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The feminine "no!"
psychoanalysis and the new canon -
New essays on Their eyes were watching God
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The vernacular matters of American literature
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Gender - voice - vernacular
the formation of female subjectivity in Zora Neale Hurston, Toni Morrison and Alice Walker -
Zora Neale Hurston's Their eyes were watching God
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Communities of cultural value
reception study, political differences, and literary history -
Inspiriting influences
tradition, revision, and Afro-American women's novels -
Novels and stories
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The voices of African American women
the use of narrative and authorial voice in the works of Harriet Jacobs, Zora Neale Hurston, and Alice Walker -
The erotics of talk
womens's writing and feminist paradigms -
Novels and stories
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Zora Neale Hurston's Their eyes were watching God
a casebook -
The voices of African American women
the use of narrative and authorial voice in the works of Harriet Jacobs, Zora Neale Hurston, and Alice Walker -
Zora Neale Hurston's Their eyes were watching God
-
Gender - voice - vernacular
the formation of female subjectivity in Zora Neale Hurston, Toni Morrison and Alice Walker -
The feminine "No!"
psychoanalysis and the new canon -
Protest and the body in Melville, Dos Passos, and Hurston
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The erotics of talk
women's writing and feminist paradigms -
The erotics of talk
women's writing and feminist paradigms -
A reader's guide to Zora Neale Hurston's Their eyes were watching God
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Zora Neale Hurston in the classroom
"with a harp and a sword in my hands" -
Novels and stories
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Protest and the body in Melville, Dos Passos, and Hurston
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Race relations in Herman Melvilles "Benito Cereno", Zora Neale Hurstons Their eves were watching God und Ishmael Reeds Flight to Canada
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The vernacular matters of American literature