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  1. In common things
    commerce, culture, and ecology in British romantic literature
    Published: [2022]; © 2022
    Publisher:  University of Toronto Press, Toronto

    The hardness of stone, the pliancy of wood, the fluidity of palm oil, the crystalline nature of salt, and the vegetable qualities of moss – each describes a way of being in and understanding the world. These substances are both natural objects hailed... more

    Access:
    Resolving-System (lizenzpflichtig)
    Verlag (lizenzpflichtig)
    Universität Potsdam, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    The hardness of stone, the pliancy of wood, the fluidity of palm oil, the crystalline nature of salt, and the vegetable qualities of moss – each describes a way of being in and understanding the world. These substances are both natural objects hailed in Romantic literature and global commodities within a system of extraction and exchange that has driven climate change, representing the paradox of the modern relation to materiality. In Common Things examines these five common substances – stone, wood, oil, salt, and moss – in the literature of Romantic period authors, excavating their cultural, ecological, and commodity histories. The book argues that the substances and their histories have shaped cultural consciousness, and that Romantic era texts formally encode this shaping. Matthew Rowney draws together processes, beings, and things, both from the Romantic period and from our current ecological moment, to re-invoke a lost heritage of cultural relations with common substances. Enabling a fresh reading of Romantic literature, In Common Things prompts a reevaluation of the simple, the everyday, and the common, in light of their contributions to our contemporary sense of ourselves and our societies "In Common Things explores the implacable agency of five common substances--stone, wood, oil, salt, and moss--in the life and literature of the Romantic period. It argues that these substances and their histories have shaped cultural consciousness, and that Romantic era texts formally encode this shaping. Substance is both the natural object of Romantic literature and the commodity that has driven global climate change, and represents the paradox of the modern relation to materiality. In Common Things excavates the cultural, ecological and commodity histories of these substances, demonstrating qualities they share "in common" with literary form. What this book hopes to prompt in its readers is a reevaluation of the simple, the everyday, and the common in light of its contribution to our contemporary sense of ourselves and our societies."--

     

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  2. In common things
    commerce, culture, and ecology in British romantic literature
    Published: [2022]; © 2022
    Publisher:  University of Toronto Press, Toronto

    The hardness of stone, the pliancy of wood, the fluidity of palm oil, the crystalline nature of salt, and the vegetable qualities of moss – each describes a way of being in and understanding the world. These substances are both natural objects hailed... more

    Access:
    Resolving-System (lizenzpflichtig)
    Verlag (lizenzpflichtig)
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    No inter-library loan
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    No inter-library loan
    Thüringer Universitäts- und Landesbibliothek
    No inter-library loan
    Universität Potsdam, Universitätsbibliothek
    No inter-library loan
    Herzog August Bibliothek Wolfenbüttel
    No inter-library loan

     

    The hardness of stone, the pliancy of wood, the fluidity of palm oil, the crystalline nature of salt, and the vegetable qualities of moss – each describes a way of being in and understanding the world. These substances are both natural objects hailed in Romantic literature and global commodities within a system of extraction and exchange that has driven climate change, representing the paradox of the modern relation to materiality. In Common Things examines these five common substances – stone, wood, oil, salt, and moss – in the literature of Romantic period authors, excavating their cultural, ecological, and commodity histories. The book argues that the substances and their histories have shaped cultural consciousness, and that Romantic era texts formally encode this shaping. Matthew Rowney draws together processes, beings, and things, both from the Romantic period and from our current ecological moment, to re-invoke a lost heritage of cultural relations with common substances. Enabling a fresh reading of Romantic literature, In Common Things prompts a reevaluation of the simple, the everyday, and the common, in light of their contributions to our contemporary sense of ourselves and our societies "In Common Things explores the implacable agency of five common substances--stone, wood, oil, salt, and moss--in the life and literature of the Romantic period. It argues that these substances and their histories have shaped cultural consciousness, and that Romantic era texts formally encode this shaping. Substance is both the natural object of Romantic literature and the commodity that has driven global climate change, and represents the paradox of the modern relation to materiality. In Common Things excavates the cultural, ecological and commodity histories of these substances, demonstrating qualities they share "in common" with literary form. What this book hopes to prompt in its readers is a reevaluation of the simple, the everyday, and the common in light of its contribution to our contemporary sense of ourselves and our societies."--

     

    Export to reference management software   RIS file
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