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  1. Chinese Science Fiction during the Post-Mao Cultural Thaw /
    Author: Li, Hua,
    Published: [2021]; ©2021
    Publisher:  University of Toronto Press,, Toronto :

    The late 1970s to the mid-1980s, a period commonly referred to as the post-Mao cultural thaw, was a key transitional phase in the evolution of Chinese science fiction. This period served as a bridge between science-popularization science fiction of... more

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Universität Potsdam, Universitätsbibliothek
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    The late 1970s to the mid-1980s, a period commonly referred to as the post-Mao cultural thaw, was a key transitional phase in the evolution of Chinese science fiction. This period served as a bridge between science-popularization science fiction of the 1950s and 1960s and New Wave Chinese science fiction from the 1990s into the twenty-first century. Chinese Science Fiction during the Post-Mao Cultural Thaw surveys the field of Chinese science fiction and its multimedia practice, analysing and assessing science fiction works by well-known writers such as Ye Yonglie, Zheng Wenguang, Tong Enzheng, and Xiao Jianheng, as well as the often-overlooked tech-science fiction writers of the post-Mao thaw. Exploring the socio-political and cultural dynamics of science-related Chinese literature during this period, Hua Li combines close readings of original Chinese literary texts with literary analysis informed by scholarship on science fiction as a genre, Chinese literary history, and media studies. Li argues that this post-Mao thaw science fiction began its rise as a type of government-backed literature, and yet often stirred up controversy and pushback as a contentious and boundary-breaking genre. Topically structured and interdisciplinary in scope, Chinese Science Fiction during the Post-Mao Cultural Thaw will appeal both to scholars and fans of science fiction.

     

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    Source: Union catalogues
    Language: English
    Media type: Article (edited volume)
    Format: Online
    ISBN: 9781487537807
    Other identifier:
    Parent title: Title is part of eBook package:: EBOOK PACKAGE COMPLETE 2021 English; De Gruyter
    Title is part of eBook package:: EBOOK PACKAGE COMPLETE 2021; De Gruyter
    Title is part of eBook package:: EBOOK PACKAGE Literary, Cultural, Area Studies 2021 English; De Gruyter
    Title is part of eBook package:: EBOOK PACKAGE Literary, Cultural, Area Studies 2021; De Gruyter
    Title is part of eBook package:: University of Toronto Press Complete eBook-Package 2021; De Gruyter
    Subjects: Science fiction, Chinese; LITERARY CRITICISM / Science Fiction & Fantasy.
    Other subjects: Chinese literature.; Liu Cixin.; Post-Mao cultural thaw.; Tong Enzheng.; Xiao Jianheng.; Ye Yonglie.; Zheng Wenguang.; fantasy.; genre fiction.; multi-media narrative.; sci-fi.; science fiction.; science popularization.
    Scope: 1 online resource (248 p.)
  2. Read, listen, tell :
    Indigenous stories from Turtle Island /
    Contributor: McCall, Sophie, (editor.)
    Published: [2017]; ©2017
    Publisher:  Wilfrid Laurier University Press,, Waterloo :

    Read, Listen, Tell brings together an extraordinary range of Indigenous stories from across Turtle Island (North America). From short fiction to as-told-to narratives, from illustrated stories to personal essays, these stories celebrate the strength... more

    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
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    Read, Listen, Tell brings together an extraordinary range of Indigenous stories from across Turtle Island (North America). From short fiction to as-told-to narratives, from illustrated stories to personal essays, these stories celebrate the strength of heritage and the liveliness of innovation. Ranging in tone from humorous to defiant to triumphant, the stories explore core concepts in Indigenous literary expression, such as the relations between land, language, and community, the variety of narrative forms, and the continuities between oral and written forms of expression. Rich in insight and bold in execution, the stories proclaim the diversity, vitality, and depth of Indigenous writing. Building on two decades of scholarly work to centre Indigenous knowledges and perspectives, the book transforms literary method while respecting and honouring Indigenous histories and peoples of these lands. It includes stories by acclaimed writers like Thomas King, Sherman Alexie, Paula Gunn Allen, and Eden Robinson, a new generation of emergent writers, and writers and storytellers who have often been excluded from the canon, such as French- and Spanish-language Indigenous authors, Indigenous authors from Mexico, Chicana/o authors, Indigenous-language authors, works in translation, and "lost" or underappreciated texts. In a place and time when Indigenous people often have to contend with representations that marginalize or devalue their intellectual and cultural heritage, this collection is a testament to Indigenous resilience and creativity. It shows that the ways in which we read, listen, and tell play key roles in how we establish relationships with one another, and how we might share knowledges across cultures, languages, and social spaces.

     

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    Source: Philologische Bibliothek, FU Berlin
    Contributor: McCall, Sophie, (editor.)
    Media type: Ebook
    Format: Online
    ISBN: 1-77112-302-8; 1-77112-301-X
    Other identifier:
    Edition: 1st ed.
    Series: Indigenous studies series
    Subjects: Indians of North America; Canadian literature; American literature
    Other subjects: Chicana/o authors.; Indigenous digital storytelling.; Indigenous languages.; Indigenous stories.; Turtle Island.; centreing Indigenous knowledges.; fantasy.; literary method.; literary sovereignty.; nationhood.; new media.; oral and written forms of expression.; politics of translation.; relations between land, language, community.; science fiction.; storytelling and writing.
    Scope: 1 online resource (97 pages).
    Notes:

    Includes bibliographical references and index.

  3. Imagination and Fantasy in the Middle Ages and Early Modern Time :
    Projections, Dreams, Monsters, and Illusions /
    Contributor: Classen, Albrecht, (editor.)
    Published: [2020]; ©2020
    Publisher:  De Gruyter,, Berlin ;

    The notions of other peoples, cultures, and natural conditions have always been determined by the epistemology of imagination and fantasy, providing much freedom and creativity, and yet have also created much fear, anxiety, and horror. In this... more

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    The notions of other peoples, cultures, and natural conditions have always been determined by the epistemology of imagination and fantasy, providing much freedom and creativity, and yet have also created much fear, anxiety, and horror. In this regard, the pre-modern world demonstrates striking parallels with our own insofar as the projections of alterity might be different by degrees, but they are fundamentally the same by content. Dreams, illusions, projections, concepts, hopes, utopias/dystopias, desires, and emotional attachments are as specific and impactful as the physical environment. This volume thus sheds important light on the various lenses used by people in the Middle Ages and the early modern age as to how they came to terms with their perceptions, images, and notions. Previous scholarship focused heavily on the history of mentality and history of emotions, whereas here the history of pre-modern imagination, and fantasy assumes center position. Imaginary things are taken seriously because medieval and early modern writers and artists clearly reveal their great significance in their works and their daily lives. This approach facilitates a new deep-structure analysis of pre-modern culture.

     

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    Volltext (URL des Erstveröffentlichers)
    Volltext (URL des Erstveröffentlichers)
    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Contributor: Classen, Albrecht, (editor.)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110693669
    Other identifier:
    RVK Categories: NM 7250
    Series: Fundamentals of Medieval and Early Modern Culture ; ; 24
    Subjects: Fantasie.; Frühe Neuzeit.; Imagination.; Mittelalter.; fantasy.; imagination.; medieval and early modern concepts.; HISTORY / Medieval.
    Scope: 1 online resource (XIII, 807 p.)
  4. The Dark Fantastic :
    Race and the Imagination from Harry Potter to the Hunger Games /
    Published: [2019]; ©2019
    Publisher:  New York University Press,, New York, NY :

    Reveals the diversity crisis in children's and young adult media as not only a lack of representation, but a lack of imaginationStories provide portals into other worlds, both real and imagined. The promise of escape draws people from all backgrounds... more

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    Reveals the diversity crisis in children's and young adult media as not only a lack of representation, but a lack of imaginationStories provide portals into other worlds, both real and imagined. The promise of escape draws people from all backgrounds to speculative fiction, but when people of color seek passageways into the fantastic, the doors are often barred. This problem lies not only with children’s publishing, but also with the television and film executives tasked with adapting these stories into a visual world. When characters of color do appear, they are often marginalized or subjected to violence, reinforcing for audiences that not all lives matter. The Dark Fantastic is an engaging and provocative exploration of race in popular youth and young adult speculative fiction. Grounded in her experiences as YA novelist, fanfiction writer, and scholar of education, Thomas considers four black girl protagonists from some of the most popular stories of the early 21st century: Bonnie Bennett from the CW’s The Vampire Diaries, Rue from Suzanne Collins’s The Hunger Games, Gwen from the BBC’s Merlin, and Angelina Johnson from J.K. Rowling’s Harry Potter. Analyzing their narratives and audience reactions to them reveals how these characters mirror the violence against black and brown people in our own world. In response, Thomas uncovers and builds upon a tradition of fantasy and radical imagination in Black feminism and Afrofuturism to reveal new possibilities. Through fanfiction and other modes of counter-storytelling, young people of color have reinvisioned fantastic worlds that reflect their own experiences, their own lives. As Thomas powerfully asserts, “we dark girls deserve more, because we are more.”

     

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  5. Old Futures
    Speculative Fiction and Queer Possibility /
    Published: 2019.; 2021; ©2019.
    Publisher:  New York University Press,, New York : ; Project MUSE,, Baltimore, Md. :

    'Old Futures' traverses the history of imagined futures from the 1890s to the 2010s, interweaving speculative visions of gender, race, and sexuality from literature, film, and digital media. Centering works by women, queers, and people of colour that... more

    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
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    'Old Futures' traverses the history of imagined futures from the 1890s to the 2010s, interweaving speculative visions of gender, race, and sexuality from literature, film, and digital media. Centering works by women, queers, and people of colour that are marginalized within most accounts of the genre, the text offers a new perspective on speculative fiction studies while reframing established theories of queer temporality by arguing that futures imagined in the past offer new ways to queer the present.

     

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    Source: Philologische Bibliothek, FU Berlin
    Media type: Ebook
    Format: Online
    ISBN: 1-4798-5458-1
    Other identifier:
    Series: NYU scholarship online
    Postmillennial pop
    Subjects: Speculative fiction.; Gender identity in literature.; Future, The, in literature.; LITERARY CRITICISM; Gender identity in literature.; Future, The, in literature.; Speculative fiction
    Other subjects: Afrofuturism.; American fiction.; British fiction.; LGBT.; affect.; black feminism.; black queer studies.; blackness.; digital.; dystopia.; empire.; eugenics.; fandom.; fantasy.; fascism.; feminism.; film.; futurity.; gay.; gender.; lesbian.; media.; modernity.; music.; narrative.; negativity.; new media.; pleasure.; politics.; punk.; race.; remix.; reproduction.; science fiction.; sexuality.; slash fiction.; slavery.; speculation.; technology.; television.; temporality.; transnational.; utopia.; vampire.; vidding.; video.; violence.; visual culture.; whiteness.; world-building.; world-making.
    Scope: 1 online resource :, illustrations (black and white).
    Notes:

    Previously issued in print: 2018.

    Includes bibliographical references and index.

    4. Science Fiction Worlding and Speculative Sex -- WORMHOLE. Try This at Home: Networked Public Sexual Fantasy -- PART III. IT'S THE FUTURE, BUT IT LOOKS LIKE THE PRESENT: QUEER SPECULATIONS ON MEDIA TIME -- 5. Queer Deviations from the Future on Screen -- 6. How to Remix the Future -- Epilogue: Queer Geek Politics after the Future -- Acknowledgments -- Notes -- Bibliography -- Index -- About the Author

    Cover -- OLD FUTURES -- Title -- Copyright -- Dedication -- CONTENTS -- Introduction: The Future's Queer Histories -- PART I.A HISTORY OF NO FUTURE: FEMINISM, EUGENICS, AND REPRODUCTIVE IMAGINARIES -- 1. Utopian Interventions to the Reproduction of Empire -- 2. Dystopian Impulses, Feminist Negativity, and the Fascism of the Baby's Face -- WORMHOLE. The Future Stops Here: Countering the Human Project -- PART II. A NOW THAT CAN BREED FUTURES: QUEERNESS AND PLEASURE IN BLACK SCIENCE FICTION -- 3. Afrofuturist Entanglements of Gender, Eugenics, and Queer Possibility

  6. The dark fantastic :
    race and the imagination from Harry Potter to the Hunger Games /
    Published: 2019.; 2021; ©2019.
    Publisher:  New York University Press,, New York : ; Project MUSE,, Baltimore, Md. :

    Reveals the diversity crisis in children's and young adult media as not only a lack of representation, but a lack of imagination. Stories provide portals into other worlds, both real and imagined. The promise of escape draws people from all... more

    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
    Unlimited inter-library loan, copies and loan

     

    Reveals the diversity crisis in children's and young adult media as not only a lack of representation, but a lack of imagination. Stories provide portals into other worlds, both real and imagined. The promise of escape draws people from all backgrounds to speculative fiction, but when people of color seek passageways into the fantastic, the doors are often barred. This problem lies not only with children’s publishing, but also with the television and film executives tasked with adapting these stories into a visual world. When characters of color do appear, they are often marginalized or subjected to violence, reinforcing for audiences that not all lives matter. The Dark Fantastic is an engaging and provocative exploration of race in popular youth and young adult speculative fiction. Grounded in her experiences as YA novelist, fanfiction writer, and scholar of education, Thomas considers four black girl protagonists from some of the most popular stories of the early 21st century: Bonnie Bennett from the CW’s The Vampire Diaries, Rue from Suzanne Collins’s The Hunger Games, Gwen from the BBC’s Merlin, and Angelina Johnson from J.K. Rowling’s Harry Potter. Analyzing their narratives and audience reactions to them reveals how these characters mirror the violence against black and brown people in our own world. In response, Thomas uncovers and builds upon a tradition of fantasy and radical imagination in Black feminism and Afrofuturism to reveal new possibilities. Through fanfiction and other modes of counter-storytelling, young people of color have reenvisioned fantastic worlds that reflect their own experiences, their own lives. As Thomas powerfully asserts, “we dark girls deserve more, because we are more.”

     

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  7. <<The>> dark fantastic
    race and the imagination from Harry Potter to The Hunger Games
    Published: [2019]
    Publisher:  New York University Press, New York ; Walter de Gruyter GmbH, [Berlin]

    Reveals the diversity crisis in children's and young adult media as not only a lack of representation, but a lack of imaginationStories provide portals into other worlds, both real and imagined. The promise of escape draws people from all backgrounds... more

     

    Reveals the diversity crisis in children's and young adult media as not only a lack of representation, but a lack of imaginationStories provide portals into other worlds, both real and imagined. The promise of escape draws people from all backgrounds to speculative fiction, but when people of color seek passageways into the fantastic, the doors are often barred. This problem lies not only with children’s publishing, but also with the television and film executives tasked with adapting these stories into a visual world. When characters of color do appear, they are often marginalized or subjected to violence, reinforcing for audiences that not all lives matter. The Dark Fantastic is an engaging and provocative exploration of race in popular youth and young adult speculative fiction. Grounded in her experiences as YA novelist, fanfiction writer, and scholar of education, Thomas considers four black girl protagonists from some of the most popular stories of the early 21st century: Bonnie Bennett from the CW’s The Vampire Diaries, Rue from Suzanne Collins’s The Hunger Games, Gwen from the BBC’s Merlin, and Angelina Johnson from J.K. Rowling’s Harry Potter. Analyzing their narratives and audience reactions to them reveals how these characters mirror the violence against black and brown people in our own world. In response, Thomas uncovers and builds upon a tradition of fantasy and radical imagination in Black feminism and Afrofuturism to reveal new possibilities. Through fanfiction and other modes of counter-storytelling, young people of color have reinvisioned fantastic worlds that reflect their own experiences, their own lives. As Thomas powerfully asserts, “we dark girls deserve more, because we are more.”

     

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  8. Shakespeare's Festive Comedy :
    A Study of Dramatic Form and Its Relation to Social Custom /
    Published: [2011]; ©2012
    Publisher:  Princeton University Press,, Princeton, NJ :

    In this classic work, acclaimed Shakespeare critic C. L. Barber argues that Elizabethan seasonal festivals such as May Day and Twelfth Night are the key to understanding Shakespeare's comedies. Brilliantly interweaving anthropology, social history,... more

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    In this classic work, acclaimed Shakespeare critic C. L. Barber argues that Elizabethan seasonal festivals such as May Day and Twelfth Night are the key to understanding Shakespeare's comedies. Brilliantly interweaving anthropology, social history, and literary criticism, Barber traces the inward journey--psychological, bodily, spiritual--of the comedies: from confusion, raucous laughter, aching desire, and aggression, to harmony. Revealing the interplay between social custom and dramatic form, the book shows how the Elizabethan antithesis between everyday and holiday comes to life in the comedies' combination of seriousness and levity. "I have been led into an exploration of the way the social form of Elizabethan holidays contributed to the dramatic form of festive comedy. To relate this drama to holiday has proved to be the most effective way to describe its character. And this historical interplay between social and artistic form has an interest of its own: we can see here, with more clarity of outline and detail than is usually possible, how art develops underlying configurations in the social life of a culture."--C. L. Barber, in the Introduction This new edition includes a foreword by Stephen Greenblatt, who discusses Barber's influence on later scholars and the recent critical disagreements that Barber has inspired, showing that Shakespeare's Festive Comedy is as vital today as when it was originally published.

     

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