Skip to main navigation Skip to main content
info(at)avldigital.remove-this.de
Deutsch English
Narrow Search
Search narrowed by
Last searches

Results for *

Displaying results 1 to 25 of 373.

  1. Phonographic memories
    popular music and the contemporary Caribbean novel
    Author: Hamilton, Njelle W.
    Published: [2019]; © 2019
    Publisher:  Rutgers University Press, New Brunswick, New Jersey [u.a.]

    Phonographic memory : tracing the calypsonian's work in Lawrence Scott's Night calypso -- "Record your memories" : the bolero aesthetic in Oscar Hijuelos' The mambo kings play songs of love -- Re-membering "body and soul" : gender, gwoka, and jazz in... more

    Location:
    Hochschule für Musik und Tanz Köln, Bibliothek
    Signature:
    Ib 2737
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Phonographic memory : tracing the calypsonian's work in Lawrence Scott's Night calypso -- "Record your memories" : the bolero aesthetic in Oscar Hijuelos' The mambo kings play songs of love -- Re-membering "body and soul" : gender, gwoka, and jazz in Daniel Maximin's Lone sun -- Roots, romance, reggae : (dis)placing memory in Colin Channer's Waiting in vain -- Memory as mixtape : the dub aesthetic in Ramabai Espinet's The swinging bridge. "Phonographic Memories is the first book-length analysis of Caribbean popular music in the Caribbean novel. Tracing a region-wide poetics that attends to the centrality of Caribbean music in retrieving and replaying personal and cultural memories, Hamilton offers a fresh perspective on musical nationalism and nostalgic memory in the era of globalization"--

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780813596600; 9780813596594
    Series: Critical Carribean studies
    Subjects: Literatur; Unterhaltungsmusik
    Scope: xi, 222 Seiten
    Notes:

    Includes bibliographical references and discography
  2. Performative Lyrik und lyrische Performance
    Profilbildung im deutschen Rap
    Author: Gruber, Johannes
    Published: [2016]; ©2016
    Publisher:  transcript-Verlag, Bielefeld

    Rap does not exist on paper - rap must be performed. The individual style of a rapper - their flow - is thus a crucial measure of quality. Johannes Gruber examines this phenomenon for the first time using his own self-developed 'flow analysis'. The... more

    Access:

    Location:
    Hochschulbibliothek der Fachhochschule Aachen
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek der RWTH Aachen
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Fachhochschule Bielefeld, Hochschulbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Bielefeld
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule Bochum, Hochschulbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Ruhr-Universität Bochum, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitäts- und Landesbibliothek Bonn
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Fachhochschule Dortmund, Hochschulbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Dortmund
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Duisburg-Essen
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Westfälische Hochschule Gelsenkirchen Bocholt Recklinghausen, Hochschulbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Fachhochschule Südwestfalen, Elektronische Ressourcen
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek der Fernuniversität
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Katholische Hochschule Nordrhein-Westfalen (katho), Hochschulbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Technische Hochschule Köln, Hochschulbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Zentralbibliothek der Sportwissenschaften der Deutschen Sporthochschule Köln
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule Niederrhein, Bibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule Ruhr West, Hochschulbibliothek, Zweigbibliothek Bottrop
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Location:
    Hochschule Ruhr West, Hochschulbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitäts- und Landesbibliothek Münster
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Paderborn
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschul- und Kreisbibliothek Bonn-Rhein-Sieg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Siegen
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Wuppertal
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Rap does not exist on paper - rap must be performed. The individual style of a rapper - their flow - is thus a crucial measure of quality. Johannes Gruber examines this phenomenon for the first time using his own self-developed 'flow analysis'. The usage of this method on over 600 rap tracks and their lyrics delivers astounding results and culminates in a comprehensive "poetics of rap", combining standardised methods of text production and performance and presenting German rap in its complete soundscape. With the use of genre stars Sido and Bushido, the study shows how rappers use these mechanisms and strategies in order to generate a specific image and profile Rap existiert nicht auf dem Papier - Rap muss aufgeführt werden. Entscheidendes Qualitätsmerkmal ist dabei der individuelle Stil eines Rappers, sein »Flow«. Johannes Gruber untersucht dieses Phänomen erstmalig genauer anhand der von ihm entwickelten Flowanalyse. Die Anwendung dieser Methode auf über 600 Raptracks und die zugehörigen Texte liefert erstaunliche Ergebnisse und mündet in eine umfassende »Poetik des Rap«. Diese fasst standardisierte Verfahren der Textproduktion und -aufführung zusammen und zeigt den deutschen Rap in seiner ganzen Klanglichkeit. Wie Rapper diese Mechanismen und Strategien nutzen, um ein spezifisches Image bzw. Profil zu generieren, zeigt die Studie anhand der Genre-Stars Sido und Bushido

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
  3. The Routledge research companion to popular music and gender
    Contributor: Hawkins, Stan (Herausgeber)
    Published: 2020
    Publisher:  Routledge, Taylor & Francis Group, London ; New York, NY

    Why is gender inseparable from pop songs? What can gender representations in musical performances mean? Why are there strong links between gender, sexuality and popular music? The sound of the voice, the mix, the arrangement, the lyrics and images,... more

    Location:
    Landesbibliothekszentrum Rheinland-Pfalz / Rheinische Landesbibliothek
    Signature:
    2021/3555
    Inter-library loan:
    Loan of volumes, no copies

    Location:
    Universitätsbibliothek Koblenz
    Signature:
    MU/I 2022 1391
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Why is gender inseparable from pop songs? What can gender representations in musical performances mean? Why are there strong links between gender, sexuality and popular music? The sound of the voice, the mix, the arrangement, the lyrics and images, all link our impressions of gender to music. Numerous scholars writing about gender in popular music to date are concerned with the music industry's impact on fans, and how tastes and preferences become associated with gender. This is the first collection of its kind to develop and present new theories and methods in the analysis of popular music and gender. The contributors are drawn from a range of disciplines including musicology, sociology, anthropology, gender studies, philosophy, and media studies, providing new reference points for studies in this interdisciplinary field. Stan Hawkins's introduction sets out to situate a variety of debates that prompts ways of thinking and working, where the focus falls primarily on gender roles. Amongst the innovative approaches taken up in this collection are: queer performativity, gender theory, gay and lesbian agency, the female pop celebrity, masculinities, transculturalism, queering, transgenderism and androgyny. This Research Companion is required reading for scholars and teachers of popular music, whatever their disciplinary background. Stan Hawkins is Professor of Musicology at the University of Oslo, Norway, and Adjunct Professor at the University of Agder, Norway. His research fields involve music analysis, popular musicology, gender and culture. From 2010-2014 he has led a Norwegian state-funded project, Popular Music and Gender in a Transcultural Context. He is author of Settling the Pop Score (2002), The British Pop Dandy (2009), and Prince: The Making of a Pop Music Phenomenon (2011). His edited volumes include Music, Space & Place (2004), Essays on Sound & Vision (2007), Pop Music & Easy Listening (2011), and Critical Musicological Reflections (2012). He is currently one of the General Editors for the Ashgate Popular and Folk Music Series.

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Contributor: Hawkins, Stan (Herausgeber)
    Language: English
    Media type: Book
    ISBN: 9780367581312
    RVK Categories: LR 56610 ; LR 56600
    Subjects: Popular music; Sex role in music; Gender identity in music; Unterhaltungsmusik; Geschlechterrolle; Geschlechterforschung
    Scope: xvii, 382 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  4. Popular music and the politics of hope
    queer and feminist interventions
    Contributor: Fast, Susan (Herausgeber); Jennex, Craig (Herausgeber)
    Published: 2019
    Publisher:  Routledge, New York ; London

    Displacing whiteness. Visions of wondaland: on Janelle Monaé's afrofuturistic vision / Marquita R. Smith ; Listening to difference : recognition and refusal in queer music diasporas / Craig Jennex ; Who's your daddy? : Beyoncé, the Dixie Chicks, and... more

    Location:
    Universität Bonn, Institut für Sprach-, Medien- und Musikwissenschaft, Bibliothek für Medien- und Musikwissenschaft
    Signature:
    LR 56610 F251
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschule für Musik Detmold, Bibliothek
    Signature:
    BC 74:4
    Inter-library loan:
    Loan of volumes, no copies

    Location:
    Universitätsbibliothek Koblenz
    Signature:
    MU/I 2019 3405
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule für Musik und Tanz Köln, Bibliothek
    Signature:
    Ib 2735
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Paderborn
    Signature:
    KHR4203
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Displacing whiteness. Visions of wondaland: on Janelle Monaé's afrofuturistic vision / Marquita R. Smith ; Listening to difference : recognition and refusal in queer music diasporas / Craig Jennex ; Who's your daddy? : Beyoncé, the Dixie Chicks, and the art of outlaw protest / Francesca T. Royster -- Rethinking difference. Brave new ideas begin : disability, gender, and life-writing in twenty-first-century pop / Laurie Stras ; Round my hometown : listening to London in the racial politics of post-millennial British soul / Freya Jarman with Emily Baker ; Born to run and reckless : my life as a Pretender : rewriting the political imaginary of rock music memoir / Pamela Fox -- Decolonizing sound. Sounding the Halluci Nation : decolonizing race, masculinity, and global solidarities with a Tribe Called Red / Alexa Woloshyn ; Addict(ive) sex: toward an intersectional approach to Truth Hurts' Addictive and Afro-South Asian hip hop and R&B / Elliott H. Powell ; Hip hop dialogues : sampling women's hand drum songs and the Canadian popular mainstream / Liz Przybylski --- Refusing conventions. Electro-pop as Trojan horse : hearing the call to arms in Anohni's Hopelessness / Maria Murphy -- Genders, genres, generations : Jacqueline Warwick and Susan McClary in conversation / Susan McClary and Jacqueline Warwick -- Power in the darkness and angry Atthis : anthems, genres and the queer voice / Jack Halberstam -- Voicing resilience. Resisting the politics of aging : Madonna and the value of female labor in popular music / Tiffany Naiman ; Vera Lynn 100 : retirement, aging, and legacy for a national treasure / Christina Baade ; Sounding lockdown : singing in administrative segregation at the Louisiana correctional institute for women / Benjamin J. Harbert and Consuela Gaines.

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Contributor: Fast, Susan (Herausgeber); Jennex, Craig (Herausgeber)
    Language: English
    Media type: Book
    ISBN: 9781138055865; 9781138055896
    Edition: 1. published
    Subjects: Geschlechterforschung; Feminismus; Unterhaltungsmusik
    Scope: xii, 338 Seiten, Illustrationen
  5. ZeMuLi
    Published: [2022]-
    Publisher:  Bezirk Oberbayern, München

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: German
    Media type: Journal
    ISSN: 2751-7039
    Subjects: Volksmusik; Literatur; Unterhaltungsmusik
    Scope: Bände, 30 cm
  6. The N-word in music
    an American history
    Author: Mealy, Todd M.
    Published: [2022]; © 2022
    Publisher:  McFarland & Company, Inc., Publishers, Jefferson

    "The minstrelsy play, song, and dance "Jump, Jim Crow" did more than enable blackface performers to spread racist stereotypes about Black Americans. This widespread antebellum-era cultural phenomenon was instrumental in normalizing the N-word across... more

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "The minstrelsy play, song, and dance "Jump, Jim Crow" did more than enable blackface performers to spread racist stereotypes about Black Americans. This widespread antebellum-era cultural phenomenon was instrumental in normalizing the N-word across several aspects of American life. Material culture, sporting culture, consumer products, house-pets, carnival games and even geographic landmarks obtained the racial slur as a formal and informal appellation. Music, it is argued, was the catalyst for normalizing and disseminating those two ugly syllables throughout society, well beyond the environs of plantation and urban slavery. This weighty and engaging look at the English language's most explosive slur, described by scholars as the "atomic bomb" of bigoted words, traces the N-word's journey through various music genres and across generations. The author uses private letters, newspaper accounts, exclusive interviews and, most importantly, music lyrics from artists in the fields of minstrelsy, folk, country, ragtime, blues, jazz, rock 'n' roll and hip hop. The result is a reflective account of how the music industry has channeled linguistic and cultural movements across eras, resulting in changes to the slur's meaning and spelling"--

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
  7. Der Begriff "Heimat" in rechter Musik
    Analysen – Hintergründe – Zusammenhänge
    Author: Büchner, Timo
    Published: [2020]; © 2020
    Publisher:  Wochenschau Verlag, Frankfurt/M.

    Der Kampf um die Deutungshoheit des Heimatbegriffs wird nicht nur auf der Straße, im Netz und in den Parlamenten geführt – sondern auch in der Musik. Der Einblick in verschiedene Spektren der rechten Musik zeigt: Die vermeintlich unpolitische... more

    Location:
    Alice Salomon Hochschule Berlin, Bibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Freie Universität Berlin, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Der Kampf um die Deutungshoheit des Heimatbegriffs wird nicht nur auf der Straße, im Netz und in den Parlamenten geführt – sondern auch in der Musik. Der Einblick in verschiedene Spektren der rechten Musik zeigt: Die vermeintlich unpolitische Deutschrock-Band "Frei.Wild", die neurechten Rapper "Komplott" und "Chris Ares" sowie der neonazistische Liedermacher "Frank Rennicke" verbreiten ein völkisches Heimatverständnis, das für eine vielfältige Gesellschaft brandgefährlich ist. Das Buch ist ein analytisches Werkzeug für Lehrer*innen und Praktiker*innen in der Jugendarbeit.

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Philologische Bibliothek, FU Berlin
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783734409004
    RVK Categories: LR 56600 ; MG 10388 ; MG 15388 ; LR 56608
    DDC Categories: 300
    Subjects: Text; Rockmusik; Lied; Unterhaltungsmusik; Heimat <Motiv>; Rechtsradikalismus
    Other subjects: Book; Fachpublikum/ Wissenschaft; Chris Ares; Frank Rennicke; Frei.Wild; Heimat; Komplott; Neonazismus; Neue Rechte; Rechtsrock; rechte Musik; 1728: Hardcover, Softcover / Soziologie/Politische Soziologie
    Scope: 1 Online-Ressource (173 Seiten)
  8. "Ich bin eine Kanackin"
    decolonizing popfeminism - transcultural perspectives on Lady Bitch Ray
    Author: Tuzcu, Pinar
    Published: [2017]; © 2017
    Publisher:  transcript-Verlag, Bielefeld

    Pinar Tuzcu explores rapper Lady Bitch Ray's performance and particularly her use of the term Kanackin. She combines issues of popfeminism and postmigration through speculative methodology and invites us to forget prescriptive definitions by... more

    Access:
    Verlag (lizenzpflichtig)
    Verlag (lizenzpflichtig)

    Location:
    Alice Salomon Hochschule Berlin, Bibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Freie Universität Berlin, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Pinar Tuzcu explores rapper Lady Bitch Ray's performance and particularly her use of the term Kanackin. She combines issues of popfeminism and postmigration through speculative methodology and invites us to forget prescriptive definitions by proposing paradoxicality as a source to diversify our concepts of feminism. By means of Situational Analysis, her study works through the contradictory forms of positioning that occurred in group discussions with Turkish-German university students about Lady Bitch Ray's music videos. In this book, Tuzcu argues that these contradictory forms of positioning bear traces of emergent discourses that reach beyond Western-centric descriptions of feminism in Germany

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9783839435724
    Other identifier:
    RVK Categories: LB 44000 ; LB 53000 ; LC 87000 ; LR 56610 ; LS 48650
    Series: Gender Studies
    Subjects: Cultural Studies; Decolonial Approaches; Feminist Art & Performance; Gender Studies; Gender; Popfeminism; Popular Culture; Postcolonialism; Rap; Sociology; Rezeption; Postkolonialismus; Popkultur; Unterhaltungsmusik; Gruppendiskussion; Feminismus; Kulturelle Identität
    Other subjects: Bitch Ray Lady (1981-)
    Scope: 1 Online-Ressource (193 Seiten)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed June 28, 2017)

    Dissertation, University of Kassel, 2015
  9. Popular music and the politics of hope
    queer and feminist interventions
    Contributor: Fast, Susan (Publisher); Jennex, Craig (Publisher)
    Published: 2019
    Publisher:  Routledge, New York

    In today's culture, popular music is a vital site where ideas about gender and sexuality are imagined and disseminated. Popular Music and the Politics of Hope: Queer and Feminist Interventions explores what that means with a wide-ranging collection... more

    Access:
    Verlag (lizenzpflichtig)

    Location:
    Freie Universität Berlin, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    In today's culture, popular music is a vital site where ideas about gender and sexuality are imagined and disseminated. Popular Music and the Politics of Hope: Queer and Feminist Interventions explores what that means with a wide-ranging collection of chapters that consider the many ways in which contemporary pop music performances of gender and sexuality are politically engaged and even radical. With analyses rooted in feminist and queer thought, contributors explore music from different genres and locations, including Beyoncae's Lemonade, A Tribe Called Red's We Are the Halluci Nation, and celebrations of Vera Lynn's 100th Birthday. At a bleak moment in global politics, this collection focuses on the concept of critical hope: the chapters consider making and consuming popular music as activities that encourage individuals to imagine and work toward a better, more just world. Addressing race, class, aging, disability, and colonialism along with gender and sexuality, the authors articulate the diverse ways popular music can contribute to the collective political projects of queerness and feminism. With voices from senior and emerging scholars, this volume offers a snapshot of today's queer and feminist scholarship on popular music that is an essential read for students and scholars of music and cultural studies

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Staatsbibliothek zu Berlin; Philologische Bibliothek, FU Berlin
    Contributor: Fast, Susan (Publisher); Jennex, Craig (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781315165677
    Other identifier:
    Subjects: Unterhaltungsmusik; Feminismus; Queer-Theorie; Homosexualität; Geschlechterforschung
    Other subjects: Popular music / Political aspects; Sex and popular music; Homosexuality and popular music; Feminism and music; Feminism and music; Homosexuality and popular music; Popular music / Political aspects; Sex and popular music; MUSIC / Instruction & Study / Theory; MUSIC / General; MUSIC / History & Criticism; Electronic books
    Scope: 1 Online-Ressource (316 Seiten)
    Notes:

    1903

    Visions of wondaland: on Janelle Monaé's afrofuturistic vision / Marquita R. Smith -- Listening to difference : recognition and refusal in queer music diasporas / Craig Jennex -- Who's your daddy? : Beyoncé, the Dixie Chicks, and the art of outlaw protest / Francesca T. Royster -- Brave new ideas begin : disability, gender, and life-writing in twenty-first-century pop / Laurie Stras -- Round my hometown : listening to London in the racial politics of post-millennial British soul / Freya Jarman with Emily Baker -- Born to run and reckless : my life as a Pretender : rewriting the political imaginary of rock music memoir / Pamela Fox -- Sounding the Halluci Nation : decolonizing race, masculinity, and global solidarities with a Tribe Called Red / Alexa Woloshyn -- Addict(ive) sex: toward an intersectional approach to Truth Hurts' Addictive and Afro-South Asian hip hop and R&B / Elliott H. Powell -- Hip hop dialogues : sampling women's hand drum songs and the Canadian popular mainstream / Liz Przybylski -- Electro-pop as Trojan horse : hearing the call to arms in Anohni's Hopelessness / Maria Murphy -- Genders, genres, generations : Jacqueline Warwick and Susan McClary in conversation / Susan McClary and Jacqueline Warwick -- Power in the darkness and angry Atthis : anthems, genres and the queer voice / Jack Halberstam -- Resisting the politics of aging : Madonna and the value of female labor in popular music / Tiffany Naiman ; Vera Lynn 100 : retirement, aging, and legacy for a national treasure / Christina Baade ; Sounding lockdown : singing in administrative segregation at the Louisiana correctional institute for women / Benjamin J. Harbert and Consuela Gaines
  10. Americana
    aesthetics, authenticity, and performance in US popular music
    Contributor: Holtsträter, Knut (Publisher); Pöhlmann, Sascha (Publisher)
    Published: 2023
    Publisher:  Waxmann, Münster ; New York

    "The essay collection Americana poses the basic question of how American music can be described and analyzed as such, as American music. Situated at the intersection between musicology and American Studies, the essays focus on the categories of... more

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universität der Künste Berlin, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Verbund der Öffentlichen Bibliotheken Berlins - VÖBB
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "The essay collection Americana poses the basic question of how American music can be described and analyzed as such, as American music. Situated at the intersection between musicology and American Studies, the essays focus on the categories of aesthetics, authenticity, and performance in order to show how popular music is made American—from Alaskan hip hop to German Schlager, from Creedence Clearwater Revival to film scores, from popular opera to U2, from the Rolling Stones to country rap, and from Steve Earle to the Trans Chorus of Los Angeles."

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Contributor: Holtsträter, Knut (Publisher); Pöhlmann, Sascha (Publisher)
    Language: English
    Media type: Book
    ISBN: 9783830947561; 3830947569
    Other identifier:
    9783830947561
    RVK Categories: LS 48050
    Series: Populäre Kultur und Musik ; Band 40
    Subjects: Unterhaltungsmusik; Ästhetik; Kultur
    Other subjects: Hip-Hop; Tupac Shakur; German Schlager; Schlager-Pop; Middlebrow Musical Theater; American Opera; Broadway-Musical; Creedence Clearwater Revival; Bill Morrison; Spike Lee; U2; Rolling Stones; Steve Earle; trans identity
    Scope: 233 Seiten, Illustrationen
  11. White rebels in black
    German appropriation of black popular culture
    Author: Layne, Priscilla
    Published: [2018]; © 2018
    Publisher:  University of Michigan Press, Ann Arbor

    Zusammenfassung: "Analyzing literary texts and films, White Rebels in Black shows how German authors have since the 1950s appropriated black popular culture, particularly music, to distance themselves from the legacy of Nazi Germany,... more

    Location:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    Signature:
    91.048.13
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Kassel, Standort Holländischer Platz
    Signature:
    25 Ger SA 6040
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universität Mainz, Zentralbibliothek
    Signature:
    288.841
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Zusammenfassung: "Analyzing literary texts and films, White Rebels in Black shows how German authors have since the 1950s appropriated black popular culture, particularly music, to distance themselves from the legacy of Nazi Germany, authoritarianism, and racism, and how such appropriation changes over time. Priscilla Layne offers a critique of how blackness came to symbolize a positive escape from the hegemonic masculinity of postwar Germany, and how black identities have been represented as separate from, and in opposition to, German identity, foreclosing the possibility of being both black and German. Citing four autobiographies published by black German authors Hans Jürgen Massaquo, Theodor Michael, Günter Kaufmann, and Charly Graf, Layne considers how black German men have related to hegemonic masculinity since Nazi Germany, and concludes with a discussion on the work of black German poet, Philipp Khabo Köpsell."--Provided by publisher.

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780472130801; 0472130803
    RVK Categories: AP 44910 ; GN 1701
    DDC Categories: 830; 791
    Series: Social history, popular culture, and politics in Germany
    Subjects: Deutsch; Literatur; Film; Rezeption; Schwarze; Kulturleben; Ethnische Identität <Motiv>; Volkskultur <Motiv>; Schwarze <Motiv>; Unterhaltungsmusik <Motiv>; Massenkultur <Motiv>; Pop-Kultur
    Scope: ix, 259 Seiten, Illustrationen, 24 cm
    Notes:

    Literaturverzeichnis Seiten 235-246
  12. No time for losers
    Charts, Listen und andere Kanonisierungen in der populären Musik
    Contributor: Helms, Dietrich; Phleps, Thomas
    Published: 2008
    Publisher:  transcript Verlag, Bielefeld ; UTB GmbH, Stuttgart

    Charts und Airplaylisten, Umfragen und Votings - nirgends sonst wird so öffentlich gemessen und hierarchisiert wie in der populären Musik. Daneben existieren unter Fans und Fachleuten zahlreiche »geheime« Kanones. Das Wissen um den Rang einer Band,... more

    Access:
    Verlag (kostenfrei)

    Location:
    Bibliothek der Hochschule Darmstadt, Zentralbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
    Inter-library loan:
    No inter-library loan

    Location:
    Bibliothek der Frankfurt University of Applied Sciences
    Inter-library loan:
    No inter-library loan

    Location:
    Hessisches BibliotheksInformationsSystem hebis
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschule für Musik und Darstellende Kunst Frankfurt, Bibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    Inter-library loan:
    No inter-library loan

    Location:
    Bibliothek des Bischöflichen Priesterseminars
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschul- und Landesbibliothek Fulda, Standort Heinrich-von-Bibra-Platz
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Gießen
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    Inter-library loan:
    No inter-library loan

    Location:
    Akademie der Wissenschaften und der Literatur, Bibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Martinus-Bibliothek, Wissenschaftliche Diözesanbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universität Mainz, Zentralbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    110 Herder-Institut für historische Ostmitteleuropaforschung – Institut der Leibniz-Gemeinschaft, Forschungsbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Hessisches Staatsarchiv Marburg, Dienstbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universität Marburg, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschul- und Landesbibliothek RheinMain, Rheinstraße
    Inter-library loan:
    No inter-library loan

     

    Charts und Airplaylisten, Umfragen und Votings - nirgends sonst wird so öffentlich gemessen und hierarchisiert wie in der populären Musik. Daneben existieren unter Fans und Fachleuten zahlreiche »geheime« Kanones. Das Wissen um den Rang einer Band, eines Stücks oder einer Einspielung ist Macht- und Distinktionsgewinn. Noch nie sind so viele ratgebende Bücher und Zeitschriften über die »100/50/18/3 besten Platten« erschienen, die »alles, was man wissen muss«, in kompakter Form vorerzählen. Die Definitionsmacht dieser populären Kanones ist unter Fans und Journalisten hart umkämpft.Erstmals für die deutschsprachige Popularmusikforschung beleuchtet dieser Band das Phänomen aus den Perspektiven verschiedener Musiken, Zeiten und Wissenschaftsdisziplinen.

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Contributor: Helms, Dietrich; Phleps, Thomas
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839409831
    RVK Categories: LR 54600 ; LS 48000 ; EC 2440
    DDC Categories: 780
    Series: Beiträge zur Popularmusikforschung ; 36
    Subjects: Popmusik; Stadt; Urbanität; Unterhaltungsmusik; Kanon; Musik; Popkultur; Music; Popular Culture; Musikwissenschaft; Musicology; Popmusik; Pop Music; Kanonbildung; Hitlisten; Charts; Bestenlisten
    Scope: 1 Online-Ressource (179 Seiten)
  13. City songs and American life, 1900-1950
    Author: Lasser, Michael
    Published: 2019
    Publisher:  University of Rochester Press, Rochester, NY ; Cambridge University Press, Cambridge, UK

    An insightful look at the urban sensibility that gives the Great American Songbook its pizzazz. Nothing defines the songs of the great American songbook more richly and persuasively than their urban sensibility. During the first half of the twentieth... more

    Access:

    Location:
    Universität Frankfurt, Elektronische Ressourcen
    Signature:
    /
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Gießen
    Inter-library loan:
    No inter-library loan

     

    An insightful look at the urban sensibility that gives the Great American Songbook its pizzazz. Nothing defines the songs of the great American songbook more richly and persuasively than their urban sensibility. During the first half of the twentieth century, songwriter such as Harold Arlen, Irving Berlin, Dorothy Fields, George and Ira Gershwin, and Thomas 'Fats' Waller flourished in New York City, the home of Tin Pan Alley, Broadway, and Harlem. Many of these remarkably deft and forceful creators were native New Yorkers. Others got to Gotham as fast as they could. Either way, it was as if, from their vantage point on the West Side of Manhattan, these artists were describing America--not its geography of politics, but its heart--to Americans and to the world at large. In City songs and American life, 1900-1950, renowned author and broadcaster Michael Lasser offers an evocative and probing account of the popular songs--including some written originally for the stage or screen--that America heard, and sang, and danced to during the turbulent first half of the twentieth century. Lasser demonstrates how the spirit of the teeming city pervaded these wildly diverse songs. Often that spirit took form overtly in songs that portrayed the glamor of Broadway of the energy and jazz age culture of Harlem. But a city-bred spirit--or even a specifically New York City way of feeling and talking--also infused many other widely known and loved songs, stretching from the early decades of the century to the twenties (the age of the flapper, bathtub gin, and women's right to vote), the Great Depression, and, finally, World War II. Throughout this remarkable book, Lasser emphasizes how the soul of city life, as echoes in the nation's songs, developed and changed in tandem with economic, social, and political currents in America as a whole.

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781787444638
    RVK Categories: LS 48050
    Subjects: Unterhaltungsmusik; Song; Stadt <Motiv>
    Scope: 1 Online-Ressource (xi, 303 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 30 Aug 2019)
  14. Der Begriff "Heimat" in rechter Musik
    Analysen – Hintergründe – Zusammenhänge
    Author: Büchner, Timo
    Published: 2020
    Publisher:  Wochenschau Verlag, Frankfurt am Main

    Location:
    TU Darmstadt, Universitäts- und Landesbibliothek - Schloss
    Signature:
    /MG 10388 B928
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    Signature:
    91.164.67
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universität Gießen, Zweigbibliothek im Philosophikum II
    Signature:
    009 MG 15388 B928
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Kassel, Standort Brüder-Grimm-Platz, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    Signature:
    35 MG 15388 B928
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universität Marburg, Universitätsbibliothek
    Signature:
    001 MG 15388 B928
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783734408991; 3734408997
    Other identifier:
    9783734408991
    RVK Categories: LR 56608 ; MG 10388 ; MG 15388
    DDC Categories: 300; 320; 780
    Series: Politisches Fachbuch
    Subjects: Rechtsradikalismus; Unterhaltungsmusik; Heimat <Motiv>
    Scope: 173 Seiten, 18.7 cm x 11.5 cm
    Notes:

    Literaturverzeichnis: Seite 157-172
  15. Into the groove
    popular music and contemporary german fiction
    Author: Hurley, Andrew Wright
    Published: 2015
    Publisher:  Camden House, Rochester ; New York

    Location:
    Universitätsbibliothek Augsburg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Passau
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781571139184; 1571139184
    RVK Categories: GN 1411 ; GN 3700 ; GO 16013 ; LR 57710
    Edition: First published
    Series: Studies in German literature, linguistics, and culture
    Subjects: Unterhaltungsmusik <Motiv>; Roman; Deutsch
    Scope: 272 Seiten
  16. Methoden der Erforschung populärer Musik
    Author: Hemming, Jan
    Published: [2016]; © 2016
    Publisher:  Springer VS, Wiesbaden

    Location:
    Hochschulbibliothek Ansbach
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Technische Hochschule Augsburg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Bamberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Bayreuth
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Katholische Stiftungshochschule München, Bibliothek Benediktbeuern
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule Coburg, Zentralbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Eichstätt-Ingolstadt
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule Kempten, Hochschulbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule München, Bibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Katholische Stiftungshochschule München, Bibliothek München
    Inter-library loan:
    No inter-library loan

    Location:
    Technische Universität München, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek der LMU München
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universität der Bundeswehr München, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Evangelische Hochschule Nürnberg, Bibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Technische Hochschule Nürnberg Georg Simon Ohm, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Universitätsbibliothek Passau
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    OTH- Ostbayerische Technische Hochschule Regensburg, Hochschulbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Regensburg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Technische Hochschulbibliothek Rosenheim
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Hochschule für angewandte Wissenschaften Würzburg-Schweinfurt, Abteilungsbibliothek Schweinfurt
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Technische Hochschule Würzburg-Schweinfurt Bibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Würzburg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783658114961
    Other identifier:
    RVK Categories: LR 56400 ; LS 48000
    Series: Systematische Musikwissenschaft
    Subjects: Culture / Study and teaching; Music; Social sciences; Cultural studies; Cultural and Media Studies; Methodology of the Social Sciences; Cultural Studies; Musik; Sozialwissenschaften; Forschungsmethode; Interdisziplinarität; Musikwissenschaft; Unterhaltungsmusik
    Scope: 1 Online Ressource (534 Seiten), Illustrationen
  17. Der Wert der Musik
    Zur Ästhetik des Populären
    Author: Appen, Ralf von
    Published: [2007]; © 2007
    Publisher:  transcript Verlag, Bielefeld

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Technische Hochschule Augsburg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Bamberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule Coburg, Zentralbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule Kempten, Hochschulbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Passau
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Regensburg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839407349
    Other identifier:
    Series: texte zur populären musik ; 4
    Subjects: Musik; Musikästhetik; Popular music; Unterhaltungsmusik; Musik; Ästhetik; Music; Popmusik; Popular music; Unterhaltungsmusik; Unterhaltungsmusik; Musikästhetik; Unterhaltungsmusik
    Scope: 1 online resource (344 pages), illustrations
    Notes:

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed September 10 2015)

    Was bietet uns Musik, dass wir ihr so viel Zeit und Geld opfern? Wie soll sie beschaffen sein, damit sie die hohen Erwartungen erfüllt? Warum riskieren wir für sie das Gehör, warum gehen wir das Risiko illegaler Downloads ein? Um individuelle Bewertungen von Musik - und damit zusammenhängend: den Wert der Musik für den Menschen - zu verstehen, analysiert die Studie zunächst intensiv »Amazon«-Kundenrezensionen aktueller Alben von Robbie Williams, Eminem, The Strokes, Bob Dylan, Norah Jones u.a., um die gewonnenen Erkenntnisse dann aus der Perspektive gegenwärtiger philosophischer Ästhetik zu interpretieren
  18. Methoden der Erforschung populärer Musik
    Author: Hemming, Jan
    Published: 2016
    Publisher:  Springer VS, Wiesbaden

    Location:
    Universitätsbibliothek Eichstätt-Ingolstadt
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule für Musik, Bibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Würzburg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: German
    Media type: Book
    ISBN: 9783658114954
    RVK Categories: LR 56400 ; LS 48000
    Series: Systematische Musikwissenschaft
    Subjects: Musikwissenschaft; Forschungsmethode; Interdisziplinarität; Unterhaltungsmusik
    Scope: 534 Seiten, Illustrationen, Diagramme, Notenbeispiele
  19. Into the groove
    popular music and contemporary German fiction
    Author: Hurley, Andrew Wright
    Published: 2015
    Publisher:  Boydell & Brewer, Suffolk

    In Germany between the mid-1990s and the mid-2000s there was an unprecedented 'confusion of the spheres' of literature and popular music. Popular musicians 'crossed over' into the literary field, editors and writers called for contemporary German... more

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    In Germany between the mid-1990s and the mid-2000s there was an unprecedented 'confusion of the spheres' of literature and popular music. Popular musicians 'crossed over' into the literary field, editors and writers called for contemporary German literature to become more like popular music, writers attempted to borrow structural aspects from music or paid new attention to popular music at the thematic level. Others sought to raise their profiles by means of performance models taken from the popular music field. This book sets out to make sense of this situation. It argues for more inclusive and detailed attention to what it calls 'musico-centric fiction', for which it discerns intellectual precursors going back to the 1960s and also identifies examples written since the turn of the millennium, after the would-be death of 'pop literature'. In doing so, it focuses on fiction and paratextual interventions by authors including Peter Handke, Rolf Dieter Brinkmann, Rainald Goetz, Andreas Neumeister, Thomas Meinecke, Matthias Politycki, Frank Goosen, Benjamin von Stuckrad-Barre, Thomas Brussig, Karen Duve, and Kerstin Grether. Andrew W. Hurley is Senior Lecturer in German and Cultural Studies at the University of Technology, Sydney, Australia

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781782044307
    RVK Categories: GN 1411 ; GN 3700 ; GO 16013 ; LR 57710
    Subjects: German fiction / 21st century / History and criticism; German fiction / 20th century / History and criticism; Music in literature; Music and literature / Germany; Paratext / Germany; Unterhaltungsmusik <Motiv>; Roman; Deutsch
    Scope: 1 online resource (ix, 272 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Preludes and returns: popular music, the '68 generation, and the literarization of the jukebox -- Enter the double agent: the German popular musician as novelist -- Techno-lit: electronica and its impacts on fiction -- Analogue is better: rock- and pop-centric literature -- After the GDR's "musical niche society"? popular music in the literature of Thomas Brussig -- The gendering of popular music in the novels of Karen Duve and Kerstin Grether -- Conclusion: Out of the groove?
  20. Modernism and popular music
    Author: Schleifer, Ronald
    Published: 2011
    Publisher:  Cambridge University Press, Cambridge ; New York ; Melbourne ; Madrid ; Cape Town ; Singapore ; São Paulo ; Delhi ; Tokyo ; Mexico City

    Traditionally, ideas about twentieth-century 'modernism' - whether focused on literature, music or the visual arts - have made a distinction between 'high' art and the 'popular' arts of best-selling fiction, jazz and other forms of popular music, and... more

    Location:
    Universitätsbibliothek Bamberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Traditionally, ideas about twentieth-century 'modernism' - whether focused on literature, music or the visual arts - have made a distinction between 'high' art and the 'popular' arts of best-selling fiction, jazz and other forms of popular music, and commercial art of one form or another. In Modernism and Popular Music, Ronald Schleifer instead shows how the music of George and Ira Gershwin, Cole Porter, Thomas 'Fats' Waller and Billie Holiday can be considered as artistic expressions equal to those of the traditional high art practices in music and literature. Combining detailed attention to the language and aesthetics of popular music with an examination of its early twentieth-century performance and dissemination through the new technologies of the radio and phonograph, Schleifer explores the 'popularity' of popular music in order to reconsider received and seeming self-evident truths about the differences between high art and popular art and, indeed, about twentieth-century modernism altogether

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511793295
    Other identifier:
    RVK Categories: LR 54600
    Subjects: Modernism (Music); Popular music / United States / History and criticism; Jazz / History and criticism; Unterhaltungsmusik; Jazz; Modernismus; Ästhetik
    Other subjects: Gershwin, George / 1898-1937 / Criticism and interpretation; Holiday, Billie / 1915-1959 / Criticism and interpretation; Porter, Cole / 1891-1964 / Criticism and interpretation; Waller, Fats / 1904-1943 / Criticism and interpretation; Porter, Cole (1891-1964); Waller, Fats (1904-1943); Gershwin, Ira (1896-1983); Holiday, Billie (1915-1959); Gershwin, George (1898-1937)
    Scope: 1 Online-Ressource (xx, 233 Seiten), Notenbeispiele
    Notes:

    Introduction: popular music and the experience of modernism -- Part I. Musical Modernism: Popular Music in the Time of Jazz: 1. Classical modernity and popular music; 2. Twentieth-century modernism and 'jazz' music -- Part II. Gershwin, Porter, Waller, and Holiday: 3. Melting pot and meeting place: the Gershwin brothers and the arts of quotation; 4. 'What is this thing called love?': Cole Porter and the rhythms of desire; 5. Signifying music: Fats Waller and the time of jazz; 6. Music without composition: Billie Holiday and ensemble performance -- Conclusion: popular music and the revolution of the word
  21. Into the groove
    popular music and contemporary German fiction
    Author: Hurley, Andrew Wright
    Published: 2015
    Publisher:  Boydell & Brewer, Suffolk

    In Germany between the mid-1990s and the mid-2000s there was an unprecedented 'confusion of the spheres' of literature and popular music. Popular musicians 'crossed over' into the literary field, editors and writers called for contemporary German... more

    Location:
    Universitätsbibliothek Bamberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    In Germany between the mid-1990s and the mid-2000s there was an unprecedented 'confusion of the spheres' of literature and popular music. Popular musicians 'crossed over' into the literary field, editors and writers called for contemporary German literature to become more like popular music, writers attempted to borrow structural aspects from music or paid new attention to popular music at the thematic level. Others sought to raise their profiles by means of performance models taken from the popular music field. This book sets out to make sense of this situation. It argues for more inclusive and detailed attention to what it calls 'musico-centric fiction', for which it discerns intellectual precursors going back to the 1960s and also identifies examples written since the turn of the millennium, after the would-be death of 'pop literature'. In doing so, it focuses on fiction and paratextual interventions by authors including Peter Handke, Rolf Dieter Brinkmann, Rainald Goetz, Andreas Neumeister, Thomas Meinecke, Matthias Politycki, Frank Goosen, Benjamin von Stuckrad-Barre, Thomas Brussig, Karen Duve, and Kerstin Grether. Andrew W. Hurley is Senior Lecturer in German and Cultural Studies at the University of Technology, Sydney, Australia

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781782044307
    RVK Categories: GN 1411 ; GN 3700 ; GO 16013 ; LR 57710
    Subjects: German fiction / 21st century / History and criticism; German fiction / 20th century / History and criticism; Music in literature; Music and literature / Germany; Paratext / Germany; Roman; Unterhaltungsmusik <Motiv>; Deutsch
    Scope: 1 online resource (ix, 272 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Preludes and returns: popular music, the '68 generation, and the literarization of the jukebox -- Enter the double agent: the German popular musician as novelist -- Techno-lit: electronica and its impacts on fiction -- Analogue is better: rock- and pop-centric literature -- After the GDR's "musical niche society"? popular music in the literature of Thomas Brussig -- The gendering of popular music in the novels of Karen Duve and Kerstin Grether -- Conclusion: Out of the groove?
  22. Performative Lyrik und lyrische Performance
    Profilbildung im deutschen Rap
    Author: Gruber, Johannes
    Published: [2016]; © 2017
    Publisher:  transcript-Verlag, Bielefeld

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Technische Hochschule Augsburg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Bamberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule Coburg, Zentralbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule Kempten, Hochschulbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek der LMU München
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Passau
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839436202
    Other identifier:
    Series: Studien zur Popularmusik
    Subjects: Allgemeine Literaturwissenschaft; Bushido; Flow; Hip-Hop; Image; Jugendsprache; Lyrik; Musik; Musikwissenschaft; Performanz; Poetik; Popkultur; Popmusik; Sido; Unterhaltungsmusik; Sprecherziehung; Forschung; Bushidō; Gestik; Text; Rap; Artikulation; Gesangstechnik; Musik
    Other subjects: Bushido Rapmusiker (1978-); Sido Rapmusiker (1980-)
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed Dec. 09, 2016)
  23. Into the groove
    popular music and contemporary German fiction
    Author: Hurley, Andrew Wright
    Published: 2015
    Publisher:  Boydell & Brewer, Suffolk

    In Germany between the mid-1990s and the mid-2000s there was an unprecedented 'confusion of the spheres' of literature and popular music. Popular musicians 'crossed over' into the literary field, editors and writers called for contemporary German... more

    Location:
    Universitätsbibliothek Bamberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    In Germany between the mid-1990s and the mid-2000s there was an unprecedented 'confusion of the spheres' of literature and popular music. Popular musicians 'crossed over' into the literary field, editors and writers called for contemporary German literature to become more like popular music, writers attempted to borrow structural aspects from music or paid new attention to popular music at the thematic level. Others sought to raise their profiles by means of performance models taken from the popular music field. This book sets out to make sense of this situation. It argues for more inclusive and detailed attention to what it calls 'musico-centric fiction', for which it discerns intellectual precursors going back to the 1960s and also identifies examples written since the turn of the millennium, after the would-be death of 'pop literature'. In doing so, it focuses on fiction and paratextual interventions by authors including Peter Handke, Rolf Dieter Brinkmann, Rainald Goetz, Andreas Neumeister, Thomas Meinecke, Matthias Politycki, Frank Goosen, Benjamin von Stuckrad-Barre, Thomas Brussig, Karen Duve, and Kerstin Grether. Andrew W. Hurley is Senior Lecturer in German and Cultural Studies at the University of Technology, Sydney, Australia

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781782044307
    Other identifier:
    RVK Categories: GN 1411 ; GN 3700 ; GO 16013 ; LR 57710
    Subjects: German fiction / 21st century / History and criticism; German fiction / 20th century / History and criticism; Music in literature; Music and literature / Germany; Paratext / Germany; Unterhaltungsmusik <Motiv>; Deutsch; Roman
    Scope: 1 online resource (ix, 272 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Preludes and returns: popular music, the '68 generation, and the literarization of the jukebox -- Enter the double agent: the German popular musician as novelist -- Techno-lit: electronica and its impacts on fiction -- Analogue is better: rock- and pop-centric literature -- After the GDR's "musical niche society"? popular music in the literature of Thomas Brussig -- The gendering of popular music in the novels of Karen Duve and Kerstin Grether -- Conclusion: Out of the groove?
  24. The Routledge research companion to popular music and gender
    Contributor: Hawkins, Stan (Publisher)
    Published: 2017
    Publisher:  Routledge, Taylor & Francis Group, London ; New York, NY

    Why is gender inseparable from pop songs? What can gender representations in musical performances mean? Why are there strong links between gender, sexuality and popular music? The sound of the voice, the mix, the arrangement, the lyrics and images,... more

    Location:
    Universitätsbibliothek Bayreuth
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Why is gender inseparable from pop songs? What can gender representations in musical performances mean? Why are there strong links between gender, sexuality and popular music? The sound of the voice, the mix, the arrangement, the lyrics and images, all link our impressions of gender to music. Numerous scholars writing about gender in popular music to date are concerned with the music industry's impact on fans, and how tastes and preferences become associated with gender. This is the first collection of its kind to develop and present new theories and methods in the analysis of popular music and gender. The contributors are drawn from a range of disciplines including musicology, sociology, anthropology, gender studies, philosophy, and media studies, providing new reference points for studies in this interdisciplinary field. Stan Hawkins's introduction sets out to situate a variety of debates that prompts ways of thinking and working, where the focus falls primarily on gender roles. Amongst the innovative approaches taken up in this collection are: queer performativity, gender theory, gay and lesbian agency, the female pop celebrity, masculinities, transculturalism, queering, transgenderism and androgyny. This Research Companion is required reading for scholars and teachers of popular music, whatever their disciplinary background. Stan Hawkins is Professor of Musicology at the University of Oslo, Norway, and Adjunct Professor at the University of Agder, Norway. His research fields involve music analysis, popular musicology, gender and culture. From 2010-2014 he has led a Norwegian state-funded project, Popular Music and Gender in a Transcultural Context. He is author of Settling the Pop Score (2002), The British Pop Dandy (2009), and Prince: The Making of a Pop Music Phenomenon (2011). His edited volumes include Music, Space & Place (2004), Essays on Sound & Vision (2007), Pop Music & Easy Listening (2011), and Critical Musicological Reflections (2012). He is currently one of the General Editors for the Ashgate Popular and Folk Music Series.

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Contributor: Hawkins, Stan (Publisher)
    Language: English
    Media type: Book
    ISBN: 9781472456830
    RVK Categories: LR 56600 ; LR 56610
    Subjects: Popular music; Sex role in music; Gender identity in music; Geschlechterrolle; Unterhaltungsmusik; Geschlechterforschung
    Scope: xvii, 382 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  25. Mi si scusi il paragone
    canzone d'autore e letteratura da Guccini a Caparezza
    Author: Sidonio, Daniele
    Published: luglio 2016
    Publisher:  Musicaos editore, Neviano

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Contributor: Guccini, Francesco
    Language: Italian
    Media type: Book
    ISBN: 9788899315474
    RVK Categories: LQ 81600 ; LR 54600
    Series: I saggi ; 3
    Subjects: Songs, Italian / History and criticism; Music and literature; Singers / Italy / Interviews; Composers / Italy / Interviews; Sänger; Lied; Literatur; Rezeption; Unterhaltungsmusik
    Scope: 201 Seiten, 19 cm
    Notes:

    Includes bibliographical references (pages 168-177) and indexes