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  1. Haiti's paper war
    post-independence writing, Civil War, and the making of the Republic, 1804-1954
    Published: 2020
    Publisher:  New York University Press, New York, NY

    Turns to the written record to re-examine the building blocks of a nationPicking up where most historians conclude, Chelsea Stieber explores the critical internal challenge to Haiti's post-independence sovereignty: a civil war between monarchy and... more

    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan

     

    Turns to the written record to re-examine the building blocks of a nationPicking up where most historians conclude, Chelsea Stieber explores the critical internal challenge to Haiti's post-independence sovereignty: a civil war between monarchy and republic. What transpired was a war of swords and of pens, waged in newspapers and periodicals, in literature, broadsheets, and fliers. In her analysis of Haitian writing that followed independence, Stieber composes a new literary history of Haiti, that challenges our interpretations of both freedom struggles and the postcolonial. By examining internal dissent during the revolution, Stieber reveals that the very concept of freedom was itself hotly contested in the public sphere, and it was this inherent tension that became the central battleground for the guerre de plume-the paper war-that vied to shape public sentiment and the very idea of Haiti.Stieber's reading of post-independence Haitian writing reveals key insights into the nature of literature, its relation to freedom and politics, and how fraught and politically loaded the concepts of "literature" and "civilization" really are. The competing ideas of liberté, writing, and civilization at work within postcolonial Haiti have consequences for the way we think about Haiti's role-as an idea and a discursive interlocutor-in the elaboration of black radicalism and black Atlantic, anticolonial, and decolonial thought. In so doing, Stieber reorders our previously homogeneous view of Haiti, teasing out warring conceptions of the new nation that continued to play out deep into the twentieth century

     

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  2. Haiti's paper war
    post-independence writing, civil war, and the making of the republic, 1804-1954
    Published: [2020]; © 2020
    Publisher:  New York University Press, New York

    Turns to the written record to re-examine the building blocks of a nationPicking up where most historians conclude, Chelsea Stieber explores the critical internal challenge to Haiti's post-independence sovereignty: a civil war between monarchy and... more

    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan

     

    Turns to the written record to re-examine the building blocks of a nationPicking up where most historians conclude, Chelsea Stieber explores the critical internal challenge to Haiti's post-independence sovereignty: a civil war between monarchy and republic. What transpired was a war of swords and of pens, waged in newspapers and periodicals, in literature, broadsheets, and fliers. In her analysis of Haitian writing that followed independence, Stieber composes a new literary history of Haiti, that challenges our interpretations of both freedom struggles and the postcolonial. By examining internal dissent during the revolution, Stieber reveals that the very concept of freedom was itself hotly contested in the public sphere, and it was this inherent tension that became the central battleground for the guerre de plume-the paper war-that vied to shape public sentiment and the very idea of Haiti.Stieber's reading of post-independence Haitian writing reveals key insights into the nature of literature, its relation to freedom and politics, and how fraught and politically loaded the concepts of "literature" and "civilization" really are. The competing ideas of liberté, writing, and civilization at work within postcolonial Haiti have consequences for the way we think about Haiti's role-as an idea and a discursive interlocutor-in the elaboration of black radicalism and black Atlantic, anticolonial, and decolonial thought. In so doing, Stieber reorders our previously homogeneous view of Haiti, teasing out warring conceptions of the new nation that continued to play out deep into the twentieth century

     

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  3. Haiti's paper war
    post-Independence writing, civil war, and the making of the republic, 1804-1954
    Published: [2020]
    Publisher:  New York University Press, New York, NY

    Frontmatter -- Contents -- Note on Translation -- Introduction -- 1 Dessalines’s Empire of Liberty -- 2 Civil War, Guerre de Plume -- 3 Southern Republic of Letters -- 4 The Myth of the Universal Haitian Republic, or Deux Nations dans la Nation -- 5... more

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    Staats- und Universitätsbibliothek Bremen
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    Frontmatter -- Contents -- Note on Translation -- Introduction -- 1 Dessalines’s Empire of Liberty -- 2 Civil War, Guerre de Plume -- 3 Southern Republic of Letters -- 4 The Myth of the Universal Haitian Republic, or Deux Nations dans la Nation -- 5 The Second Empire of Haiti and the Exiled Republic -- 6 Nationals and Liberals, 1904/1906 -- 7 Haiti’s National Revolution -- Epilogue -- Acknowledgments -- Notes -- Bibliography -- Index -- About the Author Turns to the written record to re-examine the building blocks of a nationPicking up where most historians conclude, Chelsea Stieber explores the critical internal challenge to Haiti’s post-independence sovereignty: a civil war between monarchy and republic. What transpired was a war of swords and of pens, waged in newspapers and periodicals, in literature, broadsheets, and fliers. In her analysis of Haitian writing that followed independence, Stieber composes a new literary history of Haiti, that challenges our interpretations of both freedom struggles and the postcolonial. By examining internal dissent during the revolution, Stieber reveals that the very concept of freedom was itself hotly contested in the public sphere, and it was this inherent tension that became the central battleground for the guerre de plume—the paper war—that vied to shape public sentiment and the very idea of Haiti.Stieber’s reading of post-independence Haitian writing reveals key insights into the nature of literature, its relation to freedom and politics, and how fraught and politically loaded the concepts of “literature” and “civilization” really are. The competing ideas of liberté, writing, and civilization at work within postcolonial Haiti have consequences for the way we think about Haiti’s role—as an idea and a discursive interlocutor—in the elaboration of black radicalism and black Atlantic, anticolonial, and decolonial thought. In so doing, Stieber reorders our previously homogeneous view of Haiti, teasing out warring conceptions of the new nation that continued to play out deep into the twentieth century

     

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  4. Haiti's paper war
    post-Independence writing, civil war, and the making of the republic, 1804-1954
    Published: [2020]; ©2020
    Publisher:  New York University Press, New York, NY

    2021 Outstanding Academic Title, Choice MagazineTurns to the written record to re-examine the building blocks of a nationPicking up where most historians conclude, Chelsea Stieber explores the critical internal challenge to Haiti’s post-independence... more

    Access:
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    Verlag (lizenzpflichtig)
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    No inter-library loan
    Thüringer Universitäts- und Landesbibliothek
    No inter-library loan
    Hochschulbibliothek Karlsruhe (PH)
    eBook de Gruyter
    No inter-library loan

     

    2021 Outstanding Academic Title, Choice MagazineTurns to the written record to re-examine the building blocks of a nationPicking up where most historians conclude, Chelsea Stieber explores the critical internal challenge to Haiti’s post-independence sovereignty: a civil war between monarchy and republic. What transpired was a war of swords and of pens, waged in newspapers and periodicals, in literature, broadsheets, and fliers. In her analysis of Haitian writing that followed independence, Stieber composes a new literary history of Haiti, that challenges our interpretations of both freedom struggles and the postcolonial. By examining internal dissent during the revolution, Stieber reveals that the very concept of freedom was itself hotly contested in the public sphere, and it was this inherent tension that became the central battleground for the guerre de plume—the paper war—that vied to shape public sentiment and the very idea of Haiti.Stieber’s reading of post-independence Haitian writing reveals key insights into the nature of literature, its relation to freedom and politics, and how fraught and politically loaded the concepts of “literature” and “civilization” really are. The competing ideas of liberté, writing, and civilization at work within postcolonial Haiti have consequences for the way we think about Haiti’s role—as an idea and a discursive interlocutor—in the elaboration of black radicalism and black Atlantic, anticolonial, and decolonial thought. In so doing, Stieber reorders our previously homogeneous view of Haiti, teasing out warring conceptions of the new nation that continued to play out deep into the twentieth century

     

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  5. Haiti's paper war
    post-Independence writing, civil war, and the making of the republic, 1804-1954
    Published: [2020]
    Publisher:  New York University Press, New York, NY

    Frontmatter -- Contents -- Note on Translation -- Introduction -- 1 Dessalines’s Empire of Liberty -- 2 Civil War, Guerre de Plume -- 3 Southern Republic of Letters -- 4 The Myth of the Universal Haitian Republic, or Deux Nations dans la Nation -- 5... more

    Access:
    Verlag (lizenzpflichtig)
    Universität Potsdam, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    Frontmatter -- Contents -- Note on Translation -- Introduction -- 1 Dessalines’s Empire of Liberty -- 2 Civil War, Guerre de Plume -- 3 Southern Republic of Letters -- 4 The Myth of the Universal Haitian Republic, or Deux Nations dans la Nation -- 5 The Second Empire of Haiti and the Exiled Republic -- 6 Nationals and Liberals, 1904/1906 -- 7 Haiti’s National Revolution -- Epilogue -- Acknowledgments -- Notes -- Bibliography -- Index -- About the Author Turns to the written record to re-examine the building blocks of a nationPicking up where most historians conclude, Chelsea Stieber explores the critical internal challenge to Haiti’s post-independence sovereignty: a civil war between monarchy and republic. What transpired was a war of swords and of pens, waged in newspapers and periodicals, in literature, broadsheets, and fliers. In her analysis of Haitian writing that followed independence, Stieber composes a new literary history of Haiti, that challenges our interpretations of both freedom struggles and the postcolonial. By examining internal dissent during the revolution, Stieber reveals that the very concept of freedom was itself hotly contested in the public sphere, and it was this inherent tension that became the central battleground for the guerre de plume—the paper war—that vied to shape public sentiment and the very idea of Haiti.Stieber’s reading of post-independence Haitian writing reveals key insights into the nature of literature, its relation to freedom and politics, and how fraught and politically loaded the concepts of “literature” and “civilization” really are. The competing ideas of liberté, writing, and civilization at work within postcolonial Haiti have consequences for the way we think about Haiti’s role—as an idea and a discursive interlocutor—in the elaboration of black radicalism and black Atlantic, anticolonial, and decolonial thought. In so doing, Stieber reorders our previously homogeneous view of Haiti, teasing out warring conceptions of the new nation that continued to play out deep into the twentieth century

     

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