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  1. A Common Strangeness
    Contemporary Poetry, Cross-Cultural Encounter, Comparative Literature
    Published: [2012]; © 2012
    Publisher:  Fordham University Press, New York, NY

    Why is our world still understood through binary oppositions—East and West, local and global, common and strange—that ought to have crumbled with the Berlin Wall? What might literary responses to the events that ushered in our era of globalization... more

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Why is our world still understood through binary oppositions—East and West, local and global, common and strange—that ought to have crumbled with the Berlin Wall? What might literary responses to the events that ushered in our era of globalization tell us about the rhetorical and historical underpinnings of these dichotomies?In A Common Strangeness, Jacob Edmond exemplifies a new, multilingual and multilateral approach to literary and cultural studies. He begins with the entrance of China into multinational capitalism and the appearance of the Parisian flâneur in the writings of a Chinese poet exiled in Auckland, New Zealand. Moving among poetic examples in Russian, Chinese, and English, he then traces a series of encounters shaped by economic and geopolitical events from the Cultural Revolution, perestroika, and the June 4 massacre to the collapse of the Soviet Union, September 11, and the invasion of Iraq. In these encounters, Edmond tracks a shared concern with strangeness through which poets contested old binary oppositions as they reemerged in new, post-Cold War forms

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823242627
    Other identifier:
    Series: Verbal Arts: Studies in Poetics
    Subjects: Cold War; american culture; american literature; avant-gard literature; chinese culture; chinese literature; comparative literature; contemporary literature; cultural theory; globalization; literary theory; modernist literature; poetry; russian culture; russian literature; world literature; LITERARY CRITICISM / Poetry; Comparative literature; Literature and globalization; Poetry, Modern
    Scope: 1 online resource (284 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)

  2. A Common Strangeness
    Contemporary Poetry, Cross-Cultural Encounter, Comparative Literature
    Published: [2012]; © 2012
    Publisher:  Fordham University Press, New York, NY

    Why is our world still understood through binary oppositions—East and West, local and global, common and strange—that ought to have crumbled with the Berlin Wall? What might literary responses to the events that ushered in our era of globalization... more

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Universitätsbibliothek Passau
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    Why is our world still understood through binary oppositions—East and West, local and global, common and strange—that ought to have crumbled with the Berlin Wall? What might literary responses to the events that ushered in our era of globalization tell us about the rhetorical and historical underpinnings of these dichotomies?In A Common Strangeness, Jacob Edmond exemplifies a new, multilingual and multilateral approach to literary and cultural studies. He begins with the entrance of China into multinational capitalism and the appearance of the Parisian flâneur in the writings of a Chinese poet exiled in Auckland, New Zealand. Moving among poetic examples in Russian, Chinese, and English, he then traces a series of encounters shaped by economic and geopolitical events from the Cultural Revolution, perestroika, and the June 4 massacre to the collapse of the Soviet Union, September 11, and the invasion of Iraq. In these encounters, Edmond tracks a shared concern with strangeness through which poets contested old binary oppositions as they reemerged in new, post-Cold War forms

     

    Export to reference management software   RIS file
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823242627
    Other identifier:
    Series: Verbal Arts: Studies in Poetics
    Subjects: Cold War; american culture; american literature; avant-gard literature; chinese culture; chinese literature; comparative literature; contemporary literature; cultural theory; globalization; literary theory; modernist literature; poetry; russian culture; russian literature; world literature; LITERARY CRITICISM / Poetry; Comparative literature; Literature and globalization; Poetry, Modern
    Scope: 1 online resource (284 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)

  3. Rainbow
    Author: Mao, Dun
    Published: [1992]; ©1992
    Publisher:  University of California Press, Berkeley, CA

    With this translation of the 1929 novel Rainbow(Hong), one of China's most influential works of fiction is at last available in English.Rainbow chronicles the political and social disruptions in China during the early years of the twentieth century.... more

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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Universitätsbibliothek Osnabrück
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    With this translation of the 1929 novel Rainbow(Hong), one of China's most influential works of fiction is at last available in English.Rainbow chronicles the political and social disruptions in China during the early years of the twentieth century. Inspired by the iconoclasm of the "May Fourth Movement," the heroine, Mei, embarks on a journey that takes her from the limitations of the traditional family to a discovery of the new, "modern" values of individualism, sexual equality, and political responsibility. The novel moves with Mei from the conservative world of China's interior provinces down the Yangtze River to Shanghai, where she discovers the turbulent political environment of China's most modern city.Mao Dun writes with the conviction of one who has lived through the events he is describing. Rainbow provides a moving introduction to the contradictions inherent in the simultaneous quest for personal freedom and national strengthening. Vividly evocative of the period in which it was written, it is equally relevant to the China of today

     

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  4. A Common Strangeness
    Contemporary Poetry, Cross-Cultural Encounter, Comparative Literature
    Published: [2012]
    Publisher:  Fordham University Press, New York, NY

    Frontmatter -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- 1. Yang Lian and the Flâneur in Exile -- 2. Arkadii Dragomoshchenko and Poetic Correspondences -- 3. Lyn Hejinian and Russian Estrangement -- 4. Bei Dao and World... more

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    Frontmatter -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- 1. Yang Lian and the Flâneur in Exile -- 2. Arkadii Dragomoshchenko and Poetic Correspondences -- 3. Lyn Hejinian and Russian Estrangement -- 4. Bei Dao and World Literature -- 5. Dmitri Prigov and Cross-Cultural Conceptualism -- 6. Charles Bernstein and Broken English -- Conclusion -- Notes -- Works Cited -- Index Why is our world still understood through binary oppositions—East and West, local and global, common and strange—that ought to have crumbled with the Berlin Wall? What might literary responses to the events that ushered in our era of globalization tell us about the rhetorical and historical underpinnings of these dichotomies?In A Common Strangeness, Jacob Edmond exemplifies a new, multilingual and multilateral approach to literary and cultural studies. He begins with the entrance of China into multinational capitalism and the appearance of the Parisian flâneur in the writings of a Chinese poet exiled in Auckland, New Zealand. Moving among poetic examples in Russian, Chinese, and English, he then traces a series of encounters shaped by economic and geopolitical events from the Cultural Revolution, perestroika, and the June 4 massacre to the collapse of the Soviet Union, September 11, and the invasion of Iraq. In these encounters, Edmond tracks a shared concern with strangeness through which poets contested old binary oppositions as they reemerged in new, post-Cold War forms

     

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