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  1. Righteous anger in contemporary Italian literary and cinematic narratives
    Author: Lucamante, Stefania
    Published: [2020]; © 2020
    Publisher:  University of Toronto Press, Toronto ; Buffalo ; London

    Righteous Anger in Contemporary Italian Literary and Cinematic Narratives analyses the role of passion— particularly indignation—and how it shapes intention and inspires the work of many contemporary Italian writers and filmmakers. Noting how art... more

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    Righteous Anger in Contemporary Italian Literary and Cinematic Narratives analyses the role of passion— particularly indignation—and how it shapes intention and inspires the work of many contemporary Italian writers and filmmakers. Noting how art often holds the power to shed light on issues surrounding inequity, inequality, and injustice, the book explores the ethical function of art as a tool in resistance and sociopolitical protest, thereby validating the axiom that ethics and aesthetics can still collaborate in the creation of meaning. Drawing on a range of Italian novels and films and examining the works of artists such as Tiziano Scarpa, Simona Vinci, Paolo Sorrentino, and Monica Stambrini, the author shows that anger can be used constructively as a weapon of resistance against negative and oppressive forces

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781487535087; 9781487535094
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    Series: Toronto Italian studies
    Subjects: Italian art; Italian film; Italian literature; Monica Stambrini; Paolo Sorrentino; Simona Vinci; Tiziano Scarpa; anger; indignation; literary criticism; modern Italian cinema; passion; resistance literature; LITERARY CRITICISM / European / Italian; Anger in literature; Italian fiction; Motion pictures
    Scope: 1 Online-Ressource (viii, 333 Seiten), Illustrationen
  2. Righteous anger in contemporary Italian literary and cinematic narratives
    Author: Lucamante, Stefania
    Published: 2020
    Publisher:  University of Toronto Press, Toronto

    Righteous Anger in Contemporary Italian Literary and Cinematic Narratives analyses the role of passion— particularly indignation—and how it shapes intention and inspires the work of many contemporary Italian writers and filmmakers. Noting how art... more

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    Bayerische Staatsbibliothek
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    Righteous Anger in Contemporary Italian Literary and Cinematic Narratives analyses the role of passion— particularly indignation—and how it shapes intention and inspires the work of many contemporary Italian writers and filmmakers. Noting how art often holds the power to shed light on issues surrounding inequity, inequality, and injustice, the book explores the ethical function of art as a tool in resistance and sociopolitical protest, thereby validating the axiom that ethics and aesthetics can still collaborate in the creation of meaning. Drawing on a range of Italian novels and films and examining the works of artists such as Tiziano Scarpa, Simona Vinci, Paolo Sorrentino, and Monica Stambrini, the author shows that anger can be used constructively as a weapon of resistance against negative and oppressive forces

     
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  3. Righteous anger in contemporary Italian literary and cinematic narratives
    Author: Lucamante, Stefania
    Published: [2020]; © 2020
    Publisher:  University of Toronto Press, Toronto ; Buffalo ; London

    Righteous Anger in Contemporary Italian Literary and Cinematic Narratives analyses the role of passion— particularly indignation—and how it shapes intention and inspires the work of many contemporary Italian writers and filmmakers. Noting how art... more

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Universität Potsdam, Universitätsbibliothek
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    Righteous Anger in Contemporary Italian Literary and Cinematic Narratives analyses the role of passion— particularly indignation—and how it shapes intention and inspires the work of many contemporary Italian writers and filmmakers. Noting how art often holds the power to shed light on issues surrounding inequity, inequality, and injustice, the book explores the ethical function of art as a tool in resistance and sociopolitical protest, thereby validating the axiom that ethics and aesthetics can still collaborate in the creation of meaning. Drawing on a range of Italian novels and films and examining the works of artists such as Tiziano Scarpa, Simona Vinci, Paolo Sorrentino, and Monica Stambrini, the author shows that anger can be used constructively as a weapon of resistance against negative and oppressive forces

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781487535087; 9781487535094
    Other identifier:
    Series: Toronto Italian studies
    Subjects: Italian art; Italian film; Italian literature; Monica Stambrini; Paolo Sorrentino; Simona Vinci; Tiziano Scarpa; anger; indignation; literary criticism; modern Italian cinema; passion; resistance literature; LITERARY CRITICISM / European / Italian; Anger in literature; Italian fiction; Motion pictures
    Scope: 1 Online-Ressource (viii, 333 Seiten), Illustrationen
  4. Righteous anger
    in contemporary Italian literary and cinematic narratives
    Author: Lucamante, Stefania
    Published: [2020]
    Publisher:  University of Toronto Press, Toronto

    Frontmatter -- Contents -- Acknowledgments -- Abbreviations -- Introduction -- Introduction -- 1. Pasolini’s La rabbia and the Spectacularization of Scarpa’s Posthuman Aesthetics -- 2. An Apocalyptic Kamikaze: Tiziano Scarpa or How to Invade the... more

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    Frontmatter -- Contents -- Acknowledgments -- Abbreviations -- Introduction -- Introduction -- 1. Pasolini’s La rabbia and the Spectacularization of Scarpa’s Posthuman Aesthetics -- 2. An Apocalyptic Kamikaze: Tiziano Scarpa or How to Invade the Reader -- 3. The Fundamental Things in Life According to Scarpa -- Introduction -- 4. Melania Mazzucco’s Un giorno perfetto: Domestic Violence on an Everyday Perfect Day -- 5. Pushing Boundaries: Road Movies and Gas Stations in Monica Stambrini’s Benzina -- Introduction -- 6. A Recipe for the Advantages and Disadvantages of Love: Anger and Misogyny in Paolo Sorrentino’s The Consequences of Love -- 7. Society, Simulacra, and Love: Simona Vinci’s Stanza 411 -- 8. Wounding the Individual: Dynamics of Diversity and Anatomy of Love in Veronica Tomassini’s Sangue di Cane -- Afterword -- Notes -- Works Cited -- Index "Righteous Anger in Contemporary Italian Literary and Cinematic Narratives analyses the role of passion--particularly indignation--and how it shapes intention and inspires the work of many contemporary Italian writers and filmmakers. Noting how art often holds the power to shed light on issues surrounding inequity, inequality, and injustices, the book explores the ethical function of art as a tool in resistance and sociopolitical protest, thereby validating the axiom that ethics and aesthetics can still collaborate in the creation of meaning. Drawing on a range of Italian novels and films and examining the works of artists such as Tiziano Scarpa, Simona Vinci, Paolo Sorrentino, and Monica Stambrini, the author shows that anger can be used constructively as a weapon of resistance against negative and oppressive forces."--

     
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  5. The Letter from Prison
    Literature of Cultural Resistance in Early Modern England
    Author: Gilpin, W. Clark
    Published: [2024]; 2024
    Publisher:  Penn State University Press, University Park, PA

    Letters from prison testifying to deeply felt ethical principles have a long history, extending from antiquity to the present day. In the early modern era, the rise of printing houses helped turn these letters into a powerful form of political and... more

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    Letters from prison testifying to deeply felt ethical principles have a long history, extending from antiquity to the present day. In the early modern era, the rise of printing houses helped turn these letters into a powerful form of political and religious resistance. W. Clark Gilpin’s fascinating book examines how letter writers in England—ranging from archbishops to Quaker women—consolidated the prison letter as a literary form.Drawing from a large collection of printed prison letters written from the reign of Henry VIII to the closing decades of the seventeenth century, Gilpin explores the genre's many facets within evolving contexts of reformation and revolution. The writers of these letters portrayed the prisoner of conscience as a distinct persona and the prison as a place of redemptive suffering where bearing witness had the power to change society.The Letter from Prison features a diverse cast of characters and a literary genre that combines drama and inspiration. It is sure to appeal to those interested in early modern England, prison literature, and cultural forms of resistance

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780271097930
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    Subjects: English literature; Prisoners in literature; Prisoners' writings, English; Resistance (Philosophy) in literature; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh
    Other subjects: John Frith; Prison literature; Renaissance literature; conscience; early modern England; epistolary; incarceration; martyrdom; political prisoner; prison letter genre; prisoner of conscience; resistance literature; testimony; witness literature
    Scope: 1 Online-Ressource (260 p.)
    Notes:

    Frontmatter -- Contents -- Preface -- Acknowledgments -- 1 Witnesses -- Part 1: Solidarity -- Introduction -- 2 Inscribing Communities -- 3 Farewell -- Part 2: Politics -- Introduction -- 4 The Eyewitness -- 5 Experiencing Defeat -- Part 3: Discipline -- Introduction -- 6 Transfiguring Space -- 7 “The Dungeon of Thyself ” -- Notes -- Bibliography -- Index
  6. Righteous anger in contemporary Italian literary and cinematic narratives /
    Author: Lucamante, Stefania,
    Published: [2020].; © 2020.
    Publisher:  University of Toronto Press,, Toronto ; Buffalo ; London :

    Righteous Anger in Contemporary Italian Literary and Cinematic Narratives analyses the role of passion— particularly indignation—and how it shapes intention and inspires the work of many contemporary Italian writers and filmmakers. Noting how art... more

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Universität Potsdam, Universitätsbibliothek
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    Righteous Anger in Contemporary Italian Literary and Cinematic Narratives analyses the role of passion— particularly indignation—and how it shapes intention and inspires the work of many contemporary Italian writers and filmmakers. Noting how art often holds the power to shed light on issues surrounding inequity, inequality, and injustice, the book explores the ethical function of art as a tool in resistance and sociopolitical protest, thereby validating the axiom that ethics and aesthetics can still collaborate in the creation of meaning. Drawing on a range of Italian novels and films and examining the works of artists such as Tiziano Scarpa, Simona Vinci, Paolo Sorrentino, and Monica Stambrini, the author shows that anger can be used constructively as a weapon of resistance against negative and oppressive forces

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 978-1-4875-3508-7; 978-1-4875-3509-4
    Other identifier:
    Series: Toronto Italian studies
    Subjects: Italian art; Italian film; Italian literature; Monica Stambrini; Paolo Sorrentino; Simona Vinci; Tiziano Scarpa; anger; indignation; literary criticism; modern Italian cinema; passion; resistance literature; LITERARY CRITICISM / European / Italian; Anger in literature; Italian fiction; Motion pictures
    Scope: 1 Online-Ressource (viii, 333 Seiten) :, Illustrationen.
  7. Righteous anger
    in contemporary Italian literary and cinematic narratives
    Author: Lucamante, Stefania
    Published: [2020]
    Publisher:  University of Toronto Press, Toronto

    Frontmatter -- Contents -- Acknowledgments -- Abbreviations -- Introduction -- Introduction -- 1. Pasolini’s La rabbia and the Spectacularization of Scarpa’s Posthuman Aesthetics -- 2. An Apocalyptic Kamikaze: Tiziano Scarpa or How to Invade the... more

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    Frontmatter -- Contents -- Acknowledgments -- Abbreviations -- Introduction -- Introduction -- 1. Pasolini’s La rabbia and the Spectacularization of Scarpa’s Posthuman Aesthetics -- 2. An Apocalyptic Kamikaze: Tiziano Scarpa or How to Invade the Reader -- 3. The Fundamental Things in Life According to Scarpa -- Introduction -- 4. Melania Mazzucco’s Un giorno perfetto: Domestic Violence on an Everyday Perfect Day -- 5. Pushing Boundaries: Road Movies and Gas Stations in Monica Stambrini’s Benzina -- Introduction -- 6. A Recipe for the Advantages and Disadvantages of Love: Anger and Misogyny in Paolo Sorrentino’s The Consequences of Love -- 7. Society, Simulacra, and Love: Simona Vinci’s Stanza 411 -- 8. Wounding the Individual: Dynamics of Diversity and Anatomy of Love in Veronica Tomassini’s Sangue di Cane -- Afterword -- Notes -- Works Cited -- Index "Righteous Anger in Contemporary Italian Literary and Cinematic Narratives analyses the role of passion--particularly indignation--and how it shapes intention and inspires the work of many contemporary Italian writers and filmmakers. Noting how art often holds the power to shed light on issues surrounding inequity, inequality, and injustices, the book explores the ethical function of art as a tool in resistance and sociopolitical protest, thereby validating the axiom that ethics and aesthetics can still collaborate in the creation of meaning. Drawing on a range of Italian novels and films and examining the works of artists such as Tiziano Scarpa, Simona Vinci, Paolo Sorrentino, and Monica Stambrini, the author shows that anger can be used constructively as a weapon of resistance against negative and oppressive forces."--

     
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  8. A Reversal of Fortunes
    Daniel among the Scholars
    Author: Willis, Amy C. Merrill
    Published: [2018]

    Scholarship on the book of Daniel has undergone a significant shift since the publication of K. Koch's groundbreaking work, The Rediscovery of Apocalyptic, in 1972. Despite significant achievements in understanding the historical-critical issues of... more

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    Index theologicus der Universitätsbibliothek Tübingen
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    Scholarship on the book of Daniel has undergone a significant shift since the publication of K. Koch's groundbreaking work, The Rediscovery of Apocalyptic, in 1972. Despite significant achievements in understanding the historical-critical issues of the book, scholarship viewed Daniel's apocalyptic visions as embarrassing. The renaissance in Daniel studies that began in the 1970s has since produced a robust conversation and newer theory-driven insights around well-established areas of interest. These include Daniel's textual traditions and compositional history, the function of its genres, the social settings of its writers, and Daniel's near eastern literary and cultural milieu. New areas of interest identified in the landmark study of J.J. Collins and P.W. Flint (2001; 2002), namely the history of reception and political theologizing, have also gained ground. Daniel's reversal of fortunes is due to new methodologies as well as a fundamental paradigm shift in interpretation; this change has seen Daniel scholarship move away from the search for Daniel's historical meaning, narrowly construed, and toward the quest to understand what Daniel does to and for its readers.

     
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    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Article (journal)
    Format: Online
    Other identifier:
    Parent title: Enthalten in: Currents in biblical research; London [u.a.] : Sage, 2002; 16(2018), 2, Seite 107-130; Online-Ressource

    Subjects: APOCALYPSE; Daniel; MYTHOLOGY; POLITICAL theology; RATLOS vor der Apokalyptik (Book); SCHOLARSHIPS; apocalyptic; court tales; empire; myth; political theology; resistance literature; visions