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  1. Asbestos and Salamander in India
    Published: 2020

    Abstract The present paper, an homage to B. Laufer’s “Asbestos and Salamander” (1915), adds South Asia to the story of a remarkable Eurasian cultural meme meant to explain the presence of fire-proof cloth after its manufacturing technology was... more

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    Abstract The present paper, an homage to B. Laufer’s “Asbestos and Salamander” (1915), adds South Asia to the story of a remarkable Eurasian cultural meme meant to explain the presence of fire-proof cloth after its manufacturing technology was forgotten, namely that asbestos was the fur of a mythical animal. I argue that none of our Sanskrit dictionaries contain the correct meaning of the term agniśauca , which does indeed mean asbestos. The widely shared motif explains why in Sanskrit literature too we have animals (a nondescript mṛga ) by the same name. I examine textual passages from kāvya , purāṇa s, as well as Buddhist sūtra s and śāstra s, to elucidate this topic. I also cite some evidence that in the period between the 9th and the 11th c. some areas of India still possessed knowledge of asbestos manufacturing. However, as for where and when the correlation was first made, I must leave the question open.

     

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    Source: Union catalogues
    Language: English
    Media type: Article (journal)
    Format: Online
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    Parent title: Enthalten in: Indo-Iranian journal; Leiden [u.a.] : Brill, 1957; 63(2020), 4, Seite 335-370; Online-Ressource

    Subjects: Buddhism; purāṇa; kāvya; Sanskrit lexicography; South Asian material culture; asbestos; agniśauca
  2. Elemental Narratives
    Reading Environmental Entanglements in Modern Italy
    Published: [2021]
    Publisher:  Penn State University Press, University Park, PA

    Frontmatter -- Contents -- Acknowledgments -- Introduction Elemental Narratives -- 1. Modernist Matters -- 2. Slick Territories: Petroculture, Italian Style -- 3. Apua Ma(t)ter: Narratives of Marble -- 4. Steel and Asbestos: Stories of Toxic Lands... more

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    Frontmatter -- Contents -- Acknowledgments -- Introduction Elemental Narratives -- 1. Modernist Matters -- 2. Slick Territories: Petroculture, Italian Style -- 3. Apua Ma(t)ter: Narratives of Marble -- 4. Steel and Asbestos: Stories of Toxic Lands and Bodies in Tuscany and Beyond -- 5. Concrete and Asphalt: Geographies of Environmental Disruption in Modern Italy -- Epilogue -- Notes -- References -- Index Over the past century, the Italian landscape has undergone exceedingly rapid transformations, shifting from a mostly rural environment to a decidedly modern world. This changing landscape is endowed with a narrative agency that transforms how we understand our surroundings. Situated at the juncture of Italian studies and ecocriticism and following the recent “material turn” in the environmental humanities, Elemental Narratives outlines an original cultural and environmental map of the bel paese. Giving equal weight to readings of fiction, nonfiction, works of visual art, and physical sites, Enrico Cesaretti investigates the interconnected stories emerging from both human creativity and the expressive eloquence of “glocal” materials, such as sulfur, petroleum, marble, steel, and asbestos, that have helped make and, simultaneously, “un-make” today’s Italy, affecting its socio-environmental health in multiple ways. Embracing the idea of a decentralized agency that is shared among human and nonhuman entities, Cesaretti suggests that engaging with these entangled discursive and material texts is a sound and revealing ecocritical practice that promises to generate new knowledge and more participatory, affective responses to environmental issues, both in Italy and elsewhere. Ultimately, he argues that complementing quantitative, data-based information with insights from fiction and nonfiction, the arts, and other humanistic disciplines is both desirable and crucial if we want to modify perceptions and attitudes, increase our awareness and understanding, and, in turn, develop more sustainable worldviews in the era of the Anthropocene. Elegantly written and convincingly argued, this book will appeal broadly to scholars and students working in the fields of environmental studies, comparative literatures, ecocriticism, environmental history, and Italian studies

     

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