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  1. The Myth of Piers Plowman : Constructing a Medieval Literary Archive
    Published: 2014
    Publisher:  Cambridge University Press, Cambridge, UK - New York, USA

    Addressing the history of the production and reception of the great medieval poem, Piers Plowman, Lawrence Warner reveals the many ways in which scholars, editors and critics over the centuries created their own speculative narratives about the poem,... more

     

    Addressing the history of the production and reception of the great medieval poem, Piers Plowman, Lawrence Warner reveals the many ways in which scholars, editors and critics over the centuries created their own speculative narratives about the poem, which gradually came to be regarded as factually true. Warner begins by considering the possibility that Langland wrote a romance about a werewolf and bear-suited lovers, and he goes on to explore the methods of the poem's localization, and medieval readers' particular interest in its Latinity. Warner shows that the 'Protestant Piers' was a reaction against the poem's oral mode of transmission, reveals the extensive eighteenth-century textual scholarship on the poem by figures including the maligned Chaucer editor John Urry, and contextualizes its first modernization by a literary forger inspired by the 1790s Shakespeare controversies. This lively account of Piers Plowman challenges the way the poem has traditionally been read and understood. This title was made Open Access by libraries from around the world through Knowledge Unlatched.

     

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    Source: OAPEN
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781107338821
    Other identifier:
    Subjects: Literature & literary studies
    Other subjects: criticism and interpretation; authorship; Geoffrey Chaucer; Latin; London; Manuscript; Piers Plowman; William Langland
    Scope: 1 electronic resource (242 p.)
  2. Retrospective Prophecy and Medieval English Authorship
    Published: [2022]; ©2022
    Publisher:  University of Toronto Press, Toronto

    The prescience of medieval English authors has long been a source of fascination to readers. Retrospective Prophecy and Medieval English Authorship draws attention to the ways that misinterpreted, proleptically added, or dubiously attributed... more

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    Verlag (lizenzpflichtig)
    Resolving-System (lizenzpflichtig)
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    No inter-library loan
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    No inter-library loan
    Universität Potsdam, Universitätsbibliothek
    No inter-library loan
    Herzog August Bibliothek Wolfenbüttel
    No inter-library loan

     

    The prescience of medieval English authors has long been a source of fascination to readers. Retrospective Prophecy and Medieval English Authorship draws attention to the ways that misinterpreted, proleptically added, or dubiously attributed prognostications influenced the reputations of famed Middle English authors. It illuminates the creative ways in which William Langland, John Gower, and Geoffrey Chaucer engaged with prophecy to cultivate their own identities and to speak to the problems of their age. Retrospective Prophecy and Medieval English Authorship examines the prophetic reputations of these well-known medieval authors whose fame made them especially subject to nationalist appropriation. Kimberly Fonzo explains that retrospectively co-opting the prophetic voices of canonical authors aids those looking to excuse or endorse key events of national history by implying that they were destined to happen. She challenges the reputations of Langland, Gower, and Chaucer as prophets of the Protestant Reformation, Richard II’s deposition, and secular Humanism, respectively. This intellectual and critical assessment of medieval authors and their works successfully makes the case that prophecy emerged and recurred as an important theme in medieval authorial self-representations "This study argues that prophecy emerged and recurred as an important theme in both medieval authorial self-representation and the subsequent intellectual and critical assessment of medieval authors and their works by others. Because prophecy is always a second hand authority, readers can easily coopt it to support their own political and theological causes. The author examines three English authors whose reputations have been appropriated in a variety of ways due to the prophetic portions of their texts (or texts that have been attributed to them)--William Langland, John Gower, and Geoffrey Chaucer."--

     

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  3. The Philosophy of Piers Plowman
    The Ethics and Epistemology of Love in Late Medieval Thought
    Published: 2018
    Publisher:  Springer International Publishing, Cham ; Palgrave Macmillan

  4. Retrospective Prophecy and Medieval English Authorship
    Published: [2022]; ©2022
    Publisher:  University of Toronto Press, Toronto

    The prescience of medieval English authors has long been a source of fascination to readers. Retrospective Prophecy and Medieval English Authorship draws attention to the ways that misinterpreted, proleptically added, or dubiously attributed... more

    Access:
    Verlag (lizenzpflichtig)
    Resolving-System (lizenzpflichtig)
    Universität Potsdam, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    The prescience of medieval English authors has long been a source of fascination to readers. Retrospective Prophecy and Medieval English Authorship draws attention to the ways that misinterpreted, proleptically added, or dubiously attributed prognostications influenced the reputations of famed Middle English authors. It illuminates the creative ways in which William Langland, John Gower, and Geoffrey Chaucer engaged with prophecy to cultivate their own identities and to speak to the problems of their age. Retrospective Prophecy and Medieval English Authorship examines the prophetic reputations of these well-known medieval authors whose fame made them especially subject to nationalist appropriation. Kimberly Fonzo explains that retrospectively co-opting the prophetic voices of canonical authors aids those looking to excuse or endorse key events of national history by implying that they were destined to happen. She challenges the reputations of Langland, Gower, and Chaucer as prophets of the Protestant Reformation, Richard II’s deposition, and secular Humanism, respectively. This intellectual and critical assessment of medieval authors and their works successfully makes the case that prophecy emerged and recurred as an important theme in medieval authorial self-representations "This study argues that prophecy emerged and recurred as an important theme in both medieval authorial self-representation and the subsequent intellectual and critical assessment of medieval authors and their works by others. Because prophecy is always a second hand authority, readers can easily coopt it to support their own political and theological causes. The author examines three English authors whose reputations have been appropriated in a variety of ways due to the prophetic portions of their texts (or texts that have been attributed to them)--William Langland, John Gower, and Geoffrey Chaucer."--

     

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