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  1. Canidia, Rome's first witch
    Published: 2017
    Publisher:  Bloomsbury Academic ; an imprint of Bloomsbury Publishing Plc, London ; Oxford ; New York ; New Delhi ; Sydney

    Universitätsbibliothek der Fernuniversität
    GVF/PAUL
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781350003880
    Subjects: Witches; Witchcraft; Magic, Roman; Witches in literature; Hexe <Motiv>
    Other subjects: Horace; Canidia (Fictitious character); Horatius Flaccus, Quintus (v65-v8): Saturae; Canidia Fiktive Gestalt; Horatius Flaccus, Quintus (v65-v8): Epodi
    Scope: 218 Seiten, Illustrationen
    Notes:

    enthält Gedichte in Latein und Griechisch

  2. Canidia, Rome's first witch
    Published: 2017
    Publisher:  Bloomsbury Academic, London ; New York

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    Other subjects: Horace / Criticism and interpretation; Canidia (Fictitious character) / In literature; Witches / Rome; Witchcraft / Rome; Magic, Roman; Witches in literature
    Scope: 1 online resource
    Notes:

    Includes bibliographical references and index

    Also issued in print

  3. Canidia, Rome's first witch
    Published: 2017
    Publisher:  Bloomsbury Academic, London ; Bloomsbury Publishing, New York

    "Canidia is one of the most well-attested witches in Latin literature. She appears in no fewer than six of Horace's poems, three of which she has a prominent role in. Throughout Horace's Epodes and Satires she perpetrates acts of grave desecration,... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Universität Potsdam, Universitätsbibliothek
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    "Canidia is one of the most well-attested witches in Latin literature. She appears in no fewer than six of Horace's poems, three of which she has a prominent role in. Throughout Horace's Epodes and Satires she perpetrates acts of grave desecration, kidnapping, murder, magical torture and poisoning. She invades the gardens of Horace's literary patron Maecenas, rips apart a lamb with her teeth, starves a Roman child to death, and threatens to unnaturally prolong Horace's life to keep him in a state of perpetual torment. She can be seen as an anti-muse: Horace repeatedly sets her in opposition to his literary patron, casts her as the personification of his iambic poetry, and gives her the surprising honor of concluding not only his Epodes but also his second book of Satires. This v. is the first comprehensive treatment of Canidia. It offers translations of each of the three poems which feature Canidia as a main character as well as the relevant portions from the other three poems in which Canidia plays a minor role. These translations are accompanied by extensive analysis of Canidia's part in each piece that takes into account not only the poems' literary contexts but their magico-religious details. "-- Machine generated contents note: 1: Canidia, or What is a Witch? -- (a) Introduction -- (b) The Historical Canidia -- (c) The Problem with Witches -- (i) What qualifies as a saga? -- (ii) The Witches Meroe and Canidia -- (d) Conclusions 2: Satire 1.8: Canidia in the Gardens of Maecenas -- (a) Translation and Text -- (b) Introduction -- (c) A Statue in the Garden, a Witch in the Graveyard -- (i) Canidia's Invasion of the Satiric Garden -- (d) Integrating the Intruder -- (i) Elements of Vergil, Elements of Theocritus -- (ii) Elements of Homer -- (iii) Elements of Horace -- (e) Priapus Flaccus and the Inversion of the Iambographic Tradition -- (i) Satirizing Callimachus' Iambi -- (f) Conclusions 3: Hag and Snatcher: Canidia as Child-Killing Demon in Epode 5 -- (a) Translation and Text -- (b) Introduction -- (c) Canidia as Child-Killing Demon -- (i) Three Child-Killing Demons -- 1. Lilith -- 2. The Strix -- 3. Lamia -- (ii) Canidia's Demonic Traits -- (d) Canidia and the Puer--Epode 5 as Response to Vergil's Eclogue 4 -- (i) Epode 5 as Commentary on Civil War -- 1. Thyestean Oaths -- 2. A Feast for Dogs and Birds -- (e) Conclusions 4: Routing the Empusa: The Iambic Canidia of Epode 17 -- (a) Translation and Text -- (b) Introduction -- (c) Sorry/Not Sorry: Horace's (Not So Apologetic) Apology -- (d) Canidia the Empusa -- (e) Canidia and the Epodes -- (f) Canidia the Anti-Muse -- (g) Conclusions 5: Venefica Minor: Canidia in Epode 3, Satire 2.1 and 2.8 -- (a) Canidia the Lesser -- (i) Epode 3.1-14 -- (ii) Satire 2.1.47-53 -- (iii) Satire 2.8.90-95 -- (b) Final Remarks

     

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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781350003910; 9781350003903; 9781350003897
    Other identifier:
    RVK Categories: FX 181605 ; FX 181305
    Subjects: Witches in literature; Magic, Roman; Witches; Witchcraft; Witches in literature; Magic, Roman; Witchcraft; Witches
    Other subjects: Horace; Canidia (Fictitious character); Horace; Canidia (Fictitious character)
    Scope: 1 Online-Ressource (x, 218 p), Illustrationen
    Notes:

    Includes bibliographical references and index

  4. Witches, Isis and narrative
    approaches to magic in Apuleius' Metamorphoses
    Published: 2008
    Publisher:  De Gruyter, Berlin

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 128339703X; 3110205947; 3110210037; 9781283397032; 9783110205947; 9783110210033
    Series: Trends in classics ; v. 2
    Subjects: TRAVEL / Special Interest / Literary; LITERARY CRITICISM / General; Metamorphoses (Apuleius); Magic in literature; Witches in literature; Magie / (Motiv); Magic in literature; Witches in literature; Magie; Magie <Motiv>
    Other subjects: Apuleius / Metamorphoses; Apuleius / Madaurensis / Metamorphoses / Motiv / Magie; Apuleius / Madaurensis / Metamorphoses; Apuleius: Metamorphoses; Apuleius Madaurensis (123-170): Metamorphoses
    Scope: 1 Online-Ressource (xii, [2], 255 pages)
    Notes:

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliography and indexes

    Annotation This is the first in-depth study of Apuleius Metamorphoses to juxtapose the different attitudes towards magic adopted by Lucius and other characters, either in embedded tales or in the main plot, as a key to deciphering the complex dynamics of the work. The contextualized approach pursued in this study further suggests that the novels final book may be read as a second Metamorphoses, rewritten from a positive perspective. The book breaks new ground by examining the narrative structure of the Metamorphoses against the background of the typical plotline found in the ideal romance

    The Onos versus Apuleius's Metamorphoses -- Lucius versus Socrates and Aristomenes -- Lucius's and Milo's tales of Diophanes and Asinius's prophecy : internal readers and the author -- Lucius versus Thelyphron -- The tale of Cupid and Psyche as a mythic variant of the novel -- "War" in magic and lovemaking -- Lucius's metamorphosis into an ass as a narrative device -- Rewriting Metamorphoses 1-10 : the Isis book -- Transforming the genre : Apuleius's Metamorphoses -- Lucius's Metamorphic change and entrance into a new life as a metaphorical representation of the sailing of Isis's ship

  5. Representing magic in modern Ireland
    belief, history, and culture
    Published: 2022
    Publisher:  Cambridge University Press, Cambridge

    This Element argues that Ireland did not experience a disenchanted modernity, nor a decline in magic. It suggests that beliefs, practices and traditions concerning witchcraft and magic developed and adapted to modernity to retain cultural currency... more

    Universitätsbibliothek Bamberg
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    This Element argues that Ireland did not experience a disenchanted modernity, nor a decline in magic. It suggests that beliefs, practices and traditions concerning witchcraft and magic developed and adapted to modernity to retain cultural currency until the end of the twentieth century. This analysis provides the backdrop for the first systematic exploration of how historic Irish trials of witches and cunning-folk were represented by historians, antiquarians, journalists, dramatists, poets, and novelists in Ireland between the late eighteenth and late twentieth century. It is demonstrated that this work created an accepted narrative of Irish witchcraft and magic which glossed over, ignored, or obscured the depth of belief in witchcraft, both in the past and in contemporary society. Collectively, their work gendered Irish witchcraft, created a myth of a disenchanted, modern Ireland, and reinforced competing views of Irishness and Irish identity. These long-held stereotypes were only challenged in the late twentieth-century

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781108954044
    Other identifier:
    Series: Cambridge elements. Elements in magic
    Subjects: English literature / Irish authors / History and criticism; Witches in literature; Magic in literature; Witchcraft in literature; Magic / Ireland / History; Witchcraft / Ireland / History
    Scope: 1 Online-Ressource (80 Seiten)
    Notes:

    Title from publisher's bibliographic system (viewed on 07 Apr 2022)

  6. <<The>> witch in the Western imagination
    Published: 2012
    Publisher:  Univ. of Virginia Press, Charlottesville [u.a.]

    Ruhr-Universität Bochum, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780813932972
    Series: Richard lectures for ... ; 1998
    Studies in early modern German history
    Subjects: Witches in art; Witches in literature; Arts, European; Arts and society
    Scope: XII, 240 S. : Ill.
  7. Mountain witches
    yamauba
    Published: [2020]
    Publisher:  Utah State University Press, Logan

    Yōkai, yamauba's topos and gender, and archetype -- Man-eating, helping, shapeshifting yamauba : yamauba's duality -- Mother Yamauba and weaving : childbirth and bloodsucker, spinning and spiders -- Reading one's mind and telling a future : "Yamauba... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Yōkai, yamauba's topos and gender, and archetype -- Man-eating, helping, shapeshifting yamauba : yamauba's duality -- Mother Yamauba and weaving : childbirth and bloodsucker, spinning and spiders -- Reading one's mind and telling a future : "Yamauba and the cooper," "The smile of a mountain witch," and throne of blood -- Yamauba, yasabur? basa, datsueba : images of premodern crones, yamauba's flying ability and re-creation of a prototype -- Aging, dementia, and abandoned women : an interpretation of yamauba -- Yamamba mumbo jumbo : yamauba in contemporary society. "A guide to the complex figure of Yamauba-female yōkai often translated as mountain witches, who are commonly described as tall, enigmatic women with long hair, piercing eyes, and living in the mountains-evolution of their roles and significance in Japanese culture from the premodern era to present" --

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781646420544
    Subjects: Yōkai (Japanese folklore); Crones; Witches in literature; Supernatural in literature; Folklore
    Scope: 224 pages cm, Illustrationen
    Notes:

    Includes bibliographical references and index

  8. Which face of witch
    self-representations of women as witches in works of contemporary British women writers
    Published: 2015
    Publisher:  Cambridge Scholars Publ., Newcastle upon Tyne

    Universitäts- und Landesbibliothek Bonn
    2015/2954
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    angg890.m181
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781443874533; 1443874531
    Subjects: Witches in literature; Women authors, English; Frauenliteratur; Hexe <Motiv>; Englisch
    Scope: XI, 257 S.
  9. The witch in the Western imagination
    Published: 2012
    Publisher:  Univ. of Virginia Press, Charlottesville [u.a.]

    Ruhr-Universität Bochum, Fakultät für Geschichtswissenschaft, Historische Bibliothek
    Eo 1.5/179
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    3K 49448
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780813932972
    Series: Richard lectures for ...
    Studies in early modern German history
    Subjects: Witches in art; Witches in literature; Arts, European; Arts and society; Kunst; Literatur; Hexe <Motiv>
    Scope: XII, 240 S., Ill.
  10. Witch fulfillment
    adaptation dramaturgy & casting the witch for stage & screen
    Published: 2024
    Publisher:  Routledge, New York, NY ; Taylor & Francis Group, London

    "Witch Fulfillment: Adaptation Dramaturgy & Casting the Witch for Stage & Screen addresses the Witch as a theatrical type on twenty-first century North American stages and screens, seen through the lens of casting, design, and adaptation, with... more

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    "Witch Fulfillment: Adaptation Dramaturgy & Casting the Witch for Stage & Screen addresses the Witch as a theatrical type on twenty-first century North American stages and screens, seen through the lens of casting, design, and adaptation, with attention paid to why these patterns persist, and what wishes they fulfil. Witch Fulfillment examines the Witch in performance, considering how actors embody iconic roles designated as witches (casting), and how dramaturgical choices (adaptation) heighten their witchy power. Through analysis of Witch characters ranging from Elphaba to Medea, classic plays such as The Crucible and Macbeth, feminist adaptations - including Sycorax, Obeah Opera, and Jen Silverman's Witch - and popular culture offerings, like the Scarlet Witch and Jinkx Monsoon, this book examines the dramaturgical meanings of adapting and embodying witchy roles in the twenty-first century. This book suggests that the Witch represents a crucial category of analysis for inclusive theatre and performance and will be of interest to theatre practitioners and designers, along with theatre, witchcraft, and horror studies scholars"--...

     

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  11. Fantasies of gender and the witch in feminist theory and literature
    Published: 2008
    Publisher:  Purdue University Press, West Lafayette, Ind ; JSTOR, New York, NY

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    Bibliothek der Hochschule Darmstadt, Zentralbibliothek
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  12. Klosterfrauen, Klosterhexen
    Theodor Fontanes Sidonie von Borcke im kulturellen Kontext ; Klosterseminar des Fontane-Kreises Hannover der Theodor-Fontane-Gesellschaft e.V. mit dem Konvent des Klosters St. Marienberg vom 14. bis 15. November 2003 in Helmstedt
    Contributor: Fischer, Hubertus (Hrsg.)
    Published: 2005
    Publisher:  Rübenberger Verl. Weiß, Neustadt am Rübenberge

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Contributor: Fischer, Hubertus (Hrsg.)
    Language: German
    Media type: Book
    Format: Print
    ISBN: 3936788073
    Other identifier:
    9783936788075
    RVK Categories: GL 3830
    Edition: 1. Aufl.
    Subjects: Fontane, Theodor <1819-1898>; Nuns in literature; Witches in literature
    Scope: 180 S., Ill., 21 cm
  13. Del inframundo al ámbito celestial
    entidades sobrenaturales de la literatura tradicional hispanoamericana
    Contributor: Carranza Vera, Claudia (Publisher); Rocha Valverde, Claudia (Publisher)
    Published: 2017
    Publisher:  El Colegio de San Luis, San Luis Potosí, S.L.P.

    Bayerische Staatsbibliothek
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  14. Yamamba
    in search of the Japanese mountain witch
    Contributor: Copeland, Rebecca L. (Publisher); Ehrlich, Linda C. (Publisher)
    Published: [2021]
    Publisher:  Stone Bridge Press, Berkeley, California

    Alluring, nurturing, dangerous, and vulnerable the yamamba, or Japanese mountain witch, has intrigued audiences for centuries. What is it about the fusion of mountains with the solitary old woman that produces such an enigmatic figure? And why does... more

    Bayerische Staatsbibliothek
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    Alluring, nurturing, dangerous, and vulnerable the yamamba, or Japanese mountain witch, has intrigued audiences for centuries. What is it about the fusion of mountains with the solitary old woman that produces such an enigmatic figure? And why does she still call to us in this modern, scientific era? Co-editors Rebecca Copeland and Linda C. Ehrlich first met the yamamba in the powerful short story "The Smile of the Mountain Witch" by acclaimed woman writer Ōba Minako. The story revealed the compelling way creative women can take charge of misogynistic tropes, invert them, and use them to tell new stories of female empowerment. This unique collection represents the creative and surprising ways artists and scholars from North America and Japan have encountered the yamamba Women, Magic, Wisdom: Explore a Japanese myth through the words and images of key scholars and artists

     

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    Source: Union catalogues
    Contributor: Copeland, Rebecca L. (Publisher); Ehrlich, Linda C. (Publisher)
    Language: English
    Media type: Book
    ISBN: 9781611720662
    Subjects: Literatur; Hexe <Motiv>; Berg <Motiv>; Kunst
    Other subjects: Witches / Folklore; Witches in literature; Witches in art; Witches / Japan / Poetry; Folk literature, Japanese; Japan / Folklore; Witches; Witches in art; Witches in literature; Japan; Folklore
    Scope: 151 Seiten, Illustrationen, 21 cm
    Notes:

    Japanese title from added title page

  15. "We three"
    the mythology of Shakespeare's weird sisters
    Published: [2007]
    Publisher:  Peter Lang, New York

    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781453906385
    Subjects: Frau; Wissen; Witchcraft in literature; Mythology in literature; Witches in literature; Women; Hexe <Motiv>
    Other subjects: Shakespeare, William (1564-1616): Macbeth; Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616): Macbeth
    Scope: viii, 140 Seiten
    Notes:

    Includes bibliographical references (p. [117]-125) and index

  16. Canidia, Rome's first witch
    Published: 2017
    Publisher:  Bloomsbury Academic, London ; Oxford ; New York ; New Delhi ; Sydney

    "Canidia is one of the most well-attested witches in Latin literature. She appears in no fewer than six of Horace's poems, three of which she has a prominent role in. Throughout Horace's Epodes and Satires she perpetrates acts of grave desecration,... more

    Universitätsbibliothek Eichstätt-Ingolstadt
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    Universitätsbibliothek der LMU München
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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
    Universitätsbibliothek Würzburg
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    "Canidia is one of the most well-attested witches in Latin literature. She appears in no fewer than six of Horace's poems, three of which she has a prominent role in. Throughout Horace's Epodes and Satires she perpetrates acts of grave desecration, kidnapping, murder, magical torture and poisoning. She invades the gardens of Horace's literary patron Maecenas, rips apart a lamb with her teeth, starves a Roman child to death, and threatens to unnaturally prolong Horace's life to keep him in a state of perpetual torment. She can be seen as an anti-muse: Horace repeatedly sets her in opposition to his literary patron, casts her as the personification of his iambic poetry, and gives her the surprising honor of concluding not only his Epodes but also his second book of Satires. This volume is the first comprehensive treatment of Canidia. It offers translations of each of the three poems which feature Canidia as a main character as well as the relevant portions from the other three poems in which Canidia plays a minor role. These translations are accompanied by extensive analysis of Canidia's part in each piece that takes into account not only the poems' literary contexts but their magico-religious details. "...

     

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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    ISBN: 9781350003880; 9781350080805
    RVK Categories: FX 181305 ; FX 181605
    Subjects: HISTORY / Ancient / Rome; LITERARY CRITICISM / Ancient & Classical; RELIGION / Ancient; Witches; Witchcraft; Magic, Roman; Witches in literature; HISTORY / Ancient / Rome; LITERARY CRITICISM / Ancient & Classical; RELIGION / Ancient; Hexe <Motiv>
    Other subjects: Horace; Canidia (Fictitious character); Horatius Flaccus, Quintus (v65-v8): Epodi; Horatius Flaccus, Quintus (v65-v8): Saturae
    Scope: 218 Seiten
    Notes:

    Includes bibliographical references and index

    Hier auch später erschienene, unveränderte Nachdrucke

    Dissertation, Ohio State University,

  17. Witches, Isis and narrative
    approaches to magic in Apuleius' Metamorphoses
    Published: 2008
    Publisher:  De Gruyter, Berlin

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110205947; 3110205947
    Series: Trends in classics ; v. 2
    Subjects: Magic in literature; Witches in literature; Magie <Motiv>; Magie
    Other subjects: Apuleius: Metamorphoses; Apuleius Madaurensis (123-170): Metamorphoses
    Scope: xii, [2], 255 p.
    Notes:

    Includes bibliography and indices

  18. The witch in the Western imagination
    Published: 2012
    Publisher:  University of Virginia Press, Charlottesville

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Zentralinstitut für Kunstgeschichte, Bibliothek
    No loan of volumes, only paper copies will be sent
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0813933005; 9780813933009
    RVK Categories: NN 1540
    Subjects: Witches in art; Witches in literature; Arts, European; Arts and society; Hexe <Motiv>; Kunst; Literatur
    Scope: xii, 240 p.
    Notes:

    Includes bibliographical references and index

  19. The witch in the Western imagination
    Published: 2012
    Publisher:  University of Virginia Press, Charlottesville

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0813932971; 0813933005; 9780813932972; 9780813933009
    Series: Richard lectures ; 1998
    Studies in early modern German history
    Subjects: ART / Performance; ART / Reference; Arts and society; Arts, European / Themes, motives; Witches in art; Witches in literature; Witches in art; Witches in literature; Arts, European; Arts and society; Kunst; Hexe <Motiv>; Literatur
    Scope: 1 Online-Ressource (xii, 240 p.)
    Notes:

    Includes bibliographical references and index

    Witchcraft and the Western imagination -- The gorgon of Augsburg -- Dürer's empty frame -- Envy -- Witchcraft and village drama -- Witches' children -- The suicidal student

  20. Crafting the witch
    gendering magic in medieval and early modern England
    Published: 2011
    Publisher:  Routledge, New York [u.a.]

    Universitätsbibliothek der LMU München
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  21. Hexen
    historische Faktizität und fiktive Bildlichkeit = Sorcières
    Published: 2004
    Publisher:  Röll, Dettelbach

    Universitätsbibliothek Augsburg
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    Staatsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Passau
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    Staatliche Bibliothek Regensburg
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    Universitätsbibliothek Würzburg
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    Source: Union catalogues
    Language: German
    Media type: Book
    ISBN: 3897542250
    RVK Categories: LC 41000 ; NW 8290
    Series: Kulturwissenschaftliche Beiträge ; 3
    Subjects: Literature, Modern; Witchcraft; Witches in literature; Witches; Deutsch; Hexe <Motiv>; Slawische Sprachen; Literatur
    Scope: 495 S., Ill.
  22. The witch in the Western imagination
    Published: 2012
    Publisher:  University of Virginia Press, Charlottesville, Va. [u.a.]

    Staats- und Stadtbibliothek Augsburg
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    Stadtarchiv Augsburg
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Bayerische Staatsbibliothek
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    Zentralinstitut für Kunstgeschichte, Bibliothek
    No loan of volumes, only paper copies will be sent
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780813932972; 9780813933009
    RVK Categories: NN 1540
    Edition: 1. publ.
    Series: Richard lectures for 1998
    Studies in early modern German history
    Subjects: Witches in art; Witches in literature; Arts, European; Arts and society; Kunst; Hexe <Motiv>; Literatur
    Scope: XII, 240 S., Ill.
    Notes:

    Includes bibliographical references (p. ) and index

  23. Scepticism and belief in English witchcraft drama, 1538-1681
    Author: Pudney, Eric
    Published: 2019
    Publisher:  Lund University Press, Lund

    This book situates witchcraft drama within its cultural and intellectual context, highlighting the centrality of scepticism and belief in witchcraft to the genre. It is argued that these categories are most fruitfully understood not as static and... more

    Universitätsbibliothek Regensburg
    Unlimited inter-library loan, copies and loan

     

    This book situates witchcraft drama within its cultural and intellectual context, highlighting the centrality of scepticism and belief in witchcraft to the genre. It is argued that these categories are most fruitfully understood not as static and mutually exclusive positions within the debate around witchcraft, but as rhetorical tools used within it. In drama, too, scepticism and belief are vital issues. The psychology of the witch character is characterised by a combination of impious scepticism towards God and credulous belief in the tricks of the witch's master, the devil. Plays which present plausible depictions of witches typically use scepticism as a support: the witch's power is subject to important limitations which make it easier to believe. Plays that take witchcraft less seriously present witches with unrestrained power, an excess of belief which ultimately induces scepticism. But scepticism towards witchcraft can become a veneer of rationality concealing other beliefs that pass without sceptical examination. The theatrical representation of witchcraft powerfully demonstrates its uncertain status as a historical and intellectual phenomenon; belief and scepticism in witchcraft drama are always found together, in creative tension with one another

     

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    Volltext (kostenfrei)
  24. Which face of witch
    self-representations of women as witches in works of contemporary British women writers
    Published: 2015
    Publisher:  Cambridge Scholars Publishing, Newcastle upon Tyne, UK

    For centuries, the figure of the witch represented the hostile and feared "other" on the edge of human society, placed "in between" the world of people and the world of demons. Whether she stood for the untamed powers of nature, dark powers of... more

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    Aggregator (lizenzpflichtig)
    Hochschule Aalen, Bibliothek
    E-Book EBSCO
    No inter-library loan
    Hochschule Esslingen, Bibliothek
    E-Book Ebsco
    No inter-library loan
    Saarländische Universitäts- und Landesbibliothek
    No inter-library loan
    Universitätsbibliothek der Eberhard Karls Universität
    No inter-library loan

     

    For centuries, the figure of the witch represented the hostile and feared "other" on the edge of human society, placed "in between" the world of people and the world of demons. Whether she stood for the untamed powers of nature, dark powers of knowledge or magic, or evil powers derived from the devil, she was always identified with fear as a disturbance, as a danger to the order of society and to the well-being of those who understood themselves as settled within the borders of the patriarcha

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1443879878; 9781443879873
    Subjects: Witches in literature; English fiction; C 1900 -; Modern & contemporary fiction (post c 1945); Gender studies: women; LITERARY CRITICISM ; European ; English, Irish, Scottish, Welsh; English fiction ; Women authors; Witches in literature; Criticism, interpretation, etc
    Scope: 1 Online-Ressource (xi, 257 pages)
    Notes:

    Includes bibliographical references (pagegs 238-252) and index

  25. Scepticism and belief in English witchcraft drama, 1538-1681
    Author: Pudney, Eric
    Published: 2019
    Publisher:  Lund University Press, Lund

    This book situates witchcraft drama within its cultural and intellectual context, highlighting the centrality of scepticism and belief in witchcraft to the genre. It is argued that these categories are most fruitfully understood not as static and... more

    Access:
    Aggregator (lizenzpflichtig)
    Hochschule Aalen, Bibliothek
    E-Book EBSCO
    No inter-library loan
    Hochschule Esslingen, Bibliothek
    E-Book Ebsco
    No inter-library loan
    Hochschule Offenburg, University of Applied Sciences, Bibliothek Campus Offenburg
    E-Book EBSCO
    No inter-library loan
    Saarländische Universitäts- und Landesbibliothek
    No inter-library loan
    Universitätsbibliothek der Eberhard Karls Universität
    No inter-library loan

     

    This book situates witchcraft drama within its cultural and intellectual context, highlighting the centrality of scepticism and belief in witchcraft to the genre. It is argued that these categories are most fruitfully understood not as static and mutually exclusive positions within the debate around witchcraft, but as rhetorical tools used within it. In drama, too, scepticism and belief are vital issues. The psychology of the witch character is characterised by a combination of impious scepticism towards God and credulous belief in the tricks of the witch's master, the devil. Plays which present plausible depictions of witches typically use scepticism as a support: the witch's power is subject to important limitations which make it easier to believe. Plays that take witchcraft less seriously present witches with unrestrained power, an excess of belief which ultimately induces scepticism. But scepticism towards witchcraft can become a veneer of rationality concealing other beliefs that pass without sceptical examination. The theatrical representation of witchcraft powerfully demonstrates its uncertain status as a historical and intellectual phenomenon; belief and scepticism in witchcraft drama are always found together, in creative tension with one another

     

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