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  1. Making an entrance
    appearing on the stage from Racine to Nietzsche
    Author: Vogel, Juliane
    Published: [2022]; © 2022
    Publisher:  De Gruyter, Berlin

    How does the entrance of a character on the tragic stage affect their visibility and presence? Beginning with the court culture of the seventeenth century and ending with Nietzsche's Dionysian theater, this monograph explores specific modes of... more

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    How does the entrance of a character on the tragic stage affect their visibility and presence? Beginning with the court culture of the seventeenth century and ending with Nietzsche's Dionysian theater, this monograph explores specific modes of entering the stage and the conditions that make them successful-or cause them to fail. The study argues that tragic entrances ultimately always remain incomplete; that the step figures take into visibility invariably remains precarious. Through close readings of texts by Racine, Goethe, and Kleist, among others, it shows that entrances promise both triumph and tragic exposure; though they appear to be expressions of sovereignty, they are always simultaneously threatened by failure or annihilation. With this analysis, the book thus opens up possibilities for a new theory of dramatic form, one that begins not with the plot itself but with the stage entrance that structures how characters appear and thus determines how the plot advances. By reflecting on acts of entering, this book addresses not only scholars of literature, theater, media, and art but anyone concerned with what it means to appear and be present

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Contributor: Taylor, Michael Thomas (ÜbersetzerIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110754490
    Other identifier:
    Series: Paradigms ; Volume 14
    Subjects: German drama; French drama; LITERARY CRITICISM / General
    Other subjects: Tragedy; entrance; figure and ground; space of appearance
    Scope: 1 Online-Ressource (XXXII, 293 Seiten), Illustrationen
  2. Making an entrance
    appearing on the stage from Racine to Nietzsche
    Author: Vogel, Juliane
    Published: [2022]
    Publisher:  De Gruyter, Berlin

    Export to reference management software   RIS file
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  3. Making an Entrance
    Appearing on the Stage from Racine to Nietzsche
    Author: Vogel, Juliane
    Published: 2022
    Publisher:  De Gruyter, Berlin/Boston

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  4. Making an Entrance
    Appearing on the Stage from Racine to Nietzsche
    Author: Vogel, Juliane
    Published: 2022
    Publisher:  De Gruyter, Berlin/Boston

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  5. Making an entrance
    appearing on the stage from Racine to Nietzsche
    Author: Vogel, Juliane
    Published: [2022]; © 2022
    Publisher:  De Gruyter, Berlin

    How does the entrance of a character on the tragic stage affect their visibility and presence? Beginning with the court culture of the seventeenth century and ending with Nietzsche's Dionysian theater, this monograph explores specific modes of... more

    Access:
    Resolving-System (lizenzpflichtig)
    Verlag (lizenzpflichtig)

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    How does the entrance of a character on the tragic stage affect their visibility and presence? Beginning with the court culture of the seventeenth century and ending with Nietzsche's Dionysian theater, this monograph explores specific modes of entering the stage and the conditions that make them successful-or cause them to fail. The study argues that tragic entrances ultimately always remain incomplete; that the step figures take into visibility invariably remains precarious. Through close readings of texts by Racine, Goethe, and Kleist, among others, it shows that entrances promise both triumph and tragic exposure; though they appear to be expressions of sovereignty, they are always simultaneously threatened by failure or annihilation. With this analysis, the book thus opens up possibilities for a new theory of dramatic form, one that begins not with the plot itself but with the stage entrance that structures how characters appear and thus determines how the plot advances. By reflecting on acts of entering, this book addresses not only scholars of literature, theater, media, and art but anyone concerned with what it means to appear and be present

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Staatsbibliothek zu Berlin
    Contributor: Taylor, Michael Thomas (ÜbersetzerIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110754490
    Other identifier:
    Series: Paradigms ; Volume 14
    Subjects: German drama; French drama; LITERARY CRITICISM / General
    Other subjects: Tragedy; entrance; figure and ground; space of appearance
    Scope: 1 Online-Ressource (XXXII, 293 Seiten), Illustrationen