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  1. Afro-Fabulations :
    The Queer Drama of Black Life /
    Published: [2018]; ©2018
    Publisher:  New York University Press,, New York, NY :

    Winner, 2019 Barnard Hewitt Award for Outstanding Research in Theatre History, given by the American Society for Theatre ResearchArgues for a conception of black cultural life that exceeds post-blackness and conditions of loss In Afro-Fabulations:... more

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    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
    Unlimited inter-library loan, copies and loan

     

    Winner, 2019 Barnard Hewitt Award for Outstanding Research in Theatre History, given by the American Society for Theatre ResearchArgues for a conception of black cultural life that exceeds post-blackness and conditions of loss In Afro-Fabulations: The Queer Drama of Black Life, cultural critic and historian Tavia Nyong’o surveys the conditions of contemporary black artistic production in the era of post-blackness. Moving fluidly between the insurgent art of the 1960’s and the intersectional activism of the present day, Afro-Fabulations challenges genealogies of blackness that ignore its creative capacity to exceed conditions of traumatic loss, social death, and archival erasure.If black survival in an anti-black world often feels like a race against time, Afro-Fabulations looks to the modes of memory and imagination through which a queer and black polytemporality is invented and sustained. Moving past the antirelational debates in queer theory, Nyong’o posits queerness as “angular sociality,” drawing upon queer of color critique in order to name the gate and rhythm of black social life as it moves in and out of step with itself. He takes up a broad range of sites of analysis, from speculative fiction to performance art, from artificial intelligence to Blaxploitation cinema. Reading the archive of violence and trauma against the grain, Afro-Fabulations summons the poetic powers of queer world-making that have always been immanent to the fight and play of black life.

     

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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781479806386
    Other identifier:
    Series: Sexual Cultures ; ; 14
    Subjects: African Americans in the performing arts.; American drama; Gays in the performing arts; Homosexuality in the theater; SOCIAL SCIENCE / Ethnic Studies / African American Studies.
    Other subjects: Adrian Piper.; African diaspora.; Anthropocene.; Beasts of the Southern Wild.; Galindo, Regina José.; Geo Wyeth.; Gilles Deleuze.; Harrell, Trajal.; Jason Holliday.; Jason and Shirley.; Kara Walker.; Manderlay.; Mandingo.; Melvin van Peebles.; Paris Is Burning.; Portrait of Jason.; Shirley Clarke.; Sweet Sweetback’s Baadasssss Song.; The Einstein Intersection.; The Flawless Mother Sabrina.; The Queen.; Wu Tsang.; aesthetics.; afrofuturism.; antinormativity.; archives.; artificial intelligence.; black art.; black code studies.; black performance.; black queer aesthetics.; black studies.; blaxploitation.; brownness.; chusmeria.; climate change.; critical ethnic studies.; cultural theory.; ecology.; fabulation.; femicide.; film studies.; funk.; indigenous studies.; mass incarceration.; performance art.; performance.; post-humanism.; postmodern dance.; psychoanalysis.; public art.; queer dance.; queer studies.; queer temporality.; queer theory.; science fiction.; slavery.; social death.; transgender studies.; transhumanism.; wildness.
    Scope: 1 online resource :, 20 black and white illustrations
  2. Being property once myself :
    blackness and the end of man /
    Published: 2020.; ©2020
    Publisher:  The Belknap Press of Harvard University Press,, Cambridge, Massachusetts :

    "Throughout US history, black people have been configured as sociolegal nonpersons, a subgenre of the human. Being Property Once Myself delves into the literary imagination and ethical concerns that have emerged from this experience. Each chapter... more

    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
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    "Throughout US history, black people have been configured as sociolegal nonpersons, a subgenre of the human. Being Property Once Myself delves into the literary imagination and ethical concerns that have emerged from this experience. Each chapter tracks a specific animal figure-the rat, the cock, the mule, the dog, and the shark-in the works of black authors such as Richard Wright, Toni Morrison, Zora Neale Hurston, Jesmyn Ward, and Robert Hayden. The plantation, the wilderness, the kitchenette overrun with pests, the simultaneous valuation and sale of animals and enslaved people-all are sites made unforgettable by literature in which we find black and animal life in fraught proximity. Joshua Bennett argues that animal figures are deployed in these texts to assert a theory of black sociality and to combat dominant claims about the limits of personhood. Bennett also turns to the black radical tradition to challenge the pervasiveness of antiblackness in discourses surrounding the environment and animals. Being Property Once Myself is an incisive work of literary criticism and a close reading of undertheorized notions of dehumanization and the Anthropocene"--

     

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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0-674-24546-6; 0-674-24549-0
    Other identifier:
    Subjects: Black people in literature.; American literature; Animals in literature.; Literature and race; Anthropomorphism in literature.
    Other subjects: african american.; afrofuturism.; animal studies.; animals literature.; anthropocene.; bipoc authors.; black experience.; black masculinity.; critical race theory.; du bois.; feminist thought.; frederick douglass.; harlem renaissance.; modern poetry.; motherhood.; white supremacist.
    Scope: 1 online resource (213 pages)
    Notes:

    Includes bibliographical references (pages 191-204) and index.

  3. Afro-fabulations :
    the queer drama of Black life /
    Published: [2019].; ©2019
    Publisher:  New York University Press,, New York, NY :

    Argues for a conception of black cultural life that exceeds post-blackness and conditions of loss In Afro-Fabulations: The Queer Drama of Black Life, cultural critic and historian Tavia Nyong'o surveys the conditions of contemporary black artistic... more

    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
    Unlimited inter-library loan, copies and loan

     

    Argues for a conception of black cultural life that exceeds post-blackness and conditions of loss In Afro-Fabulations: The Queer Drama of Black Life, cultural critic and historian Tavia Nyong'o surveys the conditions of contemporary black artistic production in the era of post-blackness. Moving fluidly between the insurgent art of the 1960's and the intersectional activism of the present day, Afro-Fabulations challenges genealogies of blackness that ignore its creative capacity to exceed conditions of traumatic loss, social death, and archival erasure. If black survival in an anti-black world often feels like a race against time, Afro-Fabulations looks to the modes of memory and imagination through which a queer and black polytemporality is invented and sustained. Moving past the antirelational debates in queer theory, Nyong'o posits queerness as "angular sociality," drawing upon queer of color critique in order to name the gate and rhythm of black social life as it moves in and out of step with itself. He takes up a broad range of sites of analysis, from speculative fiction to performance art, from artificial intelligence to Blaxploitation cinema. Reading the archive of violence and trauma against the grain, Afro-Fabulations summons the poetic powers of queer world-making that have always been immanent to the fight and play of black life

     

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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1-4798-0638-2
    Other identifier:
    Series: Sexual cultures
    Subjects: Homosexuality in the theater.; Gays in the performing arts.; American drama; African Americans in the performing arts.; LITERARY CRITICISM; Homosexuality in the theater; Gay people in the performing arts; African Americans in the performing arts.; American drama
    Other subjects: Adrian Piper.; African diaspora.; Anthropocene.; Beasts of the Southern Wild.; Galindo, Regina José.; Geo Wyeth.; Gilles Deleuze.; Harrell, Trajal.; Jason Holliday.; Jason and Shirley.; Kara Walker.; Manderlay.; Mandingo.; Melvin van Peebles.; Paris Is Burning.; Portrait of Jason.; Shirley Clarke.; Sweet Sweetback’s Baadasssss Song.; The Einstein Intersection.; The Flawless Mother Sabrina.; The Queen.; Wu Tsang.; aesthetics.; afrofuturism.; antinormativity.; archives.; artificial intelligence.; black art.; black code studies.; black performance.; black queer aesthetics.; black studies.; blaxploitation.; brownness.; chusmeria.; climate change.; critical ethnic studies.; cultural theory.; ecology.; fabulation.; femicide.; film studies.; funk.; indigenous studies.; mass incarceration.; performance art.; performance.; post-humanism.; postmodern dance.; psychoanalysis.; public art.; queer dance.; queer studies.; queer temporality.; queer theory.; science fiction.; slavery.; social death.; transgender studies.; transhumanism.; wildness.
    Scope: 1 online resource (202 pages).
    Notes:

    Previously issued in print: 2018.

    Includes bibliographical references and index.

    Introduction: a race against time? -- Critical shade -- Crushed black -- Brer soul and the mythic being -- Deep time, dark time -- Little monsters -- Womb of shadows -- Habeas ficta -- Chore and choice -- Conclusion: for a critical poetics of Afro-fabulation.