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  1. Vladimir Sorokin's discourses
    a companion
    Author: Uffelmann, Dirk
    Published: 2020; © 2020
    Publisher:  Academic Studies Press, Brookline, MA

    Vladimir Sorokin is the most prominent and the most controversial contemporary Russian writer. Having emerged as a prose writer in Moscow's artistic underground in the late 1970s and early 80s, he became visible to a broader Russian audience only in... more

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Technische Hochschule Augsburg
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    Universitätsbibliothek Bamberg
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    Hochschule Coburg, Zentralbibliothek
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Vladimir Sorokin is the most prominent and the most controversial contemporary Russian writer. Having emerged as a prose writer in Moscow's artistic underground in the late 1970s and early 80s, he became visible to a broader Russian audience only in the mid-1990s, with texts shocking the moralistic expectations of traditionally minded readers by violating not only Soviet ideological taboos, but also injecting vulgar language, sex, and violence into plots that the postmodernist Sorokin borrowed from nineteenth-century literature and Socialist Realism. Sorokin became famous when the Putin youth organization burned his books in 2002 and he picked up neo-nationalist and neo-imperialist discourses in his dystopian novels of the 2000s and 2010s, making him one of the fiercest critics of Russia's "new middle ages," while remaining steadfast in his dismantling of foreign discourses

     
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  2. Vladimir Sorokin's discourses
    a companion
    Author: Uffelmann, Dirk
    Published: 2020; © 2020
    Publisher:  Academic Studies Press, Brookline, MA

    Vladimir Sorokin is the most prominent and the most controversial contemporary Russian writer. Having emerged as a prose writer in Moscow's artistic underground in the late 1970s and early 80s, he became visible to a broader Russian audience only in... more

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Universität Potsdam, Universitätsbibliothek
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    Vladimir Sorokin is the most prominent and the most controversial contemporary Russian writer. Having emerged as a prose writer in Moscow's artistic underground in the late 1970s and early 80s, he became visible to a broader Russian audience only in the mid-1990s, with texts shocking the moralistic expectations of traditionally minded readers by violating not only Soviet ideological taboos, but also injecting vulgar language, sex, and violence into plots that the postmodernist Sorokin borrowed from nineteenth-century literature and Socialist Realism. Sorokin became famous when the Putin youth organization burned his books in 2002 and he picked up neo-nationalist and neo-imperialist discourses in his dystopian novels of the 2000s and 2010s, making him one of the fiercest critics of Russia's "new middle ages," while remaining steadfast in his dismantling of foreign discourses

     
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  3. Vladimir Sorokin's discourses
    a companion
    Author: Uffelmann, Dirk
    Published: 2020
    Publisher:  Academic Studies Press, Boston, MA

    Frontmatter -- Table of Contents -- Acknowledgments -- A Note on Transliteration, Translation, and Referencing -- Disclaimer -- 1. Introduction: The Late Soviet Union and Moscow's Artistic Underground -- 2. The Queue and Collective Speech -- 3. The... more

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    Staats- und Universitätsbibliothek Bremen
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    Technische Universität Chemnitz, Universitätsbibliothek
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    HafenCity Universität Hamburg, Bibliothek
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Hochschule für Angewandte Wissenschaften Hamburg, Hochschulinformations- und Bibliotheksservice (HIBS), Fachbibliothek Technik, Wirtschaft, Informatik
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    Technische Universität Hamburg, Universitätsbibliothek
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Universitätsbibliothek Hildesheim
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    Hochschulbibliothek Karlsruhe (PH)
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    Universitätsbibliothek Kiel, Zentralbibliothek
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    Duale Hochschule Baden-Württemberg Mannheim, Bibliothek
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    Hochschule Mittweida (FH), Hochschulbibliothek
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Universitätsbibliothek Osnabrück
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    Hochschulbibliothek Pforzheim, Bereichsbibliothek Technik und Wirtschaft
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    Universität Potsdam, Universitätsbibliothek
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    Württembergische Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    Universitätsbibliothek der Eberhard Karls Universität
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    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Wilhelmshaven, Bibliothek
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    Hochschule Zittau / Görlitz, Hochschulbibliothek
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    Frontmatter -- Table of Contents -- Acknowledgments -- A Note on Transliteration, Translation, and Referencing -- Disclaimer -- 1. Introduction: The Late Soviet Union and Moscow's Artistic Underground -- 2. The Queue and Collective Speech -- 3. The Norm and Socialist Realism -- 4. Marina's Thirtieth Love and Dissident Narratives -- 5. A Novel and Classical Russian Literature -- 6. A Month in Dachau and Entangled Totalitarianisms -- 7. Sorokin's New Media Strategies and Civic Position in Post-Soviet Russia -- 8. Blue Lard and Pulp Fiction -- 9. Ice and Esoteric Fanaticism-a New Sorokin? -- 10. Day of the Oprichnik and Political (Anti-)Utopias -- 11. The Blizzard and Self-References of a Meta-Classic -- 12. Manaraga and Reactionary Anti-Globalism -- 13. Discontinuity in Continuity: Prospects -- Bibliography -- Index Vladimir Sorokin is the most prominent and the most controversial contemporary Russian writer. Having emerged as a prose writer in Moscow's artistic underground in the late 1970s and early 80s, he became visible to a broader Russian audience only in the mid-1990s, with texts shocking the moralistic expectations of traditionally minded readers by violating not only Soviet ideological taboos, but also injecting vulgar language, sex, and violence into plots that the postmodernist Sorokin borrowed from nineteenth-century literature and Socialist Realism. Sorokin became famous when the Putin youth organization burned his books in 2002 and he picked up neo-nationalist and neo-imperialist discourses in his dystopian novels of the 2000s and 2010s, making him one of the fiercest critics of Russia's "new middle ages," while remaining steadfast in his dismantling of foreign discourses

     
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  4. Vladimir Sorokin's discourses :
    a companion /
    Author: Uffelmann, Dirk,
    Published: 2020.; © 2020.
    Publisher:  Academic Studies Press,, Brookline, MA :

    Vladimir Sorokin is the most prominent and the most controversial contemporary Russian writer. Having emerged as a prose writer in Moscow's artistic underground in the late 1970s and early 80s, he became visible to a broader Russian audience only in... more

    Access:
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    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Location:
    Universität Potsdam, Universitätsbibliothek
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    Vladimir Sorokin is the most prominent and the most controversial contemporary Russian writer. Having emerged as a prose writer in Moscow's artistic underground in the late 1970s and early 80s, he became visible to a broader Russian audience only in the mid-1990s, with texts shocking the moralistic expectations of traditionally minded readers by violating not only Soviet ideological taboos, but also injecting vulgar language, sex, and violence into plots that the postmodernist Sorokin borrowed from nineteenth-century literature and Socialist Realism. Sorokin became famous when the Putin youth organization burned his books in 2002 and he picked up neo-nationalist and neo-imperialist discourses in his dystopian novels of the 2000s and 2010s, making him one of the fiercest critics of Russia's "new middle ages," while remaining steadfast in his dismantling of foreign discourses

     
    Export to reference management software   RIS file
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  5. Vladimir Sorokin's discourses
    a companion
    Author: Uffelmann, Dirk
    Published: 2020
    Publisher:  Academic Studies Press, Boston, MA

    Frontmatter -- Table of Contents -- Acknowledgments -- A Note on Transliteration, Translation, and Referencing -- Disclaimer -- 1. Introduction: The Late Soviet Union and Moscow's Artistic Underground -- 2. The Queue and Collective Speech -- 3. The... more

    Access:
    Verlag (lizenzpflichtig)
    Resolving-System (lizenzpflichtig)

    Location:
    Universität Potsdam, Universitätsbibliothek
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    Unlimited inter-library loan, copies and loan

     

    Frontmatter -- Table of Contents -- Acknowledgments -- A Note on Transliteration, Translation, and Referencing -- Disclaimer -- 1. Introduction: The Late Soviet Union and Moscow's Artistic Underground -- 2. The Queue and Collective Speech -- 3. The Norm and Socialist Realism -- 4. Marina's Thirtieth Love and Dissident Narratives -- 5. A Novel and Classical Russian Literature -- 6. A Month in Dachau and Entangled Totalitarianisms -- 7. Sorokin's New Media Strategies and Civic Position in Post-Soviet Russia -- 8. Blue Lard and Pulp Fiction -- 9. Ice and Esoteric Fanaticism-a New Sorokin? -- 10. Day of the Oprichnik and Political (Anti-)Utopias -- 11. The Blizzard and Self-References of a Meta-Classic -- 12. Manaraga and Reactionary Anti-Globalism -- 13. Discontinuity in Continuity: Prospects -- Bibliography -- Index Vladimir Sorokin is the most prominent and the most controversial contemporary Russian writer. Having emerged as a prose writer in Moscow's artistic underground in the late 1970s and early 80s, he became visible to a broader Russian audience only in the mid-1990s, with texts shocking the moralistic expectations of traditionally minded readers by violating not only Soviet ideological taboos, but also injecting vulgar language, sex, and violence into plots that the postmodernist Sorokin borrowed from nineteenth-century literature and Socialist Realism. Sorokin became famous when the Putin youth organization burned his books in 2002 and he picked up neo-nationalist and neo-imperialist discourses in his dystopian novels of the 2000s and 2010s, making him one of the fiercest critics of Russia's "new middle ages," while remaining steadfast in his dismantling of foreign discourses

     
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