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  1. Walter Pater and his reading, 1874 - 1877
    with a bibliography of his library borrowings, 1878 - 1894
    Published: 1990
    Publisher:  Garland, New York, NY [u.a.]

    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    ZA 40336:667
    Unlimited inter-library loan, copies and loan
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    93/1178
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Osnabrück
    4553-639 3
    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0824085620
    Series: Garland reference library of the humanities ; 667
    Other subjects: Array; Array; Array; Array
    Scope: LX, 537 S
    Notes:

    Includes indexes

  2. Participatory reading in late-medieval England
    Published: [2018]; ©2018
    Publisher:  Manchester University Press, Manchester

    This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. This book traces affinities between digital and medieval media, exploring how reading functioned as a nexus for concerns about increasing... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan
    Universität Potsdam, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. This book traces affinities between digital and medieval media, exploring how reading functioned as a nexus for concerns about increasing literacy, audiences' agency, literary culture and media formats from the late fourteenth to the early sixteenth centuries. Drawing on a wide range of texts, from well-known poems of Chaucer and Lydgate to wall texts, banqueting poems and devotional works written by and for women, Participatory reading argues that making readers work offered writers ways to shape their reputations and the futures of their productions. At the same time, the interactive reading practices they promoted enabled audiences to contribute to - and contest - writers' burgeoning authority, making books and reading work for everyone

     

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    Cover (lizenzpflichtig)
    Volltext (kostenfrei)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781526118004
    Other identifier:
    Series: Manchester Medieval Literature and Culture
    Subjects: English literature; Literature and society; Literature and society; Reading; Reading; LITERARY CRITICISM / Medieval
    Other subjects: Book history; Media studies; bodies or embodiment; chaucer; digital media; lydgate; movement or mobility; readers; reading history; reading; textuality; time
    Scope: 1 Online-Ressource
  3. Literature for children
    a short introduction
    Published: [1994]; © 1994
    Publisher:  Longman, New York

    Universitätsbibliothek Siegen
    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0801312655
    Edition: Second edition
    Other subjects: Children's; History; and; criticism; Children; Books; reading
    Scope: xiii, 274 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index

  4. Innesti
    Primo Levi e i libri altrui
    Contributor: Cinelli, Gianluca (Herausgeber); Gordon, Robert S. C (Herausgeber)
    Published: [2020]; © 2020
    Publisher:  Peter Lang, Oxford ; Bern ; Berlin ; Wien

    Universitätsbibliothek Duisburg-Essen
    Unlimited inter-library loan, copies and loan
    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
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    Source: Union catalogues
    Contributor: Cinelli, Gianluca (Herausgeber); Gordon, Robert S. C (Herausgeber)
    Language: Italian
    Media type: Book
    Format: Print
    ISBN: 9781789974508; 178997450X
    Other identifier:
    9781789974508
    DDC Categories: 850
    Series: Italian modernities ; vol. 36
    Subjects: Levi, Primo; Intertextualität
    Other subjects: altrui; Antonello; Cinelli; Gianluca; Gordon; Innesti; intertextuality; Levi; libri; Pierpaolo; Primo; Primo Levi; reading; Robert
    Scope: xxxii, 416 Seiten, Illustration, 23 cm, 654 g
  5. Rediscoveries
    informal essays in which well-known novelists rediscover neglected works of fiction by one of their favorite authors
    Contributor: Madden, David (Hrsg.)
    Published: 1971
    Publisher:  Crown Publ., New York, N.Y.

    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    90 A 500 RARA
    No loan of volumes, only paper copies will be sent
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    Source: Union catalogues
    Contributor: Madden, David (Hrsg.)
    Media type: Book
    Format: Print
    Other subjects: Array; Array; Array; Array; Array
    Scope: 334 S, 23 cm
    Notes:

    [Signed twice by Joyce Carol Oates]

  6. Corps-texte :
    pour une théorie de la lecture empathique : Cooper, Danielewski, Frey, Palahniuk /
    Published: 2015.; ©2015
    Publisher:  ENS Éditions,, Lyon, [France] :

    Un livre peut-il faire mal  ? Plongé dans un texte littéraire, le lecteur fait parfois l’expérience de sensations tactiles, douloureuses, musculaires, viscérales. C’est la « lecture empathique ». Mais comment expliquer ce passage du sens au... more

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Unlimited inter-library loan, copies and loan

     

    Un livre peut-il faire mal  ? Plongé dans un texte littéraire, le lecteur fait parfois l’expérience de sensations tactiles, douloureuses, musculaires, viscérales. C’est la « lecture empathique ». Mais comment expliquer ce passage du sens au sensori-moteur  ? Neuropsychologie, phénoménologie, études culturelles, théories de la fiction et de la littérature sont ici convoquées pour répondre à cette question intrigante, au fil d’un parcours révélant les œuvres de quatre auteurs qui ont marqué la littérature américaine des années 1990 et 2000 (Dennis Cooper, James Frey, Chuck Palahniuk et Mark Z. Danielewski). En mettant l’accent sur l’expérience de la littérature plutôt que sur son interprétation, le modèle développé dans cet ouvrage permet de repenser la question de la valeur artistique en termes de puissance sensorielle et d’immersion, dessinant le projet d’une lecture plus corporelle, d’une lecture empathique. Illustration de couverture : autoportrait de David Nebreda © David Nebreda - 2004 - Éditions Léo Scheer Can we feel the pain of a character in a novel? Immersed in a fiction, a reader may experience various somatosensory feelings. Such an experience of “empathic reading” is hardly conceivable through theories of interpretation that ignore the role of the biological body. On the contrary, an approach embracing embodied cognition, that weaves together neurology and literature, phenomenology and theories of fiction to discuss the era-defining, turn-of-the-millenium works of American writers Dennis Cooper, James Frey, Chuck Palahniuk and Mark Z. Danielewski, reveals the role of empathy in literary reading. This approach not only elucidates an intriguing phenomenon, it also redefines artistic value in terms of sensory impact and fictional immersion, thus promoting a richly embodied mode of reading, an empathic reading.

     

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    Source: Union catalogues
    Language: French
    Media type: Ebook
    Format: Online
    ISBN: 2-84788-665-6
    Other identifier:
    Edition: 1st ed.
    Series: Collection Signes,
    Subjects: American literature; American literature; American literature; Empathy in literature.; Senses and sensation in literature.
    Other subjects: empathy; embodied cognition; reading; neurology and literature; american literature
    Scope: 1 online resource (283 p.)
    Notes:

    Description based upon print version of record.

    Includes bibliographical references and index.

    La distance esthétique, résistance et abandon à l'image

  7. Corps-texte :
    pour une théorie de la lecture empathique : Cooper, Danielewski, Frey, Palahniuk /
    Published: 2015.; ©2015
    Publisher:  ENS Éditions,, Lyon, [France] :

    Un livre peut-il faire mal  ? Plongé dans un texte littéraire, le lecteur fait parfois l’expérience de sensations tactiles, douloureuses, musculaires, viscérales. C’est la « lecture empathique ». Mais comment expliquer ce passage du sens au... more

    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
    Unlimited inter-library loan, copies and loan

     

    Un livre peut-il faire mal  ? Plongé dans un texte littéraire, le lecteur fait parfois l’expérience de sensations tactiles, douloureuses, musculaires, viscérales. C’est la « lecture empathique ». Mais comment expliquer ce passage du sens au sensori-moteur  ? Neuropsychologie, phénoménologie, études culturelles, théories de la fiction et de la littérature sont ici convoquées pour répondre à cette question intrigante, au fil d’un parcours révélant les œuvres de quatre auteurs qui ont marqué la littérature américaine des années 1990 et 2000 (Dennis Cooper, James Frey, Chuck Palahniuk et Mark Z. Danielewski). En mettant l’accent sur l’expérience de la littérature plutôt que sur son interprétation, le modèle développé dans cet ouvrage permet de repenser la question de la valeur artistique en termes de puissance sensorielle et d’immersion, dessinant le projet d’une lecture plus corporelle, d’une lecture empathique. Illustration de couverture : autoportrait de David Nebreda © David Nebreda - 2004 - Éditions Léo Scheer Can we feel the pain of a character in a novel? Immersed in a fiction, a reader may experience various somatosensory feelings. Such an experience of “empathic reading” is hardly conceivable through theories of interpretation that ignore the role of the biological body. On the contrary, an approach embracing embodied cognition, that weaves together neurology and literature, phenomenology and theories of fiction to discuss the era-defining, turn-of-the-millenium works of American writers Dennis Cooper, James Frey, Chuck Palahniuk and Mark Z. Danielewski, reveals the role of empathy in literary reading. This approach not only elucidates an intriguing phenomenon, it also redefines artistic value in terms of sensory impact and fictional immersion, thus promoting a richly embodied mode of reading, an empathic reading.

     

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    Source: Philologische Bibliothek, FU Berlin
    Language: French
    Media type: Ebook
    Format: Online
    ISBN: 2-84788-665-6
    Other identifier:
    Edition: 1st ed.
    Series: Collection Signes,
    Subjects: American literature; American literature; American literature; Empathy in literature.; Senses and sensation in literature.
    Other subjects: empathy; embodied cognition; reading; neurology and literature; american literature
    Scope: 1 online resource (283 p.)
    Notes:

    Description based upon print version of record.

    Includes bibliographical references and index.

    La distance esthétique, résistance et abandon à l'image

  8. Metagestures /
    Published: 2019.; ©2019
    Publisher:  punctum books, [Santa Barbara, California] :

    "What kinds of knowledge and understandings of the world can be generated – and shared – when we use para-academic techniques and sensibilities to decode or respond to relatively orthodox intellectual objects? And what worlds might be possible if we... more

    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
    Unlimited inter-library loan, copies and loan

     

    "What kinds of knowledge and understandings of the world can be generated – and shared – when we use para-academic techniques and sensibilities to decode or respond to relatively orthodox intellectual objects? And what worlds might be possible if we practiced scholarly work from a place of collaboration and pleasure, as joyful fellow explorers? InMetagestures, presented in a playful tête-bêche format, historian Carla Nappi and cultural theorist Dominic Pettman explore the use of fiction as a tool to write and think with works of theory. Taking Vilém Flusser’s Gestures as its point of inspiration and departure, Metagestures collects 16 pairs of short stories in which Pettman and Nappi make fictional worlds that animate and enliven each of the major gestures in Flusser’s book. Nappi and Pettman focus on Flusser’s mediations on the gestures of filming, planting, loving, smoking a pipe, turning a mask around, and much more, with their own creative explorations of each theme, in a gathering of short fictions that test, expand, and further the social scientific claims of the original text with new scenarios and occasions. Here, Flusser’s reflections on physical gesture serve as an inspiration for new ways of conceiving and conducting theory, and for thoughtful creative scholarly imagining, with and alongside one another."

     

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    Source: Philologische Bibliothek, FU Berlin
    Contributor: Pettman, Dominic, (author.)
    Language: English
    Media type: Ebook; Data medium
    Format: Online
    ISBN: 1-950192-26-1
    Other identifier:
    Subjects: Short stories, American.
    Other subjects: fiction; chirology; Vliém Flusser; embodiment; cultural theory; reading; experimental writing
    Scope: 1 online resource (227 pages) :, illustrations; PDF, digital file(s).
    Notes:

    Also available in print form.

  9. Reading minds :
    a cognitive-digital approach to the study of literature /
    Published: 2019.

    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
    Unlimited inter-library loan, copies and loan
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    Volltext (kostenfrei)
    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Dissertation
    Format: Online
    Other identifier:
    Subjects: cognitive science; data science; evolutionary psychology; mind; linguistics; literature; natural language processing; reading; Literatur; Empirische Literaturwissenschaft; Kognitive Poetik; Digitale Sprachverarbeitung
    Scope: 1 Online-Ressource (229, 5 Seiten) :, Diagramme.
    Notes:

    Dissertation, Freie Universität Berlin, 2019

  10. Reading Today
    Contributor: Pyrhönen, Heta (Publisher); Kantola, Janna (Publisher)
    Published: 2018
    Publisher:  UCL Press

    New technologies are changing our reading habits. Laptops, e-readers, tablets and other handheld devices supply new platforms for reading, and we must learn to manage them by scrolling, clicking or tapping. Reading Today places reading in current... more

     

    New technologies are changing our reading habits. Laptops, e-readers, tablets and other handheld devices supply new platforms for reading, and we must learn to manage them by scrolling, clicking or tapping. Reading Today places reading in current literary and cultural contexts in order to analyse how these contexts challenge our conceptions of who reads, what reading is, how we read, where we read, and for what purposes – and then responds to the questions this analysis raises. Is our reading experience becoming a ‘flat’ one? And does reading in a media environment favour quick reading? Alongside these questions, the contributors unpack emerging strategies of reading.They consider, for example, how paying attention to readers’ emotional reactions as an indispensable component of reading affects our conception of the reading process. Other chapters consider how reading can be explored through such topics as experimental literature, the contemporary encyclopedic novel and the healing power of books.

     

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    Source: OAPEN
    Contributor: Pyrhönen, Heta (Publisher); Kantola, Janna (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    Other identifier:
    Subjects: Literature & literary studies; Cultural studies; Media studies; Media, information & communication industries
    Other subjects: literature; technology; books; reading; Don Quixote; Finland; Italy
    Scope: 1 electronic resource (210 p.)
  11. How We Read : Tales, Fury, Nothing, Sound
    Contributor: Heller, Kaitlin (Publisher); Akbari, Suzanne Conklin (Publisher)
    Published: 2019
    Publisher:  punctum books, Brooklyn, NY

    "What do we do when we read? Reading can be an act of consumption or an act of creation. Our “work reading” overlaps with our “pleasure reading,” and yet these two modes of reading engage with different parts of the self. It is sometimes passive,... more

     

    "What do we do when we read?

     

    Reading can be an act of consumption or an act of creation. Our “work reading” overlaps with our “pleasure reading,” and yet these two modes of reading engage with different parts of the self. It is sometimes passive, sometimes active, and can even be an embodied form.

     

    The contributors to this volume share their own histories of reading in order to reveal the shared pleasure that lies in this most solitary of acts – which is also, paradoxically, the act of most complete plenitude. Many of the contributors engage in academic writing, and several publish in other genres, including poetry and fiction; some contributors maintain an active online presence. All are engaged with reading’s capacity to stimulate and excite as well as to frustrate and confuse. The synergies and tensions of online reading and print reading animate these thirteen contributions, generating a sense of shared community. Together, the authors open their libraries to us. This is how we read."

     

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    Source: OAPEN
    Contributor: Heller, Kaitlin (Publisher); Akbari, Suzanne Conklin (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781950192328
    Other identifier:
    Subjects: Literary studies: general
    Other subjects: reading; writing; libraries; poetics; memory; university life; literary studies
    Scope: 1 electronic resource (186 p.)
  12. Metagestures
    Published: 2019
    Publisher:  punctum books, Brooklyn, NY

    "What kinds of knowledge and understandings of the world can be generated – and shared – when we use para-academic techniques and sensibilities to decode or respond to relatively orthodox intellectual objects? And what worlds might be possible if we... more

     

    "What kinds of knowledge and understandings of the world can be generated – and shared – when we use para-academic techniques and sensibilities to decode or respond to relatively orthodox intellectual objects? And what worlds might be possible if we practiced scholarly work from a place of collaboration and pleasure, as joyful fellow explorers?

     

    In Metagestures, presented in a playful tête-bêche format, historian Carla Nappi and cultural theorist Dominic Pettman explore the use of fiction as a tool to write and think with works of theory. Taking Vilém Flusser’s Gestures as its point of inspiration and departure, Metagestures collects 16 pairs of short stories in which Pettman and Nappi make fictional worlds that animate and enliven each of the major gestures in Flusser’s book. Nappi and Pettman focus on Flusser’s mediations on the gestures of filming, planting, loving, smoking a pipe, turning a mask around, and much more, with their own creative explorations of each theme, in a gathering of short fictions that test, expand, and further the social scientific claims of the original text with new scenarios and occasions. Here, Flusser’s reflections on physical gesture serve as an inspiration for new ways of conceiving and conducting theory, and for thoughtful creative scholarly imagining, with and alongside one another."

     

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    Source: OAPEN
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781950192267
    Other identifier:
    Subjects: Cultural studies
    Other subjects: fiction; chirology; Vliém Flusser; embodiment; cultural theory; reading; experimental writing
    Scope: 1 electronic resource (232 p.)
  13. Participatory reading in late-medieval England
    Published: 20171101
    Publisher:  Manchester University Press, Manchester

    This book explores how modern media practices can illuminate participatory reading in England from the late-fourteenth to the early-sixteenth centuries. Nonlinear apprehension, immersion and embodiment are practices intimately familiar to readers of... more

     

    This book explores how modern media practices can illuminate participatory reading in England from the late-fourteenth to the early-sixteenth centuries. Nonlinear apprehension, immersion and embodiment are practices intimately familiar to readers of Wikipedia, players of video games and users of multi-touch mobile devices. But far from being unique to digital media, they have clear analogues in the pre-modern era. Participatory reading in late-medieval England traces how the affinities between old and new media can reveal fresh insights not only about the digital, but also about the long history of media forms and practices. It thus casts new light on the literary practices of a period pre- and post-print to demonstrate how participatory reading vitally contributed to and shaped these negotiations of fragile authority.

     

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  14. How and Why to Read and Create Children's Digital Books : A Guide for Primary Practitioners
    Contributor: Kucirkova, Natalia (Publisher)
    Published: 2018
    Publisher:  UCL Press, London

    How and Why to Read and Create Children's Digital Books outlines effective ways of using digital books in early years and primary classrooms, and specifies the educational potential of using digital books and apps in physical spaces and virtual... more

     

    How and Why to Read and Create Children's Digital Books outlines effective ways of using digital books in early years and primary classrooms, and specifies the educational potential of using digital books and apps in physical spaces and virtual communities. With a particular focus on apps and personalised reading, Natalia Kucirkova combines theory and practice to argue that personalised reading is only truly personalised when it is created or co-created by reading communities.

     

    Divided into two parts, Part I suggests criteria to evaluate the educational quality of digital books and practical strategies for their use in the classroom. Specific attention is paid to the ways in which digital books can support individual children’s strengths and difficulties, digital literacies, language and communication skills. Part II explores digital books created by children, their caregivers, teachers and librarians, and Kucirkova also offers insights into how smart toys, tangibles and augmented/virtual reality tools can enrich children’s reading for pleasure.

     

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    Source: OAPEN
    Contributor: Kucirkova, Natalia (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    Other identifier:
    Subjects: Book design; Education; Publishing industry & book trade; Children's, Teenage & educational
    Other subjects: reading; digital; book; publishing
    Scope: 1 electronic resource (200 p.)
  15. Portrait Stories
    Published: [2014]; © 2014
    Publisher:  Fordham University Press, New York, NY

    What makes stories about portraits so gripping and unsettling? Portrait Stories argues that it is the ways they problematize the relation between subjectivity and representation. Through close readings of short stories and novellas by Poe, James,... more

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    What makes stories about portraits so gripping and unsettling? Portrait Stories argues that it is the ways they problematize the relation between subjectivity and representation. Through close readings of short stories and novellas by Poe, James, Hoffmann, Gautier, Nerval, Balzac, Kleist, Hardy, Wilde, Storm, Sand, and Gogol, the author shows how the subjectivities of sitter, painter, and viewer are produced in relation to representations shaped by particular interests and power relations, often determined by gender as well as by class. She focuses on the power that can accrue to the painter from the act of representation (often at the expense of the portrait’s subject), while also exploring how and why this act may threaten the portrait painter’s sense of self. Analyzing the viewer’s relation to the portrait, she demonstrates how portrait stories problematize the very act of seeing and with it the way subjectivity is constructed in the field of vision

     

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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823262625
    Other identifier:
    Subjects: gender; portrait; power; reading; representation; seeing; subjectivity; LITERARY CRITICISM / European / General; Characters and characteristics in literature; Fiction; Portraits in literature
    Scope: 1 online resource (224 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)

  16. The Death of the Book
    Modernist Novels and the Time of Reading
    Author: Lurz, John
    Published: [2016]; © 2016
    Publisher:  Fordham University Press, New York, NY

    An examination of the ways major novels by Marcel Proust, James Joyce, and Virginia Woolf draw attention to their embodiment in the object of the book, The Death of the Book considers how bookish format plays a role in some of the twentieth century’s... more

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    An examination of the ways major novels by Marcel Proust, James Joyce, and Virginia Woolf draw attention to their embodiment in the object of the book, The Death of the Book considers how bookish format plays a role in some of the twentieth century’s most famous literary experiments. Tracking the passing of time in which reading unfolds, these novels position the book’s so-called death in terms that refer as much to a simple description of its future vis-à-vis other media forms as to the sense of finitude these books share with and transmit to their readers.As he interrogates the affective, physical, and temporal valences of literature’s own traditional format and mode of access, John Lurz shows how these novels stage intersections with the phenomenal world of their readers and develop a conception of literary experience not accounted for by either rigorously historicist or traditionally formalist accounts of the modernist period. Bringing together issues of media and mediation, book history, and modernist aesthetics, The Death of the Book offers a new and deeper understanding of the way we read now

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823271009
    Other identifier:
    Subjects: James Joyce; Marcel Proust; Virginia Woolf; book; finitude; materiality; mediation; modernism; reading; temporality; LITERARY CRITICISM / Modern / 20th Century; Books and reading; Modernism (Literature); Modernism (Literature)
    Scope: 1 online resource (216 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)

  17. Approaches to literature through genre
    Published: 1992
    Publisher:  Oryx Press, Phoenix, AZ

    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    ZA 81941:2
    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0897747739
    Series: The Oryx reading motivation series ; 2
    Other subjects: Array; Array; Array; Array
    Scope: xxiv, 259 p, 23 cm
    Notes:

    Includes bibliographical references and index

  18. Innesti
    Primo Levi e i libri altrui
    Contributor: Cinelli, Gianluca (Herausgeber); Gordon, Robert S. C. (Herausgeber)
    Published: [2020]; © 2020
    Publisher:  Peter Lang, Oxford ; Bern ; Berlin ; Wien

    Universitätsbibliothek Duisburg-Essen
    FKPL1801
    Unlimited inter-library loan, copies and loan
    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
    19B7864
    Loan of volumes, no copies
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    Source: Union catalogues
    Contributor: Cinelli, Gianluca (Herausgeber); Gordon, Robert S. C. (Herausgeber)
    Language: Italian
    Media type: Book
    ISBN: 9781789974508; 178997450X
    Other identifier:
    9781789974508
    DDC Categories: 850
    Series: Italian modernities ; vol. 36
    Subjects: Intertextualität
    Other subjects: Levi, Primo (1919-1987); altrui; Antonello; Cinelli; Gianluca; Gordon; Innesti; intertextuality; Levi; libri; Pierpaolo; Primo; Primo Levi; reading; Robert
    Scope: xxxii, 416 Seiten, Illustration, 23 cm, 654 g
  19. Two songs
    song of prisoner. song of Malaya
    Author: Okot p'Bitek
    Published: 1971
    Publisher:  East African Publ. House, Nairobi

    Freie Universität Berlin, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Unlimited inter-library loan, copies and loan
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan
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    Source: Staatsbibliothek zu Berlin; Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    RVK Categories: HP 8670
    Series: Modern African Library
    Subjects: Africa; literature; literacy; reading
    Scope: 183 S.
  20. Underwords
    Re-reading the Subtexts of Modernity
    Published: 2018
    Publisher:  Peter Lang Verlag, Oxford

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781788744652
    Other identifier:
    9781788744652
    Edition: digitale Originalausgabe
    Subjects: Englisch; Literatur; Textanalyse
    Other subjects: (Produktform)Electronic book text; (BISAC Subject Heading)LIT004020: LITERARY CRITICISM / American / General; (BISAC Subject Heading)PER010000: PERFORMING ARTS / Television / General; (BISAC Subject Heading)SOC005000: SOCIAL SCIENCE / Customs & Traditions; Modernism;Literature;Close reading; (VLB-WN)9564: Englische Sprachwissenschaft, Literaturwissenschaft; (Zielgruppe)Fachpublikum/ Wissenschaft; (BISAC Subject Heading)LIT004200; (BISAC Subject Heading)BUS019000: BUSINESS & ECONOMICS / Decision-Making & Problem Solving; (BISAC Subject Heading)LIT004120: LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; (BISAC Subject Heading)LIT004150: LITERARY CRITICISM / European / French; (BISAC Subject Heading)LIT004170: LITERARY CRITICISM / European / German; (BISAC Subject Heading)LIT004240: LITERARY CRITICISM / Russian & Former Soviet Union; (BISAC Subject Heading)LIT006000: LITERARY CRITICISM / Semiotics & Theory; (BIC subject category)DNJ: Reportage & collected journalism; (BIC subject category)DNS: Speeches; (BIC subject category)DSA: Literary theory; (BIC subject category)DSBH: Literary studies: from c 1900 -; (BIC subject category)JFCA: Popular culture; (BIC subject category)JFDT: TV & society; (BIC subject category)JPHL: Political leaders & leadership; (BIC subject category)UD: Digital lifestyle; Alec; Charles; Close reading; Literature; Modernism; Modernity; reading; Subtexts; Underwords
    Scope: Online-Ressource, VIII, 236 Seiten
  21. Walter Pater and his reading, 1874 - 1877
    with a bibliography of his library borrowings, 1878 - 1894
    Published: 1990
    Publisher:  Garland, New York, NY [u.a.]

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0824085620
    Series: Garland reference library of the humanities ; 667
    Other subjects: Array; Array; Array; Array
    Scope: LX, 537 S
    Notes:

    Includes indexes

  22. Underwords
    re-reading the subtexts of modernity
    Published: [2019]
    Publisher:  Peter Lang, Oxford

    Universitätsbibliothek Augsburg
    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781788744645; 1788744640
    Other identifier:
    9781788744645
    RVK Categories: HG 105
    DDC Categories: 420
    Subjects: Literatur; Englisch; Textanalyse
    Other subjects: Alec; Charles; Close reading; Literature; Modernism; Modernity; reading; Subtexts; Underwords
    Scope: viii, 236 Seiten, 22.5 cm x 15 cm, 350 g
  23. Street Players
    Black Pulp Fiction and the Making of a Literary Underground
    Published: [2019]; © 2018
    Publisher:  University of Chicago Press, Chicago

    The uncontested center of the black pulp fiction universe for more than four decades was the Los Angeles publisher Holloway House. From the late 1960s until it closed in 2008, Holloway House specialized in cheap paperbacks with page-turning... more

    Universitätsbibliothek Regensburg
    Unlimited inter-library loan, copies and loan

     

    The uncontested center of the black pulp fiction universe for more than four decades was the Los Angeles publisher Holloway House. From the late 1960s until it closed in 2008, Holloway House specialized in cheap paperbacks with page-turning narratives featuring black protagonists in crime stories, conspiracy thrillers, prison novels, and Westerns. From Iceberg Slim's Pimp to Donald Goines's Never Die Alone, the thread that tied all of these books together-and made them distinct from the majority of American pulp-was an unfailing veneration of black masculinity. Zeroing in on Holloway House, Street Players explores how this world of black pulp fiction was produced, received, and recreated over time and across different communities of readers. Kinohi Nishikawa contends that black pulp fiction was built on white readers' fears of the feminization of society-and the appeal of black masculinity as a way to counter it. In essence, it was the original form of blaxploitation: a strategy of mass-marketing race to suit the reactionary fantasies of a white audience. But while chauvinism and misogyny remained troubling yet constitutive aspects of this literature, from 1973 onward, Holloway House moved away from publishing sleaze for a white audience to publishing solely for black readers. The standard account of this literary phenomenon is based almost entirely on where this literature ended up: in the hands of black, male, working-class readers. When it closed, Holloway House was synonymous with genre fiction written by black authors for black readers-a field of cultural production that Nishikawa terms the black literary underground. But as Street Players demonstrates, this cultural authenticity had to be created, promoted, and in some cases made up, and there is a story of exploitation at the heart of black pulp fiction's origins that cannot be ignored

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780226587073
    Other identifier:
    Subjects: Holloway House; blackness; cultural appropriation; literary underground; popular culture; publishing; pulp fiction; race; reading; whiteness; LITERARY CRITICISM / General; African Americans in literature; American fiction; American fiction; Race in literature; Urban fiction, American; Schundliteratur; Schwarze <Motiv>; Literaturproduktion
    Scope: 1 online resource (288 pages), 30 halftones
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Apr 2020)

  24. Reading minds
    a cognitive-digital approach to the study of literature
    Published: 2019

    Universitätsbibliothek Passau
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    Content information
    Volltext (kostenfrei)
    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Online
    Other identifier:
    Subjects: cognitive science; data science; evolutionary psychology; mind; linguistics; literature; natural language processing; reading; Kognitive Poetik; Empirische Literaturwissenschaft; Literatur; Digitale Sprachverarbeitung
    Scope: 1 Online-Ressource (229, 5 Seiten), Diagramme
    Notes:

    Dissertation, Freie Universität Berlin, 2019

  25. Portrait Stories
    Published: [2014]; © 2014
    Publisher:  Fordham University Press, New York, NY

    What makes stories about portraits so gripping and unsettling? Portrait Stories argues that it is the ways they problematize the relation between subjectivity and representation. Through close readings of short stories and novellas by Poe, James,... more

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
    Unlimited inter-library loan, copies and loan
    Technische Hochschule Augsburg
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Bamberg
    Unlimited inter-library loan, copies and loan
    Hochschule Coburg, Zentralbibliothek
    Unlimited inter-library loan, copies and loan
    Hochschule Kempten, Hochschulbibliothek
    Unlimited inter-library loan, copies and loan
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Passau
    Unlimited inter-library loan, copies and loan

     

    What makes stories about portraits so gripping and unsettling? Portrait Stories argues that it is the ways they problematize the relation between subjectivity and representation. Through close readings of short stories and novellas by Poe, James, Hoffmann, Gautier, Nerval, Balzac, Kleist, Hardy, Wilde, Storm, Sand, and Gogol, the author shows how the subjectivities of sitter, painter, and viewer are produced in relation to representations shaped by particular interests and power relations, often determined by gender as well as by class. She focuses on the power that can accrue to the painter from the act of representation (often at the expense of the portrait’s subject), while also exploring how and why this act may threaten the portrait painter’s sense of self. Analyzing the viewer’s relation to the portrait, she demonstrates how portrait stories problematize the very act of seeing and with it the way subjectivity is constructed in the field of vision

     

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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823262625
    Other identifier:
    Subjects: gender; portrait; power; reading; representation; seeing; subjectivity; LITERARY CRITICISM / European / General; Characters and characteristics in literature; Fiction; Portraits in literature
    Scope: 1 online resource (224 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)