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  1. Real Wars on Virtual Battlefields
    The Convergence of Programmable Media at the Military-Civilian Margin
    Author: Werning, Stefan
    Published: 2009
    Publisher:  transcript Verlag

    The book analyzes the multifarious exchange of algorithmic technologies and concepts between the military and the media industry from the early 1990s until now. Unlike most related scholarly work which focuses on digital games, it drafts a model of... more

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    The book analyzes the multifarious exchange of algorithmic technologies and concepts between the military and the media industry from the early 1990s until now. Unlike most related scholarly work which focuses on digital games, it drafts a model of programmable media which is grounded in a close-reading of the key technologies, most notably the paradigm of object-oriented programming, and reconsiders technical disciplines from a humanities perspective. This model is then applied to analyze the effects of algorithmic logic on the military-civilian continuum, including economic practices, patterns of media usage and military decision-making

     
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839412404
    RVK Categories: AP 18200
    Series: Kultur- und Medientheorie
    Subjects: culture; Digital media; technology; Media Studies; Sociology of Science; Computer Sciences; Computer Games; Military; Technology Studies; Digital Games; Medien; Kriegsspiel; Computerspiel; Militär
    Scope: 1 Online-Ressource
  2. Real Wars on Virtual Battlefields
    The Convergence of Programmable Media at the Military-Civilian Margin
    Author: Werning, Stefan
    Published: [2015]; ©2009
    Publisher:  transcript-Verlag, Bielefeld

    The book analyzes the multifarious exchange of algorithmic technologies and concepts between the military and the media industry from the early 1990s until now. Unlike most related scholarly work which focuses on digital games, it drafts a model of... more

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    The book analyzes the multifarious exchange of algorithmic technologies and concepts between the military and the media industry from the early 1990s until now. Unlike most related scholarly work which focuses on digital games, it drafts a model of programmable media which is grounded in a close-reading of the key technologies, most notably the paradigm of object-oriented programming, and reconsiders technical disciplines from a humanities perspective. This model is then applied to analyze the effects of algorithmic logic on the military-civilian continuum, including economic practices, patterns of media usage and military decision-making

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783839412404
    Other identifier:
    Edition: 1. Aufl
    Series: Kultur- und Medientheorie
    Other subjects: Computer war games; Digital computer simulation; Military planning / Decision making / Data processing; War and society; Computer Games; Computer Sciences; Culture; Digital Games; Digital Media; Media Studies; Military; Sociology of Science; Technology Studies; Technology; Militär; Medien; Kriegsspiel; Computerspiel; SOCIAL SCIENCE / Media Studies
    Scope: 1 online resource
  3. Real Wars on Virtual Battlefields
    The Convergence of Programmable Media at the Military-Civilian Margin
    Author: Werning, Stefan
    Published: [2015]; ©2009
    Publisher:  transcript-Verlag, Bielefeld

    The book analyzes the multifarious exchange of algorithmic technologies and concepts between the military and the media industry from the early 1990s until now. Unlike most related scholarly work which focuses on digital games, it drafts a model of... more

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    The book analyzes the multifarious exchange of algorithmic technologies and concepts between the military and the media industry from the early 1990s until now. Unlike most related scholarly work which focuses on digital games, it drafts a model of programmable media which is grounded in a close-reading of the key technologies, most notably the paradigm of object-oriented programming, and reconsiders technical disciplines from a humanities perspective. This model is then applied to analyze the effects of algorithmic logic on the military-civilian continuum, including economic practices, patterns of media usage and military decision-making

     
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  4. Real Wars on Virtual Battlefields
    The Convergence of Programmable Media at the Military-Civilian Margin
    Author: Werning, Stefan
    Published: 2009
    Publisher:  transcript Verlag

    The book analyzes the multifarious exchange of algorithmic technologies and concepts between the military and the media industry from the early 1990s until now. Unlike most related scholarly work which focuses on digital games, it drafts a model of... more

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    The book analyzes the multifarious exchange of algorithmic technologies and concepts between the military and the media industry from the early 1990s until now. Unlike most related scholarly work which focuses on digital games, it drafts a model of programmable media which is grounded in a close-reading of the key technologies, most notably the paradigm of object-oriented programming, and reconsiders technical disciplines from a humanities perspective. This model is then applied to analyze the effects of algorithmic logic on the military-civilian continuum, including economic practices, patterns of media usage and military decision-making

     
    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839412404
    RVK Categories: AP 18200
    Series: Kultur- und Medientheorie
    Subjects: culture; Digital media; technology; Media Studies; Sociology of Science; Computer Sciences; Computer Games; Military; Technology Studies; Digital Games; Medien; Kriegsspiel; Computerspiel; Militär
    Scope: 1 Online-Ressource
  5. Real Wars on Virtual Battlefields
    The Convergence of Programmable Media at the Military-Civilian Margin
    Author: Werning, Stefan
    Published: 2009; ©2009.
    Publisher:  transcript Verlag, Bielefeld

    The book analyzes the multifarious exchange of algorithmic technologies and concepts between the military and the media industry from the early 1990s until now. Unlike most related scholarly work which focuses on digital games, it drafts a model of... more

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    The book analyzes the multifarious exchange of algorithmic technologies and concepts between the military and the media industry from the early 1990s until now. Unlike most related scholarly work which focuses on digital games, it drafts a model of programmable media which is grounded in a close-reading of the key technologies, most notably the paradigm of object-oriented programming, and reconsiders technical disciplines from a humanities perspective. This model is then applied to analyze the effects of algorithmic logic on the military-civilian continuum, including economic practices, patterns of media usage and military decision-making.

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783839412404
    Other identifier:
    Series: Kultur- und Medientheorie
    Subjects: Computer war games; Digital computer simulation; Military planning; War and society; Computer simulation; War video games; Computer war games.; Computerspellen.; Digital computer simulation.; Militaire technologie.; Simulatiespelen.; Sociale aspecten.; War and society.; Computerspiel.; Kriegsspiel.; Medien.; Militär.; SOCIAL SCIENCE / Media Studies
    Other subjects: Computer Games; Computer Sciences; Culture; Digital Games; Digital Media; Media Studies; Military; Sociology of Science; Technology Studies; Technology
    Scope: 1 online resource(412 p.)
    Notes:

    Description based upon print version of record

    Frontmatter -- Contents -- Table of Illustrations -- 1. Introduction -- 2. Building Blocks for a Model of Programmable Media Analysis -- 3. Epistemological Effects of Programmable Media in Perspective -- 4. Programmable Media at the Civilian/Military Margin -- 5. From the War in the Gulf to the Global War on Terror – A History in Games -- 6. Peripheralization and Universalization. Macro Effects of Programmable Media in Military-Civilian Contexts -- Bibliography -- Backmatter.
  6. Wessen Wissen?
    Materialität und Situiertheit in den Künsten
    Contributor: Busch, Kathrin (HerausgeberIn); Dörfling, Christina (HerausgeberIn); Peters, Kathrin (HerausgeberIn); Szántó, Ildikó (HerausgeberIn)
    Published: 2018
    Publisher:  Wilhelm Fink, Paderborn

    Der Titel des Bandes behauptet eine Pluralität von Wissen und rückt die Vielheit materiell-semiotischer Akteur_innen in den Blick. Fokussiert werden dabei zwei zentrale Aspekte: „Wessen Wissen?“ ist einerseits eine Frage nach Akteur_innen, Körpern,... more

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    Der Titel des Bandes behauptet eine Pluralität von Wissen und rückt die Vielheit materiell-semiotischer Akteur_innen in den Blick. Fokussiert werden dabei zwei zentrale Aspekte: „Wessen Wissen?“ ist einerseits eine Frage nach Akteur_innen, Körpern, Materialien und Technologien, die in künstlerischen Produktions- und Wissensprozessen miteinander interagieren. Diese lassen sich als Übersetzungen und Transformationen beschreiben, in denen Künstler_innen längst nicht mehr die einzigen Subjekte des Wissens sind. Denn in den künstlerischen Praktiken des Entwerfens, Skizzierens, Modellierens, Probens und Experimentierens entfalten Medien und Materialien ihre je eigene agentielle Kraft. Es ist andererseits eine Frage nach der Heterogenität von Wissensformationen in ihren partikularen und partialen Perspektiven, also nach situated knowledges. Damit wird die Vorstellung einer allgemeingültigen, körperlosen, neutralen Objektivität bestritten. Im Gegenzug nimmt das situierte Wissen der Künste für sich in Anspruch, Erkenntnisse hervorzubringen und zur Verfügung zu stellen. Es steht demnach für verkörperte Kenntnisse, die in das Feld des zugelassenen und legitimen Wissens kritisch intervenieren.

     
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    Source: Union catalogues
    Contributor: Busch, Kathrin (HerausgeberIn); Dörfling, Christina (HerausgeberIn); Peters, Kathrin (HerausgeberIn); Szántó, Ildikó (HerausgeberIn)
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783846763476
    Other identifier:
    9783846763476
    RVK Categories: LH 61040
    Series: Schrifteneihe des DFG-Graduitiertenkollegs "Das Wissen der Künste"
    Schriftenreihe des DFG-Graduiertenkollegs "Das Wissen der Künste"
    Subjects: Rassismus; Wissen; Kunst; Materialität; Epistemology; Knowledge; Aesthetics; Art; Racism; Science Studies; Epistemologie; Materiality; Technology Studies; Situated Knowledges; Ästhetik Situiertheit; Wissenschaftstheorie/Science and Technology Studies
    Scope: 1 Online-Ressource (M167, S149 Seiten), Illustrationen
    Notes:

    Wendebuch

    Literaturangaben
  7. The Big Data Agenda. Data Ethics and Critical Data Studies
    Author: Richterich, Annika
    Published: 2018
    Publisher:  Philipps-Universität Marburg, Marburg

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    Other subjects: Überwachung; Privatheit; Biomedizin; Ethik; Big Data; ethics; privacy; surveillance; biomedical research; data economies; Digital Humanities; sociology; Media Studies; Technology Studies
    Scope: Online-Ressource
    Notes:

    In: Richterich, Annika (2018): The Big Data Agenda. Data Ethics and Critical Data Studies: University of Westminster Press.
  8. Real Wars on Virtual Battlefields
    The Convergence of Programmable Media at the Military-Civilian Margin
    Author: Werning, Stefan
    Published: 2015
    Publisher:  transcript Verlag, Bielefeld

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  9. Wessen Wissen?
    Materialität und Situiertheit in den Künsten
    Contributor: Busch, Kathrin (HerausgeberIn); Dörfling, Christina (HerausgeberIn); Peters, Kathrin (HerausgeberIn); Szántó, Ildikó (HerausgeberIn)
    Published: 2018
    Publisher:  Wilhelm Fink, Paderborn

    Der Titel des Bandes behauptet eine Pluralität von Wissen und rückt die Vielheit materiell-semiotischer Akteur_innen in den Blick. Fokussiert werden dabei zwei zentrale Aspekte: „Wessen Wissen?“ ist einerseits eine Frage nach Akteur_innen, Körpern,... more

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    Der Titel des Bandes behauptet eine Pluralität von Wissen und rückt die Vielheit materiell-semiotischer Akteur_innen in den Blick. Fokussiert werden dabei zwei zentrale Aspekte: „Wessen Wissen?“ ist einerseits eine Frage nach Akteur_innen, Körpern, Materialien und Technologien, die in künstlerischen Produktions- und Wissensprozessen miteinander interagieren. Diese lassen sich als Übersetzungen und Transformationen beschreiben, in denen Künstler_innen längst nicht mehr die einzigen Subjekte des Wissens sind. Denn in den künstlerischen Praktiken des Entwerfens, Skizzierens, Modellierens, Probens und Experimentierens entfalten Medien und Materialien ihre je eigene agentielle Kraft. Es ist andererseits eine Frage nach der Heterogenität von Wissensformationen in ihren partikularen und partialen Perspektiven, also nach situated knowledges. Damit wird die Vorstellung einer allgemeingültigen, körperlosen, neutralen Objektivität bestritten. Im Gegenzug nimmt das situierte Wissen der Künste für sich in Anspruch, Erkenntnisse hervorzubringen und zur Verfügung zu stellen. Es steht demnach für verkörperte Kenntnisse, die in das Feld des zugelassenen und legitimen Wissens kritisch intervenieren.

     
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    Source: Union catalogues
    Contributor: Busch, Kathrin (HerausgeberIn); Dörfling, Christina (HerausgeberIn); Peters, Kathrin (HerausgeberIn); Szántó, Ildikó (HerausgeberIn)
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783846763476
    Other identifier:
    9783846763476
    RVK Categories: LH 61040
    Series: Schrifteneihe des DFG-Graduitiertenkollegs "Das Wissen der Künste"
    Schriftenreihe des DFG-Graduiertenkollegs "Das Wissen der Künste"
    Subjects: Rassismus; Wissen; Kunst; Materialität; Epistemology; Knowledge; Aesthetics; Art; Racism; Science Studies; Epistemologie; Materiality; Technology Studies; Situated Knowledges; Ästhetik Situiertheit; Wissenschaftstheorie/Science and Technology Studies
    Scope: 1 Online-Ressource (M167, S149 Seiten), Illustrationen
    Notes:

    Wendebuch

    Literaturangaben
  10. Real Wars on Virtual Battlefields
    The Convergence of Programmable Media at the Military-Civilian Margin
    Author: Werning, Stefan
    Published: 2009
    Publisher:  transcript Verlag, Bielefeld

    The book analyzes the multifarious exchange of algorithmic technologies and concepts between the military and the media industry from the early 1990s until now. Unlike most related scholarly work which focuses on digital games, it drafts a model of... more

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    Universität Potsdam, Universitätsbibliothek
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    The book analyzes the multifarious exchange of algorithmic technologies and concepts between the military and the media industry from the early 1990s until now. Unlike most related scholarly work which focuses on digital games, it drafts a model of programmable media which is grounded in a close-reading of the key technologies, most notably the paradigm of object-oriented programming, and reconsiders technical disciplines from a humanities perspective. This model is then applied to analyze the effects of algorithmic logic on the military-civilian continuum, including economic practices, patterns of media usage and military decision-making.

     
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  11. Real Wars on Virtual Battlefields
    The Convergence of Programmable Media at the Military-Civilian Margin
    Author: Werning, Stefan
    Published: 2009
    Publisher:  transcript Verlag, Bielefeld

    The book analyzes the multifarious exchange of algorithmic technologies and concepts between the military and the media industry from the early 1990s until now. Unlike most related scholarly work which focuses on digital games, it drafts a model of... more

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    The book analyzes the multifarious exchange of algorithmic technologies and concepts between the military and the media industry from the early 1990s until now. Unlike most related scholarly work which focuses on digital games, it drafts a model of programmable media which is grounded in a close-reading of the key technologies, most notably the paradigm of object-oriented programming, and reconsiders technical disciplines from a humanities perspective. This model is then applied to analyze the effects of algorithmic logic on the military-civilian continuum, including economic practices, patterns of media usage and military decision-making.

     
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