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Displaying results 1 to 7 of 7.

  1. "Le rap, ça vient d'ici!"
    musiques, pouvoir et identités dans le Gabon contemporain
    Published: [2017]
    Publisher:  Éditions de la Maison des sciences de l'homme, [Paris]

    "Depuis la fin des années 1980, le rap est devenu, au Gabon comme dans d'autres États du continent africain, le levier de constructions identitaires, de reconfigurations des rapports au politique et de transformations culturelles majeures. À... more

    Bayerische Staatsbibliothek
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    "Depuis la fin des années 1980, le rap est devenu, au Gabon comme dans d'autres États du continent africain, le levier de constructions identitaires, de reconfigurations des rapports au politique et de transformations culturelles majeures. À l'inverse des discours abordant ce genre musical globalisé comme emblème de l'«occidentalisation » ou de l'homogénéisation culturelle, l'appropriation du rap a donné lieu, à Libreville, à des formes variées de réinventions de particularismes et de revendications de la localité, se déclinant dans le registre du genre, du religieux, du rapport à la nation, à l'ethnicité ou à l'africanité. Née d'une immersion de plus de huit années dans les réseaux du hip-hop gabonais et africain, l'ethnographie multisituée proposée dans cet ouvrage éclaire les entrelacements des pratiques musicales, des dynamiques identitaires et des rapports au pouvoir, en décrivant comment les rappeurs du Gabon se sont progressivement imposés comme des acteurs politiques majeurs d'un régime semi-autoritaire en mutation. Par le biais de l'anthropologie des pratiques musicales, cet ouvrage offre un axe de compréhension novateur à propos de l'histoire politique et culturelle du Gabon, et des scènes musicales qui contribuent à mettre en mouvement les villes africaines contemporaines." -- from back cover

     

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  2. Poetry and crisis
    cultural politics and citizenship in the wake of the Madrid bombings
    Published: [2019]; © 2019
    Publisher:  University of Toronto Press, Toronto ; Buffalo ; London

    On March 11, 2004, Islamist terrorists carried out a massive bombing on Madrid's largely working-class commuter trains, leaving 191 people dead and more than 1,500 others wounded. This event, known in Spain as 11-M, was the second of three highly... more

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Technische Hochschule Augsburg
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    Universitätsbibliothek Bamberg
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    Hochschule Coburg, Zentralbibliothek
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    Hochschule Kempten, Hochschulbibliothek
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Passau
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    Universitätsbibliothek Würzburg
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    On March 11, 2004, Islamist terrorists carried out a massive bombing on Madrid's largely working-class commuter trains, leaving 191 people dead and more than 1,500 others wounded. This event, known in Spain as 11-M, was the second of three highly visible jihadist attacks on the West between 2001 and 2005, and the first in Europe, occurring just days before the national elections in Spain. Arguing that 11-M marked a critical turning point in Spanish society, this book reveals how poetry played a unique role and reflected a new political and cultural sensibility defined by informal and non-hierarchical networks of communication and memorialization. After the attacks, poems circulated in public spaces in unexpected ways, creating links and relationships that were binding: they were inscribed on banners and monuments; musicalized in anthems, protest songs, and hip-hop music; reproduced on manifestos and blogs; sent by email and text; scribbled on scraps of paper and posted on walls; performed publicly; and painted as graffiti. These forms of expression also resonated strongly with Spanish poets who had already been exploring the possibilities of ethical engagement and aesthetic creation. Poetry and Crisis explores how this essentially poetic sensibility emerged from tragedy, laying the groundwork for similar kinds of affective and grassroots mobilization that continue to grow in Europe today

     

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  3. Street's disciple
    Published: 2004
    Publisher:  Sony BMG Music Entertainment, [München] ; Columbia Records [Auslfg.], New York, NY

    Universitätsbibliothek Bamberg
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    Source: Union catalogues
    Language: English
    Media type: Data medium
    RVK Categories: EC 2440
    Edition: Special limited ed.
    Subjects: hip hop; gangsta rap; vokal; rap; 2000-2009; USA.
    Scope: 2 CDs
    Notes:

    Interpr. u.a.: Nas [voc]. Keon Bryce. Busta Rhymes. Olu Dara. Emily. Danny Fresh. Kelis. L. E. S.. Ludacris. Maxwell

    Enth.: Intro ; A message to the feds, sincerely, we the people. Nazareth savage. American way / featuring Kelis. These are our heroes. Disciple. Sekou story / featuring Scarlett. Live now / featuring Scarlett. Rest of my life. Just a moment / featuring Quan. Reason / featuring Emily. Suicide bounce / featuring Busta Rhymes. Street's disciple / featuring Olu Dara. U.B.R. (Unauthorized biography of Rakim). Virgo / featuring Ludacris and Doug E. Fresh. Remember the times (intro). Remember the times. The makings of a perfect bitch. Getting married. No one else in the room / featuring Maxwell. Bridging the gap / featuring Olu Dard. War / featuring Keon Bryce. Me & you

  4. Poetry and crisis
    cultural politics and citizenship in the wake of the Madrid bombings
    Published: [2019]; © 2019
    Publisher:  University of Toronto Press, Toronto ; Buffalo ; London

    On March 11, 2004, Islamist terrorists carried out a massive bombing on Madrid's largely working-class commuter trains, leaving 191 people dead and more than 1,500 others wounded. This event, known in Spain as 11-M, was the second of three highly... more

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Unlimited inter-library loan, copies and loan

     

    On March 11, 2004, Islamist terrorists carried out a massive bombing on Madrid's largely working-class commuter trains, leaving 191 people dead and more than 1,500 others wounded. This event, known in Spain as 11-M, was the second of three highly visible jihadist attacks on the West between 2001 and 2005, and the first in Europe, occurring just days before the national elections in Spain. Arguing that 11-M marked a critical turning point in Spanish society, this book reveals how poetry played a unique role and reflected a new political and cultural sensibility defined by informal and non-hierarchical networks of communication and memorialization. After the attacks, poems circulated in public spaces in unexpected ways, creating links and relationships that were binding: they were inscribed on banners and monuments; musicalized in anthems, protest songs, and hip-hop music; reproduced on manifestos and blogs; sent by email and text; scribbled on scraps of paper and posted on walls; performed publicly; and painted as graffiti. These forms of expression also resonated strongly with Spanish poets who had already been exploring the possibilities of ethical engagement and aesthetic creation. Poetry and Crisis explores how this essentially poetic sensibility emerged from tragedy, laying the groundwork for similar kinds of affective and grassroots mobilization that continue to grow in Europe today

     

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  5. Histories of Ethos: World Perspectives on Rhetoric
    Contributor: Baumlin, James S. (Publisher); Meyer, Craig A. (Publisher)
    Published: 2022
    Publisher:  MDPI - Multidisciplinary Digital Publishing Institute, Basel

    The essays in this collection aim to waken contemporary discussions of ethos(and of rhetoric generally) from their Western, classical-Aristotelian slumbers.Western rhetoric was never univocal in its theory or practice of ethos: the essaysin this... more

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    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Europa-Universität Viadrina, Universitätsbibliothek
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    Universität Potsdam, Universitätsbibliothek
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    The essays in this collection aim to waken contemporary discussions of ethos(and of rhetoric generally) from their Western, classical-Aristotelian slumbers.Western rhetoric was never univocal in its theory or practice of ethos: the essaysin this collection provide proof of this. The contributors aimed to shake rhetoricout of its Eurocentrism: the traditions of Africa, the Middle East, and Asia sustaintheir own models of ethos and lead us to reconsider rhetoric in its richvariety—what ethos was, is, and will become. This collection is groundbreakingin its attempt to outline the diversity of argument, trust, and authority beyonda singular, dominant perspective.This collection offers readers a choice of itineraries: thematic, geographic, andhistorical. Essays may be read individually or cumulatively, as exercises incomparative rhetoric. In taking a world perspective, Histories of Ethos willprove a seminal discussion. Its comparative approach will help readers appreciatethe commonalities and the distinctions in competing cultural-discursivepractices—in what brings us together and what drives us apart as communities.Additionally, it is the editors’ hope that, out of this historical, multiculturaldialogue, some new perspectives on ethos may come forward to broaden ourdiscussion and reach of understanding.

     

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    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Contributor: Baumlin, James S. (Publisher); Meyer, Craig A. (Publisher)
    Language: English
    Media type: Data medium
    Format: Online
    RVK Categories: ES 675 ; EC 4100
    Subjects: Philosophy
    Other subjects: ethos; selfhood; identity; authenticity; authority; persona; positionality; postmodernism; haunt; iatrology; trust; storytelling; Archer; Aristotle; Bourdieu; Corder; Foucault; Geertz; Giddens; Gusdorf; Heidegger; African American literature; slave narratives; Phillis Wheatley; Martin Luther King; Malcolm X; W.E.B. Du Bois; Booker T. Washington; Oglala Lakota; wound; ecology; ecological; Wounded Knee; American Indian; cultural wound; hip hop; black aesthetics; New York; flow; layering; rupture; productive consumption; hype; entrepreneurship; politics; counter-knowledge; class; social class; working class; habitus; social capital; GLBT/LGBTQ; queer; normativity; homonormativity; polemic; futurity; undecidability; re/disorientation; legitimacy; rhetorical agency; outness; Islamic ethos; nonwestern rhetorics; Islamophobia; The Qur’an; Sunnah; Ijtihad; Islamic State; Muslim community (Ummah); Caliphate; disability; invention; rehabilitation; accessibility; inclusion; intersectionality; cross-disability identity; actant; cyborg; COVID-19; deep ecology; pandemic; posthumanism; skeptron; technoculture; Braidotti; Haraway; Latour; African slave trade; trauma; visual rhetorics; wolof language; Dakar; Door of No Return; Gorée Island; House of Slaves; Senegal; contemporary ethos; Ghana; dialogic; heteroglossia; postmodern discourses; proverbs; sexual identity; sexual presentation; conservative values; tradition; Chinese ethos; rhetoric; early Chinese rhetoric; Heaven; cultural heritage
    Scope: 1 electronic resource (226 p.)
  6. Le cœur des hommes
    Un thriller au rythme rapide Roman
    Published: 2020
    Publisher:  Éditions universitaires européennes, Saarbrücken

  7. Poetry and crisis :
    cultural politics and citizenship in the wake of the Madrid bombings /
    Published: [2019].; © 2019.
    Publisher:  University of Toronto Press,, Toronto ; Buffalo ; London :

    On March 11, 2004, Islamist terrorists carried out a massive bombing on Madrid's largely working-class commuter trains, leaving 191 people dead and more than 1,500 others wounded. This event, known in Spain as 11-M, was the second of three highly... more

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Unlimited inter-library loan, copies and loan

     

    On March 11, 2004, Islamist terrorists carried out a massive bombing on Madrid's largely working-class commuter trains, leaving 191 people dead and more than 1,500 others wounded. This event, known in Spain as 11-M, was the second of three highly visible jihadist attacks on the West between 2001 and 2005, and the first in Europe, occurring just days before the national elections in Spain. Arguing that 11-M marked a critical turning point in Spanish society, this book reveals how poetry played a unique role and reflected a new political and cultural sensibility defined by informal and non-hierarchical networks of communication and memorialization. After the attacks, poems circulated in public spaces in unexpected ways, creating links and relationships that were binding: they were inscribed on banners and monuments; musicalized in anthems, protest songs, and hip-hop music; reproduced on manifestos and blogs; sent by email and text; scribbled on scraps of paper and posted on walls; performed publicly; and painted as graffiti. These forms of expression also resonated strongly with Spanish poets who had already been exploring the possibilities of ethical engagement and aesthetic creation. Poetry and Crisis explores how this essentially poetic sensibility emerged from tragedy, laying the groundwork for similar kinds of affective and grassroots mobilization that continue to grow in Europe today

     

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