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  1. Antikenkonfigurationen in der deutschsprachigen Lyrik nach 1990
    Published: [2014]; ©2014
    Publisher:  De Gruyter, Berlin ; Boston

    Homer, Sappho, Horaz, Catull und viele andere antike Autoren werden in der deutschsprachigen Lyrik seit den 1990er Jahren neu entdeckt, ,recycelt' und weitergeschrieben. An vier besonders profilierten Lyrikern - eine davon eine Lyrikerin: Durs... more

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    Homer, Sappho, Horaz, Catull und viele andere antike Autoren werden in der deutschsprachigen Lyrik seit den 1990er Jahren neu entdeckt, ,recycelt' und weitergeschrieben. An vier besonders profilierten Lyrikern - eine davon eine Lyrikerin: Durs Grünbein, Thomas Kling, Barbara Köhler und Raoul Schrott - zeigt Aniela Knoblich, wie Literatur der griechisch-römischen Antike in der Gegenwartslyrik re-präsentiert wird und mit welchen poetologischen Ideen die verschiedenen Formen des Rückgriffs auf die Antike verbunden sind. Schwerpunkte der Untersuchung sind Intertextualitätskonzepte, poetische Übersetzungen, poetische Formen, Semantisierungen des geographischen Raums und poetische Selbstinszenierungen. Dadurch entsteht ein facettenreiches Gesamtbild der Antikenbezüge in der deutschen Gegenwartslyrik, bei dem close readings einzelner Gedichte und weiterreichende literarhistorische Kontextualisierungen einander wechselseitig beleuchten

     

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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783110368697
    Other identifier:
    RVK Categories: GO 20200
    Series: spectrum Literaturwissenschaft / spectrum Literature ; 44
    Other subjects: Antikenrezeption /i.d. Literatur; Gegenwartslyrik; Reception of antiquity /in literature; contemporary poetry; Lyrik; Rezeption; Latein; Griechisch; Literatur; LITERARY CRITICISM / European / German
    Scope: 1 online resource (393 p.)
    Notes:

    Diss

  2. Latin American poetry
    intersections, translations, encounters
    Contributor: Friedrichs, Ekaterina (Publisher); Hock, David (Publisher); Schlimpen, Hannah (Publisher); Jessen, Herle-Christin (Publisher)
    Published: [2023]; © 2023
    Publisher:  Peter Lang, Berlin ; Bruxelles ; Chennai ; Lausanne ; New York ; Oxford

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Source: Union catalogues
    Contributor: Friedrichs, Ekaterina (Publisher); Hock, David (Publisher); Schlimpen, Hannah (Publisher); Jessen, Herle-Christin (Publisher)
    Language: English; Russian
    Media type: Book
    ISBN: 9783631913758
    RVK Categories: IQ 00230
    Series: Neuere Lyrik ; Band 17
    Subjects: Lyrik; Begegnung <Motiv>
    Other subjects: contemporary poetry; translation; intermediality; comparative poetics; liminality
    Scope: VI, 151 Seiten, Illustrationen
    Notes:

    Literaturangaben

  3. Antikenkonfigurationen in der deutschsprachigen Lyrik nach 1990
    Published: [2014]; ©2014
    Publisher:  De Gruyter, Berlin ; Boston

    Homer, Sappho, Horaz, Catull und viele andere antike Autoren werden in der deutschsprachigen Lyrik seit den 1990er Jahren neu entdeckt, ,recycelt' und weitergeschrieben. An vier besonders profilierten Lyrikern - eine davon eine Lyrikerin: Durs... more

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    Homer, Sappho, Horaz, Catull und viele andere antike Autoren werden in der deutschsprachigen Lyrik seit den 1990er Jahren neu entdeckt, ,recycelt' und weitergeschrieben. An vier besonders profilierten Lyrikern - eine davon eine Lyrikerin: Durs Grünbein, Thomas Kling, Barbara Köhler und Raoul Schrott - zeigt Aniela Knoblich, wie Literatur der griechisch-römischen Antike in der Gegenwartslyrik re-präsentiert wird und mit welchen poetologischen Ideen die verschiedenen Formen des Rückgriffs auf die Antike verbunden sind. Schwerpunkte der Untersuchung sind Intertextualitätskonzepte, poetische Übersetzungen, poetische Formen, Semantisierungen des geographischen Raums und poetische Selbstinszenierungen. Dadurch entsteht ein facettenreiches Gesamtbild der Antikenbezüge in der deutschen Gegenwartslyrik, bei dem close readings einzelner Gedichte und weiterreichende literarhistorische Kontextualisierungen einander wechselseitig beleuchten

     

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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783110368697
    Other identifier:
    RVK Categories: GO 20200
    Series: spectrum Literaturwissenschaft / spectrum Literature ; 44
    Subjects: Antikenrezeption /i.d. Literatur; Gegenwartslyrik; Reception of antiquity /in literature; contemporary poetry; Lyrik; Rezeption; Latein; Griechisch; Literatur; LITERARY CRITICISM / European / German
    Scope: 1 online resource (393 p.)
    Notes:

    Diss

  4. Latin American Poetry
    Intersections, Translations, Encounters
    Contributor: Korte, Hermann (Herausgeber); Masumoto, Hiroko (Herausgeber); Sandler, Stephanie (Herausgeber); Friedrichs, Ekaterina (Herausgeber); Hock, David (Herausgeber); Schlimpen, Hannah (Herausgeber); Jessen, Herle-Christin (Herausgeber); Stahl, Henrieke (Herausgeber)
    Published: 2024
    Publisher:  Peter Lang GmbH, Internationaler Verlag der Wissenschaften, Frankfurt a.M.

    This volume of “Neuere Lyrik” contains a selection of texts on Latin American poetry that focuses on its encounter – at times direct and dialogic; at times indirect or even oppositional – with foreign texts and traditions. The question it therefore... more

    Universitäts- und Landesbibliothek Bonn
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    This volume of “Neuere Lyrik” contains a selection of texts on Latin American poetry that focuses on its encounter – at times direct and dialogic; at times indirect or even oppositional – with foreign texts and traditions. The question it therefore raises is what constitutes the borders – cultural, medial, discursive, linguistic, etc. – of a poetic tradition to begin with, particularly today. While each text replies uniquely, their approaches can be broadly assigned to three distinct areas of inquiry: transcultural and transhistorical discourse; intermedial experimentation; and translation. Their attention to these liminal modes, moreover, prompts a remapping of poetry itself by asking how, in continually becoming foreign to itself, poetry is returned to its proper home

     

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    Source: Union catalogues
    Contributor: Korte, Hermann (Herausgeber); Masumoto, Hiroko (Herausgeber); Sandler, Stephanie (Herausgeber); Friedrichs, Ekaterina (Herausgeber); Hock, David (Herausgeber); Schlimpen, Hannah (Herausgeber); Jessen, Herle-Christin (Herausgeber); Stahl, Henrieke (Herausgeber)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9783631913758
    Other identifier:
    9783631913758
    Edition: 1st,New edition
    Series: Neuere Lyrik. Interkulturelle und interdisziplinäre Studien ; 17
    Subjects: Translation & interpretation; Poetry; Literary studies: general; Literary studies: poetry & poets; FOREIGN LANGUAGE STUDY / General; LANGUAGE ARTS & DISCIPLINES / General; LANGUAGE ARTS & DISCIPLINES / Linguistics / General; LITERARY CRITICISM / Feminist; LITERARY CRITICISM / European / Eastern (see also Russian & Former Soviet Union); LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; LITERARY CRITICISM / European / General; LITERARY CRITICISM / European / French; LITERARY CRITICISM / European / Italian; American; Benjamin; Christin; comparative poetics; contemporary poetry; David; Ekaterina; Encounters; Friedrichs; Hannah; Henrieke; Herle; Hermann; Hiroko; Hock; intermediality; Intersections; Jessen; Kloss; Korte; Latin; liminality; Masumoto; Poetry; Sandler; Schlimpen; Stahl; Stephanie; translation; Translations
    Other subjects: Hardcover, Softcover / Sprachwissenschaft, Literaturwissenschaft/Romanische Sprachwissenschaft, Literaturwissenschaft
    Scope: 158 Seiten, 21 gr
    Notes:

    ; David Hock ; Introduction 1 ; I ; Niall Binns ; "Where’s the Dialogue?" The Contrasting Traditions of Twentieth-Century Poetry in Chile and Spain 9 ; Lucía Stecher ; On Writing Poetry in Postcolonial Texts: Dionne Brand’s "The Blue Clerk: Ars Poetica in 59 Versos" 21 ; Mikhail Martynov ; The Problem of Community in the Poetry of Subcomandante Marcos and Egor Letov 31 ; Herle-Christin Jessen ; The Poetics of Pain in the Poetry of Juan Gelman 41 ; II ; María Lucía Puppo ; The Balance of an "Old Poet Who Writes": Networks around Poetry and Art in Juana Bignozzi’s Final Book of Poems 55 ; Kirill Korchagin, Elizaveta Kuzina ; Between Poetry and the Visual Avant-Garde: Intermediality and Structuralism in Octavio Paz’s and Jagdish Swaminathan’s Oeuvres 67 ; Ekaterina Friedrichs ; The "third world of the fifth dimension" and the "metisization of meaning": A Topology of Sense in Natalia Azarova’s "brazil" 83 ; III ; Екатерина Волкова Америко ; Сбросить Пушкина с парохода современности: о переводах русскоязычной поэзии в Бразилии 95 ; Claus Telge ; Translating Pablo Neruda, or: How Erich Arendt and Hans Magnus Enzensberger Did the Same Thing Differently 117 ; Юрий Орлицкий ; Русский Неруда – один из «основоположников» советского верлибра 137 ;

  5. The poet's mistake
    Published: [2020]; © 2020
    Publisher:  Princeton University Press, Princeton ; Oxford

    What our tendency to justify the mistakes in poems reveals about our faith in poetry—and about how we readKeats mixed up Cortez and Balboa. Heaney misremembered the name of one of Wordsworth's lakes. Poetry—even by the greats—is rife with mistakes.... more

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    What our tendency to justify the mistakes in poems reveals about our faith in poetry—and about how we readKeats mixed up Cortez and Balboa. Heaney misremembered the name of one of Wordsworth's lakes. Poetry—even by the greats—is rife with mistakes. In The Poet's Mistake, critic and poet Erica McAlpine gathers together for the first time numerous instances of these errors, from well-known historical gaffes to never-before-noticed grammatical incongruities, misspellings, and solecisms. But unlike the many critics and other readers who consider such errors felicitous or essential to the work itself, she makes a compelling case for calling a mistake a mistake, arguing that denying the possibility of error does a disservice to poets and their poems.Tracing the temptation to justify poets' errors from Aristotle through Freud, McAlpine demonstrates that the study of poetry's mistakes is also a study of critical attitudes toward mistakes, which are usually too generous—and often at the expense of the poet's intentions. Through remarkable close readings of Wordsworth, Keats, Browning, Clare, Dickinson, Crane, Bishop, Heaney, Ashbery, and others, The Poet's Mistake shows that errors are an inevitable part of poetry's making and that our responses to them reveal a great deal about our faith in poetry—and about how we read

     

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  6. The poet's mistake
    Published: [2020]; © 2020
    Publisher:  Princeton University Press, Princeton ; Oxford

    What our tendency to justify the mistakes in poems reveals about our faith in poetry—and about how we readKeats mixed up Cortez and Balboa. Heaney misremembered the name of one of Wordsworth's lakes. Poetry—even by the greats—is rife with mistakes.... more

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    What our tendency to justify the mistakes in poems reveals about our faith in poetry—and about how we readKeats mixed up Cortez and Balboa. Heaney misremembered the name of one of Wordsworth's lakes. Poetry—even by the greats—is rife with mistakes. In The Poet's Mistake, critic and poet Erica McAlpine gathers together for the first time numerous instances of these errors, from well-known historical gaffes to never-before-noticed grammatical incongruities, misspellings, and solecisms. But unlike the many critics and other readers who consider such errors felicitous or essential to the work itself, she makes a compelling case for calling a mistake a mistake, arguing that denying the possibility of error does a disservice to poets and their poems.Tracing the temptation to justify poets' errors from Aristotle through Freud, McAlpine demonstrates that the study of poetry's mistakes is also a study of critical attitudes toward mistakes, which are usually too generous—and often at the expense of the poet's intentions. Through remarkable close readings of Wordsworth, Keats, Browning, Clare, Dickinson, Crane, Bishop, Heaney, Ashbery, and others, The Poet's Mistake shows that errors are an inevitable part of poetry's making and that our responses to them reveal a great deal about our faith in poetry—and about how we read

     

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  7. Image in modern(ist) verse
    Contributor: Semrau, Janusz (Publisher); Wilczyński, Marek (Publisher)
    Published: 2015
    Publisher:  Peter Lang Edition, Frankfurt am Main

    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Contributor: Semrau, Janusz (Publisher); Wilczyński, Marek (Publisher)
    Language: English
    Media type: Book
    ISBN: 9783631656969
    DDC Categories: 810
    Series: Gdańsk transatlantic studies in British and North American culture ; volume 9
    Subjects: Lyrik; Modernismus
    Other subjects: DB; DSB; contemporary poetry; modernist literature; modernist poetry
    Scope: 170 Seiten
  8. Sing with the Heart of a Bear
    Fusions of Native and American Poetry, 1890-1999
    Published: [2000]; ©1999
    Publisher:  University of California Press, Berkeley, CA

    Examining contemporary poetry by way of ethnicity and gender, Kenneth Lincoln tracks the Renaissance invention of the Wild Man and the recurrent Adamic myth of the lost Garden. He discusses the first anthology of American Indian verse, The Path on... more

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    Examining contemporary poetry by way of ethnicity and gender, Kenneth Lincoln tracks the Renaissance invention of the Wild Man and the recurrent Adamic myth of the lost Garden. He discusses the first anthology of American Indian verse, The Path on the Rainbow (1918), which opened Jorge Luis Borges' university surveys of American literature, to thirty-five contemporary Indian poets who speak to, with, and against American mainstream bards. From Whitman's free verse, through the Greenwich Village Renaissance (sandwiched between the world wars) and the post-apocalyptic Beat incantations, to transglobal questions of tribe and verse at the century's close, Lincoln shows where we mine the mother lode of New World voices, what distinguishes American verse, which tales our poets sing and what inflections we hear in the rhythms, pitches, and parsings of native lines.Lincoln presents the Lakota concept of "singing with the heart of a bear" as poetry which moves through an artist. He argues for a fusion of estranged cultures, tribal and émigré, margin and mainstream, in detailing the ethnopoetics of Native American translation and the growing modernist concern for a "native" sense of the "makings" of American verse. This fascinating work represents a major new effort in understanding American and Native American literature, spirituality, and culture

     

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  9. Why/Why Not
    Author: Ronk, Martha
    Published: [2003]; ©2003
    Publisher:  University of California Press, Berkeley, CA

    Why/Why Not presents a speaker caught in quandaries created by changing perspectives, fervors, and locales. Why do we act one way here and another there; why can't a mind stay made up; why do we hate and love at the same time; why does memory fade or... more

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    Why/Why Not presents a speaker caught in quandaries created by changing perspectives, fervors, and locales. Why do we act one way here and another there; why can't a mind stay made up; why do we hate and love at the same time; why does memory fade or insist; why does the ordinary seem so uncanny? These questions are captured in lines that collide and merge, in irreverent and offhand jibes, and in plaintive repetitions.Why/Why Not moves across a vivid terrain—the stage of Hamlet, Phillip Marlowe's Los Angeles, Prague, paintings and gardens—to push through a tangle of ways to make sense of the world. Martha Ronk's poetic language is that of the everyday slightly skewed, as if pieces of an ordinary sentence were missing. Ronk's poems use the repetitive and the banal to explore ways in which language is intertwined with thought and experience

     

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  10. Gone
    Poems
    Author: Howe, Fanny
    Published: [2003]; ©2003
    Publisher:  University of California Press, Berkeley, CA

    This collection of new poems by one of the most respected poets in the United States uses motifs of advance and recovery, doubt and conviction—in an emotional relation to the known world. Heralded as "one of our most vital, unclassifiable writers" by... more

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    This collection of new poems by one of the most respected poets in the United States uses motifs of advance and recovery, doubt and conviction—in an emotional relation to the known world. Heralded as "one of our most vital, unclassifiable writers" by the Voice Literary Supplement, Fanny Howe has published more than twenty books and is the recipient of the Gold Medal for Poetry from the Commonwealth Club of California. In addition, her Selected Poems received the 2001 Lenore Marshall Poetry Prize for the Most Outstanding Book of Poetry Published in 2000 from the Academy of American Poets.The poems in Gone describe the transit of a psyche, driven by uncertainty and by love, through various stations and experiences. This volume of short poems and one lyrical essay, all written in the last five years, is broken into five parts; and the longest of these, "The Passion," consecrates the contradictions between these two emotions. The New York Times Book Review said, "Howe has made a long-term project of trying to determine how we fit into God's world, and her aim is both true and marvelously free of sentimental piety." With Gone, readers will have the opportunity to experience firsthand Howe’s continuation of that elusive and fascinating endeavor

     

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  11. Green Thoughts, Green Shades
    Essays by Contemporary Poets on the Early Modern Lyric
    Contributor: Bedient, Calvin (MitwirkendeR); Boland, Eavan (MitwirkendeR); Fulton, Alice (MitwirkendeR); Gregerson, Linda (MitwirkendeR); Gunn, Thom (MitwirkendeR); Hass, Robert (MitwirkendeR); Hecht, Anthony (MitwirkendeR); Logan, William (MitwirkendeR); Mchugh, Heather (MitwirkendeR); Phillips, Carl (MitwirkendeR); Post, Jonathan F. S. (MitwirkendeR); Post, Jonathan F.S. (HerausgeberIn); Sacks, Peter (MitwirkendeR); Yenser, Stephen (MitwirkendeR)
    Published: [2002]; ©2002
    Publisher:  University of California Press, Berkeley, CA

    Green Thoughts, Green Shades is a strikingly original book, the first and only of its kind. Edited and introduced by noted seventeenth-century scholar Jonathan Post, it enlists the analytic and verbal power of some of today's most celebrated poets to... more

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    Green Thoughts, Green Shades is a strikingly original book, the first and only of its kind. Edited and introduced by noted seventeenth-century scholar Jonathan Post, it enlists the analytic and verbal power of some of today's most celebrated poets to illuminate from the inside out a number of the greatest lyric poets writing in English during the sixteenth and seventeenth century. Written by people who spend much of their time thinking in verse and about verse, these original essays herald the return of the early modern lyric as crucial to understanding the present moment of poetry in the United States. This work provides fascinating insights into what today's poets find of special interest in their forebears. In addition, these discussions shed light on the contributors' own poetry and offer compelling clues to how the poetry of the past continues to inform that of the present

     

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    Source: Union catalogues
    Contributor: Bedient, Calvin (MitwirkendeR); Boland, Eavan (MitwirkendeR); Fulton, Alice (MitwirkendeR); Gregerson, Linda (MitwirkendeR); Gunn, Thom (MitwirkendeR); Hass, Robert (MitwirkendeR); Hecht, Anthony (MitwirkendeR); Logan, William (MitwirkendeR); Mchugh, Heather (MitwirkendeR); Phillips, Carl (MitwirkendeR); Post, Jonathan F. S. (MitwirkendeR); Post, Jonathan F.S. (HerausgeberIn); Sacks, Peter (MitwirkendeR); Yenser, Stephen (MitwirkendeR)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780520935716
    Other identifier:
    Subjects: English literature; English poetry; English poetry; LITERARY CRITICISM / European / General
    Other subjects: academic; anne bradstreet; ben jonson; contemporary poetry; contemporary poets; creative writers; creative writing; early modern lyric; early modern poetry; essay anthology; essay collection; john donne; literary history; literary; lyric poems; lyric poetry; margaret cavendish; mfa; milton; philip sidney; poetic form; poetics; poetry studies; scholarly; sestina; sonnet
    Scope: 1 Online-Ressource (314 p.)
  12. Metropole
    Published: [2011]; ©2011
    Publisher:  University of California Press, Berkeley, CA

    Geoffrey G. O’Brien’s third collection opens with a set of lyric experiments whose music and mutable syntax explore the social relations concealed in material things. O’Brien’s poems measure the "vague cadence" of daily life, testing both the value... more

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    Geoffrey G. O’Brien’s third collection opens with a set of lyric experiments whose music and mutable syntax explore the social relations concealed in material things. O’Brien’s poems measure the "vague cadence" of daily life, testing both the value and limits of art in a time of vanishing publics and permanent war. The long title poem, written in a strict iambic prose, charts the disappearance of the poetic into the prosaic, of meter into the mundane, while reactivating the very possibilities it mourns: O’Brien’s prosody invests the prose of things with the intensities of verse. In the charged space of this hybrid form, objects become subjects and sense pivots mid-sentence into song: "The sun revolves around the earth revolves around the sun."

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780520948273
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    Series: New California Poetry ; 33
    Subjects: American poetry; POETRY / General
    Other subjects: aesthetics; american poetry; beauty in the mundane; bohemian grove; contemporary poetry; daily life; humanity; iambic prose; material culture; metropole; mundane; poem beginning to end; poetic form; poetic meter; poetry; prosody; social commentary; social networks; social relations; society; thing theory; vague cadence; war
    Scope: 1 Online-Ressource (112 p.)
  13. Writing the Silences
    Published: [2010]; ©2010
    Publisher:  University of California Press, Berkeley, CA

    The poems in Writing the Silences represent more than 60 years of Richard O. Moore’s work as a poet. Selected from seven full-length manuscripts written between 1946 and 2008, these poems reflect not only Moore’s place in literary history—he is the... more

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    The poems in Writing the Silences represent more than 60 years of Richard O. Moore’s work as a poet. Selected from seven full-length manuscripts written between 1946 and 2008, these poems reflect not only Moore’s place in literary history—he is the last of his generation of the legendary group of San Francisco Renaissance poets—but also his reemergence into today’s literary world after an important career as a filmmaker and producer in public radio and television. Writing the Silences reflects Moore’s commitment to freedom of form, his interest in language itself, and his dedication to issues of social justice and ecology

     

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  14. It’s go in horizontal
    Selected Poems, 1974–2006
    Published: [2008]; ©2008
    Publisher:  University of California Press, Berkeley, CA

    Internationally recognized as one of the most innovative writers in America today, Leslie Scalapino persistently challenges the boundaries of many forms in which she works—poetry, prose, plays, and more. This outstanding volume includes work from... more

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    Internationally recognized as one of the most innovative writers in America today, Leslie Scalapino persistently challenges the boundaries of many forms in which she works—poetry, prose, plays, and more. This outstanding volume includes work from sequential and serial poems written over thirty-two years. The poems demonstrate ideas and inventions in writing, and how one writing invention leads to the next. Three series are selected from the long poem way, about which Philip Whalen said, "She makes everything take place in real time, in the light and air and night where all of us live, everything happening at once." Recent poems, such as those from "DeLay Rose," appear to leave the page itself as a single infinite line in which the actions of individuals and occurrences in the outside world are synonymous, mysterious, and simultaneous. It's go in horizontal is a dazzling entryway into the oeuvre of a daring and powerful writer

     

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  15. Harm
    Published: [2007]; ©2007
    Publisher:  University of California Press, Berkeley, CA

    This debut volume establishes Steve Willard as a true original, an artist whose kinetic sense of wordplay is deft, smart, and unfailingly provocative. Intended to be read in repeated passes, these poems are Cubist in feel, multifaceted in syntax, and... more

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    This debut volume establishes Steve Willard as a true original, an artist whose kinetic sense of wordplay is deft, smart, and unfailingly provocative. Intended to be read in repeated passes, these poems are Cubist in feel, multifaceted in syntax, and brilliant in coloration. By turns disjunctive, narrative, plaintive, and disruptive, Harm. makes use of a wide formal range in reaching toward its ambition, which is nothing short of reclaiming lost human potentiality from current norms. Syntax flexes and the world is refigured, observed as if through a different camera's open aperture, drawing the reader to a new and transformative interior landscape

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780520940239
    Other identifier:
    Series: New California Poetry ; 19
    Subjects: Nature; POETRY / General
    Other subjects: ambition; coloration; contemporary poetry; cubist; disjunctive; disruptive; honesty; human possibility; interior landscape; invention; kinetic sense; literary poetry; lost human potential; multifaceted; narrative; original poetry; plaintive; poems; poet; poetry; provocative; repeated readings; subject and object; transformative; wordplay; writing style
    Scope: 1 Online-Ressource (77 p.)
  16. Miyazawa Kenji
    Selections
    Published: [2007]; ©2007
    Publisher:  University of California Press, Berkeley, CA

    The poet Miyazawa Kenji (1896-1933) was an early twentieth-century Japanese modernist who today is known worldwide for his poetry and stories as well as his devotion to Buddhism. Miyazawa Kenji: Selections collects a wide range of his poetry and... more

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    The poet Miyazawa Kenji (1896-1933) was an early twentieth-century Japanese modernist who today is known worldwide for his poetry and stories as well as his devotion to Buddhism. Miyazawa Kenji: Selections collects a wide range of his poetry and provides an excellent introduction to his life and work. Miyazawa was a teacher of agriculture by profession and largely unknown as a poet until after his death. Since then his work has increasingly attracted a devoted following, especially among ecologists, Buddhists, and the literary avant-garde. This volume includes poems translated by Gary Snyder, who was the first to translate a substantial body of Miyazawa’s work into English. Hiroaki Sato’s own superb translations, many never before published, demonstrate his deep familiarity with Miyazawa’s poetry. His remarkable introduction considers the poet’s significance and suggests ways for contemporary readers to approach his work. It further places developments in Japanese poetry into a global context during the first decades of the twentieth century. In addition the book features a Foreword by the poet Geoffrey O’Brien and essays by Tanikawa Shuntaro, Yoshimasu Gozo, and Michael O’Brien

     

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  17. I Love Artists
    New and Selected Poems
    Published: [2006]; ©2006
    Publisher:  University of California Press, Berkeley, CA

    Drawing on four decades of work and including new poems published here for the first time, this selection of Mei-mei Berssenbrugge’s poetry displays the extraordinary luminosity characteristic of her style—its delicate, meticulous observation, great... more

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    Drawing on four decades of work and including new poems published here for the first time, this selection of Mei-mei Berssenbrugge’s poetry displays the extraordinary luminosity characteristic of her style—its delicate, meticulous observation, great scenic imagination, and unusual degree of comfort with states of indetermination, contingency, and flux

     

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  18. The Totality for Kids
    Published: [2006]; ©2006
    Publisher:  University of California Press, Berkeley, CA

    The Totality for Kids is the second collection of poems by Joshua Clover, whose debut, Madonna anno domini, won the Walt Whitman award from the Academy of American Poets. This volume takes as its subject the troubled sleep of late modernity, from the... more

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    The Totality for Kids is the second collection of poems by Joshua Clover, whose debut, Madonna anno domini, won the Walt Whitman award from the Academy of American Poets. This volume takes as its subject the troubled sleep of late modernity, from the grandeur and failure of megacities to the retreats and displacements of the suburbs. The power of crowds and architecture commingles with the alienation and idleness of the observer, caught between "the brutal red dream/Of the collective" and "the parade/Of the ideal citizen." The book’s action takes place in these gaps, "dead spaces beside the endlessly grieving stream." The frozen tableau of the spectacle meets its double in the sense that something is always about to happen. Political furies and erotic imaginings coalesce and escape within a welter of unmoored allusions, encounters, citations, and histories, the dreams possible within the modern’s excess of signification—as if to return revolutionary possibility to the regime of information by singing it its own song

     

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  19. i never knew what time it was
    Author: Antin, David
    Published: [2005]; ©2005
    Publisher:  University of California Press, Berkeley, CA

    In this series of intricately related texts, internationally known poet, critic, and performance artist David Antin explores the experience of time—how it's felt, remembered, and recounted. These free-form talk pieces—sometimes called talk poems or... more

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    In this series of intricately related texts, internationally known poet, critic, and performance artist David Antin explores the experience of time—how it's felt, remembered, and recounted. These free-form talk pieces—sometimes called talk poems or simply talks—began as improvisations at museums, universities, and poetry centers where Antin was invited to come and think out loud. Serious and playful, they move rapidly from keen analysis to powerful storytelling to passages of pure comedy, as they range kaleidoscopically across Antin's experiences: in the New York City of his childhood and youth, the Eastern Europe of family and friends, and the New York and Southern California of his art and literary career. The author's analysis and abrasive comedy have been described as a mix of Lenny Bruce and Ludwig Wittgenstein, his commitment to verbal invention and narrative as a fusion of Mark Twain and Gertrude Stein. Taken together, these pieces provide a rich oral history of and critical context for the evolution of the California art scene from the 1960s onward

     

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  20. This Connection of Everyone with Lungs
    Poems
    Published: [2005]; ©2005
    Publisher:  University of California Press, Berkeley, CA

    Part planetary love poem, part 24/7 news flash, the hypnotic poems of This Connection of Everyone with Lungs wrap with equal, angular grace around lovers and battleships. These poems hear the tracer fire in a bird's song and capture cell division and... more

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    Part planetary love poem, part 24/7 news flash, the hypnotic poems of This Connection of Everyone with Lungs wrap with equal, angular grace around lovers and battleships. These poems hear the tracer fire in a bird's song and capture cell division and troop deployments in the same expansive thought. They move through concentric levels of association and embrace —from the space between the hands to the mesosphere and back again—touching everything in between. The book's focus shifts between local and global, public and private, individual and social. Everything gets in: through all five senses, through windows, between your sheets, under your skin

     

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  21. Weather Eye Open
    Poems
    Published: [2005]; ©2005
    Publisher:  University of California Press, Berkeley, CA

    The windmill's labor is contingent upon the weather, upon what air masses, at any given time, overlie its landscape. Anticipatory in mood, Weather Eye Open adopts the emblem of the windmill, seeking what Merleau-Ponty calls the "inspiration and... more

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    The windmill's labor is contingent upon the weather, upon what air masses, at any given time, overlie its landscape. Anticipatory in mood, Weather Eye Open adopts the emblem of the windmill, seeking what Merleau-Ponty calls the "inspiration and expiration of Being." The windmill serves as analogue to the perceiving subject, to the poet, whose consciousness, though rooted and partial, is yet always receptive to being energized, turned. Like open sails, the perceiver ushers the weather indoors, converting one motion, the wind, to another, the grinding burrstones. The poems in this collection pursue a similar transmutation through language, a staying open to its various weather (and whether) systems. For Sarah Gridley, language strikes at the "X" of experience: part presence and part absence, part spirit and part matter, part home and part homesickness, part harnessed and part wild. In the face of such weather, the stance of the poet is both rapacious and passive, searching and struck still

     

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  22. Thing of Beauty
    New and Selected Works
    Published: [2008]; ©2008
    Publisher:  University of California Press, Berkeley, CA

    This landmark collection brings together poetry, performance pieces, "traditional" verse, prose poems, and other poetical texts from Jackson Mac Low's lifetime in art. The works span the years from 1937, beginning with "Thing of Beauty," his first... more

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    This landmark collection brings together poetry, performance pieces, "traditional" verse, prose poems, and other poetical texts from Jackson Mac Low's lifetime in art. The works span the years from 1937, beginning with "Thing of Beauty," his first poem, until his death in 2004 and demonstrate his extraordinary range as well as his unquenchable enthusiasm. Mac Low is widely acknowledged as one of the major figures in twentieth-century American poetry, with much of his work ranging into the spheres of music, dance, theater, performance, and the visual arts. Comparable in stature to such giants as Robert Creeley, John Ashbery, and Allen Ginsberg, Mac Low is often associated with composer John Cage, with whom he shared a delight in work derived from "chance operations." This volume, edited by Anne Tardos, his wife and frequent collaborator, offers a balanced arrangement of early, middle, and late work, designed to convey not just the range but also the progressions and continuities of his writings and "writingways."

     

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  23. Latin American poetry
    intersections, translations, encounters
    Contributor: Friedrichs, Ekaterina (Publisher); Hock, David (Publisher); Schlimpen, Hannah (Publisher); Jessen, Herle-Christin (Publisher)
    Published: [2023]; © 2023
    Publisher:  Peter Lang, Berlin ; Bruxelles ; Chennai ; Lausanne ; New York ; Oxford

    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Source: Union catalogues
    Contributor: Friedrichs, Ekaterina (Publisher); Hock, David (Publisher); Schlimpen, Hannah (Publisher); Jessen, Herle-Christin (Publisher)
    Language: English; Russian
    Media type: Book
    ISBN: 9783631913758
    RVK Categories: IQ 00230
    Series: Neuere Lyrik ; Band 17
    Subjects: Lyrik; Begegnung <Motiv>
    Other subjects: contemporary poetry; translation; intermediality; comparative poetics; liminality
    Scope: VI, 151 Seiten, Illustrationen
    Notes:

    Literaturangaben

  24. British Council: Animating Literature
    Published: 2006

    Scholarly Organizations ; so1 Teaching Materials ; le The Literature Department of the British Council "promotes contemporary and innovative work from the UK to audiences around the world through the British Council's global network." Its aim is to... more

    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    Scholarly Organizations ; so1 Teaching Materials ; le The Literature Department of the British Council "promotes contemporary and innovative work from the UK to audiences around the world through the British Council's global network." Its aim is to facilitate the dissemination of up-to-date information regarding contemporary UK and Commonwealth authors and their works. "The Department covers a wide range of literature, including the novel, the short story, poetry, drama, performance poetry, crime fiction, literary biography, science fiction, popular science writing, travel writing, writing for children, screenwriting, literary translation, storytelling, literary criticism and the teaching of literature."

     

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  25. Antikenkonfigurationen in der deutschsprachigen Lyrik nach 1990
    Published: 2014
    Publisher:  De Gruyter, Berlin [u.a.]

    Homer, Sappho, Horace, Catullus, and other authors of antiquity have enjoyed a rebirth in German-speaking lyric poetry since the 1990s. Examining the work of four particularly notable poets – Durs Grünbein, Thomas Kling, Barbara Köhler, and Raoul... more

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    Homer, Sappho, Horace, Catullus, and other authors of antiquity have enjoyed a rebirth in German-speaking lyric poetry since the 1990s. Examining the work of four particularly notable poets – Durs Grünbein, Thomas Kling, Barbara Köhler, and Raoul Schrott – this book illuminates how classical antiquity is presented anew in contemporary lyric poetry, and sheds light on the ideas that are connected to this rediscovery of the Greek and Roman past Homer, Sappho, Horaz, Catull und andere antike Autoren werden in der deutschsprachigen Lyrik seit den 1990er Jahren neu entdeckt und weitergeschrieben. An vier besonders profilierten Lyrikern- Durs Grünbein, Thomas Kling, Barbara Köhler und Raoul Schrott - wird gezeigt, wie Literatur der griechisch-römischen Antike in der Gegenwartslyrik re-präsentiert wird und mit welchen poetologischen Ideen der Rückgriff auf die Antike verbunden ist

     

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    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783110368697; 9783110392661
    Other identifier:
    RVK Categories: GO 20200
    Series: spectrum Literaturwissenschaft /spectrum Literature ; 44
    spectrum Literaturwissenschaft ; 44
    De Gruyter eBook-Paket Literaturwissenschaft
    Subjects: German poetry; German poetry; LITERARY CRITICISM / European / German
    Other subjects: Reception of antiquity /in literature; contemporary poetry
    Scope: Online-Ressource (X, 382 S.)
    Notes:

    Zugl.: Freiburg i. Br., Univ., Diss., 2013