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Displaying results 1 to 25 of 165.

  1. The Distributed Image
    Stream - Archive - Ambience
    Author: Rothöhler, Simon
    Published: 2023
    Publisher:  Brill

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    Hochschulbibliothek der Fachhochschule Aachen
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    Evangelische Hochschule Rheinland-Westfalen-Lippe, Bibliothek
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    Ruhr-Universität Bochum, Universitätsbibliothek
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    Source: Union catalogues
    Language: 0|e d
    Media type: Ebook
    Format: Online
    ISBN: 9783770567775
    Other identifier:
    Subjects: Media studies
    Other subjects: digital archives; digital humanities; image theory; internet of things; media archaeology; new media
    Scope: 1 Online-Ressource
  2. Spanish fiction in the digital age
    generation X remixed
    Author: Henseler, Christine
    Published: October 2011
    Publisher:  Palgrave Macmillan, New York

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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Passau
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 1349287458; 9780230102910; 9781349287451
    Other identifier:
    9781349287451
    RVK Categories: IP 13100
    DDC Categories: 300
    Edition: 1st edition
    Subjects: Massenkultur; Medien; Spanisch; Literatur
    Other subjects: JFC; Cultural Studies; Narrative; aesthetics; fiction; new media
    Scope: XI, 264 Seiten, Illustrationen, 21.6 cm x 14 cm, 0 g
  3. Wiederbelebungsversuche. Mediologisches Erzählen in der deutschsprachigen Literatur der 1990er Jahre
    Author: Knorr, Carolin
    Published: 2018
    Publisher:  KIT Scientific Publishing

    The narrations of many young authors of the 1990s operate under and in the terms of the new media at the same time, so the reader is able to observe how media change forms of communication. With the narration a well-known topic is repeated and... more

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    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
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    The narrations of many young authors of the 1990s operate under and in the terms of the new media at the same time, so the reader is able to observe how media change forms of communication. With the narration a well-known topic is repeated and reanimated. The presence of sensual effects of one medium in another is analysed by the mediological method, which also develops in the 1990s. So this way of narrating, which is significant for the 1990s, is called mediological narration.

     
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    Source: Philologische Bibliothek, FU Berlin
    Language: deu
    Media type: Ebook; Data medium
    Format: Online
    ISBN: 1000082068
    Other subjects: prose; mediology; Mediologie; literary studies; Prosa; new media; narratology; Literaturwissenschaft; Narratologie; Neue Medien
    Scope: 1 electronic resource (VII, 278 p. p.)
  4. Street Art und neue Medien
    Akteure – Praktiken – Ästhetiken
    Author: Glaser, Katja
    Published: [2017]
    Publisher:  transcript Verlag, Bielefeld

    Wie gestalten und (ver-)formen sich Praktiken und Ästhetiken der Street Art in Verbindung mit digital vernetzten Medien?Neue Medien(-technologien) wie Smartphones, Apps, digitale Karten und Social Networks spielen im Kontext der Street Art eine... more

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    Universität Potsdam, Universitätsbibliothek
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    Wie gestalten und (ver-)formen sich Praktiken und Ästhetiken der Street Art in Verbindung mit digital vernetzten Medien?Neue Medien(-technologien) wie Smartphones, Apps, digitale Karten und Social Networks spielen im Kontext der Street Art eine zentrale Rolle. Katja Glaser greift aktuelle Tendenzen auf, spürt Akteuren nach und entfaltet die Welt der Street Art als soziotechnischen Aushandlungsprozess. So erweitert die medienwissenschaftliche Studie die aktuelle Street-Art-Forschung um Themen der Netzpolitik, der Medienästhetik und der Navigation einerseits und lenkt andererseits den Fokus auf digitale Archivierung und Kunstgeschichte. Wie gestalten und (ver-)formen sich Praktiken und Ästhetiken der Street Art in Verbindung mit digital vernetzten Medien?Neue Medien(-technologien) wie Smartphones, Apps, digitale Karten und Social Networks spielen im Kontext der Street Art eine zentrale Rolle. Katja Glaser greift aktuelle Tendenzen auf, spürt Akteuren nach und entfaltet die Welt der Street Art als soziotechnischen Aushandlungsprozess. So erweitert die medienwissenschaftliche Studie die aktuelle Street-Art-Forschung um Themen der Netzpolitik, der Medienästhetik und der Navigation einerseits und lenkt andererseits den Fokus auf digitale Archivierung und Kunstgeschichte

     
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  5. Old Futures
    Speculative Fiction and Queer Possibility
    Author: Lothian, Alexis
    Published: [2018]; © 2018
    Publisher:  New York University Press, New York, NY

    Finalist, 2019 Locus Award for Nonfiction, presented by the Locus Science Fiction FoundationTraverses the history of imagined futures from the 1890s to the 2010s, interweaving speculative visions of gender, race, and sexuality from literature, film,... more

     

    Finalist, 2019 Locus Award for Nonfiction, presented by the Locus Science Fiction FoundationTraverses the history of imagined futures from the 1890s to the 2010s, interweaving speculative visions of gender, race, and sexuality from literature, film, and digital mediaOld Futures explores the social, political, and cultural forces feminists, queer people, and people of color invoke when they dream up alternative futures as a way to imagine transforming the present. Lothian shows how queer possibilities emerge when we practice the art of speculation: of imagining things otherwise than they are and creating stories from that impulse. Queer theory offers creative ways to think about time, breaking with straight and narrow paths toward the future laid out for the reproductive family, the law-abiding citizen, and the believer in markets. Yet so far it has rarely considered the possibility that, instead of a queer present reshaping the ways we relate to past and future, the futures imagined in the past can lead us to queer the present. Narratives of possible futures provide frameworks through which we understand our present, but the discourse of "the" future has never been a singular one. Imagined futures have often been central to the creation and maintenance of imperial domination and technological modernity; Old Futures offers a counterhistory of works that have sought-with varying degrees of success-to speculate otherwise. Examining speculative texts from the 1890s to the 2010s, from Samuel R. Delany to Sense8, Lothian considers the ways in which early feminist utopias and dystopias, Afrofuturist fiction, and queer science fiction media have insisted that the future can and must deviate from dominant narratives of global annihilation or highly restrictive hopes for redemption.Each chapter chronicles some of the means by which the production and destruction of futures both real and imagined takes place: through eugenics, utopia, empire, fascism, dystopia, race, capitalism, femininity, masculinity, and many kinds of queerness, reproduction, and sex. Gathering stories of and by populations who have been marked as futureless or left out by dominant imaginaries, Lothian offers new insights into what we can learn from efforts to imaginatively redistribute the future

     
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  6. The Permanent Crisis of Film Criticism. The Anxiety of Authority
    Author: Frey, Mattias
    Published: 2014
    Publisher:  Amsterdam University Press

    Film criticism is in crisis. Dwelling on the many film journalists made redundant at newspapers, magazines, and other 'old media' in past years, commentators have voiced existential questions about the purpose and worth of the profession in the age... more

     

    Film criticism is in crisis. Dwelling on the many film journalists made redundant at newspapers, magazines, and other 'old media' in past years, commentators have voiced existential questions about the purpose and worth of the profession in the age of WordPress blogospheres and proclaimed the 'death of the critic'. Bemoaning the current anarchy of internet amateurs and the lack of authoritative critics, many journalists and academics claim that in the digital age, cultural commentary has become dumbed down and fragmented into niche markets. Mattias Freu, arguing against these claims, examines the history of film critical discourse in France, Germany, the United Kingdom, and the United States . He demonstrates that since its origins, film criticism has always found itself in crisis: the need to show critical authority and the anxieties over challenges to that authority have been longstanding concerns.

     
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    Source: OAPEN
    Language: English
    Media type: Ebook
    Format: Online
    Other identifier:
    Subjects: Film theory & criticism
    Other subjects: journalism; historical analysis; digital; film criticism; new media; critical authority; Houston; Rotten Tomatoes; Sight & Sound
  7. Körperphantasien : Technisierung – Optimierung – Transhumanismus
    Contributor: Beinsteiner, Andreas (Publisher); Kohn, Tanja (Publisher)
    Published: 2016
    Publisher:  innsbruck university press

    This anthology deals with current discussions around the mechanization and the optimization of the body up to the transhumanism. In the age of smartphones and social web, everyone can stage their lives and their bodies medially. With the... more

     

    This anthology deals with current discussions around the mechanization and the optimization of the body up to the transhumanism. In the age of smartphones and social web, everyone can stage their lives and their bodies medially. With the possibilities of staging also increases the need for optimization. Cosmetic interventions are becoming more common, as well as the use of performance-enhancing and mood-lifting psychotropic drugs. The body becomes a product whose value is to increase in the labor market and in the sphere of the interpersonal. Never before has the wish seemed so great and so widespread to extend physical limits and stay young forever. The convergence of man and machine gives unprecedented power to those who provide the technologies and infrastructures: the potential to monitor and control human bodies is increasing. On this side of euphoria and paranoia, the question arises as to what drives the performance and optimization fantasies of our age. How can the interplay of bodies and technologies be adequately described in the 21st century? Der vorliegende Sammelband befasst sich mit aktuellen Diskussionen rund um die Technisierung und das Optimieren des Körpers bis hin zum Transhumanismus. In Zeiten von Smartphones und social web können alle ihr Leben und ihren Körper medial in Szene setzen. Mit den Möglichkeiten der Inszenierung steigt auch der Zwang zur Optimierung. Kosmetische Eingriffe werden häufiger, ebenso die Einnahme leistungssteigernder und stimmungshebender Psychopharmaka. Der Körper wird zum Produkt, dessen Wert am Arbeitsmarkt und in der Sphäre des Zwischenmenschlichen steigen soll. Noch nie schien der Wunsch so groß und so verbreitet, körperliche Leistungsgrenzen auszuweiten und ewig jung zu bleiben. Das Zusammenwachsen von Mensch und Maschine verschafft denjenigen, die die Technologien und Infrastrukturen bereitstellen, eine noch nie dagewesene Macht: Das Potential zur Überwachung und Steuerung menschlicher Körper steigt. Diesseits von Euphorie und Paranoia stellt sich die Frage, was die Leistungs- und Optimierungsphantasien unseres Zeitalters eigentlich antreibt. Wie kann das Wechselspiel von Körpern und Technologien im 21. Jahrhundert angemessen beschrieben werden?

     
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    Source: OAPEN
    Contributor: Beinsteiner, Andreas (Publisher); Kohn, Tanja (Publisher)
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783903122130
    Subjects: Philosophy; Media studies; Physical anthropology; Psychological theory & schools of thought
    Other subjects: Transhumanism; new media; Transhumanismus; Neue Medien; Medizin; Mensch
    Scope: 1 electronic resource (252 p.)
  8. Grenzenlose Enthüllungen? : Medien zwischen Öffnung und Schließung
    Contributor: Rußmann, Uta (Publisher); Beinsteiner, Andreas (Publisher); Ortner, Heike (Publisher); Hug, Theo (Publisher)
    Published: 2012
    Publisher:  innsbruck university press

    The current media landscape is often attributed a tendency to disclosure and openness. Social network sites blur the boundaries between the private and the public, platforms such as WikiLeaks and OpenLeaks publish secret material, while file-sharing... more

     

    The current media landscape is often attributed a tendency to disclosure and openness. Social network sites blur the boundaries between the private and the public, platforms such as WikiLeaks and OpenLeaks publish secret material, while file-sharing networks and open-content licenses make previously proprietary content publicly accessible. These developments are intertwined with, at first sight, opposing tendencies of containment, control and closure. Communication on the Internet is becoming increasingly linked to the mediation of individual private sector actors such as Google or Facebook. Online and offline, new information and communication technologies are enabling more and more comprehensive forms of surveillance while the re-use of data takes place in camera. The contributions of this volume deal with different aspects of this complex field of tension. Der gegenwärtigen Medienlandschaft wird häufig eine Tendenz zur Offenlegung und Offenheit zugeschrieben. Social Network Sites lassen die Grenzen zwischen Privatem und Öffentlichem verschwimmen, Plattformen wie WikiLeaks und OpenLeaks veröffentlichen geheimes Material, über Filesharing-Netzwerke und open-content-Lizenzen werden vormals proprietäre Inhalte offen zugänglich gemacht. Verflochten sind diese Entwicklungen mit auf den ersten Blick gegenläufigen Tendenzen der Eingrenzung, der Kontrolle und der Schließung. Kommunikation im Internet bindet sich immer mehr an die Vermittlung einzelner privatwirtschaftlicher Akteure wie Google oder Facebook, online wie offline ermöglichen neue Informations- und Kommunikationstechnologien immer umfassendere Formen der Überwachung, während die Weiterverwendung von Daten unter Ausschluss der Öffentlichkeit stattfindet. Die Beiträge des vorliegenden Bandes befassen sich mit unterschiedlichen Aspekten dieses komplexen Spannungsfeldes.

     
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    Source: OAPEN
    Contributor: Rußmann, Uta (Publisher); Beinsteiner, Andreas (Publisher); Ortner, Heike (Publisher); Hug, Theo (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783902811776
    Other identifier:
    Subjects: Literature & literary studies; Media studies; Digital lifestyle
    Other subjects: Social networks; new media; communication; Soziale Netzwerke; Neue Medien; Kommunikation; Facebook; Kantenfärbungszahl; Leichtathletik-Weltmeisterschaften 2011/Teilnehmer (Vietnam); Stuttgarter Evangeliumsterzett
    Scope: 1 electronic resource (180 p.)
  9. Everyday Cinema: The Films of Marc Lafia
    Author: Lafia, Marc
    Published: 2017
    Publisher:  punctum books, Earth, Milky Way

    Everyday Cinema presents the films (eight features and numerous shorts, computational, and installation films) of Marc Lafia. In his many films (including Exploding Oedipus; Love and Art; Confessions of an Image; Revolution of Everyday Life;... more

     

    Everyday Cinema presents the films (eight features and numerous shorts, computational, and installation films) of Marc Lafia. In his many films (including Exploding Oedipus; Love and Art; Confessions of an Image; Revolution of Everyday Life; Paradise; Hi, How Are You Guest 10497; and 27) Lafia probes what it is to construct an image, to forge systems of representation, to see and represent ourselves. His work has been defined as a cinema of emergence, a cinema of the event, in which the very act of ubiquitous recording creates something new. Everyday Cinema is comprised of two parts, the first an in-depth look at his films and installations, project by project, providing background on how they came about, Lafia’s process and ideas. The second part features selected interviews and over two hundred film stills wherein Lafia puts forward a new sense of the possibility of the cinema. As we all relentlessly record ourselves and are recorded, we become part of the cinematic fabric of life, part of a spectacle of which we are both constituent and constitutive. This is what Lafia sets out to capture and examine.

     
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    Source: OAPEN
    Contributor: Coffeen, Daniel (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    Other identifier:
    Subjects: Film theory & criticism
    Other subjects: film studies; new media; video; representation; Marc Lafia
    Scope: 1 electronic resource (238 p.)
  10. Intermedialität in der Komparatistik
    Author: Brötz, Dunja; Eder-Jordan, Beate; Fritz, Martin
    Published: 2013
    Publisher:  innsbruck university press

    For over 40 years the Institute for Comparative Literature at the University of Innsbruck has focused in its teaching and research work on taking stock of the concept of intermediality and the complex relations that exist between literature and other... more

     

    For over 40 years the Institute for Comparative Literature at the University of Innsbruck has focused in its teaching and research work on taking stock of the concept of intermediality and the complex relations that exist between literature and other art forms such as painting, architecture, dance, music, photography, film, performance art and digital art. Students of comparative literature studying in Innsbruck have gained insights into this field through the diverse and innovative lectures held by Klaus Zerinschek, to whom this anthology is dedicated. All of the articles were written by scholars of comparative literature or philologists active in the field of comparative literature. They address theoretical concepts of intermediality, use such concepts to carry out practical analyses of concrete artistic phenomena, or incorporate concepts of intermediality into their own artistic work. This broad range of approaches to intermediality from the perspective of comparative literature studies is also reflected in the individual contributions to this anthology. In some, literary works or the individual literary components of an intermedial hybrid form create the foundation for analysis, while other articles focus on the narrative qualities of audiovisual and/or iconic media such as dance, performance art and film. A number of contributions looking at the development of new models of intermedial theory combine approaches from the fields of culture, literature and media theory and apply them to intermedial phenomena. As a whole, the articles brought together in this anthology are impressive evidence of the kaleidoscopic diversity of research into comparative literature and intermediality. Intermedialität und das komplexe Relationsgeflecht zwischen Literatur und anderen Kunstformen, wie Malerei, Architektur, Tanz, Musik, Fotografie, Film, Performance-Art und digitaler Kunst, zählen seit nunmehr 40 Jahren zu den zentralen Lehr- und Forschungsschwerpunkten der Vergleichenden Literaturwissenschaft in Innsbruck. Den Innsbrucker Studierenden wurde dieser Schwerpunkt vor allem in den innovativen und breit gefächerten Lehrveranstaltungen von Klaus Zerinschek vermittelt, dem dieser Band gewidmet ist. Alle Beiträge in diesem Band stammen von Komparatist_innen oder komparatistisch arbeitenden Philolog_innen, die sich mit theoretischen Intermedialitätskonzepten beschäftigen, sie zur praktischen Analyse konkreter künstlerischer Phänomene nutzen oder sie in die eigene künstlerische Arbeit einfließen lassen. Diese unterschiedliche und vielfältige Auseinandersetzung mit medialen Verschränkungen aus komparatistischer Perspektive spiegelt sich auch in den Beiträgen dieses Bandes wider: So bilden in einigen Beiträgen literarische Werke oder die literarischen Teilkomponenten einer intermedialen Hybridform die Basis für die wissenschaftliche Analyse, während wiederum in anderen Fällen die narrativen Qualitäten audio-visueller und/oder ikonischer Medien wie Tanz, Performance-Art und Film in den Blick genommen werden. In manchen, auf die Entwicklung neuer, intermedialitätstheoretischer Modelle ausgerichteten Beiträgen werden hingegen kultur-, literatur- und medientheoretische Ansätze auf komparatistische Weise verknüpft und auf intermediale Phänomene angewendet. In ihrer Gesamtheit zeugen die in diesem Band versammelten Beiträge somit eindrücklich von der kaleidoskopischen Vielfalt des komparatistisch-intermedialen Forschungsfeldes.

     
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  11. What is Digital Journalism Studies?
    Author: Steensen, Steen; Westlund, Oscar
    Published: 2021
    Publisher:  Taylor & Francis

    What is Digital Journalism Studies? delves into the technologies, platforms, and audience relations that constitute digital journalism studies’ central objects of study, outlining its principal theories, the research methods being developed, its... more

     

    What is Digital Journalism Studies? delves into the technologies, platforms, and audience relations that constitute digital journalism studies’ central objects of study, outlining its principal theories, the research methods being developed, its normative underpinnings, and possible futures for the academic field. The book argues that digital journalism studies is much more than the study of journalism produced, distributed, and consumed with the aid of digital technologies. Rather, the scholarly field of digital journalism studies is built on questions that disrupt much of what previously was taken for granted concerning media, journalism, and public spheres, asking questions like: What is a news organisation? To what degree has news become separated from journalism? What roles do platform companies and emerging technologies play in the production, distribution, and consumption of news and journalism? The book reviews the research into these questions and argues that digital journalism studies constitutes a cross-disciplinary field that does not focus on journalism solely from the traditions of journalism studies, but is open to research from and conversations with related fields. This is a timely overview of an increasingly prominent field of media studies that will be of particular interest to academics, researchers, and students of journalism and communication.

     
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    Source: OAPEN
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780429259555
    Other identifier:
    Subjects: Media studies
    Other subjects: journalism; newspapers; new media; digital journalism; multimedia journalism
    Scope: 1 electronic resource (136 p.)
  12. On Boredom : Essays in art and writing
    Contributor: Holmboe, Rye Dag (Publisher); Morris, Susan (Publisher)
    Published: 2021
    Publisher:  UCL Press, London

    What do we mean when we say that we are bored? Or when we find a subject boring? Contributors to On Boredom: Essays in art and writing, whichinclude artists, art historians, psychoanalysts and a novelist, examine boredom in its manifold and uncertain... more

     

    What do we mean when we say that we are bored? Or when we find a subject boring? Contributors to On Boredom: Essays in art and writing, whichinclude artists, art historians, psychoanalysts and a novelist, examine boredom in its manifold and uncertain reality. Each part of the book takes up a crucial moment in the history of boredom and presents it in a new light, taking the reader from the trials of the consulting room to the experience of hysteria in the nineteenth century. The book pays particular attention to boredom’s relationship with the sudden and rapid advances in technology that have occurred in recent decades, specifically technologies of communication, surveillance and automation. OnBoredom is idiosyncratic for its combination of image and text, and the artworks included in its pages – by Mathew Hale, Martin Creed and Susan Morris – help turn this volume into a material expression of boredom itself. With other contributions from Josh Cohen, Briony Fer, Anouchka Grose, Rye Dag Holmboe, Margaret Iversen, Tom McCarthy and Michael Newman, the book will appeal to readers in the fields of art history, literature, cultural studies and visual culture, from undergraduate students to professional artists working in new media.

     
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    Source: OAPEN
    Contributor: Holmboe, Rye Dag (Publisher); Morris, Susan (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781787359468; 9781787359475; 9781787359482; 9781787359499; 9781787359505
    Other identifier:
    Subjects: Cultural studies; Literature & literary studies
    Other subjects: boredom; cultural studies; art history; psychoanalysis; literary studies; new media; visual culture
  13. Place studies in art, media, science and technology
    historical investigations on the sites and the migration of knowledge ; this book collects texts from Re:place 2007 - The Second International Conference on the Histories of Media, Art, Science and Technology, Haus der Kulturen der Welt, Berlin, 15 - 18 November 2007
    Contributor: Broeckmann, Andreas (HerausgeberIn); Gunalan Nadarajan (HerausgeberIn)
    Published: [2008]; © 2008
    Publisher:  VDG-Weimar, Verlag und Datenbank für Geisteswissenschaften, Weimar

    Location:
    Max-Planck-Institut für Wissenschaftsgeschichte, Bibliothek
    Signature:
    001 P6975
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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    ::8:2009:2455:
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 A 754133
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    KGS-Allg 1197,15
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    2009/6398
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    Thüringer Universitäts- und Landesbibliothek
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    2009 A 3157
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    11-16863
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    bibliographischer Nachweis ohne Bestand
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    Signature:
    puz 013.9 DE 8134
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    UB Weimar
    Signature:
    235 699
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    Source: Staatsbibliothek zu Berlin
    Contributor: Broeckmann, Andreas (HerausgeberIn); Gunalan Nadarajan (HerausgeberIn)
    Language: English
    Media type: Conference proceedings
    Format: Print
    ISBN: 9783897396111
    RVK Categories: AP 13300 ; AP 18100 ; LH 60230 ; LH 61100
    Corporations / Congresses: International Conference on the Histories of Media, Art, Science and Technology, 2 (2007, Berlin)
    Subjects: History; Science of art; Media and communication studies; Cultural studies; Digital media; Digitale Kultur; Digitale Kulturen; Netzkultur; Medienkultur; Medienkulturen; Medienwissenschaften; Neue Medien; Soziale Medien; Medientheorie; digital Culture; digital cultures; net culture; media culture; media cultures; media studies; new media; social media; media theory; Transdisciplinary studies
    Scope: 291 Seiten, Illustrationen
    Notes:

    Literaturangaben
  14. Understanding new media
    extending Marshall McLuhan
    Author: Logan, Robert K.
    Published: [2016]
    Publisher:  Peter Lang, New York

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  15. The personal weblog
    a linguistic history
    Author: Schildhauer, Peter
    Published: [2016]; © 2016
    Publisher:  Peter Lang Edition, Frankfurt am Main

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  16. The Distributed Image
    Author: Rothöhler, Simon
    Published: 2023
    Publisher:  Brill, [Erscheinungsort nicht ermittelbar] ; OAPEN FOUNDATION, The Hague

    The ubiquity of digital images is an effect of their distributive versatility. They can be stored almost indefinitely, transmitted instantaneously, reproduced without any effort, visualized in many ways, datafied and processed. Their mobilization... more

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    The ubiquity of digital images is an effect of their distributive versatility. They can be stored almost indefinitely, transmitted instantaneously, reproduced without any effort, visualized in many ways, datafied and processed. Their mobilization does not take place randomly, but follows a complex media logistics of format standards, infrastructures and transport calculations. Digital images are distributed: not as sessile objects, fixed entities, but as stream-like modulated processes. The study conceptualizes actors and agendas of image data traffic, examines retro-digitized archive image corpora with regard to their distribution histories, and deals with ‹calmed› image sensor operations in intelligent environments.

     
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  17. The Distributed Image
    Stream – Archive – Ambience
    Author: Rothöhler, Simon
    Published: 2023
    Publisher:  Brill | Fink, Paderborn ; UTB GmbH, Stuttgart

    The ubiquity of digital images is an effect of their distributive versatility. They can be stored almost indefinitely, transmitted instantaneously, reproduced without any effort, visualized in many ways, datafied and processed. Their mobilization... more

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    The ubiquity of digital images is an effect of their distributive versatility. They can be stored almost indefinitely, transmitted instantaneously, reproduced without any effort, visualized in many ways, datafied and processed. Their mobilization does not take place randomly, but follows a complex media logistics of format standards, infrastructures and transport calculations. Digital images are distributed: not as sessile objects, fixed entities, but as stream-like modulated processes. The study conceptualizes actors and agendas of image data traffic, examines retro-digitized archive image corpora with regard to their distribution histories, and deals with ‹calmed› image sensor operations in intelligent environments.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783846767771
    DDC Categories: 770
    Edition: 1st ed.
    Subjects: Video; Fotografie; Archivierung; Streaming <Kommunikationstechnik>; Digitaltechnik; Medientheorie; Medienwissenschaft; digital humanities; media archaeology; internet of things; new media; digital archives; image theory
    Scope: 1 Online-Ressource (337 p.)
  18. Understanding New Media
    Extending Marshall McLuhan – Second Edition
    Author: Logan, Robert K.
    Published: 2016
    Publisher:  Peter Lang Verlag, New York

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  19. Place studies in art, media, science and technology
    historical investigations on the sites and the migration of knowledge ; this book collects texts from Re:place 2007 - The Second International Conference on the Histories of Media, Art, Science and Technology, Haus der Kulturen der Welt, Berlin, 15 - 18 November 2007
    Contributor: Broeckmann, Andreas (HerausgeberIn); Gunalan Nadarajan (HerausgeberIn)
    Published: [2008]; © 2008
    Publisher:  VDG-Weimar, Verlag und Datenbank für Geisteswissenschaften, Weimar

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Contributor: Broeckmann, Andreas (HerausgeberIn); Gunalan Nadarajan (HerausgeberIn)
    Language: English
    Media type: Conference proceedings
    Format: Print
    ISBN: 9783897396111
    RVK Categories: AP 13300 ; AP 18100 ; LH 60230 ; LH 61100
    Corporations / Congresses: International Conference on the Histories of Media, Art, Science and Technology, 2 (2007, Berlin)
    Subjects: History; Science of art; Media and communication studies; Cultural studies; Digital media; Digitale Kultur; Digitale Kulturen; Netzkultur; Medienkultur; Medienkulturen; Medienwissenschaften; Neue Medien; Soziale Medien; Medientheorie; digital Culture; digital cultures; net culture; media culture; media cultures; media studies; new media; social media; media theory; Transdisciplinary studies
    Scope: 291 Seiten, Illustrationen
    Notes:

    Literaturangaben
  20. Old Futures
    Speculative Fiction and Queer Possibility
    Author: Lothian, Alexis
    Published: [2018]; © 2018
    Publisher:  New York University Press, New York, NY

    Finalist, 2019 Locus Award for Nonfiction, presented by the Locus Science Fiction FoundationTraverses the history of imagined futures from the 1890s to the 2010s, interweaving speculative visions of gender, race, and sexuality from literature, film,... more

     

    Finalist, 2019 Locus Award for Nonfiction, presented by the Locus Science Fiction FoundationTraverses the history of imagined futures from the 1890s to the 2010s, interweaving speculative visions of gender, race, and sexuality from literature, film, and digital mediaOld Futures explores the social, political, and cultural forces feminists, queer people, and people of color invoke when they dream up alternative futures as a way to imagine transforming the present. Lothian shows how queer possibilities emerge when we practice the art of speculation: of imagining things otherwise than they are and creating stories from that impulse. Queer theory offers creative ways to think about time, breaking with straight and narrow paths toward the future laid out for the reproductive family, the law-abiding citizen, and the believer in markets. Yet so far it has rarely considered the possibility that, instead of a queer present reshaping the ways we relate to past and future, the futures imagined in the past can lead us to queer the present. Narratives of possible futures provide frameworks through which we understand our present, but the discourse of "the" future has never been a singular one. Imagined futures have often been central to the creation and maintenance of imperial domination and technological modernity; Old Futures offers a counterhistory of works that have sought-with varying degrees of success-to speculate otherwise. Examining speculative texts from the 1890s to the 2010s, from Samuel R. Delany to Sense8, Lothian considers the ways in which early feminist utopias and dystopias, Afrofuturist fiction, and queer science fiction media have insisted that the future can and must deviate from dominant narratives of global annihilation or highly restrictive hopes for redemption.Each chapter chronicles some of the means by which the production and destruction of futures both real and imagined takes place: through eugenics, utopia, empire, fascism, dystopia, race, capitalism, femininity, masculinity, and many kinds of queerness, reproduction, and sex. Gathering stories of and by populations who have been marked as futureless or left out by dominant imaginaries, Lothian offers new insights into what we can learn from efforts to imaginatively redistribute the future

     
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    Volltext (URL des Erstveröffentlichers)
  21. Understanding new media
    extending Marshall McLuhan
    Author: Logan, Robert K
    Published: [2016]
    Publisher:  Peter Lang, New York

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    Universitätsbibliothek Paderborn
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781433131479; 1433131471
    Other identifier:
    9781433131479
    DDC Categories: 300
    Edition: Second edition
    Series: Understanding media ecology ; Vol. 2
    Subjects: McLuhan, Marshall; Medientheorie; Neue Medien
    Other subjects: barriers; digital revolution; global village; new media; 11.01.02: Kommunikationswiss. und Publizistik; Medientheorie und Medienkunde; 11.04: Kommunikationswiss. und Publizistik; Mediengeschichte, Biographik
    Scope: XVIII, 470 Seiten, 22.5 cm x 15 cm, 700 g
  22. The Distributed Image
    Stream - Archive - Ambience
    Published: 2023
    Publisher:  Brill | Fink, Paderborn

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    Technische Hochschule Augsburg
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    Volltext (kostenfrei)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783846767771
    Other identifier:
    Edition: 2023
    Subjects: digital humanities; media archaeology; internet of things; new media; digital archives; image theory
    Scope: 1 Online-Ressource (331 Seiten)
    Notes:

    The ubiquity of digital images is an effect of their distributive versatility. They can be stored almost indefinitely, transmitted instantaneously, reproduced without any effort, visualized in many ways, datafied and processed. Their mobilization does not take place randomly, but follows a complex media logistics of format standards, infrastructures and transport calculations. Digital images are distributed: not as sessile objects, fixed entities, but as stream-like modulated processes. The study conceptualizes actors and agendas of image data traffic, examines retro-digitized archive image corpora with regard to their distribution histories, and deals with ‹calmed› image sensor operations in intelligent environments
  23. Wiederbelebungsversuche. Mediologisches Erzählen in der deutschsprachigen Literatur der 1990er Jahre
    Author: Knorr, Carolin
    Published: 2018
    Publisher:  KIT Scientific Publishing, [Erscheinungsort nicht ermittelbar] ; OAPEN FOUNDATION, The Hague

    The narrations of many young authors of the 1990s operate under and in the terms of the new media at the same time, so the reader is able to observe how media change forms of communication. With the narration a well-known topic is repeated and... more

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    The narrations of many young authors of the 1990s operate under and in the terms of the new media at the same time, so the reader is able to observe how media change forms of communication. With the narration a well-known topic is repeated and reanimated. The presence of sensual effects of one medium in another is analysed by the mediological method, which also develops in the 1990s. So this way of narrating, which is significant for the 1990s, is called mediological narration.

     
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783731507918
    Other subjects: prose; mediology; Mediologie; literary studies; Prosa; new media; narratology; Literaturwissenschaft; Narratologie; Neue Medien
    Scope: 1 Online-Ressource (VII, 278 p. p.)
  24. Neue Medien
    Impetus von Integration, Transnationalität und Diaspora
    Author: Ideli, Mustafa
    Published: 2020
    Publisher:  Seismo, [Erscheinungsort nicht ermittelbar] ; OAPEN FOUNDATION, The Hague

    Along with the worldwide growing mobility and migration, the scientific studies and political-public debates are increasingly more concerned with the questions of motivation and manner in which modern information and communication technology is used... more

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    Along with the worldwide growing mobility and migration, the scientific studies and political-public debates are increasingly more concerned with the questions of motivation and manner in which modern information and communication technology is used by people with a migration background as well as the resulting consequences for the individual as a user on the one hand, and the ethno-cultural groups in migration, the home and residence societies, on the other hand. The researches focus on the questions about the importance of the use of the mentioned media technologies in the development of transcultural / -national communication / interaction relations across national borders and in the (re-)formation of cultural identities. Another central issue is the question of the role of media use in everyday orientation and multipole integration as well as participation efforts. Based on these goals, this empirical-comparative dissertation study, which is based on interviews with around 930 people, in particular explores the possible interrelationships between affiliation with ethnic and ethno-religious minorities in the context of migration and the motivation of the use of classical and, especially, new media by the people living in Switzerland with a migration background from Turkey - under specific consideration respectively differentiation according to ethnic and religious subgroups of Alevis, Assyrian, Kurds and Turks.

     
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783037772003
    RVK Categories: MS 2300 ; MS 3550 ; MS 7850
    DDC Categories: 300
    Subjects: Neue Medien; Medienkonsum; Migrationshintergrund; Motivation; Soziale Integration; Diaspora <Sozialwissenschaften>; Transnationalisierung; Identität; Migration, immigration & emigration
    Other subjects: integration; new media; emigration; assimilation; media offer
    Scope: 1 Online-Ressource (401 p.)
  25. Das akademische Prekariat
    Leben zwischen Frist und Plan
    Author: Sander, Nadine
    Published: [2017]; © 2017
    Publisher:  Herbert von Halem Verlag, Köln

    Kaum im Job eingearbeitet, ist er schon wieder beendet… Befristete Verträge von Arbeitnehmern sind geeignet, die Biografie der Betroffenen kräftig durcheinanderzuwirbeln – mit allen Folgen bis hin zu sozialer Desintegration und Prekarisierung. Selbst... more

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    Universitätsbibliothek Greifswald
    Signature:
    610/AL 43950 S214
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    Kaum im Job eingearbeitet, ist er schon wieder beendet… Befristete Verträge von Arbeitnehmern sind geeignet, die Biografie der Betroffenen kräftig durcheinanderzuwirbeln – mit allen Folgen bis hin zu sozialer Desintegration und Prekarisierung. Selbst eine hohe Qualifikation schützt hiervor nicht automatisch. Immer mehr Hochqualifizierte mit akademischem Abschluss sind von Befristungen im Arbeitsleben betroffen, welche zu völlig neuen Herausforderungen führen. In ihrer qualitativen Studie untersucht Nadine Sander, wie sich Arbeitsfrist und Lebensplan vereinbaren lassen und ob ein Zwang zur kreativen Lebensgestaltung ohne Sicherheit und Orientierungshilfen entsteht oder ob sich Normalbiografien nicht vielleicht doch noch mit den Erfahrungen von befristet Erwerbstätigen vereinbaren lassen. In erster Linie analysiert sie dabei die Perzeption und das Management der spezifischen Lebenssituationen befristet beschäftigter Akademiker.

     
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