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  1. What Pornography Knows :
    Sex and Social Protest since the Eighteenth Century /
    Author: Lubey, Kathleen,
    Published: [2022]; ©2022
    Publisher:  Stanford University Press,, Stanford, CA :

    What Pornography Knows offers a new history of pornography based on forgotten bawdy fiction of the eighteenth century, its nineteenth-century republication, and its appearance in 1960s paperbacks. Through close textual study, Lubey shows how these... more

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    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Unlimited inter-library loan, copies and loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    What Pornography Knows offers a new history of pornography based on forgotten bawdy fiction of the eighteenth century, its nineteenth-century republication, and its appearance in 1960s paperbacks. Through close textual study, Lubey shows how these texts were edited across time to become what we think pornography is-a genre focused primarily on sex. Originally, they were far more variable, joining speculative philosophy and feminist theory to sexual description. Lubey's readings show that pornography always had a social consciousness-that it knew, long before anti-pornography feminists said it, that women and nonbinary people are disadvantaged by a society that grants sexual privilege to men. Rather than glorify this inequity, Lubey argues, the genre's central task has historically been to expose its artifice and envision social reform. Centering women's bodies, pornography refuses to divert its focus from genital action, forcing readers to connect sex with its social outcomes. At times inventing their own sexual anatomy and gender identity, at times having their bodies claimed and used by others, pornographic figures bring genitals to the fore, insisting they be justly treated rather than coldly transacted. Lubey offers a surprising take on a deeply misunderstood cultural form: pornography transforms sexual description into feminist commentary, she argues, revealing the genre's deep knowledge of how social inequities are perpetuated as well as plans for how to rectify them.

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Article (edited volume)
    Format: Online
    ISBN: 9781503633124
    Other identifier:
    Parent title: Title is part of eBook package:: EBOOK PACKAGE COMPLETE 2022 English; De Gruyter
    Title is part of eBook package:: EBOOK PACKAGE COMPLETE 2022; De Gruyter
    Title is part of eBook package:: EBOOK PACKAGE Literary, Cultural, Area Studies 2022 English; De Gruyter
    Title is part of eBook package:: EBOOK PACKAGE Literary, Cultural, Area Studies 2022; De Gruyter
    Title is part of eBook package:: Stanford University Press Complete eBook-Package 2022; De Gruyter
    RVK Categories: HG 700
    Subjects: English fiction; Erotic literature, English; Erotic literature, English; Feminism and literature; Pornography; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh.
    Other subjects: Victorian.; archive.; book history.; eighteenth-century.; erotic literature.; feminism.; narrative.; pornography.; rape.; twentieth-century.
    Scope: 1 online resource (312 p.)
  2. Refiguring speech :
    late Victorian fictions of empire and the poetics of talk /
    Author: Wong, Amy R.,
    Published: [2023]; ©2023
    Publisher:  Stanford University Press,, Stanford, California :

    "In this book, Amy R. Wong unravels the colonial and racial logic behind seemingly innocuous assumptions about "speech": that our words belong to us, and that self-possession is a virtue. Through readings of late-Victorian fictions of empire, Wong... more

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    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
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    Unlimited inter-library loan, copies and loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "In this book, Amy R. Wong unravels the colonial and racial logic behind seemingly innocuous assumptions about "speech": that our words belong to us, and that self-possession is a virtue. Through readings of late-Victorian fictions of empire, Wong revisits the scene of speech's ideological foreclosures as articulated in postcolonial theory. Engaging Afro-Caribbean thinkers like Éduoard Glissant and Sylvia Wynter, Refiguring Speech reroutes attention away from speech and toward an anticolonial poetics of talk, which emphasizes communal ownership and embeddedness within the social world and material environment. Analyzing novels by Robert Louis Stevenson, Bram Stoker, George Meredith, Joseph Conrad, and Ford Madox Ford, Wong refashions the aesthetics of disordered speech--such as parroting, eavesdropping, profuse inarticulacy, and dysfluency--into alternate forms of communication that stand on their own as talk. Wong demonstrates how late nineteenth-century Britain's twin crises of territorialization--of empire and of new media--spurred narrative interests in capturing the sense that speech's tethering to particular persons was no longer tenable. In doing so, Wong connects this period to U.S. empire by constructing a genealogy of Anglo-American speech's colonialist and racialized terms of proprietorship. Refiguring Speech offers students and scholars of Victorian literature and postcolonial studies a powerful conceptualization of talk as an insurgent form of communication"--

     
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    Source: Staatsbibliothek zu Berlin; Philologische Bibliothek, FU Berlin
    Media type: Ebook
    Format: Online
    ISBN: 9781503635999
    Other identifier:
    Edition: 1st ed.
    Subjects: English fiction; Speech in literature.; Postcolonialism.
    Other subjects: Victorian.; anticolonial.; colonialism.; imperial fiction.; poetics of relation.; postcolonial.; property.; racialization.; speech.; talk.
    Scope: 1 online resource (242 pages)
    Notes:

    Includes bibliographical references and index.

    Cover -- Title Page -- Copyright -- Contents -- Acknowledgments -- Introduction -- One. Parroting With and Eavesdropping On Robert Louis Stevenson -- Two. Multilingual Talk and Bram Stoker's White Cosmopolitics -- Three. George Meredith's Profuse Inarticulacy -- Four. Joseph Conrad and Ford Madox Ford's Dysfluent End of the World -- Conclusion -- Notes -- Bibliography -- Index -- Back Cover.
  3. Bridging East and West :
    Ol’ha Kobylians’ka, Ukraine’s Pioneering Modernist /
    Author: Ladygina, Yuliya ,
    Published: [2020]; ©2019
    Publisher:  University of Toronto Press,, Toronto :

    Bridging East and West explores the literary evolution of one of Ukraine’s foremost modernist writers, Ol’ha Kobylianska, who was a major contributor in the intellectual debates of her time. Investigating themes of feminism, populism, Nietzscheanism,... more

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    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
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    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Bridging East and West explores the literary evolution of one of Ukraine’s foremost modernist writers, Ol’ha Kobylianska, who was a major contributor in the intellectual debates of her time. Investigating themes of feminism, populism, Nietzscheanism, nationalism, and fascism in her works, this study presents an alternative intellectual genealogy in turn-of-the-century European arts and letters whose implications reach far beyond the field of Ukrainian studies. Rather than repeating various narratives about modernism as a radical response to nineteenth-century bourgeois culture or an aesthetic of fragmentation, this study highlights the fissures and fusions inherent to turn-of-the-century thought. For feminist scholars, Bridging East and West makes accessible a thorough account of a central, yet overlooked, woman writer who served as a model and a contributor within a major cultural tradition. For those working in Victorian studies or comparative fascism and for those interested in Nietzsche and his influence on European intellectuals, Kobylians’ka emerges in this study as an unlikely, but no less active, trailblazer in the social and aesthetic theories that would define European debates about culture, science, and politics in the first half of the twentieth century. For those interested in questions of transnationalism and intersectionality, this study’s discussion of Kobylians’ka’s hybrid cultural identity and philosophical program exemplifies cultural interchange and irreducible complexities of cultural identity.

     
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