contrasts with deeply-held views on the proper form of the God-human relationship and the associated imaginaries, languages, and aesthetics. Based on a combination of ethnographic research in historical

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/63280
    Parent title:
    Veröffentlichungsversion
    begutachtet (peer reviewed)
    Enthalten in: Historical social research; Mannheim : GESIS, 1979-; 44, Heft 3 (2019), 101-126; Online-Ressource
    DDC Categories: 300; 301
    Other subjects: (thesoz)Religionskritik; (thesoz)Ketzer; (thesoz)Koran; (thesoz)Säkularisierung; (thesoz)Ethnographie; (thesoz)Ethik; (thesoz)Islam; (thesoz)Belletristik; (thesoz)Ägypten; (thesoz)Spiritualität; (thesoz)Glaube; (thesoz)politische Macht; (thesoz)Ästhetik; (thesoz)Gegenwart; Poetry; literature; secularism; heresy
    Scope: Online-Ressource
  20. Exiting violence
    the role of religion
    Contributor: Tonelli, Debora (Herausgeber); Mannion, Gerard (Herausgeber)
    Published: [2024]
    Publisher:  De Gruyter, Berlin

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  21. Multiculturalism in the British Commonwealth
    Comparative Perspectives on Theory and Practice
    Contributor: Bevir, Mark (HerausgeberIn); Ashcroft, Richard T (HerausgeberIn)
    Published: [2019]
    Publisher:  University of California Press, Berkeley, CA

    A free open access ebook is available upon publication. Learn more at www.luminosoa.org. Multiculturalism as a distinct form of liberal-democratic governance gained widespread acceptance after World War II, but in recent years this consensus has been... more

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    A free open access ebook is available upon publication. Learn more at www.luminosoa.org. Multiculturalism as a distinct form of liberal-democratic governance gained widespread acceptance after World War II, but in recent years this consensus has been fractured. Multiculturalism in the British Commonwealth examines cultural diversity across the postwar Commonwealth, situating modern multiculturalism in its national, international, and historical contexts. Bringing together practitioners from across the humanities and social sciences to explore the legal, political, and philosophical issues involved, these essays address common questions: What is postwar multiculturalism? Why did it come about? How have social actors responded to it? In addition to chapters on Australia, Britain, Canada, and New Zealand, this volume also covers India, Malaysia, Nigeria, Singapore, and Trinidad, tracing the historical roots of contemporary dilemmas back to the intertwined legacies of imperialism and liberalism. In so doing it demonstrates that multiculturalism has implications that stretch far beyond its current formulations in public and academic discourse Frontmatter -- Contents -- Acknowledgments -- 1. What is Postwar Multiculturalism in Theory and Practice? / Ashcroft, Richard T. / Bevir, Mark -- Part I. British Multiculturalism -- 2. British Multiculturalism after Empire: Immigration, Nationality, and Citizenship / Ashcroft, Richard T. / Bevir, Mark -- 3. Accentuating Multicultural Britishness: An Open or Closed Activity? / Meer, Nasar / Modood, Tariq -- Part II. Multiculturalism in the "Old" Commonwealth -- 4. Multiculturalism in a Context of Minority Nationalism and Indigenous Rights: The Canadian Case / Eisenberg, Avigail -- 5. Australia's "Liberal Nationalist" Multiculturalism / Brahm Levey, Geoffrey -- 6. Multiculturalism, Biculturalism, and National Identity in Aotearoa / New Zealand / Smits, Katherine -- Part III. Multiculturalism in the "New" Commonwealth -- 7. Multiculturalism in India: An Exception? / Bajpai, Rochana -- 8. Secularism in India: A "Gandhian" Approach / Godrej, Farah -- 9. Contesting Multiculturalism: Federalism and Unitarism in Late Colonial Nigeria / Adebanwi, Wale -- 10. Arrested Multiculturalisms: Race, Capitalism, and State Formation in Malaysia and Singapore / Goh, Daniel P. S. -- 11. The Cunning of Multiculturalism: A Perspective from the Caribbean / Munasinghe, Viranjini -- 12. Comparative Perspectives on the Theory and Practice of Multiculturalism: Lessons from the Commonwealth / Ashcroft, Richard T. / Bevir, Mark -- Bibliography -- List of Contributors -- Index

     
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  22. A digital devil’s saga
    representation(s) of the demon in recent videogames
    Author: O'Donnell, Jonathon
    Published: 2015

    This paper investigates the use of demons in videogames. It analyses how representations of demons in videogames replicate and subvert theological and socio-historic representations. While demons can be seen as ‘loans’ from Christianity, their... more

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    This paper investigates the use of demons in videogames. It analyses how representations of demons in videogames replicate and subvert theological and socio-historic representations. While demons can be seen as ‘loans’ from Christianity, their representations in videogames often rely on syntheses of religious and secular sources, including Christian theology, world mythologies, conspiracy theory, and post-Miltonic literary appropriations of Satan as humanistic liberator and symbol of desire. These produce representations genealogically linked to but distinct from traditional Christian representations of demons. This paper looks at how the figuration of demons in recent videogames, primarily DmC: Devil May Cry (2013), and Shin Megami Tensei IV (2013), fit into the secular ideological legacy of the Enlightenment, in which the demon departs from purely a representation of evil and becomes recast as a polyvalent symbol capable of exploring a number of human themes, including desire, liberation, and control.

     
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    Volltext (kostenfrei)
    Volltext (kostenfrei)
    Source: Union catalogues
    Language: English
    Media type: Article (journal)
    Format: Online
    Other identifier:
    Parent title: In: Online - Heidelberg journal of religions on the internet; Heidelberg : Heidelberg University Publishing, 2005; 7(2015), Seite 139-160; Online-Ressource

    Subjects: demonology; Enlightenment; evil; humanism; secularism; videogames
    Scope: 24
  23. The Ambivalence of Scientific Naturalism
    A Response to Mark Harris
    Author: Brooke, John Hedley
    Published: [2018]

    Responding to Mark Harris, I reflect on his tantalizing question whether the provision of naturalistic explanations for biblical miracles renders the narratives more, or less, credible. I address his “reversal,” in which professional scientists now... more

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    Responding to Mark Harris, I reflect on his tantalizing question whether the provision of naturalistic explanations for biblical miracles renders the narratives more, or less, credible. I address his “reversal,” in which professional scientists now feature among defenders of a literalistic reading, while professional biblical scholars are often skeptical. I suggest this underlines the ambivalence of scientific naturalism from the standpoint of Christian theology. Historical examples are adduced to show that, until the mid-nineteenth century, naturalistic and theistic explanations were commonly regarded as complementary. Accordingly, the primacy often accorded to scientific progress in accounts of secularization is questionable. Two concluding questions are raised. If a methodological naturalism inheres in biblical scholarship, as in the sciences, how do biblical scholars decide whether the historical trajectories they construct for the composition of biblical texts are destructive or affirmative of faith? Second, when the miracle is the Resurrection of the dead Christ, does not the scientific impossibility of this foundational event remain sacrosanct?

     
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    Source: Union catalogues
    Language: English
    Media type: Article (journal)
    Format: Online
    Other identifier:
    Parent title: Enthalten in: Zygon; [London] : Open Library of Humanities$s2024-, 1966; 53(2018), 4, Seite 1051-1056; Online-Ressource

    Subjects: Resurrection; biblical studies; catastrophism; geology; miracles; natural theology; naturalism; secularism
  24. Sinners, Saints, and Angels on Fire
    The Curiously Religious Soundtrack of The Hunger Games's Secular Dystopia
    Author: Swanson, Kj
    Published: [2016]

    Two albums of original pop songs were produced to accompany The Hunger Games (2012) and Catching Fire's (2013) film adaptations. Over half of the contributing musicians employed religious vocabulary and motifs foreign to their source material.... more

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    Two albums of original pop songs were produced to accompany The Hunger Games (2012) and Catching Fire's (2013) film adaptations. Over half of the contributing musicians employed religious vocabulary and motifs foreign to their source material. Possible influences discussed include religious paradigms associated with the Appalachian-inspired music of the first album, the apocalyptic impulse of contemporary dystopia, and the evolving role of religious imagery within postmodern pluralism. Ultimately, it is argued that despite the areligious content of The Hunger Games, the series' literary genre and cultural context facilitate the blending of the sacred and secular in ways unexpected but not incongruous.

     
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    Source: Union catalogues
    Language: English
    Media type: Article (journal)
    Format: Online
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    Parent title: Enthalten in: Journal of religion and popular culture; Saskatoon, SK : University of Saskatchewan, 2002; 28(2016), 1, Seite 23-42; Online-Ressource

    Subjects: adaptation; apocalypse; Appalachia; dystopia; popular music; postmodernism; religion; secularism; soundtrack; The Hunger Games